Recent Posts in music - Page 5
January 23, 2015
photos by Sean Madden
"Last night was really incredible for us...much luv to all you who came out, and to our friends @kevinmorby & Nude Beach, thank you xx" - Amen Dunes
".@AmenDunes delivered a trance like performance tonight at @BoweryBallroom. Beautiful stuff!" - Will Oliver
Amen Dunes / Kevin Morby
Brooklyn psych outfit Amen Dunes came to Bowery Ballroom last night (1/22) with Kevin Morby and local power-poppers Nude Beach in support of his new Cowboy Worship EP. Last night's show was a one-off in his hometown, but Amen Dunes is heading out on a longer tour this spring and you can check out the dates for that below. Were you there? What did you think? Pictures are in this post.
Nude Beach also have other dates coming up, including two shows in NYC. As discussed, they're playing the first of the three Don Giovanni showcases at Knitting Factory on February 6 with Shellshag, The Hamiltons, Mal Blum, Black Wine, Crow Bait and host Chris Gethard (tix), and coming to Bell House on April 3 with White Hills (tix).
More pictures from last night, and the list of Amen Dunes dates, below...
After a couple of albums established them as a clear cut above their local scene, [The Sidekicks] the jump to Epitaph and got a big-name producer involved. By 2012's Awkward Breeds, the Sidekicks were punk rock in ethics only, but their angsty beginnings still subjected them to the same ol' tired comments about alienating their fans from the basement days. And the risk is in how Sidekicks are also transitioning into a keening, melodic, and heartfelt style that hasn't produced a major new act in a very, very long time--"centrist" indie rock when guitars aren't necessarily at the center of discussion.The Sidekicks new album, Runners in the Nerved World, came out this week (that's a quote from Pitchfork's 7.4 review above), and they begin their tour in support of it TONIGHT (1/23) at Baby's All Right in Brooklyn. It's a BrooklynVegan-presented record release show that also includes Philly indie rockers Cayetana, The Sidekicks' fellow Ohio pals All Dogs, and somber songwriter Roger Harvey. Tickets for tonight's show are still available.
...It functions under the assumption that its new audience might be an anachronism, but it's one worth chasing: people who value the album not so much as a cohesive, continuous 40-minute piece of music but one where every song justifies the act and trust of spending $10 for the whole. With the exception of the brief, fluttering closer "All Things Run", everything could be the "single"--the Sidekicks are beholden to huge choruses with carefully constructed lead-ins, warm harmonies, and quotable lyrics about relatable topics. [Pitchfork]
All tour dates are listed, with a full stream of The Sidekicks' new album and videos from the other three bands on tonight's show, below...
Q: A lot of your newer songs deal with aging. You once said that people don't retire, they fade away, they run out of steam. And now you're 73, you're a great-grandfather.Bob Dylan is on the cover of the new issue of AARP Magazine and while he's not giving his new album Shadows in the Night (out Feb. 3) away to every reader of the magazine, he is giving 50,000 copies of them to randomly selected subscribers. What a guy! Unlike U2, he's sending physical copies via the United States Postal Service. Maybe your grandparents got one?
A: Look, you get older. Passion is a young man's game. Young people can be passionate. Older people gotta be more wise. I mean, you're around awhile, you leave certain things to the young. Don't try to act like you're young. You could really hurt yourself.
Q: So we at AARP represent people who are 50 and older. The magazine reaches 35 million readers.
A: Well, a lot of those readers are going to like this record. If it was up to me, I'd give you the records for nothing and you give them to every [reader of your] magazine.
It's a rare interview (first in three years) for the press-shy Dylan, and he talks about choosing the standards to cover, and how to tackle songs that have all been sung by Frank Sinatra:
When you start doing these songs, Frank's got to be on your mind. Because he is the mountain. That's the mountain you have to climb, even if you only get part of the way there. And it's hard to find a song he did not do. He'd be the guy you got to check with. People talk about Frank all the time. He had this ability to get inside of the song in a sort of a conversational way. Frank sang to you -- not at you. I never wanted to be a singer that sings at somebody. I've always wanted to sing to somebody. I myself never bought any Frank Sinatra records back then. But you'd hear him anyway -- in a car or a jukebox. Certainly nobody worshipped Sinatra in the '60s like they did in the '40s. But he never went away -- all those other things that we thought were here to stay, they did go away. But he never did.Read the whole interview over at AARP.
photo: Old Wounds at Acheron in 2012 (more by Fred Pessaro)
As previously mentioned, in honor of Ensign bassist Nate Gluck, who's sadly battling cancer, a bunch of NY/NJ hardcore bands (and one from Canada) are coming together for NateFest. When we last spoke, the venue and ticket info was TBA, but it's since been announced that it will happen at Howell, NJ's GameChangerWorld on March 21 & 22. Tickets go on sale at 3 PM on Monday (1/26).
In case you missed it, the lineup includes Sick of It All, Kill Your Idols, Indecision, Killing Time, Endeavor, Purpose, Grade, Ensign, None More Black, NORA, For The Love Of, Shai Hulud, Mouthpiece, Strength 691, Bigwig, 45 Revolutions (mems Judge, Gorilla Biscuits, CIV), Old Wounds, Stag Party and more TBA.
Meanwhile you can also catch Old Wounds in NYC for free this weekend when they open for long-running metalcore band Sworn Enemy at Brooklyn Night Bazaar on Saturday (1/24). Also on that bill is 96, Ides and Dead Tricks. That show is before Sworn Enemy hit the road with Biohazard, which includes another show with Old Wounds: NJ's Asbury Lanes on April 1. Tickets for that show are on sale now. Sworn Enemy also have a show at Queens venue Blackhorn 51 and a Long Island stop on the Biohazard tour. All dates are listed below.
Old Wounds also have a tour supporting Cult Leader (aka 3/4 of Gaza). They're not on the NYC-area dates though (Purge is), which happen March 11 at Uncle Slevs in Montclair, NJ and March 12 at Amityville Music Hall on Long Island. Tickets for the Amityville show are on sale now. No advance tix for Montclair at the moment.
All lists of dates for Cult Leader, Old Wounds, and Sworn Enemy, below...
by Bill Pearis
NYC trio Bottoms describe themselves as "two shitty drag queens, a 303 and a drummer" and a "gender-problematizing goth dance band." Simon Leahy and Michael Prommasi were both in Teeth, and they're rounded out by "lead screamer" Jake Dibeler. Musically, Bottoms draw inspiration from acid house, electroclash/dancepunk and other underground dance scenes; lyrically they mix camp with some serious themes. They released "hiv" for World AIDS Day and they talked to FADER about their song "My Body":
Musically, it's was inspired by Terry Riley and the Paradise Garage sound. We're really interested in the dichotomy of upbeat music with a more depressing lyrical theme. It's like sad music for the club -- people dancing to a suicide note. Of course with most of bottoms music, there is always a sense of humor. In this way, the music becomes a fair representation of the three of us as people: simultaneously sad and funny, and complex.Bottoms' debut EP, Goodbye, was released this week via JD Samson's Atlas Chair label. You can stream a few tracks from it below.
Tonight (1/23) at Secret Project Robot, Bottoms play a record release show with JD Samson and Ryan Smith as your DJs. You can buy advance tickets that also gets you a copy of the vinyl at the show. They've got a few European shows coming up, in April. All dates are listed below.
Leahy is also the founder of NYC Porn Film Festival, which will happen February 27 - March 1 at Secret Project Robot, details still TBA.
photos by Gretchen Robinette, words by Andrew Sacher & friends.
Fleetwood Mac's classic lineup brought their ongoing tour to Madison Square Garden last night (1/22), their first of four NYC-area shows on this tour. From the opening harmonies of show starter "The Chain," it was clear that having Christine McVie back in the fold makes a huge difference. They were great at Jones Beach in 2013 with just Stevie and Lindsey singing, but their three voices together is such a vital part of Fleetwood Mac. Having Christine back (MSG was Chrstine's 44th show since rejoining, according to Stevie during her monologue before "Dreams") also of course meant getting a handful of songs the band couldn't play without her, which included "You Make Loving Fun," "Everywhere," "Say You Love," "Over My Head," "Little Lies," and her show-closing, solo grand piano performance of "Songbird."
Like their other recent tours, they played almost all of the legendary Rumours and otherwise stuck to the other four '70s and '80s albums this lineup made together. As a band still playing arenas 40 years after their first album together can do, they peppered their set (and ended it) with a few stories from the band members. Stevie gave multiple shout-outs to Hoda from the Today Show and to the show American Horror Story on which she appeared. Stevie introduced "Gypsy" with a story of being in San Francisco clothing store The Velvet Underground (not to be confused with the band, who were named after the book) "where all the rock and roll women bought their clothes" in the late '60s. It was in that store, over the painted floor where Janis Joplin stood before her that she had a premonition of something big which she realized years later was, of course, Fleetwood Mac. This many years later, Stevie Nicks is still the kind of rock and roll woman her premonition told her she'd be: decked out in signature flowy layers, waving scarves with her tambourine, and doing hippie dances in a gold shawl during "Gold Dust Woman." Without a doubt, she's the most entrancing member of the band, and the one the crowd really freaks out over.
On the other hand, Lindsey Buckingham is the band's rock star and lifeforce, running around the stage like he's half his actual age and shredding away at his truly awesome guitar solos. As Mick noted towards the end of the show, he basically never left the stage. The extended solo at the end of "I'm So Afraid" was particularly epic -- so much so that it seemed like the finale of the pre-encore set, but of course that would be "Go Your Own Way." That one had the whole crowd on their feet, ready for the band to come back for more, and not one but two encores followed. Christine ended the night perfectly, at her piano with Lindsey by her side, but what may have been the night's most powerful moment came during the first encore. It's no secret that she does this at (probably all of) their shows, but at the end of "Silver Springs" when Stevie turns to make eye contact with Lindsey -- who the song is obviously about -- howling "I'll follow you down 'til the sound of my voice will haunt you / you'll never get away from the sound of the woman that loves you," it never fails to fill the room with that kind of tension that fueled the song 38 years ago. Maybe it's just performance at this point, but damn if it doesn't feel real.
Other highlights included monster Mick's drum solo ("Don't be shy. Don't be shy... Are you with me? Are you with me?"), being brought back to the 80's with "Little Lies" and "Everywhere", and hearing Stevie do "Rhiannon" with her band after just hearing her do it with Deer Tick.
Christine, who the band acknowledged being back multiple times throughout the night, was the last to sing, but not the last to talk. Despite the older age of the sometimes-yawning crowd, MSG was still packed with people on their feet as Fleetwood Mac ended their final song after 11pm on a school night. (There were a lot of 30-and-20-somethings too, it should be said.) Very few people left early, but everyone was ready to go home. That didn't stop Stevie from grabbing the mic post-encore and commanding the entire crowd's attention for another few minutes, as she yet again talked about Christine being back in the band, though with somewhat awkward details, like how they sent Christine to a trainer to make sure she had the stamina after being gone 16 years. BUT WAIT, much like this paragraph, the show still wasn't over. Then came Mick who truly had the last word, spending another few minutes, false endings included, telling us in his charming accent how much he loved us, that he hopes he sees us again, and that "The Mac is back!" They definitely did not give the impression that this would be their "last act".
The Mac's tour continues with two more NYC-area shows this weekend, Saturday (1/24) at Atlantic City's Boardwalk Hall and Sunday (1/25) at Nassau Coliseum, and comes back around on February 8 at Prudential Center. Tickets for those are still available.
More pictures, some videos and the setlist from MSG below...
Venom, the legendary NWOBHM/thrashers whose 1982 album title became the name of a certain metal subgenre, plan to return next week (1/27) with their fourteenth album, From the Very Depths, which is coming out on Spinefarm (pre-order). Two of its songs, "Grinding Teeth" and the awesomely-named "Long Haired Punks," are out now, and both are speed-fueled rippers that have Cronos sounding like pure evil. Listen below.
by Bill Pearis
Aphex Twin's Computer Controlled Acoustic Instruments Pt2 EP is out today (1/23). While from the same sessions, apparently, that gave us last year's Syro, the title of this EP is dead-on: here Richard D James is working with very organic sounds/samples (live drums, piano, bells and chimes), giving things a decidedly jazzy feel. And if 13 tracks and 27 minute running time seems like more like an album, the EP tag actually makes sense listening to it. It's variations on a theme, more than 13 distinct songs. You can stream an alternate mix of opening cut "Diskhat ALL Prepared1mixed [snr2mix]" and the whole EP via Spotify, below...
photo: Mount Eerie at LPR in 2012 (more by Amanda Hatfield)
Phil Elverum already announced a new Mount Eerie album, Sauna, and put out its excellent lead single, and now he's back with another single, "Dragon," as well as the video for the title track. Check both out below.
by Bill Pearis
As mentioned previously, Unblinking Ear Records (the new label started by WFMU DJ Paul Bruno) recently released a great new compilation cassette titled Serious Rockers which features 28 songs from new-ish bands. It includes tracks from The Gotobeds, Literature, Mike Pace & the Child Actors, My Teenage Stride, Lame Drivers and lots more that you may not have heard of but you might end up loving (the case for me on more than a few songs...hello, Shark Toys). You should really check it out, and you can listen to the whole thing below.
There's a Serious Rockers release show happening in NYC on February 7 at Pine Box Rock Shop (off the Morgan L stop) featuring five of the bands from the comp: Lame Drivers, Big Quiet, Invisible Days, Scupper and Snowmans of Love. It's $7 at the door and flyer is below.