Jonas Mekas, avant-garde filmmaker and iconic New Yorker, dies at 96
Avant-garde filmmaker, co-founder of Anthology Film Archives and Film Culture, and much more, NYC icon Jonas Mekas has died at age 96. “Jonas passed away quietly and peacefully early this morning. He was at home with family. He will be greatly missed but his light shines on,” read the official statement. Here’s the bio from his website:
Jonas Mekas was born in 1922 in the farming village of Semeniškiai, Lithuania. He currently lives and works in New York City. In 1944, he and his brother Adolfas were taken by the Nazis to a forced labor camp in Elmshorn, Germany. After the War he studied philosophy at the University of Mainz. At the end of 1949 the UN Refugee Organization brought both brothers to New York City, where they settled down in Williamsburg, Brooklyn.
Two months after his arrival in New York he borrowed money to buy his first Bolex camera and began to record brief moments of his life. He soon got deeply involved in the American Avant-Garde film movement. In 1954, together with his brother, he started Film Culture magazine, which soon became the most important film publication in the US. In 1958 he began his legendary Movie Journal column in the Village Voice. In 1962 he founded the Film-Makers’ Cooperative, and in 1964 the Film-Makers’ Cinematheque, which eventually grew into Anthology Film Archives, one of the world’s largest and most important repositories of avant-garde cinema, and a screening venue.
During all this time he continued writing poetry and making films. To this date he has published more than 20 books of prose and poetry, which have been translated into over a dozen languages. His Lithuanian poetry is now part of Lithuanian classic literature and his films can be found in leading museums around the world. He is largely credited for developing the diaristic forms of cinema. Mekas has also been active as an academic, teaching at the New School for Social Research, the International Center for Photography, Cooper Union, New York University, and MIT.
Mekas’ film The Brig was awarded the Grand Prize at the Venice Film Festival in 1963. Other films include Walden (1969), Reminiscences of a Journey to Lithuania (1972), Lost Lost Lost (1975), Scenes from the Life of Andy Warhol (1990), Scenes from the Life of George Maciunas (1992), As I was Moving Ahead I saw Brief Glimpses of Beauty (2000), Letter from Greenpoint (2005), Sleepless Nights Stories (2011) and Out-takes from the Life of a Happy Man. In 2007, he completed a series of 365 short films released on the internet — one film every day — and since then has continued to share new work on his website.
Since 2000, Mekas has expanded his work into the area of film installations, exhibiting at the Serpentine Gallery, the Centre Pompidou, Musée d’Art moderne de la Ville de Paris, the Moderna Museet (Stockholm), PS1 Contemporary Art Center MoMA, Documenta of Kassel, the Museum Ludwig in Cologne, the State Hermitage Museum in St. Petersburg, and the Venice Biennale.
Rest in peace, Jonas, your influence lives on. Amongst his many credits was working with Andy Warhol, and he shot The Velvet Underground’s first live performance. Watch that and read a few tributes below.
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R.I.P. Jonas Mekas (1922-2019)
Watch his recent appearance at the 54th New York Film Festival: https://t.co/ef44soWGMt
— New York Film Festival (@TheNYFF) January 23, 2019
It’s with enormous sadness and a great sense of loss that we share the news of the passing of Anthology’s founder, Jonas Mekas. He died peacefully at home, with family at his side. pic.twitter.com/1zpB2ZZHDd
— Anthology Film Archives (@AnthologyFilm) January 23, 2019
— Jim Jarmusch (@JimJarmusch) January 23, 2019
Mourning the passing of dear friend Jonas Mekas, shown here at dinner in Brooklyn a few years ago w a drawing Frey made for him. One of the most inspiring individuals I’ve met in this… https://t.co/9qi7wgWpQg
— Lee Ranaldo (@leeranaldo) January 23, 2019
"My kind of filmmaking has no plan. In a very personal kind of cinema I do, recording my daily life and around me, you cannot plan, you don’t know what’s coming. I’m not God, all I can do is watch reality and… focus, to be very open to what is happening now." Jonas Mekas #RIP pic.twitter.com/3NmYmgprxP
— Tribeca (@Tribeca) January 23, 2019
RIP Jonas Mekas. Here's some of his earliest footage, shot in his neighborhood (Williamsburg) with his Bolex in 1950. pic.twitter.com/0xobUhVYXL
— Nitehawk Cinema (@nitehawkcinema) January 23, 2019
"There is no other way to break the frozen cinematic conventions than through a complete derangement of the official cinematic senses."
R.I.P. Jonas Mekas (1922-2019) pic.twitter.com/fXX4PCkhCd
— Film Comment Magazine (@FilmComment) January 23, 2019
In 2016, Jonas Mekas joined us to discuss the evolving cinema culture of NYC and his pioneering body of work.
— Film Society of Lincoln Center (@FilmLinc) January 23, 2019
Earlier this month @johnleland's asked Jonas Mekas about death and the afterlife: “It’s a very normal transition,” he said. “What’s beyond that line, it’s where the mystery begins, where it becomes interesting."https://t.co/gggSvc7KeX pic.twitter.com/dKXnBKvFBk
— Manohla Darkness (@ManohlaDargis) January 23, 2019
— Calvin Johnson (@SlctrDubNarcot) January 23, 2019