Recent Posts in pictures - Page 5
October 29, 2014
photos by Chris La Putt
Girlpool at BV day party at Baby's All Right - 10/25/14
LA duo Girlpool played about ten shows right before and during CMJ, and they'll be back in the area next week to play NYC and Long Island on their tour with Jenny Lewis. They must really love it here, because now they've added yet another show. They were added to the Halloween show at Brooklyn Night Bazaar which already has a stacked lineup of Diarrhea Planet, Hop Along, Mitski and more. That show is free and includes a costume contest ($500 cash prize), face painting and more. Sounds like a pretty good way to spend Halloween.
One of Girlpool's many CMJ shows was our Saturday day party. We already posted pictures of that show and we've got another set of Girlpool in this post. More, with their updated list of dates, below...
photos by Amanda Hatfield, words by Pink Baby
Fat White Family / FWF w/ Har Mar / OBN IIIs
If there's a way to end a five-day music festival, when you're beyond tired and maybe in a funny mental space, and somehow it's 2:30 in the morning...it's seeing Fat White Family. Which is how our 15-hour BV takeover of Baby's All Right on Saturday of CMJ (10/25 which included a day party and official evening showcase) ended. It didn't even matter that they had played hours earlier as part of our day show, they brought the insanity all over again. The day show had crazier lights and fog and opened with a psych jam, but this one was definitely more casual and got right into their best songs. The last minute late crowd was understandably not as big as the day crowd (we announced Fat Whites' 2:30am set after midnight), but almost everyone who was there was going wild, very wild, for the Fat Whites. Beers were flung to and fro, bodies atop the crowd and at least one couple was slow dancing in the middle of all this. The band was going wild too, and as he's been known to do, frontman Lias Saoudi let it all hang out. (Though one helpful audience member hilariously pulled his briefs back up.) The crowd included J. Spaceman of Spirtualized (who played NYU with the Joshua Light Show earlier in the evening) and Har Mar Superstar who, at one point, joined Fat Whites on stage. They finished their set with a encore reprise of "Touch the Leather" that seemed to rile folks up even more than when they played it maybe 40 minute earlier. All the while, they sounded great while on the knife-edge of completely falling apart. But they never did. One for the books.
Our free, impromptu late night party began around midnight with locals Sunflower Bean who are no strangers to playing Baby's All Right, and they kicked off the show with a set of psychedelic rock. NPR's Bob Boilen has since named them one of the top 10 bands he saw at CMJ.
Then came OBN IIIs, one of the artists we were excited to see this year. Orville (who is usually in pure frontman mode) was on guitar for this and their other CMJ shows. He seemed especially ornery that night. We probably all were. It was a weird set.
October 28, 2014
Beverly / Fat White Family
For the final day of CMJ (10/25), just like last year, Brooklynvegan took over Baby's All Right from noon till the wee hours, starting with our free Saturday day party (which came after our free Friday day party).
With brunch also being served in the venue, Austin's Residual Kid started off things with a youthful bounce, making indie rock that already has J. Mascis' approval and consistently lands them choice opening slots in their hometown.
UK trio Flowers were next. While their debut abum, Do What You Want To, It's What You Should Do, is lovely, the band really come alive onstage, both a bit more roughed up and beautiful at the same time. Singer Rachel Kennedy, who was celebrating her birthday that day, has one of those voices that makes you pay attention and you could hear a pin drop in the Baby's performance room during their set.
Then came young LA duo Girlpool, one of the more talked-about bands at this year's CMJ. They only have one EP and a few other tracks so far but they've definitely got a sound. They're drum-less but not empty and both girls nasally shout-sing in unison. It feels a little inspired by punk and a little drone-y in a psychedelic way, but it's also not exactly either of those things.
At this point our day party kicked into high gear with Japanese band Bo Ningen. Their set was pure sensory overload with smoke machines set to 11 and strobes going off the whole time. (For some, those free Bell's Brewery sunglasses came in handy here.) The visuals -- including the band's high-flying rock moves, seen here in silhouette -- matched the Bo Ningen's genre-defying music. Overheard: "I don't know what that was, but it was incredible." We agree (with the incredible part), as does Jon Pareles at the NY Times who says the band put on his favorite performance of CMJ 2014.
At that point, most people probably needed a palate cleanser and Beverly's sweet, fun, harmony-laden music made them the perfect sonic sorbet for the packed room.
Then came White Fence whose lineup for this tour included Cate Le Bon on second guitar and backing vocals, adding a new harmony element to the band's retro-'60s style.
Things went back into insanity mode at this point with the debaucherous mayhem that is Fat White Family. It could seem like the band's love for removing layers of clothing during their set is a schtick to make up for mediocre music, but that's not the case at all. Everyone goes hard the whole show and at times the Fat Whites were straight up mesmerizing. Not to mention the light show and all the fog going on at Baby's that day was perfect for these guys. They came back to do it again at 3 AM (more on that soon) and were just as killer.
Titus Andronicus kicked off their headlining set with a bang with "A More Perfect Union," and then went on to give a sarcastic speech about how this is CMJ, and like most bands at CMJ they've got a new record coming and are hoping to catch their big break. So most of the set included new material which did sound great (and hopefully we get to hear it recorded soon), but hearing those older favorites in a small place like Baby's was really special.
Hopefully you didn't take Titus frontman Patrick Stickles' advice and leave after their set to head to Shea Stadium because our night show which happened immediately afterwards at Baby's was great (though we're sure Shea, which Bully also played again, was fun also!).
Like on Friday, we were giving out tattoos and rum courtesy of Sailor Jerry, and once again we handed out a free keg of Bell's Brewery craft beer along with koozies, bottle openers, Bo Ningen-strobe-protecting sunglasses and other fun stuff.
Pictures from Friday are HERE. More from Saturday (and video too), below...
photos by Ebru Yildiz; words by Bill Pearis
APTBS @ DbA 10/27/2014
We actually don't know if last night (10/27) was A Place To Bury Strangers' final show at Death By Audio, but if they're planning to play the venue they helped build again, it will have to be in the next 26 days, since that's how little time is left before the DIY Williamsburg venue closes forever. But it's hard to imagine them topping what happened last night, a surprise-filled show that could have only been planned by folks who knew the space intimately.
APTBS, who also played a CMJ show at Rough Trade two nights earlier (where they played on the floor, not the stage), opened Monday night's sold-out show at DbA in a sea of fog and strobes, and ended it with a guitar sticking out of the ceiling (see above). The latter came soon after the band had jumped off the main stage, seemingly done with their set, and into the back room by the merch table, where a second smaller setup (including a vintage step drum machine) was ready for action. The band played a couple songs with that setup as the crowd figured out what was going on, and then tried to open the door to a little storage space, which was stuck. Frontman (and DbA pedal shop owner) Oliver Ackerman proceeded to bash the door with an amp till it opened. In that storage space was a second kit, drummer Robi Gonzalez went in and APTBS played one last song, with bassist Dion Lunadon on the merch table and that guitar ending up wedged in the drop-ceiling.
It was a crazy show, and a loud one. We warned you to wear earplugs. If you forgot them, the band conveniently had their own branded version for sale at the show, as well as prismatic "hallucinogenic vision" glasses to make things a little more trippy. Broken Water (from Washington), Gold Dime (featuring members of Talk Normal and Dreebs), and White Suns opened.
Less than a month of DbA left. Check out the current schedule of final shows, and stay tuned for more announcements. More pics from last night's APTBS show, including video of them covering Dead Moon's "Don't Look Back," below...
Dilly Dally / Tweens
The Canadian group Dilly Dally exude a combination of nonchalance and expertly-concealed nervousness. Their songs are bloody-knuckled marvels, big, hammering numbers that are grainy and gritty and yet still centered around clear and cunning pop melodies - it's like sucking into a milkshake and getting a mouthful of sand. The reference points are all late '90s - there are nods to Nirvana and L7 in both the charred scrap metal guitars and Katie Monks's roaring, blown-throat vocals. Their force and power was breathtaking, the sound of a band discovering itself in real-time and reveling in the possibilities. - [Wondering Sound]The first of our two CMJ week day parties happened on Friday and kicked off with one of the bands we were most excited about, Toronto's Dilly Dally, playing their first US show. Even with it being Friday at noon and with Colin Meloy playing a last minute set on the street a few blocks away, there was a good crowd there for their noon set -- including a lot of label folk to see the unsigned (in America) band. As the Wondering Sound review above points out, they delivered and then some.
Then came UK grungy punks The Wytches who brought shades of early Nirvana to their early set.
Tweens, who have great rock hair to go along with their undeniably catchy, spunky indie rock, followed. At this point, we'd now seen two of our top 10 live sets of CMJ week (Tweens and Dilly Dally).
Then there was King Gizzard & the Lizard Wizard, no strangers to Baby's All Right, who came armed with three guitarists, two drummers, a flute and an insane amount of energy. If anyone could follow Tweens, they could. The Australian band may have played more shows during CMJ than any other band and their crazed stage presence never flagged, nor did audiences bouncing. The band's new album, I'm in Your Mind Fuzz, is out on John Dwyer's Castle Face label and they've clearly nicked a few tricks from Thee Oh Sees. They barreled through their set with nary a pause for breath.
Protomartyr, whose Under Color of Official Right is one of 2014's best albums, brought a typically intense set (one of four at CMJ) characterized by inventive arrangements and killer musicianship (drummer Alex Leonard's contributions should not be undervalued). At the helm, frontman Joe Casey (wearing his free Bell's Brewery sunglasses) offered up tales of everyday life in his typical, witty and poetic off-the-cuff style. He may have also tailored lyrics for "Tarpeian Rock" for our party/commenters. Great set.
After Protomartyr, the vibe changed from post-punk cool to cathartic emo as The World Is A Beautiful Place & I Am No Longer Afraid To Die took the stage. The band fuse the genre with chamber pop-style arrangements and had multiple members singing throughout the set, including spoken word artist Chris Zizzamia joining them for a couple songs. As far as modern emo bands go, they're really a thing of their own and that was clear from Saturday's set, which unlike their Cameo show later that night, went off without a hitch.
Canadian punks Single Mothers followed with what had to be the most intense set of the day party. They were a 5-piece this time, adding in a second guitarist, and all five members were in 100% anger mode the entire time, never looking anything but intimidating. They showed up (a little) fashionably late, set up quick, and just did their thing and left. No frills, no nothing, just badass.
At noon we gave out a keg of delicious and rare (1 of less than 10 kegs in NYC) Bell's Brewery Sweet Potato Stout. Bell's was also giving out koozies, bottle openers, sunglasses and other goodies, and was represented on three of the venues taps.
Sailor Jerry drinks were also complimentary for much of the afternoon, and the buzz of a Three Kings tattoo gun could be heard in the side room all day as people signed up to win Sailor Jerry tattoos and get inked right on the spot.
We then did it all again Saturday.
More pictures from Friday below....
photos by Bao Nguyen
iLoveMakonnen / Cam'ron
FADER Fort returned during CMJ this year and wrapped up on Saturday (10/25) with a lineup surprise-headlined by Mary J. Blige. That day also featured sets from rapper iLoveMakonnen, whose Drake-assisted hit "Tuesday" is basically everywhere (and luckily he wasn't attacked this time), wannabe pop star Ryn Weaver, ambient pop musician Foxes In Fiction, veteran rapper Cam'ron who's been having a pretty good year thanks to his A-Trak collaborations, Will Smith's children Willow and Jaden Smith who played with alt-R&B singer SZA, rapper Sir Michael Rocks and UK singer George Maple.
More pictures from that day below...
photos by Bao Nguyen
Like South by Southwest, CMJ can start the campaign for a new pop product. On an album due in December, the R&B singer Mary J. Blige has been reinventing her music in sessions with London producers of electronic dance music like Disclosure. In an unannounced miniset at the Fader Fort Presented by Converse, singing to recorded tracks, Ms. Blige proved her voice could be just as forthright over a club-music beat as with an R&B band. (She remarked that she hadn't performed without instruments since 1992.) [NY Times]FADER Fort at CMJ was full of surprises like Dev Hynes on Thursday and Mary J. Blige on Saturday (10/25). A video of her debuting "My Loving" from her upcoming album, The London Sessions, is below. Pictures of her set are in this post.
The London Sessions, due November 24 in the UK and December 2 in the US via Capitol Records, has the veteran R&B singer going in a more electronic direction and it features production and co-writing from Disclosure, Sam Smith, Emeli Sande, Naughty Boy and others. The Disclosure contribution follows Mary teaming up with the duo for a new version of their song "F For You" which they've performed live together more than once. "Right Now," which was produced by Disclosure and co-written by them and Sam Smith, recently got the video treatment and that can be watched below.
More pictures from FADER Fort, and both videos, below...
photos by Dana (distortion) Yavin
Weezer's ongoing tour in support of their new album Everything Will Be Alright in the End hit NYC last night (10/27) for a very small (for them) and very sold out show at Bowery Ballroom. Like at other shows on the tour, they opened with an acoustic set pulling heavily from the Blue/Pinkerton era with "You Gave Your Love to Me Softly," "Why Bother?," "El Scorcho," "The Good Life," "No One Else," "Buddy Holly" and more. Then the full electric band took the stage to perform the new album in full. During that they were joined by MS MR singer Lizzy Plapinger for "Go Away" (it was Bethany from Best Coast on the album and Frances from Hop Along in Philly), a choir, and had a confetti-filled ending. They returned for a one-song encore of Pinkerton's fiery opener "Tired of Sex."
More pictures of the show and the setlist below...
photos by Dana (distortion) Yavin
One of the most moving parts of the evening was Kathleeen Hanna's speech about you before her performance. She talked about how you helped her during a difficult part in her life. She also told a story about you getting knocked out cold when someone threw a bottle at you during a concert and it hit you in the head. Do you remember that incident and did you actually get knocked out?The annual Little Kids Rock benefit gala went down at NYC's Hammerstein Ballroom this past Thursday (10/23). Following an auction and a performance by childrens a cappella group Sharkapella, the "Rocker of the Year" award was awarded to the evening's special guest, Joan Jett.
Joan Jett: Yes I do remember it. I don't think I was knocked out cold, but I was knocked to the ground and I was in a daze. But during Kathleen's speech, I was on the verge of tears. I guess I just didn't realize how much I meant to Kathleen, and what our experience meant to her. To me, it was just two musicians, and two girls from slightly different generations, relating but having the same experiences. It was really moving. To tell you the truth, I'm still processing it. I don't know what to say. [100.7 WZLX]
To pay tribute to Joan, Cheap Trick performed "I Hate Myself For Loving You," Gary U.S. Bonds and Jake Clemons performed "Eye to Eye," former Distillers singer Brody Dalle did "Victim of Circumstance," Jessie Malin did "Bad Reputation," Darlene Love did "Little Liar," Social Distortion singer Mike Ness played "Love Is Pain," and Bikini Kill/Le Tigre/etc's Kathleen Hanna teamed up with her husband and former Beastie Boy Ad-Rock for "Fake Friends," which Kathleen prefaced with a moving speech (as you can see above).
Joan took the stage herself a few times too. Once with Tommy James to perform his massive hit "Crimson and Clover," (she told the crowd that Tommy wrote one of her biggest hits), again with Green Day frontman Billie Joe Armstrong for "Don't Abuse Me," and once more with Alice Cooper for "Be My Lover." Finally, all the performers took the stage to end the night with "I Love Rock N Roll."
Alice Cooper is in NYC again tonight to open for Motley Crue at MSG.
More pictures from the Little Kids Rock benefit below...
October 27, 2014
photos by Mimi Hong
Halloween is here again, and that means NYC's best parade. Grand Marshall Whoopi Goldberg will lead "hundreds of PUPPETS, 53 BANDS of Different Types of Music, DANCERS and ARTISTS, and thousands of other New Yorkers in costumes of their own creation in the nation's most wildly creative public participatory event in the greatest city in the world!" The theme this year is "The Garden of Earthly Delights!":
Although one often associates Halloween with things Infernal, this year's Halloween Parade is headed to Paradise, or more specifically the Garden of Earthly Delights. Join us as we unearth the layers of Heironymous Bosch's timeless altarpiece, exploring the precarious borderland Garden between the primeval terrors of wilderness and the modern confines of civility.Is there an oasis, a point of respite between the ravaging wilds of nature and stifling constrictions of urban life? A garden is above all, a place of precarious balance - just enough nature to tie us to our primeval roots, yet not so much we might lose our way and fall prey to the dangers that lurk in the wilderness. It is a narrow borderland of green where one might be of nature without being fully in it. The great gardens of Europe often featured mazes of hedgerows, where visitors could experience the vicarious terror of becoming lost (literally "bewildered") while taking comfort from the confines of civilization that encircled them.MEANWHILE, the dog Halloween parade happened in Tompkins Square Park on Saturday, and BrooklynVegan photographer Mimi Hong stopped by before she got to our CMJ showcase. Her constumed dog pictures continue below...
The beginning of humankind's transition to sedentary farming coincides with a mythological obsession with the Garden, as the dangerous uncertainty of our hunter-gatherer past gave way to ordered paths, sheltering walls, and sustaining bounties. The Tree of Life and the fruits of immortality are never found in the forest, jungle, or savannah, but rather in a cultivated Garden - whether Golden Apples tended by the Hesperides of the Greeks, or the Jade Emperor's Peaches of Immortality pilfered by Monkey King of Chinese Myth, or the Biblical Garden of Eden whose fruits bring knowledge even as they harken the end of innocence. Like Borges' Garden of the Forking Paths, it is a place of infinite possibilities and permutations contained within a finite and intimate space. Gardens are also places of forbidden delights and forgotten joys hidden away behind ivied walls and locked gates. The Secret Gardens of Hans Christian Andersen and Frances Hodgson Burnett remind us that the Garden evokes a return to childhood's fearless and ephemeral embrace of the world.
The New York Village Halloween Parade has always been a secret garden of sorts, a place where, for 40 years, wildness of a very rare variety has flourished within the high walls of New York's avenues. Halloween being a night of inversions, our "garden" is not a safe place where the "wild" is kept out; it is a safe place where the wildness of imagination is invited in! Just as Frederick Law Olmsted's ramble in Central Park cultivates the liberating thrill of bewilderment amidst its twisting paths, paraders know they will be safe within the procession.
This year Parade puppeteers will sow the seeds of a verdant Garden, turning 6th Avenue into a greenway of surging shoots, unfurling blossoms, and tempting fruits dangling low from the animated boughs of a giant Tree of Life. All are invited to our workshops to help bring our not-so-secret, world-famous "garden" to life and celebrate our oasis of wildness that in the end (as Olmsted said) is what truly civilizes us.