SXSW 2010 day 3 in pics & review (Pains of Being Pure of Heart, Rogue Wave, Antlers, Cake Shop, Warpaint, more)
SXSW Day Three started over at the free Dickies Sounds Day Party. Free silk-screened posters with all the bands playing that day (including She & Him and Surfer Blood at the official showcase that night) were printed up and handed out on the spot. People played ping pong next to the house while around the corner Greg Laswell played a few new songs, several old ones, as well as his incredibly depressing take on Cyndi Lauper’s “Girl’s Just Wanna Have Fun”. After a quick dash over to the convention center it was back to Dickies, where there was suddenly a long line, to catch the all-girl quartet, Warpaint, who were fantastic. Then Rogue Wave closed out the day portion. I still can’t get excited about their new record, but live Zach Rogue and his newly configured lineup have it down and the crowd we’re into it from the start. The highlight being “Lake Michigan” and a slow-building, two-minute intro.
For the evening I set up camp at the Mohawk for the Slumberland/Cake Shop Showcase. Sheffield’s indiepop trio Standard Fare opened inside and their performance was great. A better batch of indie pop songs you’ll be hard-pressed to find this year. Philadelphia drum-guitar duo Reading Rainbow were next and another indie pop band, the excellent Summer Cats (from Australia), followed. Frankie Rose and the Outs were up next with their hazy, lo-fi rock. I skipped out after that to nip over to the Galaxy Backyard to catch The Antlers (completely forgetting I would see them the following afternoon at another Party.) Their third show of the festival and they just nailed it. People around me who had not heard of them were won over after just one song (the increasingly uptempo “Sylvia”.) By the end, one girl put her hands up in the shape of a heart right in front of Peter Silberman, eliciting a smile from the frontman mid-verse. From there it was a quick dash back up Red River to the Mohawk where both inside and outside were at capacity with Miike Snow about to go on outside (followed by Mayer Hawthorne, neither of who I caught) and Pains of Being Pure at Heart inside. “Welcome to the Cake Shop,” said Kip Berman at the start of the New York indie pop band’s set, pointing at the Cake Shop banner on the wall behind them.
Frankie and the Outs
These Are Powers
The Pains of Being Pure at Heart