so far so great

Yeah, first listen, being tired at 2 am, was pretty pleasant.

better than daft punk getting blown by arcade fire.

Oh boy... we are going to hear about this 160kbps for the rest of the year. DANGER- LOCK THREAD BV!!!!!

Perfect album for this rainy Wednesday morning. Always ahead of the curve, Radiohead does it again.

Is it really good? should I buy? should I? I was about to buy it a few times on the website and backed out at the last minute.

mehh

after the wait and hype - interesting. flacid? is that possible, or is it the 4 times i listened to it in the wee hours making me grumpy? enjoyed, but thought there might be more there.

Not good... I can't stand Thom Yorke's voice anymore.... Too affected...

OK, I thought 160kbps, no big deal. Put on some headphones for bodysnatchers and its horrendous.
I didn't love the songs when i heard em live, when i downloaded the live bootlegs and now that the album is out. I've been listening to these songs for over a year and kind miss some of the radiohead guitar. My faves are nude and arpeggi.

Talking about and reading people talk about this album is already getting old.

the album is definitely not stellar. but nude and videotape are amazing; 15 step is cool too. many fans have waited a lot time to hear nude on a record. not thrilled about the 160 bitrate, but whatever.

Of course it "sounds" horrible people. It is 160kbps. That is not the record the way it is supposed to sound. Everyone thought "oh they are going to just give away their new album" Wrong! They gave away inferior copies of their new album. This is a taster for the new album. All their fans are going to go and buy the discbox or the actual cd in stores and yes a lot will just download the damn thing again in better quality.
That being said i could not disagree with Anon 8:17am. I have also been listening to these songs for a long time now and they are amazing in their recorded versions. It is a beautiful and awesome album. Except for "all i need" and "faust arp" which really take the steam out of it. Cannot wait to hear the actual cd in its full glory plus the 2nd cd with some more great songs. Amazing band, they did it again.

People talking as a whole has gotten old.

Let's move on to other forms of communication.

Its a beautiful CD. People always expect such EPIC albums from these guys though. Its a short, simple and beautiful album. Enjoy it for what it is!

Having listened to the bootlegs a ton of times since last years tours I was wondering how I would feel about the studio versions. For the most part I'm very happy (They could write shit and I'd still be happy). I'm most impressed by Reckoner. After the first listen through, that one stands out the most. I've always loved Nude/Big Ideas and I really like what they ended up with here. 15 Step has always been a fav and I guess we now know where they put that class of kids they were recording with (no clapping...but they got to cheer). I was disappointed a bit in Videotape...the live version is similar but by far better. My favorite live version was House of Cards which is duplicated here nicely...just missing the live ambiance that I got used to. I suppose it just reminded me of listening to it outside at the Marina in San Diego, which was lovely.

Anyone surprised that it is slightly stripped down? There are still the usual Nigel touches but alot less than I had thought there would be. Kinda nice.

Just enjoy it people, just enjoy it and think about it.

True fans only listen to radiohead on vinyl.

Can someone tell me how to download it? Did you get an email? I thought I bought it last week but I haven't received any confirmation emails and I just went to W.a.s.t.e and didnt see it there. My head's a little cloudy this morning. Thanks!

Are you people retarded? I bet most of your music is 160kps or less.

Anon 9:36, check your spam folder, that's where I found my email wit te link for he download

yes, the 160kps should not be a big deal. I thought Pitchfork's whining about that to be annoying. The average human ear can only register so much. I know there is a big difference in quality between the full .wav files and 160kbs but still people, you should get more than the basic idea and richness for each song.

"Are you people retarded? I bet most of your music is 160kps or less."

If you download stuff from bittorrent, then maybe. I have everything on CD, so most of my music is over 160kpbs.

Considering we got this album months ahead of schedule, free of charge, I'll let the 160kbps slide.

sounds awesome to me. Definitely in the top 5% of albums released this year.

"True fans only listen to radiohead on vinyl."

You must be so lonely....

You guys, this album will heal the sick. Radiohead have done it again.

160kps totally sucks though.

I

I saw the best minds of my generation destroyed by
madness, starving hysterical naked,
dragging themselves through the negro streets at dawn
looking for an angry fix,
angelheaded hipsters burning for the ancient heavenly
connection to the starry dynamo in the machin-
ery of night,
who poverty and tatters and hollow-eyed and high sat
up smoking in the supernatural darkness of
cold-water flats floating across the tops of cities
contemplating jazz,
who bared their brains to Heaven under the El and
saw Mohammedan angels staggering on tene-
ment roofs illuminated,
who passed through universities with radiant cool eyes
hallucinating Arkansas and Blake-light tragedy
among the scholars of war,
who were expelled from the academies for crazy &
publishing obscene odes on the windows of the
skull,
who cowered in unshaven rooms in underwear, burn-
ing their money in wastebaskets and listening
to the Terror through the wall,
who got busted in their pubic beards returning through
Laredo with a belt of marijuana for New York,
who ate fire in paint hotels or drank turpentine in
Paradise Alley, death, or purgatoried their
torsos night after night
with dreams, with drugs, with waking nightmares, al-
cohol and cock and endless balls,
incomparable blind; streets of shuddering cloud and
lightning in the mind leaping toward poles of
Canada & Paterson, illuminating all the mo-
tionless world of Time between,
Peyote solidities of halls, backyard green tree cemetery
dawns, wine drunkenness over the rooftops,
storefront boroughs of teahead joyride neon
blinking traffic light, sun and moon and tree
vibrations in the roaring winter dusks of Brook-
lyn, ashcan rantings and kind king light of mind,
who chained themselves to subways for the endless
ride from Battery to holy Bronx on benzedrine
until the noise of wheels and children brought
them down shuddering mouth-wracked and
battered bleak of brain all drained of brilliance
in the drear light of Zoo,
who sank all night in submarine light of Bickford's
floated out and sat through the stale beer after
noon in desolate Fugazzi's, listening to the crack
of doom on the hydrogen jukebox,
who talked continuously seventy hours from park to
pad to bar to Bellevue to museum to the Brook-
lyn Bridge,
lost battalion of platonic conversationalists jumping
down the stoops off fire escapes off windowsills
off Empire State out of the moon,
yacketayakking screaming vomiting whispering facts
and memories and anecdotes and eyeball kicks
and shocks of hospitals and jails and wars,
whole intellects disgorged in total recall for seven days
and nights with brilliant eyes, meat for the
Synagogue cast on the pavement,
who vanished into nowhere Zen New Jersey leaving a
trail of ambiguous picture postcards of Atlantic
City Hall,
suffering Eastern sweats and Tangerian bone-grind-
ings and migraines of China under junk-with-
drawal in Newark's bleak furnished room,
who wandered around and around at midnight in the
railroad yard wondering where to go, and went,
leaving no broken hearts,
who lit cigarettes in boxcars boxcars boxcars racketing
through snow toward lonesome farms in grand-
father night,
who studied Plotinus Poe St. John of the Cross telep-
athy and bop kabbalah because the cosmos in-
stinctively vibrated at their feet in Kansas,
who loned it through the streets of Idaho seeking vis-
ionary indian angels who were visionary indian
angels,
who thought they were only mad when Baltimore
gleamed in supernatural ecstasy,
who jumped in limousines with the Chinaman of Okla-
homa on the impulse of winter midnight street
light smalltown rain,
who lounged hungry and lonesome through Houston
seeking jazz or sex or soup, and followed the
brilliant Spaniard to converse about America
and Eternity, a hopeless task, and so took ship
to Africa,
who disappeared into the volcanoes of Mexico leaving
behind nothing but the shadow of dungarees
and the lava and ash of poetry scattered in fire
place Chicago,
who reappeared on the West Coast investigating the
F.B.I. in beards and shorts with big pacifist
eyes sexy in their dark skin passing out incom-
prehensible leaflets,
who burned cigarette holes in their arms protesting
the narcotic tobacco haze of Capitalism,
who distributed Supercommunist pamphlets in Union
Square weeping and undressing while the sirens
of Los Alamos wailed them down, and wailed
down Wall, and the Staten Island ferry also
wailed,
who broke down crying in white gymnasiums naked
and trembling before the machinery of other
skeletons,
who bit detectives in the neck and shrieked with delight
in policecars for committing no crime but their
own wild cooking pederasty and intoxication,
who howled on their knees in the subway and were
dragged off the roof waving genitals and manu-
scripts,
who let themselves be fucked in the ass by saintly
motorcyclists, and screamed with joy,
who blew and were blown by those human seraphim,
the sailors, caresses of Atlantic and Caribbean
love,
who balled in the morning in the evenings in rose
gardens and the grass of public parks and
cemeteries scattering their semen freely to
whomever come who may,
who hiccuped endlessly trying to giggle but wound up
with a sob behind a partition in a Turkish Bath
when the blond & naked angel came to pierce
them with a sword,
who lost their loveboys to the three old shrews of fate
the one eyed shrew of the heterosexual dollar
the one eyed shrew that winks out of the womb
and the one eyed shrew that does nothing but
sit on her ass and snip the intellectual golden
threads of the craftsman's loom,
who copulated ecstatic and insatiate with a bottle of
beer a sweetheart a package of cigarettes a can-
dle and fell off the bed, and continued along
the floor and down the hall and ended fainting
on the wall with a vision of ultimate cunt and
come eluding the last gyzym of consciousness,
who sweetened the snatches of a million girls trembling
in the sunset, and were red eyed in the morning
but prepared to sweeten the snatch of the sun
rise, flashing buttocks under barns and naked
in the lake,
who went out whoring through Colorado in myriad
stolen night-cars, N.C., secret hero of these
poems, cocksman and Adonis of Denver-joy
to the memory of his innumerable lays of girls
in empty lots & diner backyards, moviehouses'
rickety rows, on mountaintops in caves or with
gaunt waitresses in familiar roadside lonely pet-
ticoat upliftings & especially secret gas-station
solipsisms of johns, & hometown alleys too,
who faded out in vast sordid movies, were shifted in
dreams, woke on a sudden Manhattan, and
picked themselves up out of basements hung
over with heartless Tokay and horrors of Third
Avenue iron dreams & stumbled to unemploy-
ment offices,
who walked all night with their shoes full of blood on
the snowbank docks waiting for a door in the
East River to open to a room full of steamheat
and opium,
who created great suicidal dramas on the apartment
cliff-banks of the Hudson under the wartime
blue floodlight of the moon & their heads shall
be crowned with laurel in oblivion,
who ate the lamb stew of the imagination or digested
the crab at the muddy bottom of the rivers of
Bowery,
who wept at the romance of the streets with their
pushcarts full of onions and bad music,
who sat in boxes breathing in the darkness under the
bridge, and rose up to build harpsichords in
their lofts,
who coughed on the sixth floor of Harlem crowned
with flame under the tubercular sky surrounded
by orange crates of theology,
who scribbled all night rocking and rolling over lofty
incantations which in the yellow morning were
stanzas of gibberish,
who cooked rotten animals lung heart feet tail borsht
& tortillas dreaming of the pure vegetable
kingdom,
who plunged themselves under meat trucks looking for
an egg,
who threw their watches off the roof to cast their ballot
for Eternity outside of Time, & alarm clocks
fell on their heads every day for the next decade,
who cut their wrists three times successively unsuccess-
fully, gave up and were forced to open antique
stores where they thought they were growing
old and cried,
who were burned alive in their innocent flannel suits
on Madison Avenue amid blasts of leaden verse
& the tanked-up clatter of the iron regiments
of fashion & the nitroglycerine shrieks of the
fairies of advertising & the mustard gas of sinis-
ter intelligent editors, or were run down by the
drunken taxicabs of Absolute Reality,
who jumped off the Brooklyn Bridge this actually hap-
pened and walked away unknown and forgotten
into the ghostly daze of Chinatown soup alley
ways & firetrucks, not even one free beer,
who sang out of their windows in despair, fell out of
the subway window, jumped in the filthy Pas-
saic, leaped on negroes, cried all over the street,
danced on broken wineglasses barefoot smashed
phonograph records of nostalgic European
1930s German jazz finished the whiskey and
threw up groaning into the bloody toilet, moans
in their ears and the blast of colossal steam
whistles,
who barreled down the highways of the past journeying
to each other's hotrod-Golgotha jail-solitude
watch or Birmingham jazz incarnation,
who drove crosscountry seventytwo hours to find out
if I had a vision or you had a vision or he had
a vision to find out Eternity,
who journeyed to Denver, who died in Denver, who
came back to Denver & waited in vain, who
watched over Denver & brooded & loned in
Denver and finally went away to find out the
Time, & now Denver is lonesome for her heroes,
who fell on their knees in hopeless cathedrals praying
for each other's salvation and light and breasts,
until the soul illuminated its hair for a second,
who crashed through their minds in jail waiting for
impossible criminals with golden heads and the
charm of reality in their hearts who sang sweet
blues to Alcatraz,
who retired to Mexico to cultivate a habit, or Rocky
Mount to tender Buddha or Tangiers to boys
or Southern Pacific to the black locomotive or
Harvard to Narcissus to Woodlawn to the
daisychain or grave,
who demanded sanity trials accusing the radio of hyp
notism & were left with their insanity & their
hands & a hung jury,
who threw potato salad at CCNY lecturers on Dadaism
and subsequently presented themselves on the
granite steps of the madhouse with shaven heads
and harlequin speech of suicide, demanding in-
stantaneous lobotomy,
and who were given instead the concrete void of insulin
Metrazol electricity hydrotherapy psycho-
therapy occupational therapy pingpong &
amnesia,
who in humorless protest overturned only one symbolic
pingpong table, resting briefly in catatonia,
returning years later truly bald except for a wig of
blood, and tears and fingers, to the visible mad
man doom of the wards of the madtowns of the
East,
Pilgrim State's Rockland's and Greystone's foetid
halls, bickering with the echoes of the soul, rock-
ing and rolling in the midnight solitude-bench
dolmen-realms of love, dream of life a night-
mare, bodies turned to stone as heavy as the
moon,
with mother finally ******, and the last fantastic book
flung out of the tenement window, and the last
door closed at 4. A.M. and the last telephone
slammed at the wall in reply and the last fur-
nished room emptied down to the last piece of
mental furniture, a yellow paper rose twisted
on a wire hanger in the closet, and even that
imaginary, nothing but a hopeful little bit of
hallucination
ah, Carl, while you are not safe I am not safe, and
now you're really in the total animal soup of
time
and who therefore ran through the icy streets obsessed
with a sudden flash of the alchemy of the use
of the ellipse the catalog the meter & the vibrat-
ing plane,
who dreamt and made incarnate gaps in Time & Space
through images juxtaposed, and trapped the
archangel of the soul between 2 visual images
and joined the elemental verbs and set the noun
and dash of consciousness together jumping
with sensation of Pater Omnipotens Aeterna
Deus
to recreate the syntax and measure of poor human
prose and stand before you speechless and intel-
ligent and shaking with shame, rejected yet con-
fessing out the soul to conform to the rhythm
of thought in his naked and endless head,
the madman bum and angel beat in Time, unknown,
yet putting down here what might be left to say
in time come after death,
and rose reincarnate in the ghostly clothes of jazz in
the goldhorn shadow of the band and blew the
suffering of America's naked mind for love into
an eli eli lamma lamma sabacthani saxophone
cry that shivered the cities down to the last radio
with the absolute heart of the poem of life butchered
out of their own bodies good to eat a thousand
years.

II

What sphinx of cement and aluminum bashed open
their skulls and ate up their brains and imagi-
nation?
Moloch! Solitude! Filth! Ugliness! Ashcans and unob
tainable dollars! Children screaming under the
stairways! Boys sobbing in armies! Old men
weeping in the parks!
Moloch! Moloch! Nightmare of Moloch! Moloch the
loveless! Mental Moloch! Moloch the heavy
judger of men!
Moloch the incomprehensible prison! Moloch the
crossbone soulless jailhouse and Congress of
sorrows! Moloch whose buildings are judgment!
Moloch the vast stone of war! Moloch the stun-
ned governments!
Moloch whose mind is pure machinery! Moloch whose
blood is running money! Moloch whose fingers
are ten armies! Moloch whose breast is a canni-
bal dynamo! Moloch whose ear is a smoking
tomb!
Moloch whose eyes are a thousand blind windows!
Moloch whose skyscrapers stand in the long
streets like endless Jehovahs! Moloch whose fac-
tories dream and croak in the fog! Moloch whose
smokestacks and antennae crown the cities!
Moloch whose love is endless oil and stone! Moloch
whose soul is electricity and banks! Moloch
whose poverty is the specter of genius! Moloch
whose fate is a cloud of sexless hydrogen!
Moloch whose name is the Mind!
Moloch in whom I sit lonely! Moloch in whom I dream
Angels! Crazy in Moloch! Cocksucker in
Moloch! Lacklove and manless in Moloch!
Moloch who entered my soul early! Moloch in whom
I am a consciousness without a body! Moloch
who frightened me out of my natural ecstasy!
Moloch whom I abandon! Wake up in Moloch!
Light streaming out of the sky!
Moloch! Moloch! Robot apartments! invisible suburbs!
skeleton treasuries! blind capitals! demonic
industries! spectral nations! invincible mad
houses! granite cocks! monstrous bombs!
They broke their backs lifting Moloch to Heaven! Pave-
ments, trees, radios, tons! lifting the city to
Heaven which exists and is everywhere about
us!
Visions! omens! hallucinations! miracles! ecstasies!
gone down the American river!
Dreams! adorations! illuminations! religions! the whole
boatload of sensitive bullshit!
Breakthroughs! over the river! flips and crucifixions!
gone down the flood! Highs! Epiphanies! De-
spairs! Ten years' animal screams and suicides!
Minds! New loves! Mad generation! down on
the rocks of Time!
Real holy laughter in the river! They saw it all! the
wild eyes! the holy yells! They bade farewell!
They jumped off the roof! to solitude! waving!
carrying flowers! Down to the river! into the
street!

III

Carl Solomon! I'm with you in Rockland
where you're madder than I am
I'm with you in Rockland
where you must feel very strange
I'm with you in Rockland
where you imitate the shade of my mother
I'm with you in Rockland
where you've murdered your twelve secretaries
I'm with you in Rockland
where you laugh at this invisible humor
I'm with you in Rockland
where we are great writers on the same dreadful
typewriter
I'm with you in Rockland
where your condition has become serious and
is reported on the radio
I'm with you in Rockland
where the faculties of the skull no longer admit
the worms of the senses
I'm with you in Rockland
where you drink the tea of the breasts of the
spinsters of Utica
I'm with you in Rockland
where you pun on the bodies of your nurses the
harpies of the Bronx
I'm with you in Rockland
where you scream in a straightjacket that you're
losing the game of the actual pingpong of the
abyss
I'm with you in Rockland
where you bang on the catatonic piano the soul
is innocent and immortal it should never die
ungodly in an armed madhouse
I'm with you in Rockland
where fifty more shocks will never return your
soul to its body again from its pilgrimage to a
cross in the void
I'm with you in Rockland
where you accuse your doctors of insanity and
plot the Hebrew socialist revolution against the
fascist national Golgotha
I'm with you in Rockland
where you will split the heavens of Long Island
and resurrect your living human Jesus from the
superhuman tomb
I'm with you in Rockland
where there are twenty-five-thousand mad com-
rades all together singing the final stanzas of the Internationale
I'm with you in Rockland
where we hug and kiss the United States under
our bedsheets the United States that coughs all
night and won't let us sleep
I'm with you in Rockland
where we wake up electrified out of the coma
by our own souls' airplanes roaring over the
roof they've come to drop angelic bombs the
hospital illuminates itself imaginary walls col-
lapse O skinny legions run outside O starry
spangled shock of mercy the eternal war is
here O victory forget your underwear we're
free
I'm with you in Rockland
in my dreams you walk dripping from a sea-
journey on the highway across America in tears
to the door of my cottage in the Western night

I heard the 6'8" Not My Fucking Problem t-shirt guy plays bass on a couple tracks. True?

All those men were there inside,
when she came in totally naked.
They had been drinking: they began to spit.
Newly come from the river, she knew nothing.
She was a mermaid who had lost her way.
The insults flowed down her gleaming flesh.
Obscenities drowned her golden breasts.
Not knowing tears, she did not weep tears.
Not knowing clothes, she did not have clothes.
They blackened her with burnt corks and cigarette stubs,
and rolled around laughing on the tavern floor.
She did not speak because she had no speech.
Her eyes were the colour of distant love,
her twin arms were made of white topaz.
Her lips moved, silent, in a coral light,
and suddenly she went out by that door.
Entering the river she was cleaned,
shining like a white stone in the rain,
and without looking back she swam again
swam towards emptiness, swam towards death.

Poetry in unexpected places... it's like the subway!

If you didn't get the album, or want to try listening to it while drinking at the Annex (downstairs) tonight ... try this event (click my name)

nice to finally hear the studio recordings after growing to know these songs on bootlegs and hearing them live last year. the album feels really tight and complete even after one listen.

What I expected more fanboys to defend Radiohead.

so do we know yet who radiohead signed with for the cd release later in '08?

radiohead the most influential band of our generation really doesn't need defending. i dont think they're losing one wink over what is said on these comments.

Now that we have the download..when is the tour???? I always liked the orig version of Big Ideas from 98...to me thats the one i was hoping for....All I Need mixed well with day rainy day blues. The end of Arpeggi had some kewl synth which wasn't there on the tour...Reckoner is beautiful...House of Cards is classic...Great Great Great day in Radiohead Land.

eh. it sounds like Radiohead. don't know if that's good or bad. i think it's a very good effort, but I'm sort of bored at this point. they should try a different producer.

THERE was a child went forth every day;
And the first object he look’d upon, that object he became;
And that object became part of him for the day, or a certain part of the day, or for many years, or stretching cycles of years.

The early lilacs became part of this child,
And grass, and white and red morning-glories, and white and red clover, and the song of the phoebe-bird, 5
And the Third-month lambs, and the sow’s pink-faint litter, and the mare’s foal, and the cow’s calf,
And the noisy brood of the barn-yard, or by the mire of the pond-side,
And the fish suspending themselves so curiously below there—and the beautiful curious liquid,
And the water-plants with their graceful flat heads—all became part of him.

The field-sprouts of Fourth-month and Fifth-month became part of him; 10
Winter-grain sprouts, and those of the light-yellow corn, and the esculent roots of the garden,
And the apple-trees cover’d with blossoms, and the fruit afterward, and wood-berries, and the commonest weeds by the road;
And the old drunkard staggering home from the out-house of the tavern, whence he had lately risen,
And the school-mistress that pass’d on her way to the school,
And the friendly boys that pass’d—and the quarrelsome boys, 15
And the tidy and fresh-cheek’d girls—and the barefoot negro boy and girl,
And all the changes of city and country, wherever he went.

His own parents,
He that had father’d him, and she that had conceiv’d him in her womb, and birth’d him,
They gave this child more of themselves than that; 20
They gave him afterward every day—they became part of him.

The mother at home, quietly placing the dishes on the supper-table;
The mother with mild words—clean her cap and gown, a wholesome odor falling off her person and clothes as she walks by;
The father, strong, self-sufficient, manly, mean, anger’d, unjust;
The blow, the quick loud word, the tight bargain, the crafty lure, 25
The family usages, the language, the company, the furniture—the yearning and swelling heart,
Affection that will not be gainsay’d—the sense of what is real—the thought if, after all, it should prove unreal,
The doubts of day-time and the doubts of night-time—the curious whether and how,
Whether that which appears so is so, or is it all flashes and specks?
Men and women crowding fast in the streets—if they are not flashes and specks, what are they? 30
The streets themselves, and the façades of houses, and goods in the windows,
Vehicles, teams, the heavy-plank’d wharves—the huge crossing at the ferries,
The village on the highland, seen from afar at sunset—the river between,
Shadows, aureola and mist, the light falling on roofs and gables of white or brown, three miles off,
The schooner near by, sleepily dropping down the tide—the little boat slack-tow’d astern, 35
The hurrying tumbling waves, quick-broken crests, slapping,
The strata of color’d clouds, the long bar of maroon-tint, away solitary by itself—the spread of purity it lies motionless in,
The horizon’s edge, the flying sea-crow, the fragrance of salt marsh and shore mud;
These became part of that child who went forth every day, and who now goes, and will always go forth every day.

Anon 10:43: They should join the band wagon and get Timbaland to produce it!!!

after seeing the msg theater shows, i had somewhat low expectations for this record...but it turned out to be their best work since KID A (in my humble still hyped on having a new radiohead record for 4 hours, 3 listens and counting opinion).

I kinda thought theyd release a good rip of the record, but i don't give a shit. i paid 5 pounds for now, and will download the real rip from oink in december.

the one thing that kinda urks me though, is how thom ends 'NUDE' with the little mermaid song. isnt that weird?

I'd love to hear them move on with their producer... how great would it be for them to work with someone from Animal Collective? Nigel is tired...Radiohead is tired...

it's pretty and Reckoner is def the best track...but they need to branch out and away from Nigel...get into a more experimental producer...Panda Bear would be the way to go...

"True fans only listen to radiohead on vinyl."

Another idiot. Radiohead is a digital band dopey. They dont record analog. So vinyl actually does nothing to improve the sound. They use modern recording techniques in a major way. This is not like Neil Young or the White Stripes who record in analog and whose vinyl versions sound far superior

"Are you people retarded? I bet most of your music is 160kps or less."

And it is precisely because of the genius who said this that the music industry is in such shambles today. Downloading, while sticking it to the record industry has completely devalued music. Convenience, portability and size have overtaken quality.

again, get away from Nigel...this for me is what has ruined the album so far. get a new producer. somone who will push them in new directions and not let them settle into this blah...ugh..

"Are you people retarded? I bet most of your music is 160kps or less."

And it is precisely because of the genius who said this that the music industry is in such shambles today. Downloading, while sticking it to the record industry has completely devalued music. Convenience, portability and size have overtaken quality.

Y'all are way behind. 160's wack. it was passable on napster, but in this day and age 192 is a bare minimum...fuck portability and size. the extra 15 mbs on this record will make a big difference. sorry your cheaped out 2gig nano or zen trixter or whatever is filling up so fast...but its douchebags like you who are trying to pull down the quality standards in the industry

"True fans only listen to radiohead on vinyl."

Another idiot. Radiohead is a digital band dopey. They dont record analog. So vinyl actually does nothing to improve the sound. They use modern recording techniques in a major way. This is not like Neil Young or the White Stripes who record in analog and whose vinyl versions sound far superior

wow - sarcasm is a tool unrecognized by the self-indulgent.

in the middle of my first listen right now. I like it. I think it will grow even more on everyone in the next few days/weeks. It's definitely stripped down for Radiohead but it has a certain edge and soulful appeal that makes it interesting. heck, and I only paid $6. I might buy the vinyl in a few days.

I refuse to listen to this lossy format. It hurts my ears. I will wait for the vinyl to arrive.

i haven't gotten my e-mail yet....what's up with that?

I haven't got my activation email either, and its not in my spam folder. Frustrating!!! Has anyone posted the zip file anywhere?? I paid, I paid!! Arrrgh.

for those who have paid and are having trouble, and are also feeling left out, download the record from here.

http://www.mininova.org/tor/932998

i really wanna see them succeed with this. i think it is totally the direction music distribution needs to go...so show support.

Third time listening to it right now. For as dark as it is, In Rainbows has to be their funkiest album yet. The sparse bass really compliments Phil's large presence on the drums. If you weren't totally impressed the first time around (myself included), let it grow on you because this is, again, another masterpiece.

What are you guys talking about?

I'm convinced Radiohead dorks love and admire Radiohead even more than Jesus freak evangelical Christians love and admire Jesus himself. Even more than I like smoking haze and sour diesel out of a 300 dollar bong........

it's a decent record. i knew the songs from bootlegs beforehand so that ruined the surprise for me.

but man, they botched "videotape." it was near perfection when they played it live. the instrumentation swelled and the drums drove the song and thom's voice was so emotional and true.

then, they HAD to fuck with it simply to be different, and instead we get a poor final track.

so, for those counting, they've botched the recorded version of "motion picture soundtrack" and "i might be wrong." the live versions previous to each's release was vastly superior to the recorded version, and the same truth extends now to "videotape."

radiohead, why can'd you just leave well enough alone sometimes?

I'd rather listen to the death rattle of my first child. This record is BORING.

If you're going to steal from David Cross, asshole, at least own up to it.

FIRST STORY. Which Treats of a Mirror and of the Splinters

Now then, let us begin. When we are at the end of the story, we shall know more than we know now: but to begin.

Once upon a time there was a wicked sprite, indeed he was the most mischievous of all sprites. One day he was in a very good humor, for he had made a mirror with the power of causing all that was good and beautiful when it was reflected therein, to look poor and mean; but that which was good-for-nothing and looked ugly was shown magnified and increased in ugliness. In this mirror the most beautiful landscapes looked like boiled spinach, and the best persons were turned into frights, or appeared to stand on their heads; their faces were so distorted that they were not to be recognised; and if anyone had a mole, you might be sure that it would be magnified and spread over both nose and mouth.

"That's glorious fun!" said the sprite. If a good thought passed through a man's mind, then a grin was seen in the mirror, and the sprite laughed heartily at his clever discovery. All the little sprites who went to his school--for he kept a sprite school--told each other that a miracle had happened; and that now only, as they thought, it would be possible to see how the world really looked. They ran about with the mirror; and at last there was not a land or a person who was not represented distorted in the mirror. So then they thought they would fly up to the sky, and have a joke there. The higher they flew with the mirror, the more terribly it grinned: they could hardly hold it fast. Higher and higher still they flew, nearer and nearer to the stars, when suddenly the mirror shook so terribly with grinning, that it flew out of their hands and fell to the earth, where it was dashed in a hundred million and more pieces. And now it worked much more evil than before; for some of these pieces were hardly so large as a grain of sand, and they flew about in the wide world, and when they got into people's eyes, there they stayed; and then people saw everything perverted, or only had an eye for that which was evil. This happened because the very smallest bit had the same power which the whole mirror had possessed. Some persons even got a splinter in their heart, and then it made one shudder, for their heart became like a lump of ice. Some of the broken pieces were so large that they were used for windowpanes, through which one could not see one's friends. Other pieces were put in spectacles; and that was a sad affair when people put on their glasses to see well and rightly. Then the wicked sprite laughed till he almost choked, for all this tickled his fancy. The fine splinters still flew about in the air: and now we shall hear what happened next.

SECOND STORY. A Little Boy and a Little Girl

In a large town, where there are so many houses, and so many people, that there is no roof left for everybody to have a little garden; and where, on this account, most. persons are obliged to content themselves with flowers in pots; there lived two little children, who had a garden somewhat larger than a flower-pot. They were not brother and sister; but they cared for each other as much as if they were. Their parents lived exactly opposite. They inhabited two garrets; and where the roof of the one house joined that of the other, and the gutter ran along the extreme end of it, there was to each house a small window: one needed only to step over the gutter to get from one window to the other.

The children's parents had large wooden boxes there, in which vegetables for the kitchen were planted, and little rosetrees besides: there was a rose in each box, and they grew splendidly. They now thought of placing the boxes across the gutter, so that they nearly reached from one window to the other, and looked just like two walls of flowers. The tendrils of the peas hung down over the boxes; and the rose-trees shot up long branches, twined round the windows, and then bent towards each other: it was almost like a triumphant arch of foliage and flowers. The boxes were very high, and the children knew that they must not creep over them; so they often obtained permission to get out of the windows to each other, and to sit on their little stools among the roses, where they could play delight fully. In winter there was an end of this pleasure. The windows were often frozen over; but then they heated copper farthings on the stove, and laid the hot farthing on the windowpane, and then they had a capital peep-hole, quite nicely rounded; and out of each peeped a gentle friendly eye--it was the little boy and the little girl who were looking out. His name was Kay, hers was Gerda. In summer, with one jump, they could get to each other; but in winter they were obliged first to go down the long stairs, and then up the long stairs again: and out-of-doors there was quite a snow-storm.

"It is the white bees that are swarming," said Kay's old grandmother.

"Do the white bees choose a queen?" asked the little boy; for he knew that the honey-bees always have one.

"Yes," said the grandmother, "she flies where the swarm hangs in the thickest clusters. She is the largest of all; and she can never remain quietly on the earth, but goes up again into the black clouds. Many a winter's night she flies through the streets of the town, and peeps in at the windows; and they then freeze in so wondrous a manner that they look like flowers."

"Yes, I have seen it," said both the children; and so they knew that it was true.

"Can the Snow Queen come in?" said the little girl.

"Only let her come in!" said the little boy. "Then I'd put her on the stove, and she'd melt."

And then his grandmother patted his head and told him other stories.

In the evening, when little Kay was at home, and half undressed, he climbed up on the chair by the window, and peeped out of the little hole. A few snow-flakes were falling, and one, the largest of all, remained lying on the edge of a flower-pot.

The flake of snow grew larger and larger; and at last it was like a young lady, dressed in the finest white gauze, made of a million little flakes like stars. She was so beautiful and delicate, but she was of ice, of dazzling, sparkling ice; yet she lived; her eyes gazed fixedly, like two stars; but there was neither quiet nor repose in them. She nodded towards the window, and beckoned with her hand. The little boy was frightened, and jumped down from the chair; it seemed to him as if, at the same moment, a large bird flew past the window.

The next day it was a sharp frost--and then the spring came; the sun shone, the green leaves appeared, the swallows built their nests, the windows were opened, and the little children again sat in their pretty garden, high up on the leads at the top of the house.

That summer the roses flowered in unwonted beauty. The little girl had learned a hymn, in which there was something about roses; and then she thought of her own flowers; and she sang the verse to the little boy, who then sang it with her:

"The rose in the valley is blooming so sweet,
And angels descend there the children to greet."

And the children held each other by the hand, kissed the roses, looked up at the clear sunshine, and spoke as though they really saw angels there. What lovely summer-days those were! How delightful to be out in the air, near the fresh rose-bushes, that seem as if they would never finish blossoming!

Kay and Gerda looked at the picture-book full of beasts and of birds; and it was then--the clock in the church-tower was just striking five--that Kay said, "Oh! I feel such a sharp pain in my heart; and now something has got into my eye!"

The little girl put her arms around his neck. He winked his eves; now there was nothing to be seen.

"I think it is out now," said he; but it was not. It was just one of those pieces of glass from the magic mirror that had got into his eye; and poor Kay had got another piece right in his heart. It will soon become like ice. It did not hurt any longer, but there it was.

"What are you crying for?" asked he. "You look so ugly! There's nothing the matter with me. Ah," said he at once, "that rose is cankered! And look, this one is quite crooked! After all, these roses are very ugly! They are just like the box they are planted in!" And then he gave the box a good kick with his foot, and pulled both the roses up.

"What are you doing?" cried the little girl; and as he perceived her fright, he pulled up another rose, got in at the window, and hastened off from dear little Gerda.

Afterwards, when she brought her picture-book, he asked, "What horrid beasts have you there?" And if his grandmother told them stories, he always interrupted her; besides, if he could manage it, he would get behind her, put on her spectacles, and imitate her way of speaking; he copied all her ways, and then everybody laughed at him. He was soon able to imitate the gait and manner of everyone in the street. Everything that was peculiar and displeasing in them--that Kay knew how to imitate: and at such times all the people said, "The boy is certainly very clever!" But it was the glass he had got in his eye; the glass that was sticking in his heart, which made him tease even little Gerda, whose whole soul was devoted to him.

His games now were quite different to what they had formerly been, they were so very knowing. One winter's day, when the flakes of snow were flying about, he spread the skirts of his blue coat, and caught the snow as it fell.

"Look through this glass, Gerda," said he. And every flake seemed larger, and appeared like a magnificent flower, or beautiful star; it was splendid to look at!

"Look, how clever!" said Kay. "That's much more interesting than real flowers! They are as exact as possible; there i not a fault in them, if they did not melt!"

It was not long after this, that Kay came one day with large gloves on, and his little sledge at his back, and bawled right into Gerda's ears, "I have permission to go out into the square where the others are playing"; and off he was in a moment.

There, in the market-place, some of the boldest of the boys used to tie their sledges to the carts as they passed by, and so they were pulled along, and got a good ride. It was so capital! Just as they were in the very height of their amusement, a large sledge passed by: it was painted quite white, and there was someone in it wrapped up in a rough white mantle of fur, with a rough white fur cap on his head. The sledge drove round the square twice, and Kay tied on his sledge as quickly as he could, and off he drove with it. On they went quicker and quicker into the next street; and the person who drove turned round to Kay, and nodded to him in a friendly manner, just as if they knew each other. Every time he was going to untie his sledge, the person nodded to him, and then Kay sat quiet; and so on they went till they came outside the gates of the town. Then the snow began to fall so thickly that the little boy could not see an arm's length before him, but still on he went: when suddenly he let go the string he held in his hand in order to get loose from the sledge, but it was of no use; still the little vehicle rushed on with the quickness of the wind. He then cried as loud as he could, but no one beard him; the snow drifted and the sledge flew on, and sometimes it gave a jerk as though they were driving over hedges and ditches. He was quite frightened, and he tried to repeat the Lord's Prayer; but all he could do, he was only able to remember the multiplication table.

The snow-flakes grew larger and larger, till at last they looked just like great white fowls. Suddenly they flew on one side; the large sledge stopped, and the person who drove rose up. It was a lady; her cloak and cap were of snow. She was tall and of slender figure, and of a dazzling whiteness. It was the Snow Queen.

"We have travelled fast," said she; "but it is freezingly cold. Come under my bearskin." And she put him in the sledge beside her, wrapped the fur round him, and he felt as though he were sinking in a snow-wreath.

"Are you still cold?" asked she; and then she kissed his forehead. Ah! it was colder than ice; it penetrated to his very heart, which was already almost a frozen lump; it seemed to him as if he were about to die--but a moment more and it was quite congenial to him, and he did not remark the cold that was around him.

"My sledge! Do not forget my sledge!" It was the first thing he thought of. It was there tied to one of the white chickens, who flew along with it on his back behind the large sledge. The Snow Queen kissed Kay once more, and then he forgot little Gerda, grandmother, and all whom he had left at his home.

"Now you will have no more kisses," said she, "or else I should kiss you to death!"

Kay looked at her. She was very beautiful; a more clever, or a more lovely countenance he could not fancy to himself; and she no longer appeared of ice as before, when she sat outside the window, and beckoned to him; in his eyes she was perfect, he did not fear her at all, and told her that he could calculate in his head and with fractions, even; that he knew the number of square miles there were in the different countries, and how many inhabitants they contained; and she smiled while he spoke. It then seemed to him as if what he knew was not enough, and he looked upwards in the large huge empty space above him, and on she flew with him; flew high over,the black clouds, while the storm moaned and whistled as though it were singing some old tune. On they flew over woods and lakes, over seas, and many lands; and beneath them the chilling storm rushed fast, the wolves howled, the snow crackled; above them flew large screaming crows, but higher up appeared the moon, quite large and bright; and it was on it that Kay gazed during the long long winter's night; while by day he slept at the feet of the Snow Queen.

THIRD STORY. Of the Flower-Garden At the Old Woman's Who Understood Witchcraft

But what became of little Gerda when Kay did not return? Where could he be? Nobody knew; nobody could give any intelligence. All the boys knew was, that they had seen him tie his sledge to another large and splendid one, which drove down the street and out of the town. Nobody knew where he was; many sad tears were shed, and little Gerda wept long and bitterly; at last she said he must be dead; that he had been drowned in the river which flowed close to the town. Oh! those were very long and dismal winter evenings!

At last spring came, with its warm sunshine.

"Kay is dead and gone!" said little Gerda.

"That I don't believe," said the Sunshine.

"Kay is dead and gone!" said she to the Swallows.

"That I don't believe," said they: and at last little Gerda did not think so any longer either.

"I'll put on my red shoes," said she, one morning; "Kay has never seen them, and then I'll go down to the river and ask there."

It was quite early; she kissed her old grandmother, who was still asleep, put on her red shoes, and went alone to the river.

"Is it true that you have taken my little playfellow? I will make you a present of my red shoes, if you will give him back to me."

And, as it seemed to her, the blue waves nodded in a strange manner; then she took off her red shoes, the most precious things she possessed, and threw them both into the river. But they fell close to the bank, and the little waves bore them immediately to land; it was as if the stream would not take what was dearest to her; for in reality it had not got little, Kay; but Gerda thought that she had not thrown the shoes out far enough, so she clambered into a boat which lay among the rushes, went to the farthest end, and threw out the shoes. But the boat was not fastened, and the motion which she occasioned, made it drift from the shore. She observed this, and hastened to get back; but before she could do so, the boat was more than a yard from the land, and was gliding quickly onward.

Little Gerda was very frightened, and began to cry; but no one heard her except the sparrows, and they could not carry her to land; but they flew along the bank, and sang as if to comfort her, "Here we are! Here we are!" The boat drifted with the stream, little Gerda sat quite still without shoes, for they were swimming behind the boat, but she could not reach them, because the boat went much faster than they did.

The banks on both sides were beautiful; lovely flowers, venerable trees, and slopes with sheep and cows, but not a human being was to be seen.

"Perhaps the river will carry me to little Kay," said she; and then she grew less sad. She rose, and looked for many hours at the beautiful green banks. Presently she sailed by a large cherry-orchard, where was a little cottage with curious red and blue windows; it was thatched, and before it two wooden soldiers stood sentry, and presented arms when anyone went past.

Gerda called to them, for she thought they were alive; but they, of course, did not answer. She came close to them, for the stream drifted the boat quite near the land.

Gerda called still louder, and an old woman then came out of the cottage, leaning upon a crooked stick. She had a large broad-brimmed hat on, painted with the most splendid flowers.

"Poor little child!" said the old woman. "How did you get upon the large rapid river, to be driven about so in the wide world!" And then the old woman went into the water, caught hold of the boat with her crooked stick, drew it to the bank, and lifted little Gerda out.

And Gerda was so glad to be on dry land again; but she was rather afraid of the strange old woman.

"But come and tell me who you are, and how you came here," said she.

And Gerda told her all; and the old woman shook her head and said, "A-hem! a-hem!" and when Gerda had told her everything, and asked her if she had not seen little Kay, the woman answered that he had not passed there, but he no doubt would come; and she told her not to be cast down, but taste her cherries, and look at her flowers, which were finer than any in a picture-book, each of which could tell a whole story. She then took Gerda by the hand, led her into the little cottage, and locked the door.

The windows were very high up; the glass was red, blue, and green, and the sunlight shone through quite wondrously in all sorts of colors. On the table stood the most exquisite cherries, and Gerda ate as many as she chose, for she had permission to do so. While she was eating, the old woman combed her hair with a golden comb, and her hair curled and shone with a lovely golden color around that sweet little face, which was so round and so like a rose.

"I have often longed for such a dear little girl," said the old woman. "Now you shall see how well we agree together"; and while she combed little Gerda's hair, the child forgot her foster-brother Kay more and more, for the old woman understood magic; but she was no evil being, she only practised witchcraft a little for her own private amusement, and now she wanted very much to keep little Gerda. She therefore went out in the garden, stretched out.her crooked stick towards the rose-bushes, which, beautifully as they were blowing, all sank into the earth and no one could tell where they had stood. The old woman feared that if Gerda should see the roses, she would then think of her own, would remember little Kay, and run away from her.

She now led Gerda into the flower-garden. Oh, what odour and what loveliness was there! Every flower that one could think of, and of every season, stood there in fullest bloom; no picture-book could be gayer or more beautiful. Gerda jumped for joy, and played till the sun set behind the tall cherry-tree; she then had a pretty bed, with a red silken coverlet filled with blue violets. She fell asleep, and had as pleasant dreams as ever a queen on her wedding-day.

The next morning she went to play with the flowers in the warm sunshine, and thus passed away a day. Gerda knew every flower; and, numerous as they were, it still seemed to Gerda that one was wanting, though she did not know which. One day while she was looking at the hat of the old woman painted with flowers, the most beautiful of them all seemed to her to be a rose. The old woman had forgotten to take it from her hat when she made the others vanish in the earth. But so it is when one's thoughts are not collected. "What!" said Gerda. "Are there no roses here?" and she ran about amongst the flowerbeds, and looked, and looked, but there was not one to be found. She then sat down and wept; but her hot tears fell just where a rose-bush had sunk; and when her warm tears watered the ground, the tree shot up suddenly as fresh and blooming as when it had been swallowed up. Gerda kissed the roses, thought of her own dear roses at home, and with them of little Kay.

"Oh, how long I have stayed!" said the little girl. "I intended to look for Kay! Don't you know where he is?" she asked of the roses. "Do you think he is dead and gone?"

"Dead he certainly is not," said the Roses. "We have been in the earth where all the dead are, but Kay was not there."

"Many thanks!" said little Gerda; and she went to the other flowers, looked into their cups, and asked, "Don't you know where little Kay is?"

But every flower stood in the sunshine, and dreamed its own fairy tale or its own story: and they all told her very many things, but not one knew anything of Kay.

Well, what did the Tiger-Lily say?

"Hearest thou not the drum? Bum! Bum! Those are the only two tones. Always bum! Bum! Hark to the plaintive song of the old woman, to the call of the priests! The Hindoo woman in her long robe stands upon the funeral pile; the flames rise around her and her dead husband, but the Hindoo woman thinks on the living one in the surrounding circle; on him whose eyes burn hotter than the flames--on him, the fire of whose eyes pierces her heart more than the flames which soon will burn her body to ashes. Can the heart's flame die in the flame of the funeral pile?"

"I don't understand that at all," said little Gerda.

"That is my story," said the Lily.

What did the Convolvulus say?

"Projecting over a narrow mountain-path there hangs an old feudal castle. Thick evergreens grow on the dilapidated walls, and around the altar, where a lovely maiden is standing: she bends over the railing and looks out upon the rose. No fresher rose hangs on the branches than she; no appleblossom carried away by the wind is more buoyant! How her silken robe is rustling!

"'Is he not yet come?'"

"Is it Kay that you mean?" asked little Gerda.

"I am speaking about my story--about my dream," answered the Convolvulus.

What did the Snowdrops say?

"Between the trees a long board is hanging--it is a swing. Two little girls are sitting in it, and swing themselves backwards and forwards; their frocks are as white as snow, and long green silk ribands flutter from their bonnets. Their brother, who is older than they are, stands up in the swing; he twines his arms round the cords to hold himself fast, for in one hand he has a little cup, and in the other a clay-pipe. He is blowing soap-bubbles. The swing moves, and the bubbles float in charming changing colors: the last is still hanging to the end of the pipe, and rocks in the breeze. The swing moves. The little black dog, as light as a soap-bubble, jumps up on his hind legs to try to get into the swing. It moves, the dog falls down, barks, and is angry. They tease him; the bubble bursts! A swing, a bursting bubble--such is my song!"

"What you relate may be very pretty, but you tell it in so melancholy a manner, and do not mention Kay."

What do the Hyacinths say?

"There were once upon a time three sisters, quite transparent, and very beautiful. The robe of the one was red, that of the second blue, and that of the third white. They danced hand in hand beside the calm lake in the clear moonshine. They were not elfin maidens, but mortal children. A sweet fragrance was smelt, and the maidens vanished in the wood; the fragrance grew stronger--three coffins, and in them three lovely maidens, glided out of the forest and across the lake: the shining glow-worms flew around like little floating lights. Do the dancing maidens sleep, or are they dead? The odour of the flowers says they are corpses; the evening bell tolls for the dead!"

"You make me quite sad," said little Gerda. "I cannot help thinking of the dead maidens. Oh! is little Kay really dead? The Roses have been in the earth, and they say no."

"Ding, dong!" sounded the Hyacinth bells. "We do not toll for little Kay; we do not know him. That is our way of singing, the only one we have."

And Gerda went to the Ranunculuses, that looked forth from among the shining green leaves.

"You are a little bright sun!" said Gerda. "Tell me if you know where I can find my playfellow."

And the Ranunculus shone brightly, and looked again at Gerda. What song could the Ranunculus sing? It was one that said nothing about Kay either.

"In a small court the bright sun was shining in the first days of spring. The beams glided down the white walls of a neighbor's house, and close by the fresh yellow flowers were growing, shining like gold in the warm sun-rays. An old grandmother was sitting in the air; her grand-daughter, the poor and lovely servant just come for a short visit. She knows her grandmother. There was gold, pure virgin gold in that blessed kiss. There, that is my little story," said the Ranunculus.

"My poor old grandmother!" sighed Gerda. "Yes, she is longing for me, no doubt: she is sorrowing for me, as she did for little Kay. But I will soon come home, and then I will bring Kay with me. It is of no use asking the flowers; they only know their own old rhymes, and can tell me nothing." And she tucked up her frock, to enable her to run quicker; but the Narcissus gave her a knock on the leg, just as she was going to jump over it. So she stood still, looked at the long yellow flower, and asked, "You perhaps know something?" and she bent down to the Narcissus. And what did it say?

"I can see myself--I can see myself I Oh, how odorous I am! Up in the little garret there stands, half-dressed, a little Dancer. She stands now on one leg, now on both; she despises the whole world; yet she lives only in imagination. She pours water out of the teapot over a piece of stuff which she holds in her hand; it is the bodice; cleanliness is a fine thing. The white dress is hanging on the hook; it was washed in the teapot, and dried on the roof. She puts it on, ties a saffron-colored kerchief round her neck, and then the gown looks whiter. I can see myself--I can see myself!"

"That's nothing to me," said little Gerda. "That does not concern me." And then off she ran to the further end of the garden.

The gate was locked, but she shook the rusted bolt till it was loosened, and the gate opened; and little Gerda ran off barefooted into the wide world. She looked round her thrice, but no one followed her. At last she could run no longer; she sat down on a large stone, and when she looked about her, she saw that the summer had passed; it was late in the autumn, but that one could not remark in the beautiful garden, where there was always sunshine, and where there were flowers the whole year round.

"Dear me, how long I have staid!" said Gerda. "Autumn is come. I must not rest any longer." And she got up to go further.

Oh, how tender and wearied her little feet were! All around it looked so cold and raw: the long willow-leaves were quite yellow, and the fog dripped from them like water; one leaf fell after the other: the sloes only stood full of fruit, which set one's teeth on edge. Oh, how dark and comfortless it was in the dreary world!

FOURTH STORY. The Prince and Princess

Gerda was obliged to rest herself again, when, exactly opposite to her, a large Raven came hopping over the white snow. He had long been looking at Gerda and shaking his head; and now he said, "Caw! Caw!" Good day! Good day! He could not say it better; but he felt a sympathy for the little girl, and asked her where she was going all alone. The word "alone" Gerda understood quite well, and felt how much was expressed by it; so she told the Raven her whole history, and asked if he had not seen Kay.

The Raven nodded very gravely, and said, "It may be--it may be!"

"What, do you really think so?" cried the little girl; and she nearly squeezed the Raven to death, so much did she kiss him.

"Gently, gently," said the Raven. "I think I know; I think that it may be little Kay. But now he has forgotten you for the Princess."

"Does he live with a Princess?" asked Gerda.

"Yes--listen," said the Raven; "but it will be difficult for me to speak your language. If you understand the Raven language I can tell you better."

"No, I have not learnt it," said Gerda; "but my grandmother understands it, and she can speak gibberish too. I wish I had learnt it."

"No matter," said the Raven; "I will tell you as well as I can; however, it will be bad enough." And then he told all he knew.

"In the kingdom where we now are there lives a Princess, who is extraordinarily clever; for she has read all the newspapers in the whole world, and has forgotten them again--so clever is she. She was lately, it is said, sitting on her throne--which is not very amusing after all--when she began humming an old tune, and it was just, 'Oh, why should I not be married?' "That song is not without its meaning,' said she, and so then she was determined to marry; but she would have a husband who knew how to give an answer when he was spoken to--not one who looked only as if he were a great personage, for that is so tiresome. She then had all the ladies of the court drummed together; and when they heard her intention, all were very pleased, and said, 'We are very glad to hear it; it is the very thing we were thinking of.' You may believe every word I say, said the Raven; "for I have a tame sweetheart that hops about in the palace quite free, and it was she who told me all this.

"The newspapers appeared forthwith with a border of hearts and the initials of the Princess; and therein you might read that every good-looking young man was at liberty to come to the palace and speak to the Princess; and he who spoke in such wise as showed he felt himself at home there, that one the Princess would choose for her husband.

"Yes, Yes," said the Raven, "you may believe it; it is as true as I am sitting here. People came in crowds; there was a crush and a hurry, but no one was successful either on the first or second day. They could all talk well enough when they were out in the street; but as soon as they came inside the palace gates, and saw the guard richly dressed in silver, and the lackeys in gold on the staircase, and the large illuminated saloons, then they were abashed; and when they stood before the throne on which the Princess was sitting, all they could do was to repeat the last word they had uttered, and to hear it again did not interest her very much. It was just as if the people within were under a charm, and had fallen into a trance till they came out again into the street; for then--oh, then--they could chatter enough. There was a whole row of them standing from the town-gates to the palace. I was there myself to look," said the Raven. "They grew hungry and thirsty; but from the palace they got nothing whatever, not even a glass of water. Some of the cleverest, it is true, had taken bread and butter with them: but none shared it with his neighbor, for each thought, 'Let him look hungry, and then the Princess won't have him."'

"But Kay--little Kay," said Gerda, "when did he come? Was he among the number?"

"Patience, patience; we are just come to him. It was on the third day when a little personage without horse or equipage, came marching right boldly up to the palace; his eyes shone like yours, he had beautiful long hair, but his clothes were very shabby."

"That was Kay," cried Gerda, with a voice of delight. "Oh, now I've found him!" and she clapped her hands for joy.

"He had a little knapsack at his back," said the Raven.

"No, that was certainly his sledge," said Gerda; "for when he went away he took his sledge with him."

"That may be," said the Raven; "I did not examine him so minutely; but I know from my tame sweetheart, that when he came into the court-yard of the palace, and saw the body-guard in silver, the lackeys on the staircase, he was not the least abashed; he nodded, and said to them, 'It must be very tiresome to stand on the stairs; for my part, I shall go in.' The saloons were gleaming with lustres--privy councillors and excellencies were walking about barefooted, and wore gold keys; it was enough to make any one feel uncomfortable. His boots creaked, too, so loudly, but still he was not at all afraid."

"That's Kay for certain," said Gerda. "I know he had on new boots; I have heard them creaking in grandmama's room."

"Yes, they creaked," said the Raven. "And on he went boldly up to the Princess, who was sitting on a pearl as large as a spinning-wheel. All the ladies of the court, with their attendants and attendants' attendants, and all the cavaliers, with their gentlemen and gentlemen's gentlemen, stood round; and the nearer they stood to the door, the prouder they looked. It was hardly possible to look at the gentleman's gentleman, so very haughtily did he stand in the doorway."

"It must have been terrible," said little Gerda. "And did Kay get the Princess?"

"Were I not a Raven, I should have taken the Princess myself, although I am promised. It is said he spoke as well as I speak when I talk Raven language; this I learned from my tame sweetheart. He was bold and nicely behaved; he had not come to woo the Princess, but only to hear her wisdom. She pleased him, and he pleased her."

"Yes, yes; for certain that was Kay," said Gerda. "He was so clever; he could reckon fractions in his head. Oh, won't you take me to the palace?"

"That is very easily said," answered the Raven. "But how are we to manage it? I'll speak to my tame sweetheart about it: she must advise us; for so much I must tell you, such a little girl as you are will never get permission to enter."

"Oh, yes I shall," said Gerda; "when Kay hears that I am here, he will come out directly to fetch me."

"Wait for me here on these steps," said the Raven.He moved his head backwards and forwards and flew away.

The evening was closing in when the Raven returned. "Caw --caw!" said he. "She sends you her compliments; and here is a roll for you. She took it out of the kitchen, where there is bread enough. You are hungry, no doubt. It is not possible for you to enter the palace, for you are barefooted: the guards in silver, and the lackeys in gold, would not allow it; but do not cry, you shall come in still. My sweetheart knows a little back stair that leads to the bedchamber, and she knows where she can get the key of it."

And they went into the garden in the large avenue, where one leaf was falling after the other; and when the lights in the palace had all gradually disappeared, the Raven led little Gerda to the back door, which stood half open.

Oh, how Gerda's heart beat with anxiety and longing! It was just as if she had been about to do something wrong; and yet she only wanted to know if little Kay was there. Yes, he must be there. She called to mind his intelligent eyes, and his long hair, so vividly, she could quite see him as he used to laugh when they were sitting under the roses at home. "He will, no doubt, be glad to see you--to hear what a long way you have come for his sake; to know how unhappy all at home were when he did not come back."

Oh, what a fright and a joy it was!

They were now on the stairs. A single lamp was burning there; and on the floor stood the tame Raven, turning her head on every side and looking at Gerda, who bowed as her grandmother had taught her to do.

"My intended has told me so much good of you, my dear young lady," said the tame Raven. "Your tale is very affecting. If you will take the lamp, I will go before. We will go straight on, for we shall meet no one."

"I think there is somebody just behind us," said Gerda; and something rushed past: it was like shadowy figures on the wall; horses with flowing manes and thin legs, huntsmen, ladies and gentlemen on horseback.

"They are only dreams," said the Raven. "They come to fetch the thoughts of the high personages to the chase; 'tis well, for now you can observe them in bed all the better. But let me find, when you enjoy honor and distinction, that you possess a grateful heart."

"Tut! That's not worth talking about," said the Raven of the woods.

They now entered the first saloon, which was of rose-colored satin, with artificial flowers on the wall. Here the dreams were rushing past, but they hastened by so quickly that Gerda could not see the high personages. One hall was more magnificent than the other; one might indeed well be abashed; and at last they came into the bedchamber. The ceiling of the room resembled a large palm-tree with leaves of glass, of costly glass; and in the middle, from a thick golden stem, hung two beds, each of which resembled a lily. One was white, and in this lay the Princess; the other was red, and it was here that Gerda was to look for little Kay. She bent back one of the red leaves, and saw a brown neck. Oh! that was Kay! She called him quite loud by name, held the lamp towards him--the dreams rushed back again into the chamber--he awoke, turned his head, and--it was not little Kay!

The Prince was only like him about the neck; but he was young and handsome. And out of the white lily leaves the Princess peeped, too, and asked what was the matter. Then little Gerda cried, and told her her whole history, and all that the Ravens had done for her.

"Poor little thing!" said the Prince and the Princess. They praised the Ravens very much, and told them they were not at all angry with them, but they were not to do so again. However, they should have a reward. "Will you fly about here at liberty," asked the Princess; "or would you like to have a fixed appointment as court ravens, with all the broken bits from the kitchen?"

And both the Ravens nodded, and begged for a fixed appointment; for they thought of their old age, and said, "It is a good thing to have a provision for our old days."

And the Prince got up and let Gerda sleep in his bed, and more than this he could not do. She folded her little hands and thought, "How good men and animals are!" and she then fell asleep and slept soundly. All the dreams flew in again, and they now looked like the angels; they drew a little sledge, in which little Kay sat and nodded his head; but the whole was only a dream, and therefore it all vanished as soon as she awoke.

The next day she was dressed from head to foot in silk and velvet. They offered to let her stay at the palace, and lead a happy life; but she begged to have a little carriage with a horse in front, and for a small pair of shoes; then, she said, she would again go forth in the wide world and look for Kay.

Shoes and a muff were given her; she was, too, dressed very nicely; and when she was about to set off, a new carriage stopped before the door. It was of pure gold, and the arms of the Prince and Princess shone like a star upon it; the coachman, the footmen, and the outriders, for outriders were there, too, all wore golden crowns. The Prince and the Princess assisted her into the carriage themselves, and wished her all success. The Raven of the woods, who was now married, accompanied her for the first three miles. He sat beside Gerda, for he could not bear riding backwards; the other Raven stood in the doorway,and flapped her wings; she could not accompany Gerda, because she suffered from headache since she had had a fixed appointment and ate so much. The carriage was lined inside with sugar-plums, and in the seats were fruits and gingerbread.

"Farewell! Farewell!" cried Prince and Princess; and Gerda wept, and the Raven wept. Thus passed the first miles; and then the Raven bade her farewell, and this was the most painful separation of all. He flew into a tree, and beat his black wings as long as he could see the carriage, that shone from afar like a sunbeam.

FIFTH STORY. The Little Robber Maiden

They drove through the dark wood; but the carriage shone like a torch, and it dazzled the eyes of the robbers, so that they could not bear to look at it.

"'Tis gold! 'Tis gold!" they cried; and they rushed forward, seized the horses, knocked down the little postilion, the coachman, and the servants, and pulled little Gerda out of the carriage.

"How plump, how beautiful she is! She must have been fed on nut-kernels," said the old female robber, who had a long, scrubby beard, and bushy eyebrows that hung down over her eyes. "She is as good as a fatted lamb! How nice she will be!" And then she drew out a knife, the blade of which shone so that it was quite dreadful to behold.

"Oh!" cried the woman at the same moment. She had been bitten in the ear by her own little daughter, who hung at her back; and who was so wild and unmanageable, that it was quite amusing to see her. "You naughty child!" said the mother: and now she had not time to kill Gerda.

"She shall play with me," said the little robber child. "She shall give me her muff, and her pretty frock; she shall sleep in my bed!" And then she gave her mother another bite, so that she jumped, and ran round with the pain; and the Robbers laughed, and said, "Look,