Entries tagged with: Alarm Will Sound
Aesop Rock in Austin in 2012 (more by Tim Griffin)
Bang On A Can's David Lang is the 2013-2014 season's holder of the Richard and Barbara Debs Composer's Chair at Carnegie Hall, and for the season, he'll be presenting his collected stories series. On the series, David says:
My series--collected stories--divides up the narrative world into topics so we can see how the music changes from subject to subject. Music from different cultures, times, environments, and sound worlds, plus some really exciting commissions, are placed next to each other, highlighting their narrative similarities and telling a larger kind of story about how we listen, experience sound and time, and use music to make sense of the world around us.The series includes a number of shows throughout the year, notably 'collected stories: love/loss' on April 24 with The Uncluded (aka Aesop Rock and Kimya Dawson), Sam Amidon, Nico Muhly, Nadia Sirota and others (tickets); 'collected stories: (post)folk' on April 27 with guitar great Kaki King, the Alarm Will Sound ensemble, and others (tickets); and 'collected stories: spirit' on April 23 with Tuvan throat singers Huun-Huur-Tu and others (tickets). Full collected stories schedule below.
Speaking of Kaki King, she also plays the New York Guitar Festival this month.
And speaking of Bang On A Can, BOAC's marching band Asphalt Orchestra is performing the Pixies' Surfer Rosa in NYC at Le Poisson Rouge on Sunday (1/12). Tickets for that show are on sale now.
collected stories schedule below...
Philip Glass at Prospect Park in July (more by Adela Loconte)
Following David Byrne's big Philippines benefit at Terminal 5 in November to help those affected by Typhoon Yolanda, another more intimate, but equally cool benefit is happening in NYC on December 19 at Le Poisson Rouge. This one's got modern composer Philip Glass joined by an impressive indie lineup of Tyondai Braxton (ex-Battles) with past collaborator Ben Vida, plus Prefuse 73, Satomi Matsuzaki (of Deerhoof), Dan Friel (Parts & Labor), DJ Jon Santos, and more TBA. Tickets are on sale now.
In related news, the music of Tyondai Braxton, Aphex Twin, and Edgard Varèse will soundtrack an upcoming dance performance by Alarm Will Sound and Dance Heginbotham at The Met on February 20.
Thom Yorke of Radiohead w/ Atoms for Peace earlier this month (more by Tim Griffin)
Contemporary composer Steve Reich has premiered multiple works in NYC in recent memory, and he's now announced the New York premiere for his Radiohead-inspired piece "Radio Rewrite.". Speaking to The Quietus (via Pitchfork) on the piece, Steve said:
The trip to Krakow and meeting Jonny Greenwood made me think, well, this music really interests me. What if I took these songs, 'Everything in its Right Place' and 'Jigsaw Falling into Place', and used some of the harmonies, some of the bass lines, some of the melodic material, but going my own way with it, using that material as a starting point, a stimulus. Sure enough, it worked. You know, you go where the energy is. So now there's about 15 minutes written out of a piece which will eventually be an 18, 19, 20 minute piece.The piece, which, as mentioned, is based off Radiohead's "Everything In Its Right Place" and "Jigsaw Falling Into Place," gets its NY premiere on November 16 at the Metropolitan Museum of Art by the Alarm Will Sound ensemble, who will also be performing five other Steve Reich pieces. Tickets, which include museum admission, for the concert are on sale now.
It's brilliant, absolutely brilliant songwriting. I saw a black and white video of them rehearsing 'Jigsaw Falling Into Place' and what struck me was not only that it was a beautiful song, but that the band are so committed. There's no showbiz, just musicians communicating very directly. There's no fudging that.
In both those songs, the chord sequences are very interesting, These are beautiful tunes and I can't improve on them, so I've written my own piece, but sometimes something comes to the surface which reminds you very clearly and sometimes not so clearly of what they do. I mean, it's scored for flute, clarinet, two vibraphones, two pianos, string quartet and one electric bass, which only appears in the first and last movement, so it's not at all a rock piece. Now, '2x5' is a piece that wears rock on its sleeve, so to speak, because it's written for those instruments, but in Radio Rewrite, if you didn't know the original material, rock & roll wouldn't cross your mind. You'd just think, "this is a piece by Steve Reich that I like, or don't like."
If you can't make it, the show will also be streamed live at Q2 Music, starting at 7 PM.
More info and a video of Alarm Will Sound performing "Radio Rewrite" in California, below...
Tyondai Braxton at ATP NYC 2012 (more by David Andrako)
Ex-Battles frontman Tyondai Braxton will present his new multimedia project, HIVE, in NYC at the Guggenheim Museum on March 21 as part of the museum's Works & Process series. The project is being co-presented by Wordless Music and will feature musicians Ben Vida, Yuri Yamashita, Jared Soldiviero, and John Ostrowski, and architect/carpenter Uffe Surland Van Tams. Tickets for that show are on sale now. Flyer below.
Tyondai has other upcoming appearances and events in NYC including premiering his new work, Trems, which is being performed by Bang On A Can at Merkin Concert Hall on March 14 for an event that also features music by Dan Deacon, Anna Clyne, Paula Matthusen, Johann Johannsson, and Fay Kueen Wang.
Tyondai and Ben Vida (who also performs at the HIVE show) are teaming up as a duo to perform as an opening act at Extra Life's last show ever which happens on January 19 at 285 Kent with Sam Mickens (who plays Mercury Lounge with Callers tonight [1/7]), Oneirogen, and a DJ set by NMCM (Krallice). Admission is $12 at the door. You can read Extra Life's goodbye message at their website.
All dates are listed below...
by Andrew Frisicano
Philip Glass isn't the only 20th-century composer with a big birthday this year. Avant-garde composer John Cage would've been 100, and there are numerous chances to see his work (even more than usual) because of it. The shows below cover quite a bit of ground--eg. 1940's "Living Room Music" on the same program as 1991's "Four3"--and the best place to experience the pieces is definitely in a group.
Avant Music Festival, happening February 10-18 at Wild Project (195 E 3rd St at Ave B), explores the work of Cage at several shows. There's an afternoon/evening program on Saturday, February 11th, which includes a 4pm performance by Bang on a Can's Vicky Chow of Cage's "Sonatas and Interludes" for prepared piano, followed by a longer evening set. Tickets are on sale.
Issue Project Room, which just moved into a new home, has some Cage-related shows coming up, such as Stephen Drury playing his "Etudes australes" on February 24 and "On Silence: Hommage to John Cage" which features 13 new pieces that are all 4 minutes, 33 seconds long.
So Percussion hosts "We Are All Going In Different Directions--A John Cage Celebration" at Carnegie Hall's Zankel Hall on March 26th. They'll be performing Cage's music, as well as that of Matmos and Cenk Ergün (who should be appearing) and Dan Deacon's "Bottles." Tickets are on sale.
It's the last stop in a Cage-dedicated tour, which also visits Boston, Toronto and Austin (info below). On March 27th, recordings from the tour will be released by Cantaloupe Records as Cage 100: The Bootleg Series, a limited-edition package with a blank 4'33" LP, a CD of "tracks chosen by chance operations" and a full archive of the shows online.
Also part of that is John Cage Unbound--A Living Archive, an online project through New York Public Library, which is going to collect performances and talks of Cage's work by musicians and students (and user-submitted videos). It's also going to have an archive of scores, photographs and other artifacts. Two videos from that--one of pianist Margaret Leng Tan showing you how to prepare a piano, and one with So Percussion crumpling paper (they love to do that)--are below.
Check out more videos, including 4' 33" performed by an orchestra, Andrew W.K. and a wall, below...
As previously announced, the 2011 Ecstatic Music Festival, presented by New York City's Merkin Concert Hall in association with New Amsterdam Records, is a showcase of imaginative collaborations between more than 150 genre-pushing composers, songwriters and performers who represent a new generation of artists combining diverse influences and techniques to explore the intersection of classical and pop music. All concerts will include premieres. The festival opens with a free seven-hour marathon on January 17, 2011, and continues with 13 additional concerts until March 28, 2011. All concerts will take place at Merkin Concert Hall.The Ecstatic Music Festival 2011 is almost here. Subscriptions and single show tickets are on sale. The full updated schedule (tUnE-yArDs, So Percussion, Dan Deacon, Craig Wedren, ACME, Nadia Sirota, Buke & Gass, Doveman, Owen Pallett, Bang On A Can All-Stars, and more included), and a trailer, below...
by Andrew Frisicano
Dirty Projectors at Allen Room on Feb 19th...(via)
Dirty Projectors' 2005 album, "The Getty Address," is far more a contemporary chamber opera than indie-rock. It uses woodwinds, brass, strings and orchestral percussion; its music has dissonances and complexities galore, and only fitfully settles into a steady beat. Lincoln Center's American Songbook series is a natural place for it, and on Friday night at the Allen Room, Dirty Projectors performed "The Getty Address," backed by the chamber ensemble Alarm Will Sound. It was arranged for the concert by Matt Marks and conducted by Alan Pierson.Dirty Projectors played The Getty Address in full on Friday, February 19th, joined by new music ensemble Alarm Will Sound. For the encore, the band returned to play drummerless Bitte Orca tracks "Temecula Sunrise," "Cannibal Resource," "Two Doves" and "No Intention." The show took place at Lincoln Center's Allen Room, one night after Nellie McKay played there. Dirty Projectors do it again on February 27th in L.A.
It was probably the most abstruse offering to date in the series. Just five years after its release "The Getty Address" sounds like both a precursor and a tangent to the rock Dirty Projectors went on to make. It delved into compositional obsessions that would later be channeled into barely less complex songs. [NY Times]
Between those shows, Alarm Will Sound plays at (Le) Poisson Rouge on Tuesday, February 23rd to showcase the music of the group's own Caleb Burhans. Tickets are on sale. Caleb also performs at a late show at the venue with his layered, lush guitar/violin duo itsnotyouitsme. Avant-electronica act Son Lux opens - tickets to that are on sale. The show is a CD release party for itsnotyouitsme's new album, fallen moments, out now on New Amsterdam Records. AWS's A/Rhythmia came out last year on Nonesuch.
Dave Longstreth and three other composers will be on hand to introduce their work when it's premiered on Wednesday, February 24th at Merkin Hall by Bang on a Can All-Stars (it'll be the world premiere of Longstreth compositions "Instructional Video," "Matt Damon" and "Breakfast at J&M"). Tickets are still on sale.
As Dave Longstreth and Dirty Projectors get more involved with the classical world, they're also getting more intertwined with mainstream pop. Solange Knowles, who performed with Of Montreal (again) in January, covered the DP's popiest tune, "Stillness Is the Move," in 2009. The singer joined the band for a performance of the song and a cover of Groove Theory's "Tell Me" at a Fashion Week party held at Ace Hotel on Feb. 13th. Videos of that set are below...
Back in 2005, an earlier iteration of the Dirty Projectors released their concept album The Getty Address, which Pitchfork's Jason Crock called "a modern opera about post-9/11 America, the destruction of our natural wilderness, the confrontation between Hernan Cortes and the Aztecs in the early 16th century, and a protagonist named after Don Henley." An ambitious album, to say the least.The NYC show is already sold out, though tickets are still available for the one in LA. I can only imagine how much preperation needed to go into all of this (and for only two shows), so it's not a surprise that the Dirty Projectors will not be one of the artists playing the Tibet House Benefit show this year.
Dirty Pro frontman Dave Longstreth has come a long way since that album, but he hasn't forgotten it. And at two forthcoming shows in New York and Los Angeles, the band will play the album in full, with the 15-piece ensemble Alarm Will Sound and conductor Alan Pierson helping out. They'll also play songs from last year's Bitte Orca at both shows.
The New York show will go down February 19 at Lincoln Center, as part of the American Songbook concert series. The L.A. show is scheduled for February 27 at Walt Disney Concert Hall, and the band will co-headline with the Los Angeles Philharmonic. During the first half, the Philharmonic will play orchestral pieces that Longstreth picked out. The band will take over and play the album during the second half. [Pitchfork]
Dirty Projectors' last NYC shows took place at Music Hall of Williamsburg and Bowery Ballroom. David Byrne showed up at one of them. David Byrne more recently showed up at St Vincent's show just this past Friday night at The Allen Room which is the same location and part of the same 'American Songbook' series that the Dirty Projectors are playing on February 19th. All dates and two Getty Address videos below..
After many months of planning, Wordless Music is deliriously proud to announce details of Warp20 NYC, the second and only U.S. installment in a series of worldwide events taking place this year in Paris, Tokyo, London, and Sheffield.The fest so far includes a September 4th show at Terminal 5 with Battles, !!!, Prefuse 73 and Pivot. Tickets go on AmEx presale today at noon. General sale starts Friday, July 24th at noon.
Warp20 NYC will be a four-day celebration of the music, films, and 20th anniversary of the the peerless UK label Warp Records, without which there would surely have never been a Wordless Music series.
On September 3-6, in venues across New York City, Warp artists Battles, Flying Lotus, Chris Clark, !!!, Prefuse 73, Pivot, and Hudson Mohawke will headline shows in two different venues, while The New Museum offers free and continuous screenings of full-length features, documentaries, music videos, and shorts from several dozen directors hailing from around the globe.
The other confirmed fest show will be a free concert at the World Financial Center Winter Garden with Flying Lotus, Chris Clark and Hudson Mohawke on September 5th.
The "kick off" for Warp20 NYC (two months before the fest...) will be tonight's (7/22) Alarm Will Sound show at (Le) Poisson Rouge. The program for the night commemorates the five-year anniversary of the group's 2005 album Acoustica with chamber orchestra arrangements of music by Aphex Twin, Autechre, Mochipet, John Dowland, and The Beatles. Nic Offer from the band !!! will DJ the late show. Tickets for both the late and early shows are still on sale.
Also starting tonight (7/22), and also celebrating 20 years of a record label's existence: XX Merge (the Merge Records party in North Carolina).
The full program for tonight's LPR show, with more info on Warp20 NYC, below...
Owen Pallett (Final Fantasy) @ Tonic
This year's Bang on a Can Marathon (co-presented by the River to River Festival and arts>World Financial Center) will be taking place at the World Financial Center Winter Garden in New York City from 6pm on May 31st through 6am on June 1st. As always, the Marathon is FREE and open to the public!The full schedule is below....