photos by Toby Tenenbaum

Q-TIp with MNDR at Webster Hall last night

The stage set up was immaculate along with the male coordinated wardrobes and rotating performances by each guest, like a extravaganza variety in the best way. My personal highlights from the show include Rose Elinor Dougals' rendition of Stop Me, Alex Greenwald's California, Q-Tip and MNDR's performance of Bang Bang Bang and Marsha Ambrosius's closing rendition of Valerie (although nobody can match Winehouse.) I was a little disappointed that Somebody to Love Me was left off of the setlist and to the be honest the first song performed by the Atlanta rapper Pill Introducing the Business was a complete mess. Regardless, last night's epic gig will definitely make it on my list of best shows of the year. -[TLCBlog]

Damn, In addition to the cavalcade of guest stars (Spank Rock, Amanda Werner aka MNDR, Alex Greenwald of Phantom Planet, Pill and Rose Elinor Dougall) that appeared the night before (10/11) at Music Hall of Williamsburg in Brooklyn, Mark Ronson also roped in, like he did for Letterman, the great Q-Tip for the Manhattan show last night (10/12) at Webster Hall.

More pictures and some video from the show below...

Continue reading "Mark Ronson & The Business Intl. were joined by Q-Tip & other friends @ Webster Hall (pics & video) "

words by Andrew Frisicano, photos by Ryan Barkan

Mark Ronson & MNDR @ Milk Studios

The show spaces were predictably cozy and cramped, and USA lost their World Cup match again Ghana, but besides those qualms, not many bad things can be said about the Vice/Intel Creators Project event on Saturday (6/26). Interpol played their first hometown set since unveiling their new lineup earlier in the week, and M.I.A., the night's secret guest, put on a singularly ridiculous, entertaining show, albeit in the crowded, low-ceilinged second floor space. Even the un-affiliated soccer game screened amicably on a huge projector before the music started. If there was one caveat, it was that not that many people, relatively, got in to enjoy the art and music presented. Then again, that's one reason the labyrinthine network of art installations and stages was so surprisingly bearable and easy to navigate.

The same second floor stage that filled up for M.I.A. was also packed to capacity for Sleigh Bells. How much you enjoyed either's set depended a great deal on where you stood (and how early you got there). Cramped in the back, Sleigh Bells sounded pitchy and uneven - but jostled up in the front, the spectacle and body-shaking bass of Die Antwoord were entirely enjoyable. It also depended on your affinity for personal space, which was in short supply anywhere with a decent view of the stage.

And a view was pretty essential to enjoying the antics of the Antwoord crew and M.I.A.'s coterie of stage guests. Mia opened with caustic punk song "Born Free" (video below) a loud if not exactly melodious entrance choice. The stage-show continued the flashy political baiting of the "Born Free" video, which played behind the song. M.I.A. donned pot leaf goggles, rainbow hair and a hooded camo jacket, with a band who alternately wore glow-stick lined clothes and MIA-logoed burkas. Others on stage included a pair of dancers (one ginger-haired), Sleigh Bell's Alexis and Derek, and Ninjasonik. More new songs came, as did "World Town" and crowd-pleasing closer "Paper Planes."

Three of the night's other bands - The Rapture, Gang Gang Dance and Interpol - set up on the first floor studio's back loading dock, which was open to 14th street and the adjacent High Line Park. Gang Gang Dance sounded dependably sturdy in the cavernous garage. Interpol played an 11-song set with four new songs (including the slow-building "Lights") - tight and together, and ready for bigger arenas. The stage was open on three sides, so even without a spot in the front of the stage you didn't get locked out.

I didn't see much on the first floor lounge - Salem took a while to set up and I skipped them to catch Interpol. Neon Indian played the downstairs too, where DJs spun throughout the day. The eighth floor of the building was also part of the show (as was the penthouse/roof VIP-area above it). On eight, there was a screening room where Spike Jonze's I'm Here, a surrealist robot drama, played among other things, as well as installations like Nick Zinner's gothy, minimal photo and ambient-score room.

After M.I.A. I went to downstairs to find Mark Ronson DJing in the first floor gallery. MNDR was on stage with him singing her song "Fade to Black". She also reportedly performed Ronson's new single "Bang Bang Bang" before I got there. NME also says...

"Phantom Planet's Alex Greenwald [sang] the Ronson-tweaked version of Radiohead's 'Just' while executing an impressive crowd-surf.

Ex-[Pipettes] singer Rose Elinor Dougall took to the stage for two new 'Record Collection' tracks, 'Hey Boy' and 'You Gave Me Nothing' - the latter a song co-written by Jonathan Pierce of The Drums. Ronson ended the night with the first public airing of 'Somebody To Love Me', which features vocals from Boy George.

The rest of Ronson's set that I saw, before the end, was mostly soul and early '00s hip-hop (Pharell, Snoop, Stevie, Jay-Z). Upstairs, MIA was still on the stereo, with NASA mixing the verses of "Bombs over Baghdad" over her song "Boyz." Much of the remaining audience was on stage partying with two arthropod-looking creatures. Back downstairs, some diehards were still dancing - the bar was still stocked, and Mark Ronson behind the decks didn't give much reason to leave.

Ryan's Die Antwoord pictures were already posted (as were Ben's of Interpol). The rest of Ryan's pictures, and some videos, below...

Continue reading "a take on the Creators Project event @ Milk Studios - pics & video of Mark Ronson, MIA, MNDR, Rapture & more included"

photos & review by Bao Nguyen

I wasn't exactly sure what to expect from a Mark Ronson live performance since he works mainly as a producer and DJ. In addition, all his songs on both albums rely on help from his very notable friends. At Friday's Webster Hall performance (Oct 5, 2007), there was no Lily Allen, Amy Winehouse, or Robbie Williams, but the mostly female crowd was treated to appearances by Santogold, Daniel Merriweather, Wale, Talia, and Phantom Planet's Alex Greenwald.

continued below...

Continue reading "Mark Ronson @ Webster Hall (photos & review)"