Posted in music | tour dates on May 19, 2009
"Uh oh"... a Junior Boy @ Webster Hall - May 7, 2009 (OpenEye)

webster hall part 2 (the boring technical explanation)The new date is July 24th. "All tickets purchased for the May 7 show will be honored on July 24 at Webster." And tickets are on sale.
hi all,we are just finalizing the details for the makeup show in new york. it will be announced asap.
on a technical note, a few people have been asking about what happened, and why we had to cancel. i just wanted to let people know that we didn't cancel because we were unhappy with the sound, or because of some minor technical problem that could have been ignored.
our main sampler which triggers the majority of our outputs and which syncs all of our MIDI equipment to each other had a total software breakdown. it completely stopped intermittently in the middle of songs and was spitting out random stuff to the outputs. we attempted a few times to use a different flashdrive and then to use some different memory to get it working but it kept failing. we thought that we were prepared for this unlikely event by keeping a spare sampler with us at all times.....so after a while of failed attempts we decided to swap out samplers and repatch in a new one, but something completely unexpected (and i might add, almost eerily unlucky) happened. when we opened our spare sampler backstage to swap in the extra memory that we need, we discovered (to our horror) that the clip that holds the RAM was completely snapped off.....yeah we couldn't believe it either......so we attempted to gaffer tape the thing together hoping that it would hold. we tried one song like that and the RAM popped out and stalled the sampler. at that point we had no backup and no recourse, and we with very heavy hearts decided that there was nothing we could do.
I know that it might seem overly technical, but basically it comes down to this. we have made things difficult for ourselves in many ways. we have a large amount of instruments on the stage some of which are played by us and others which are controlled by a sequencer. all of the instruments rely in some way on the central brain of the sampler for midi information which changes settings or sends note information. there are many electronic bands who simply press play on a stereo backing track, who either on a cd player or on an ipod and then play an instrument or sing overtop. i'm not trying to make a judgement about that type of performance, but that is not what we do. we believe strongly in using the instruments themselves on stage and creating a 'live' show. that is what keeps things fun and exciting for us as a group. but please remember we are electronic musicians, and it is our intention to do a show of live electronic music, therefore doing some sort of acoustic set, where there is a guitar strumming and me singing is not an option, it isn't who we are, or what we do. and we would feel ridiculous charging people to see that.
i guess the point of this long rant, is simply to try and give some explanation of why the show was cancelled, and to communicate how hard a decision it was for us to leave. we had been looking forward to this show, for many months, i would have done anything to make it happen. we didn't take any money for the show, as the people at webster hall generously agreed to reschedule the concert at the earliest convenience. the support that we received today from many of our fans in new york city has been wonderful, and we appreciate it so much, we will announce the new show soon, and rest assured your tickets will be honoured.....
thanks again,
jeremy
The above message was written on the band's MySpace blog on May 9th. They also wrote an earlier entry FROM Webster Hall, right after they left the stage. That is below...
Thursday, May 07, 2009
webster hall
i'm backstage at webster hall. we had to cancel the performance midway through. we did everything we possibly could to fix the broken sampler and even use our backup sampler which was broken as well.i'm thinking of the smiling faces of the people in the audience, who warmly applauded our every effort, and who even smiled at us when we announced that we couldn't continue. who stayed through so many interruptions and whose enthusiasm gave us hope for a great show.
also the warmth and helpfullness of the crew and staff at webster hall, who did everything they could to help us out.....
we simply couldn't go on and give a completely substandard performance. but we promise that everyone who came out, who bought tickets can use them for a future performance....we will see to that.....
thank you all for your incredible patience,
we love you,
jeremy
Comments (34)
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Yeah, real musicians hit buttons on samplers, which is so much more musical than hitting a button on an iPod. And then when the button doesn't work you have a stage full of bullshit.
Posted by Anonymous | May 19, 2009 10:16 AM
that is a perfectly good explanation
Posted by Anonymous | May 19, 2009 10:18 AM
perhaps now the idiotic girl in the audience who was knocking people over with the peacock feathers the she wore in her hair and who kept flipping off the band and yelling at them to keep playing will now understand.
Posted by Anonymous | May 19, 2009 10:18 AM
I don't push buttons, I have buttons to do that!
Posted by Sacred Absolute Hipster Cow | May 19, 2009 10:20 AM
10:16, go lightly from the ledge.
Posted by Anonymous | May 19, 2009 10:20 AM
@10:16
It's actually very different, and much more complicated than hitting a button on an ipod. You might know that if you've ever used a sampler or a midi-controller to control instruments.
That's a good explanation. Technologyfails totally suck- hope they've been able to fix/replace their stuff.
Posted by James | May 19, 2009 10:22 AM
I've seen shows where the band (with no button pushers) had to stop because the clubs electrical power was shit and kept blowing. At least these guys tried to keep the show going.
Posted by nkf | May 19, 2009 10:38 AM
Button Haters:
It's like calling a conductor "not a real musician" because he does not physically play an instrument on stage.
Still directing emotion through sound in real time ... pushing a fret or a button doesn't really matter...does it?
I guess this argument applies to DJ haters as well.
Posted by Burg | May 19, 2009 10:42 AM
no, it doesn't. these dudes are sick. Dj's are still wack.
Posted by Sacred Absolute Hipster Cow | May 19, 2009 10:50 AM
i mean, everyone knows how to put on paper planes and then totally ironically mash it up with something like i saw the sign or livin on a prayer...ta da.
i am a fervent and forever hater of dj's.
Posted by Sacred Absolute Hipster Cow | May 19, 2009 10:51 AM
I don't care much for junior boys anymore, but these things happen.
for all the button pusher haters... how good was your last album? that's what I thought.
Posted by Anonymous | May 19, 2009 10:53 AM
@ SAHC
You're not seeing the right DJs.
Posted by m | May 19, 2009 11:02 AM
I don't care for this type of music generally, but give them a break.
When Slayer's amps all blow out, do you want to hear them plinking their unplugged guitars on stage?
(Well, for more than a couple songs for novelty?)
Posted by Anonymous | May 19, 2009 11:02 AM
@ SAHC
You're not seeing the right DJs.
^^
this is so true...
Posted by Anonymous | May 19, 2009 11:08 AM
i think all music should do away with actually instruments
button pushers are the future
i love when someone sets up their laptop and dances around to blips and bleeps
Posted by Anonymous | May 19, 2009 11:20 AM
Pushing buttons is a tough gig man - you can get carpel tunnel and shit.
Posted by Anonymous | May 19, 2009 11:21 AM
I've been to shows where the powers gone out and the band will grab some acoustic guitars, light some candles, and finish their fucking set. THAT'S dedication to their audience!
Then again, maybe Junior Boys' audience deserves cancelled shows, since they listen to this tripe in first place.
Posted by Anonymous | May 19, 2009 11:46 AM
the button people are very defensive!!
Posted by Anonymous | May 19, 2009 11:50 AM
This never would've happened at one of my shows. My samplers are phenomenal.
Posted by Todd P | May 19, 2009 11:52 AM
'When Slayer's amps all blow out, do you want to hear them plinking their unplugged guitars on stage?"
Well it actually happened in LA around '91 or '92, and Dave Lombardo never dropped a beat and finished the set by himself, a good 5 or 6 songs. No one left, and he beat the fucking drums so hard the whole place (Bowery Ballroom size) could hear him just fine.
Posted by Unanymous | May 19, 2009 12:02 PM
wearing grado headphones for a preformance
Posted by Anonymous | May 19, 2009 12:11 PM
Slayer are also button pushers .... metaphorically speaking of course :)
The older I get the more I realize ...you can't convince a musician to appreciate a dj ...and why would it even be important to try?
I am burnt my flag and will only be waving with my hand moving forward.
Let me have it ... Burg is ready.
Posted by Burg | May 19, 2009 12:26 PM
listen up. my bleeps and blips are coming. so drop your Es and get with Me.
feather boa freak.
now you know.
and that,
my friends, is half the battle
up in this shizaam.
Posted by Anonymous | May 19, 2009 12:38 PM
what the fuck
you just need to shut up and get out
Posted by Anonymous | May 19, 2009 12:56 PM
Burg:
A conductor is not a musician during a performance. duh.
Posted by Anonymous | May 19, 2009 1:13 PM
"Burg:
A conductor is not a musician during a performance. duh."
I disagee (but can be convinced otherwise with a decent argument). A conductor must be aware of every note each instrument is playing at all times during the performance.
Then, it's his/her job to evoke the correct emtional intent of the music (could be volume change, could be tempo,..etc) from the the orchestra/playing musicians throughout the duration of the tune.
So the conductor literally plays the entire orhcestra .. almost as if it in itself is one singular instrument! (happy ! ...take it easy)
Buy reading along with the master score and waving the arms ...putting on a mean face at certain times ...etc. The conductor is able "play" the orchestra. Not to mention the hours of prep work (aka programming) that goes into the actual performance.
It's literally impossible for a conductor to not be a musician. Even during a performance.
Nice "duh" btw. I had a mental pisture of myself drooling everywhere "DUUUUUUHHHHHHH ORFKESTRA IVS TOO MUZIK" ;)
Posted by Anonymous | May 19, 2009 1:53 PM
midi controllers are the new guitars
Posted by jason | May 19, 2009 1:53 PM
What Would Howlin' Wolf Do?
Posted by Anonymous | May 19, 2009 1:57 PM
Howlin' Wolf would've punched these tards in the cunt.
Posted by Anonymous | May 19, 2009 1:59 PM
The sound at this show was phenomenal!
Posted by Anonymous | May 19, 2009 2:10 PM
To be clear: A fucked up JB's show with a plethora of technical glitches that's forced to end early is still miles and MILES above a Trouble Andrew show that goes on without a hitch - AND YOU KNOW THIS!!
Posted by Anonymous | May 19, 2009 2:22 PM
thats a veiled shot at crystal castles
Posted by Anonymous | May 19, 2009 3:08 PM
Berg:
"So the conductor literally plays the entire orhcestra"
Do you even know what "literally" means!?
You even put the word "play" in quotations.
A conductor is in no way playing anything, unless you were to do some John Cage shit and put microphones in his sleeves to catch the breeze of his arms waving.
why do I even bother.....
Posted by Anonymous | May 19, 2009 4:13 PM
any schmuck can learn to play guitar
it takes talent to come up with new and exciting ways of creating music
Posted by Anonymous | May 20, 2009 5:07 PM