Entries tagged with: Pitchfork Festival

25 result(s) displayed (1 - 25 of 109):

neneh-cherry-everything-video

In February, Neneh Cherry returned with her first solo album in 18-years. Blank Project, which was produced by Four Tet, features Cherry's commanding voice front and center. Today, she's shared a Jean-Baptiste Mondino-directed video for the LP standout "Everything." You can check out the clip at the bottom of this post.

Cherry has also been added to the 2014 Pitchfork Music Festival -- she'll appear on Friday, July 18. The performance will be her second-ever in North America. Single-day tickets are still available.

All Neneh Cherry dates and her new video for "Everything" lie after the jump...

Continue reading "Neneh Cherry shares new video (watch it here), added to Pitchfork Festival 2014"

the-haxan-cloak

The Haxan Cloak -- aka London producer/composer Bobby Krlic -- has announced that he'll be embarking on his first-ever US tour this spring. The very brief May run includes a performance at Lincoln Hall on May 14 and tickets are on sale now. Krlic will also play the 2014 Pitchfork Music Festival on Friday, July 18.

The Haxan Cloak's most recent effort, Excavation, hit stores in April of 2013 via Tri Angle Records. It's chock-full of unrelenting sub-bass, jagged beats, and horror film-like noise flourishes. You can take a listen to the LP cut "The Mirror Reflecting (Part 2)" at the bottom of this post and/or stream the album in its entirety via Spotify/Rdio.

All Haxan Cloak dates and that song stream lie after the jump...

Continue reading "The Haxan Cloak playing Lincoln Hall on first-ever US tour"

Pitchfork Festival 2013 (more by James Richards IV)
lil-b-1

As discussed, the 2014 Pitchfork Music Festival is slated to take place from July 18-20 in Chicago's Union Park. The fests initial lineup included Beck, Neutral Milk Hotel, Kendrick Lamar, tUnE-yArDs, Sharon Van Etten, Grimes, Slowdive, and more, and St. Vincent, Danny Brown, Avey Tare's Slasher Flicks, Schoolboy Q, Cloud Nothings, Deafheaven, Perfect Pussy, Jon Hopkins, Majical Cloudz, Speedy Ortiz, SZA, DJ Rashad and DJ Spinn, Hundred Waters, Isaiah Rashad, Twin Peaks, and others have now been added to the festival.

Festival Passes and single-day tickets are still available, and we've also got a few pairs of three-day passes to give away!

The full festival lineups-by-day and contest details can be found below...

Continue reading "St. Vincent, Schoolboy Q, Cloud Nothings, Deafheaven, more added to Pitchfork Festival 2014 (lineup, win tix!)"

Pitchfork Fest 2013 (more by James Richards IV)
r-kelly-6

As discussed, the 2014 Pitchfork Music Festival is slated to take place from July 18-20 in Chicago's Union Park. They've now revealed the festival's initial lineup, which includes Neutral Milk Hotel (who just played the Riv), Tune-Yards, Kendrick Lamar, Grimes, the reunited Slowdive, Beck, Sun Kil Moon, Sharon Van Etten, The Julie Ruin, and more. Festival passes and single-day tickets are still available.

Check out the Pitchfork Fest 2014 initial lineups-by-day below...

Continue reading "Pitchfork Fest 2014 initial lineup: Neutral Milk Hotel, Tune-Yards, Kendrick Lamar, Grimes, Slowdive & more"

Pitchfork Festival 2013 (more by James Richards IV)
sky-ferreira-1

The 2014 Pitchfork Music Festival is slated to take place from July 18-20 in Chicago's Union Park. Early bird tickets and three-day passes ($60; $110) are on sale now.

Stay tuned for more information.

Nick CavENick CavE

Nick Cave & the Bad Seeds just announced a big summer tour that suspiciously doesn't include a Chicago date, but does end in Toronto on 7/31, which makes Lollapalooza (8/1-8/3) seem really likely. The July dates make Pitchfork Fest seem possible too. They're all listed below...

Nick Cave's last tour with Sharon Van Etten hit Chicago Theatre in April.

The above-pictured record is Nick Cave's next release, Live From KCRW, which will be out on double vinyl and CD for Record Store Day 2013 Black Friday (11/29)

Continue reading "Nick Cave & The Bad Seeds playing Lollapalooza? or Pitchfork?"

photos by Nate "Igor" Smith

King Dude // Nones at Cobrafest on 7.21.2013
Cobrafest 2013 @ Cobra Lounge - 7/19/2013
Cobrafest 2013 @ Cobra Lounge - 7/19/2013

Cobrafest 2013 finished off Sunday (7/21) with performances by King Dude, White Mystery, Rainbow Gun Show, and Nones. You've already seen pics from Day 1 and Day 2 of Sailor Jerry's Cobrafest 2013, and pictures from Day 3 are in this post. More below...

Continue reading "Cobrafest 2013 day 3 pics: King Dude, White Mystery, Rainbow Gun Show, and Nones"

photos by Nate "Igor" Smith

Growlers // tattoos at Cobrafest 2013 on 7.20
Cobrafest 2013 @ Cobra Lounge - 7/19/2013
Cobrafest 2013 @ Cobra Lounge - 7/19/2013

Sailor Jerry's annual free Cobrafest was back for round two at Cobra Lounge during the 2013 Pitchfork Music Festival. Their Saturday night (7/20) lineup featured Growlers, Denney & The Jets, and Toxie, plus lots of free tattoos. We've got pictures from Day 2 of Cobrafest 2013 in this post, and if you missed our first round of pics from Day 1, make sure to check them out HERE.

More from Day 2 of Cobrafest 2013 below...

Continue reading "Cobrafest 2013 day 2 pics: The Growlers, Denny and the Jets, Toxie & more"

photos by Nate "Igor" Smith

The Bronx at Cobrafest 2013 on 7.19.2013
Cobrafest 2013 @ Cobra Lounge - 7/19/2013
Cobrafest 2013 @ Cobra Lounge - 7/19/2013

Sailor Jerry's annual free Cobrafest returned to Cobra Lounge during the 2013 Pitchfork Music Festival. Their Friday night (7/19) lineup featured The Bronx, The People's Temple, Habibi, and Thing, not to mention free tattoos courtesy of the rum company named after a famous tattoo artist. We've got pictures from Day 1 of Cobrafest 2013 in this post. More below...

Continue reading "Cobrafest 2013 day 1 pics: The Bronx, The People's Temple, Habibi, Thing & lots of tattoos"

photos by Jeff Ryan

Trail of Dead / Ume at Double Door on 7.18.2013
And You Will Know Us By The Trail Of Dead @ Double Door - 7/18/2013
UME @ Double Door - 7/18/2013

Before the 2013 Pitchfork Festival began, fest act ...And You Will Know Us By The Trail of Dead came to town early with killer tourmates Ume for a pre-show at Double Door on Thursday, July 18. Australia/Los Angeles-based Red Paintings opened the show, and we've got a full set of pictures in this post.

More can be found after the jump...

Continue reading "Trail of Dead, Ume & Red Paintings played Double Door (pics)"

photos by James Richards IV & Cory Dewald

R. Kelly / Sky Ferreira
Pitchfork Festival - Day 3 - 7/21/2013
Pitchfork Festival - Day 3 - 7/21/2013

You've already seen pictures and reviews from Day 1 (Part 1), Day 1 (Part 2), Day 2 (Part 1), Day 2 (Part 2), Day 3 (Part 1), and here's Part Two of our Day 3 Pitchfork Music Festival coverage. It includes R Kelly, M.I.A., Lil B, Sky Ferreira, and more.

Our Part Two pictures from Day 3 of Pitchfork Festival 2013 continue below...

Continue reading "Pitchfork Festival day 3 pics (part 2): R. Kelly, M.I.A., Lil B, Sky Ferreira & more"

photos by Cory Dewald & James Richards
words by Zach Pollack & Milos Markicevic

EL-P / Foxygen's "climbin'" Sam France
Pitchfork Festival - Day 3 - 7/21/2013
Pitchfork Festival - Day 3 - 7/21/2013

Pitchfork Festival 2013 wrapped up on Sunday afternoon (7/21) in Union Park. The final day of the three-day fest was mostly about hip-hop and R&B -- R. Kelly, TNGHT, MIA, Lil B, EL-P, Killer Mike, and more. That said, there were also some rock offerings, and you can check out our thoughts and of course pictures below. Pictures and reviews from Day 1 (Part 1), Day 1 (Part 2), Day 2 (Part 1), and Day 2 (Part 2) are all up.

This year's festival was a break through gig for Chicago native Tree. Accompanied by three backup singers, a DJ, an additional MC, and a live drummer, Tree was quick to make a good first impression on the early Sunday crowd. Tracks off of his recent mixtape got die-hard fans rapping along while others joined in by collectively "putting their hands up" and moving to the drum beat. The female backup vocalist provided some beautiful soulful melodies alongside the brutally honest raps, and the drummer kept perfect time throughout the set. Near the end, the backing MC picked up a stack of thin sleeved CDs of Sunday School II: When Church Lets Out and flung them into the crowd. People devoured them. It didn't look like a single disc had managed to hit the ground. -MM

Foxygen frontman Sam France burst onto the stage like an ADHD kid that had taken a break from his Ritalin and proceeded to flail about a la young Mick Jagger. Behind him, the band played while he sang and later fake half-collapsed in front of his keyboard. Growing bored with the instrument he then ran and climbed the stage's rig ladder but quickly changed his mind half way and dropped back down. In between songs he thanked Red Bull, the festival's ATM machines(?), and Batman for being at the show. Alongside the theatrics, the band played their popular 60s psychedelic rock-influenced songs to a huge crowd, probably the biggest I had seen in that early afternoon time slot all weekend. -MM

I arrived at Union Park slightly late on Sunday afternoon, and that unfortunately meant missing Tree. By the time I got there, Autre Ne Veut were a few songs into their set on the Blue Stage. Awesomely, I walked over just in time to catch "Counting," one of the best pop/R&B tracks of the year so far. Arthur Ashin's strong falsetto was 110% on-point, and the band sounded great too. -ZP

After a bit of Autre Ne Veut's pop goodness, I headed over to the Green Stage to catch Killer Mike. R.A.P. Music was one of the strongest hip-hop releases of 2012, and Mike has moved forward in leaps and bounds since his early days. He kicked things off with the LP's opening track, "Big Beast." The line "Pow mother fucker, pow" is especially poignant at 2PM on a Sunday afternoon. Mike really did go off though, and followed that song up with the great "Untitled." He also spoke about violence in Chicago, and the little things we can all be doing to help counteract that, such as getting to know your neighbors. He did as much talking as songs he played, and normally that might be annoying, but Mike's got something profound to say about many things. -ZP

There were other sets between Killer Mike and EL-P, but I decided it would be slightly sacrilege to go from Mike to anything else but Jamie. EL had a fairly large crowd, and ripped through a few songs from Cancer 4 Cure. After maybe four of five numbers he goes, "Listen, would it be cool if I started over again? I'm gonna go get my big friend and we'll pretend this never happened." Killer Mike came out and the energy throughout the crowd turned electric almost instantly. The Run the Jewels portion of EL's set was by far the most high-energy performance I had seen all weekend. -ZP

One of the last sets of the day I was interested in catching that didn't involve any irony/nostalgia (looking at you, R. Kelly), was Waxahatchee at 3:45PM. Aside from a barely-countable few songs at SXSW, the only time I had seen Katie Crutchfield and co. was at Permanent Records back in March. It was cool to see her on such a big stage, with an overflowing crowd who knew all the words, just like I do. Crutchfield performed material from this year's fantastic Cerulean Salt, as well as a few cuts from 2012's American Weekend. As great as Cerulean Salt is, Crutchfield's tunes are much more punk live and it's definitely something worth seeing. -ZP

Yo La Tengo's mood seemed to have been affected by the rain clouds that formed during their set. After they completed their first song, it began to gently rain and from there on out the band proceeded to play some of their most mellow songs. The rain didn't seem to affect festival goers the slightest, especially the sun burned ones. A few songs into their set the band made a light jab at R Kelly, "We just want to take the opportunity to say it's really great to be opening for R Kelly. We toured Europe together in 1996, so it's good to catch up again." Later after the set was over, I bumped into a slightly inebriated older fan of the band that had been disappointed with the set. "You're supposed to rock out at a festival, not mellow out!" Fact of the matter is, Yo La Tengo tailored the set for their longtime fans, and they didn't seem to care about much else. That's pretty cool in my book. -MM

More pictures from day 3 are below, and more are coming soon...

Continue reading "Pitchfork day 3 review & pics (part 1): Yo La Tengo, Tree, Waxahatchee, Run the Jewels, & more"

photos by James Richards IV & Cory Dewald

Low / Belle & Sebastian
Pitchfork Festival - Day 2 - 7/20/2013
B&S

We just posted pictures and a review of day 2 (7/20) of Pitchfork Music Festival 2013. Here's more pictures of that day, including shots of Belle & Sebastian, Low, Rustie, Solange, and Andy Stott.

More below...

Continue reading "Pitchfork Festival day 2 pics (part 2): Belle & Sebastian, Low, Solange, Rustie and Andy Stott"

photos by James Richards IV & Cory Dewald
words by Zach Pollack & Milos Markicevic

Phosphorescent / The Breeders / fans
Pitchfork Festival - Day 2 - 7/20/2013
Pitchfork Festival Day 2 - 7/20/2013
Pitchfork Festival - Day 2 - 7/20/2013

On Saturday afternoon (7/20), it was back to Union Park for day two of the 2013 Pitchfork Music Festival. As we discussed in our festival previews, yesterday was absolutely stacked as far as heavier offerings go. In sharp programming though, Julia Holter, Phosphorescent, Low, and Belle and Sebastian were all great inclusions on the lineup. Check out our pictures and reviews from day 1 of the festival, and continue reading on for a recap of day two.

The rain that cut Bjork's show short last night had a positive effect today in that it brought on much cooler temperatures for festival goers. Canadian punk favorites White Lung kicked things off on the Green Stage at 1:00PM and played a ferocious set that sparked a mini-mosh pit. Frontwoman Mish Way sneered and yowled into her mic while festival volunteers scrambled to keep the crowd cool by spraying water bottles on them. (A great thing if you're anticipating it, but quite strange if you hadn't been paying attention.) Near the end of their set, Way introduced a new song called "Blow it South," the band's ode to Florida. Before finishing things off the sassy punk rocker made an apology to the on-deck band in the form of "sorry who has to play next, I think I ruined the mic with lipstick." She didn't sound that sorry though. -MM

Unfortunately, Winnipeg's pummeling KEN mode were scheduled to play directly against White Lung on the Blue Stage. Luckily (and unsurprisingly), there wasn't a damn unfortunate aspect to their set. A small early crowd gathered to hear intense frontman Jesse Matthewson yell "NO- I'M IN CONTROL" at them. The three-piece, who sound much larger than that, exhibit such precision during their live shows. The really awesome thing is that unlike many precise outfits, KEN find a way to achieve that without coming off as robotic. -ZP

Sub Pop act Pissed Jeans played the very first set on the Red Stage a few minutes after White Lung wrapped up their performance. The band's guitarist spoke to the crowd first and joked that they would need at least another half an hour to get ready, but started their set three minutes later. Frontman Matt Korvette was probably the biggest character to set foot on any stage at today's festival. Bursting with energy, he grabbed the mic and laughingly said "Sorry if I'm a little excited but I just found out how much we're getting paid for this." After that he yelled "Get that Bjork money! / That Belle and Sebastian money!" and jockingly mentioned a few other big name musicians in a similar fashion. The band were intense, especially Korvette, who made his way across the stage like a rabid animal, knocking over his mic stand, and later shredding two t-shirts. Korvette screamed into his mic with such force that it appeared his vocal chords would snap at any moment. Near the end of their set, the band told the crowd that they had reached their career peak with today's performance and that it would be best to retire "and pursue other hobbies." At one point, I believe Korvette may have been channeling "Stone Cold" Steve Austin, and ripped the stage clock off of the support structure. "Do you know what time it is?" he screamed, "It's 1PM, in case you didnt know." Though the sludge induced punk carnage may have left some people's ears ringing, the band's sense of humor and carefree attitude won even non-fans over. -MM

By the time Pissed Jeans were busy scrambling folks' brains over at the Red Stage, Los Angeles' Julia Holter was getting started at the Blue. Her output is enchanting and understated, but also hushed, which was maybe not the best choice to run against Korvette and co. Regardless, Holter seemed to make the best of the situation and played beautifully. She performed a bunch of songs from her forthcoming Loud City Song, as well as material from Ekstasis and Tragedy. After a bit of time in the shade spent with Ms. Holter, I headed back into the sun for Phosphorescent over at the Green Stage. -ZP

Phosphorescent really took me by surprise with the release of this year's Muchacho. I'd liked them prior to the album, but I've mostly just been thrilled that they were able to craft a new LP where every single song is great. Matthew Houck and co. were in top form yesterday afternoon too, providing a bit of solace from the heaviness of the day. Even though Houck sings of pain and anguish at times, the set was extremely feel-good and he seemed to be enjoying himself on stage as well. The biggest set highlight for me was the expertly-penned "Song for Zula." It's interesting in that it's more of an '80s take on what Phosphorescent have become so great at, but yeah, what a tune. -ZP

After Phosphorescent, I stuck around that side of the park waiting for ...And You Will Know Us By The Trail of Dead to take the Red Stage at 3:20PM. Trail of Dead just don't fuck around, and their Pitchfork Fest performance didn't stray from that notion. It's no-frills rock in the same way that Queens of the Stone Age are incredibly badass, and the large crowd they drew really ate it up. ToD was a nice precursor to the block of Savages / Metz / Swans that would soon follow. -ZP

Tampa Bay natives Merchandise returned to Chicago to play at the festival's shaded Blue Stage around 3:45PM. The band have an additional member this time around, Elsner Nino, who has permanently replaced the band's old drum machine. The addition of a live drummer did wonders for the band's overall sound, adding a louder, more organic style to their already tight post-punk songs. The outfit played a few songs from their most recent Totale Night EP but the highlight of the show for this writer was "In a Nightmare Room" from Children of Desire, a song that made Merchandise a personal favorite of mine last year. -MM

Female post punkers Savages were probably the most hyped band announced to be playing at Pitchfork Fest this year, and they absolutely did not disappoint. Not only did the band deliver, they even got nods of approval from Swans' Michael Gira, who mentioned them during his set later in the day. The ladies performed a tighter-than-tight set -- each member's contributions stood out but they performed in such unison with no overshadowing. Frontwoman Jehnny Beth looked slightly possessed while she swayed her hands in rhythmic motions, cocking her head back and forth in synch with the drums. -MM

I left Savages a bit early in order to get a great spot for Swans at the nearby Red Stage. (I also went to see Savages at Sound Opinions Live on Thursday.) "What's your favorite band?" has always been a very tough question for me, but over the past year I've just realized I love and want to listen to Swans more than anyone else. I am not a psychopath... I promise. Michael Gira are co. began their set with "new" song // recent live staple "To Be Kind." At times, it's often hard to be able to tell exactly what tune Swans are performing, and there's also a plethora of unreleased material they play on the regular. "Oxygen" is one of those, which came a bit later in the set. Gira bellows, "I steal all the oxygen" as he spins a tale of his own death and ascent to heaven. Basically, it rules. "Oxygen" is also fairly funky/psychedelic, a somewhat new territory for the outfit. I'd be quite satisfied if that's the direction things are heading on their planned next album. They also ripped out the 32-minute "The Seer" from 2012's excellent LP of the same name. Swans performed four-songs yesterday, including "Toussaint Louverture Song," whereas many other festival acts were able to hammer out roughly ten. -ZP

Fresh from announcing her departure from The Pixies, Kim Deal played Pitchfork Fest with her reunited Breeders as the original 1993 lineup. Celebrating the 20th anniversary of the band's sophomore album Last Splash, they performed the album in its entirety to a crowd of excited and nostalgic fans. There were some minor technical difficulties at the start of the show with Deal's vocals being barely audible over the speakers, but the problem was quickly nipped. Deal was in good spirits as well, constantly talking up the crowd with some behind the scenes stories that included sampling a mini Moog. Now if Deal would just join up with The Pixies at Riot Fest... but I'm not holding my breath. -MM

Next up after The Breeders were Low, over at the Blue (best) Stage. In our festival preview, I spoke about the Duluth trio as maybe not being the most obvious choice for a festival act but that it would work out nicely. Well, I'd even go so far as to say their set yesterday was fantastic. The setlist was perfect -- quite a few numbers from this year's excellent The Invisible Way, "Monkey" and "Pissing" from The Great Destroyer, and "Stay" off of Long Division -- and it felt like one of those performances that stitches together all in attendance with an emotional bond. It was one of the best sets I've seen so far this weekend. -ZP

Soft spoken indie rockers Belle and Sebastian were a reprieve of sorts to festival goers who had spent the day seeing abrasive rock bands and the eardrum-shattering Swans set earlier in the afternoon (I forgot to bring earplugs...). A slight drizzle started around the band's fourth or fifth song but did not cut the show short like yesterday. Frontman Stuart Murdoch charmed audience members with his kind words, stating Chicago is much more relaxing than New York. Murdoch also engaged with audience members, inviting fans on stage, and even letting one fan draw on his face with mascara. Despite performing in a large festival setting during the headlining slot, the band managed to play one of the most intimate shows of the day. -MM

More pictures from day 2 below...

Continue reading "Pitchfork day 2 review & pics (The Breeders, Swans, Savages, White Lung, KEN mode, Pissed Jeans, Julia Holter & more)"

photos by Jeff Ryan

Savages & Sky Ferreira @ Lincoln Hall - 7/19/2013
Savages @ Lincoln Hall - 7/19/2013
Sky Ferreira @ Lincoln Hall - 7/19/2013

Bjork's headlining Pitchfork set was cut short Friday night, but some lucky (or possibly unlucky) fans did get a bit more, and I don't mean at the Bjork-themed party happening at Berlin. Bjork was a surprise DJ at the sold out Savages/Sky Ferreira official P4K aftershow happening at Lincoln Hall that night. She was sort of out of sight though, so no good pictures (here's one), but we do have some great ones of both scheduled performers in this post.

If you were there, what did you think of Bjork's setlist? Danielle Harpy wasn't pleased...

"To say that Bjork's DJ set was off-beat is a huge understatement. It was hateful. torturous. Not music, but the sound of chainsaws on trees, jackhammers on cement and at a volume that was like hitting our heads with a hammer. It did not nothing but make me angry that she was so anti-human."
Ouch...

For Savages it was their second of two nights at the venue and the night before they played Pitchfork (stay tuned for pictures and review from Saturday). Sky played the fest on Sunday (pics coming from that too).

More from Lincoln Hall below...

Continue reading "Savages & Sky Ferreria played Lincoln Hall w/ surprise DJ Bjork (pics, but not of Bjork)"

photos by Cory Dewald

Trash Talk & Frankie Rose @ Pitchfork Festival - Day 1 - 7/19/2013
Pitchfork Festival - Day 1 - 7/19/2013
Pitchfork Festival - Day 1 - 7/19/2013

We already talked extensively about the first day of P4K 2013 and posted multiple sets of pictures from the day Bjork's set got cut short, but here one more. They continue below...

Continue reading "Pitchfork Fest 2013 -- more Friday pics (Frankie Rose, Majical Cloudz, Daughn Gibson, Trash Talk, Woods & much more)"

Yo La Tengo @ Prospect Park earlier this month (more by David Andrako)
yo-la-tengo-6

today in Chicago
* Parquet Courts @ Bottom Lounge
* Pitchfork Music Festival 2013 (Day 3)
* Sailor Jerry's Cobrafest (Day 3) @ Cobra Lounge
* Dumpster Babies, Bohannons, Within the Woods @ Quenchers
* Autre Ne Veut, Evian Christ (DJ Set), Empress Of @ Lincoln Hall
* Jonathan Toubin Soul Clap, La Luz, The Party Downers @ Empty Bottle

The 2013 Pitchfork Music Festival finishes off tonight. Check out pictures and reviews from Day One and our Sunday Festival Preview. Pictures/reviews from Day Two are coming later today.

Follow @BVChicago on Twitter, "Like" us on Facebook.

Follow BVChicago on Instagram.

What else?

photos by James Richards IV; words by Zach Pollack & Milos Markicevic

Bjork / Trash Talk / Mac Demarco / Frankie Rose @ Pitchfork Fest 7/19/13
Pitchfork Festival - Day 1 - 7/19/2013
Pitchfork Festival - Day 1 - 7/19/2013
Pitchfork Festival - Day 1 - 7/19/2013
Pitchfork Festival - Day 1 - 7/19/2013

The Pitchfork Music Festival is back for its 2013 edition in Union Park, which kicked off on Friday afternoon (7/19). Day one of the festival is always the most relaxed, with a late-afternoon start and a schedule of 10-acts versus the normal 18-sets on days two and three.

I began the afternoon by catching Brooklyn's Frankie Rose (newly blonde) over at the shaded Blue Stage. Attendees were still filtering in through the front gates by the time Frankie and co. took the stage, but they did have quite a bit of a crowd going. Their set featured a mix of tunes from 2012's expansive Interstellar, as well as some brand-new numbers. Rose prefaced one of those new songs by sharing that it would be coming out as a single for her third album, Herin Wild, later this summer. The group's dreamy pop output made for a nice and laid-back start to the day. -ZP

Daughn Gibson was the first act to grace the festival's Red Stage yesterday afternoon, accompanied by a couple of live members. Crowds were initially slow to gather, but a good number of people made their way over by his second or third song. Gibson's voice, a country-tinged cross between Nick Cave and Chris Issak, came through the speakers loudly and clearly. While dancing with his mic stand, Gibson radiated a kind of rockabilly swagger found amongst forefathers Elvis and Johnny Cash. The crowd attentively watched the band perform but didn't move much, mostly due to the scorching afternoon heat. The heat thankfully didn't slow them down much though, but it did cause Gibson to pause between songs to share, "It's hotter than a two-peckered goat today." The set's highlights included "Mad Ocean" off of the recently released Me Moan and a final track that incorporated some creepy sounding samples of a man talking about a sickly child and his fanatical devotion to Jesus. Gibson's use of samples is creative and definitely sets him apart from other country/rockabilly-influenced musicians. -MM

I spent as much time as possible over at the Blue Stage, hoping to hide away from the blazing sun. It was there that I later caught Chicago's Angel Olsen and her backing band. Olsen is currently prepping her new album for release via Jagjaguwar later this year, and graced us with a couple of new tunes. Her rather classic warble isn't something you hear too often these days, and the large crowd clearly enjoy it. Though she's been performing with a band for a while now, yesterday evening was the first time I had seen her perform with that setup. A full band most definitely lends itself well to her sound. -ZP

After grabbing some food and checking out the CHIRP Record Fair, I headed back to the Blue Stage to catch Mikal Cronin. Mikal's excellent new LP, MCII, is the perfect summer album, and he drew a very large crowd for his set. I can't say whether it's all the time he's spent as a member of Ty Segall's band or natural ability, but the San Franciscan seems comfortable and like he really enjoys himself on stage. Mikal began his set with "Is It Alright" from his self-titled album, followed by a couple of other tunes from the release. He of course broke out "Shout It Out" and the raucous "Change" from MCII, and the crowd went nuts. I then left a bit early to catch some of Wire over at the Green Stage, who had started their set just a few minutes after Mikal's. -ZP

Art punk legends Wire played at 6:25PM to a sprawled out throng of fans at the Green Stage. The band, dressed in all black despite the heat, performed like a well oiled machine, spitting out song after song without much pause. Much of their set consisted of material from the band's most recent album, which might have disappointed some folks who are bigger fans of the their earlier output. Either way, the set was solid, no-nonsense punk. Age hasn't slowed these gentlemen down at all. -MM

After Wire, we made our way over to the nearby Red Stage to find a good spot for Joanna Newsom. The songstress began her set with "Bridges and Balloons" from her debut album The Milk-Eyed Mender. Once the tune was over, Newsom then said, "I wasn't quite sure what to play tonight because I've got a lot of new songs! We'll mix it up a bit." The great "In California" from Have One on Me came next, followed by a jumpy new song. She then switched over to piano for yet another new tune, which has become known as "Look And Despair." Newsom's new ones are as intricate and fully formed as her past material, and we're looking forward to her inevitable-but-unannounced new record. It was a blissful and rather entrancing set. -ZP

The last show of the night, and probably the most anticipated, came from Bjork. She appeared on the stage wearing her famous spiky headpiece, and was backed by an all-female choir that added a whole different aural layer to her already amazing music. Wearing a shiny silver dress (while choir wore mostly blue) Bjork sang and moved across the stage with a great deal of passion and energy. Behind her, three screens displayed imagery that included an exploding star, the moon, ZX Spectrum-looking polygons, and even a sped up clip of a seal carcass being consumed by starfish and sea slugs underwater (read: slightly unsettling). The latter stood out, for obvious reasons, and close-ups of the starfish seemed to show a synchronized pulse with the music. Another highlight was the giant tesla coil enclosure that descended from the stage rathers during "Thunderbolt," creating huge sparks each time the synthesizer was played. After each song Bjork politely said "Thank you!" in her strong Icelandic accent which had everyone smiling and laughing. In the distance, a storm was approaching but appeared to be another special effect being incorporated in an already elaborate performance. Unfortunately, it was real, and reached the festival before Bjork could fully complete her set. Despite being cut short, what was performed was stunning and visually striking, and left a lasting impression. -MM

Today's line-up (7/20) features Belle & Sebastian, The Breeders, Swans, Savages and lotes more. For a different set of pictures from day 1, head to BrooklynVegan and more pics are below.

Continue reading "Pitchfork day 1 review & pics: Bjork, Joanna Newsom, Wire, Mikal Cronin, Mac Demarco, Frankie Rose, Trash Talk & more)"

"Bjork cut short for weather evacuation at @pitchforkfest WAAAAHHHHH" - Rachelrubes

Bjork Pitchfork Fest 2013 Setlist (via Conor Altier)
Bjork

The above setlist is what Bjork would have played at Pitchfork Friday if the set wasn't cut short after an hour, though as TomQuestion points out, "65 minutes of Björk is better than 0." And don't feel too bad - the same thing happened at both Phish and Pearl Jam.

UPDATE: Check out our pictures from Pitchfork Day One, Bjork included, at BrooklynVegan and BV Chicago.

Hoping for better luck with the weather on Saturday and Sunday.

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Killer Mike @ Bonnaroo (more by Dana (distortion) Yavin)
Killer Mike

Pitchfork Fest is here again. Single day tickets for the Union Park party are still available for Friday and Saturday. Check out the full schedule and what we're looking forward to Friday and Saturday. Here's some of what we're looking forward to on Sunday...

Sunday, July 21 at Pitchfork Festival

Autre Ne Veut @ 1:55PM, Blue Stage
Autre Ne Veut (the project of Brooklyn's Arthur Ashin) welcomed his new album, Anxiety, earlier this year, and the LP has propelled his career to new heights. Ashin's live show has also risen to the occasion, with a full-band setup behind him. You can also catch their afteparty at Lincoln Hall (see below).

Killer Mike @ 2:30PM, Green Stage
Dungeon Family member Killer Mike welcomed two great albums this year -- his own R.A.P. Music, produced by EL-P, and Run the Jewels, a full-on collaborative effort with EL-P. Each rapper has their own set on Saturday afternoon (EL-P's is at 3:20PM on the Red Stage), and you should definitely catch both of them. As EL put it, "jewels will be ran."

Waxahatchee @ 3:45PM, Blue Stage
Waxahatchee (the project of Katie Crutchfield) joins the ranks of arts like Frankie Rose and Mikal Cronin with her great second album, Cerulean Salt. Crutchfield also has a two-piece live band, and the trio rework her tunes to be a bit more punk.

TNGHT @ 8:45PM, Blue Stage
If you can reconcile with skipping out on R. Kelly's headlining performance (this writer can), I'd suggest catching TNGHT (aka the production duo of Lunice and Hudson Mohawke) on the Blue Stage.

Sunday, July 21 in Festival Aftershows
* Parquet Courts @ Bottom Lounge
* Sailor Jerry's Cobrafest (Day 3) @ Cobra Lounge
* Autre Ne Veut, Evian Christ (DJ Set), Empress Of @ Lincoln Hall
* Jonathan Toubin Soul Clap, La Luz, The Party Downers @ Empty Bottle

Check out our Friday and Saturday preview too, and follow @BVChicago on Twitter for late breaking announcements.

Savages at Lincoln Hall on 7.18.2013 (via BVChicago Instagram)
savages-lincoln-hall

On Thursday night (7/18), Savages and Parquet Courts played a Sound Opinions live show at Lincoln Hall. The night consisted of interview segments for each band, by hosts Jim DeRogatis and Greg Kot, followed by short sets. For Savages, the S.O. show served as their Chicago debut and they'll also be headlining the venue again tonight (Friday, 7/19). During the group's interview segment, founding member Gemma Thompson spoke of her affinity for Wire (who they'll share the stage with this weekend at Pitchfork Fest) and how she hadn't picked up a guitar until she was a fine arts major who needed to compose a soundtrack for an exhibit. If you're headed to Pitchfork Festival, you can also catch Savages at 4:15PM on July 20 on the Green Stage.

Check out some video footage of both Savages and Parquet Courts from Sound Opinions Live below...

Continue reading "Savages & Parquet Courts played 'Sound Opinions Live' at Lincoln Hall (videos)"

threadless-braid-pitchfork

This afternoon (Friday, June 19), Threadless are throwing a Pitchfork Festival pre-party at their headquarters, which is right by Union Park. It goes from noon - 5PM, and features a 2PM set from Braid. It's free but you've got to RSVP for entry.

Check out the full lineup below...

Continue reading "Braid playing Threadless' Pitchfork Fest pre-party this afternoon"

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