September 16, 2014
Brooklyn artist Tim Fite is releasing a new album, iBeenHACKED (not a reference to the U2 album) (or the name of a giant corporation), on October 7. He describes it as "a music/art project satirizing and celebrating the highs and lows of digital culture, examining the ways technology and connectivity are hacking our daily lives, and altering the codes that we live by." The project will include:
• a limited edition series of hand made glass "Phonies."Its newest single, "Like," is just as satirical as you'd expect, and it premieres in this post. You can listen below.
• a Brooklyn storefront turned into a giant smart-phone.
• alternative digital-music monetization strategies such as the sale of advertising space and personal shout outs in songs.
• a body of songs that are wickedly insightful and often laugh out loud funny - wrestling with subject matter ranging from the at nauseum action of online "liking" ("Like"), smart-phone addiction ("Check Yo Cell"), the cult of macintosh products ("Big Mac"), the binge-watching epidemic (4 Seasons), and plenty more.
Tim's also got a European tour planned with Berlin's wild Bonaparte, who he's played NYC with before. All of those dates are listed, with the new song stream and album trailer, below...
Angel Olsen @ MHOW in May (more by Amanda Hatfield)
Jagjaguwar is releasing a deluxe digital edition of Angel Olsen's Burn Your Fire for No Witness on November 18 that comes with a bonus disc of five bonus songs, two of which were on the 7" that came with early pressings of the vinyl LP. You can stream one of the bonus cuts, "All RIght Now," and the video for "High & Wild," below.
Olsen has been touring for the better part of 2014 and has just added dates to that, wrapping things up here in NYC with three shows: a solo show at Brooklyn's Roulette on December 6 with old pal Jay Bartell, and then two nights at Bowery Ballroom on December 8 & 9, both with Lionlimb. Tickets to all three NYC shows go on sale Friday (9/19) at noon with an AmEx presale beginning Wednesday (9/17) at noon.
All dates are listed, along with song stream and video, below...
photos by James Richards IV, words by Zach Pollack & Milos Markicevic
Mineral / Patti Smith / Superchunk
Riot Fest Chicago wrapped up this past Sunday (9/14) with sets from The Cure, Weezer (playing Blue Album), Primus, Social Distortion, Cheap Trick (playing Heaven Tonight), Patti Smith, Mudhoney, Hot Snakes, Mineral, Lucero, Naked Raygun (playing Throb Throb), La Dispute, Superchunk, The Hold Steady, Kurt Vile, Bouncing Souls, The Front Bottoms, The Menzingers and many more.
I arrived at the final day of the festival to find New Jersey punk heroes The Bouncing Souls already on the Roots Stage, and NJ folk punks The Front Bottoms getting set to perform on the Rebel Stage. Having seen the former a few times, I went for the latter band and heard "Flashlight" as I approached the stage. Their early afternoon-yet-rabid crowd screamed the lyrics along to the song's stop-start chorus. The tongue-in-cheek Talon of the Hawk opener "Au Revoir (Adios)" came next, followed by mix of songs from that album and their 2011 self-titled LP. --ZP
Kurt Vile & The Violators were the next band I caught, over at the Riot Stage. Given that Sunday beared even better weather than Saturday had, opening with "Wakin on a Pretty Day" was an apt choice in full sun. The Violators proceeded to deliver a low-key and enjoyable set that touched on Wakin on a Pretty Daze, Smoke Ring for My Halo, and Childish Prodigy. After a bit of KV and co., I headed over to the Rebel Stage to catch The Hold Steady. The NYC crew kicked things off with "I Hope This Whole Thing Didn't Frighten You" from this year's Teeth Dreams, followed by the Boys and Girls in America favorite "Stuck Between Stations." The band flew by their usual M.O. -- flexing some muscle without coming off as too cheesy -- while pulling out tunes from their back catalog. --ZP
Next I went to catch Superchunk, and I arrived at the Riot Stage a bit prior to their set. In the meantime, I caught the last few songs of Billy Bragg's performance on the nearby Roots Stage. Before playing "The Milkman of Human Kindness," Bragg shared that he's out to become "the Pete Seegar of punk" and hopes to be performing into his 90s. He turned "There Is Power in a Union" into a sing-along and finished off with "A New England." Superchunk began with the No Pocky for Kitty tune "Cast Iron," followed by the one-two punch of "Digging For Something" and "FOH." It was back to No Pocky... for "Punch Me Harder," and then Mac asked the crowd to sing along during "Learned To Surf." "I'm gonna need you to repeat after me, in the age-old tradition of repeating after people on stage, he quipped. Their 11-song set came to a close with "Slack Motherfucker" into "Precision Auto." --ZP
Michigan post-hardcore crew La Dispute were up next at the far-from-everything Rock Stage. The four-piece were heavy on this year's great Rooms of the House, and began their 10-song set with "HUDSONVILLE, MI 1956," "Stay Happy There," and "First Reactions After Falling Through the Ice" from the LP falling within the first five they played. Their meditative grooves quickly won over the large crowd they had gathered at the stage. My next target after La Dispute was the Rise Stage, where whiskey-soaked Memphis crew Lucero would soon begin their late afternoon set. I only stuck around for a few songs, but I got to hear some of my favorites from the start, including "On My Way Downtown" into "Nights Like These." --ZP
La Dispute's crowd
After Lucero, it was back over to the Rock Stage for reunited Austin emo band Mineral. The band quietly took the stage and delivered an excellent set that was split evenly between their 1997 debut The Power of Failing and 1998's EndSerenading. Highlights included their heavier moments found within the brief "Five, Eight, & Ten," "For Ivadell," and "Gloria," and also the more subdued offerings like "Love Letter Typewriter." Mineral were one of the best emo bands out there, and it's great to see them return sounding great. --ZP
One of my most anticipated sets of the three-day fest was Patti Smith's 6PM performance on the Riot Stage. Patti was born in Chicago not all that far from the stage she occupied, and spoke about coming to the park with her mother as a very young child. She and her band opened with "Dancing Barefoot" into the Horses tune "Redondo Beach." A cover of John Lennon and Yoko Ono's "Beautiful Boy (Darling Boy)" came next, followed by "Pissing in a River." Along with a select few others, Patti Smith fully embodies the spirit of Riot Fest. --ZP
While Zach was over at Patti Smith on the Riot Stage, I was at the Rise Stage for Mudhoney. The grunge grandfathers ripped through their set and barely stopped to catch their breath. Drummer Dan Peters was a beast on drums throughout the set, and at one point the band even made way for a brief drum solo, bringing in the fuzz at the climax. You would think Mark Arm's vocal style would have wrecked his pipes after all these years but the guy sounded just as good as he did on the band's debut album. The definite highlight of set was the band's classic "Touch Me I'm Sick" which left everyone floored. --MM
If Patti Smith carries the ethos of Riot Fest, then Primus serve to represent the festival's large carnival presence. Les Claypool was transfixed on the ferris wheel he faced from the stage and spoke at length about how beautiful it was and how lucky they were to be performing near it. He later prompted guitarist Larry LaLonde to do a solo inspired by the wheel. Unlike when I saw them in 2013, Primus shed their jammy approach of late for the tighter feel of their early material. This shift was aided by stand-in timekeeper Danny Carey, who delivered a fast-handed, rigid performance. The trio opened with the Sailing the Seas of Cheese cut "Those Damned Blue-Collar Tweekers," followed by the driving LP number "Here Come the Bastards." The tweaky Brown Album song "Over the Falls" was also played, as well as more favorites like "My Name Is Mud," and set endcap "Jerry Was a Race Car Driver." --ZP
Weezer were one of the albums billed to play a classic album (The Blue Album), but first they warmed up with some of their more recent singles, steadily going back in time with each song. The band played "Pork and Beans," "Beverly Hills," "Island In The Sun," "Hash Pipe," "El Scorcho" and others before getting to 1994, the year of The Blue Album. Everything prior to The Blue Album's performance felt like filler as everyone, including myself, sang along to every Blue Album song, most loudly to "Buddy Holly" which some fans begged to be played again. Weezer performed flawlessly while their stage lights bathed everyone in blue light, keeping in theme of the album's color. It was amazing seeing the band perform The Blue Album-- one of my favorite 90s albums-- in its entirety. I only wish they could've squeezed in Pinkerton right after. --MM
BrooklynVegan is very excited to be presenting the first American show by UK duo Sleaford Mods, which will happen in NYC at The Wick on November 29. Supporting bill is still TBA but tickets are on sale now. Here's what we wrote about the 'Mods earlier this year:
Somewhere between punk, hiphop and spoken word lie UK duo Sleaford Mods. (They are neither mods, nor from Sleaford. They're from Nottingham.) Jason Williamson spews a tapestry of bile over low-tech, muscular backing by Andrew Fearn, the result is somewhere between The Fall, McClusky, Happy Mondays and John Cooper Clark. The pair have been making music for eight years now but really started to get attention with last year's terrific Austerity Dogs and look to go even wider with the just released Divide and Exit. On it Sleaford Mods are in full rebellion mode. Who against? Whadda you got? Like Protomartyr's Joe Casey, Williamson hold equal contempt for the rich, conservatives, liberals, phonies in general, idiots, "jolly fuckers," etc all via a nonstop torrent of brilliantly, hilariously profane lyrics.You can stream Divide and Exit, as well as previous releases and a few videos and a short Quietus documentary about the band, in this post.
The Wick show is Sleaford Mods' only North American date at the moment but they're on tour in the UK and Europe throughout the fall. All dates are listed, along with videos and streams, below...
Manchester Orchestra at Lollapalooza 2014 (more by James Richards IV)
Manchester Orchestra put out their grungy new album Cope earlier this year, and they've now followed it with a stripped-down version of all the songs called Hope which is already available on iTunes and will be out physically on November 18 via Loma Vista. They're also going on a stripped-down tour in support of it which brings them to more intimate venues than their last tour, including NYC's The Bell House on December 9, a much smaller place than their Terminal 5 show in May. Tickets for that show are on sale now. Chris Staples opens all dates.
Full list of dates below...
by Bill Pearis
Alt rock vet Mark Lanegan will release his new album, Phantom Radio, on October 21 via Flooded Soil/Vagrant. The first single from the record is "Floor Of The Ocean" which might supprise Screaming Trees fans who haven't checked with Mark in a while. It's heavy on synths and drum machines, with a little Peter Hook style bass in there as well. You can stream that below.
Mark will be touring this fall, and he'll play NYC at The Marlin Room at Webster Hall on November 8. Tickets go on sale Friday (9/19) at 10 AM.
You can also hear Mark on the new Stooges rerecordings that guitarist James Williamson is putting together. All tour dates are listed, along with the new song stream, below...
It's been almost nine years since Clear Channel spun off Live Nation (who went on to buy Ticketmaster). Now:
Clear Channel on Tuesday refashioned itself as iHeartMedia, accentuating how the lines between online and AM/FM radio are blurring at the country's biggest company on the broadcast dial.
"It's not a company with a bunch of old radio stations and outdoor [billboards] anymore," Chief Executive Bob Pittman said in an interview. "We've transformed, so let's now take a name that matters."
iHeartRadio is Clear Channel's digital arm, a Pandora-like online service that also hosts the digital streams of the company's 840 traditional radio stations like KIIS FM in Los Angeles. Effective Tuesday, CC Media Holdings Inc. became iHeartMedia Inc. The company's over-the-counter stock ticker symbol will also change, effective Wednesday.
Streaming is the industry's most promising segment of growth, but tech-centered outfits like Pandora -- the Web's biggest radio operator -- and on-demand subscription services like Apple's Beats Music and Spotify tend to attract the most attention as they race to dominate the burgeoning sector. By recasting itself as iHeartMedia, Clear Channel not only recognizes the company itself has changed but also believes it will get due credit in the tech community for its gargantuan scope, Pittman said. [CNET]
APTBS @ MHOW, 2012 (more by Chris La Putt)
Austin Psych Fest is one of the cooler annual conclaves for headtrip rock n' roll, and they're bringing a bit of that flavor to NYC during CMJ for a showcase at Rough Trade on October 25 with A Place to Bury Strangers, White Fence, Moon Duo, King Gizzard & the Wizard Lizard, Wampire, Bo Ningen, Spires, The Wytches and The Paperhead. It's a 6 PM start with "special guests to be announced." Tickets go on sale Friday (9/19) at noon. Flyer for the show is below.
This is the only current date for A Place To Bury Strangers, though it seems likely that the band will play Death by Audio before it closes, seeing how frontman Oliver Ackerman runs the successful Death by Audio pedal company that's housed in the back of the venue (which will be locating to new digs) and if anybody's the DbA house band, it's APTBS.
Nashville's The Paperhead, meanwhile, just announced they'll be releasing Africa Avenue this fall via Trouble in Mind, their first new music in two years. Bo Ningen will be at CMJ following their tour with Kasabian. White Fence and King Gizzard have other CMJ shows together too.
Moon Duo also play with The Horrors at Stage 48 on October 21 (tickets), though most of their tour together was postponed, and then they'll play with The Kills at Bowery Ballroom on 10/23 (sold out but you can try to get in with a CMJ badge if you're gonna have one).
Flyer for the Psych Fest CMJ showcase below...
by Ian Chainey
Lightning at the Door album art
Nashville's psych-rockers All Them Witches are giving their album, Lightning at the Door, a proper release today (9/16). It's a heady brew of swirling tones and heavy blue-eyed blues rock. The tracks also have that bracing spontaneity of crack improvisers. Says singer/bassist Michael Parks, Jr. regarding their approach: "In terms of the music, we're so loose, and that's where the magic comes from. There's no controlling factor. We do exactly what comes naturally. We go in a room without any idea about what will happen, get in the groove, and it works. That's supernatural." You can check out a couple of its tracks below.
All Them Witches are currently on tour with crushing doomers Windhand. This Saturday's (9/20) show at NYC's Saint Vitus with Ilsa and Polygamyst is on the very near horizon. That show is also very nearly sold out according to Saint Vitus's Facebook: "If you want tickets to Windhand, act soon. There are less than 30 left." Tickets are, indeed, available now.
Updated dates are listed, with the song streams, below...
FFF NITES @ FUN FUN FUN Fest - November 7-9 2014
With less than 2 months to go, today Fun Fun Fun Fest release their FFF NITES lineup:
FUN FUN FUN FEST (FFF Fest) is excited to announce today the lineup for FFF Nites, the after shows free to festival wristband holders, during this year's festival November 7--9, 2014, at Auditorium Shores. The Nites performances--including over one hundred FFF performing artists and a roster of artists playing exclusively during Nites--are only available to FFF Fest wristband holders; no tickets will be sold at the door.If you're on the fence, this might be the final push. More than seventy (74 so far if I counted correctly) of the one-hundred-plus above mentioned artists are exclusive to FFF Nites, including Meat Puppets, The Pains of Being Pure at Heart, The Jazz June, Power Trip, Tombs, Single Mothers, Into It Over It, The Hotelier, Le1f, The Pizza Underground, MSTRKFT and many more. Access to the night shows is FREE with your FFF wristband.
You can still get FFF passes here.
Check out more of the announcement including the full FFF Nites lineup below...