Entries tagged with: Animal Collective
Pitchfork: Fall Be Kind is an EP, right?That's the cover art above. 'Summertime Clothes' video below...
Dave Portner: Yeah. It's like 28 minutes long, five songs. The title is kind of a play on "fall behind," when you move the clocks back. Everything seems to be very seasonal or weather-oriented for us this year. I wanted to keep it a little bit in line with that. It felt like Merriweather Post Pavilion was really springy or summery. We always try and push for our releases to come out at a specific time. It didn't really happen with Merriweather, unfortunately, but that's because we just really wanted to get that one out quickly. But with this one, we were hoping it would come out in the fall, so Fall Be Kind. I think digitally it's probably going to come out in the middle of November, with a pre-order kind of thing for vinyl or CD for the beginning of December.
UPDATE 2: Domino just posted this to their website (thx Philip!)...
UPDATE 3: Domino's header can be updated by anyone?!? (thx J!)...
UPDATE: "Fall Be Kind" (if it exists) is not to be confused with the just-announced Campfire Songs re-release scheduled for January 2010. The press release for that one is below....
Daft Punk's first album had helped refresh house music in the mid 1990s; the second went further, rewriting electronic pop's pleasure principles to such a degree that when it came out a lot of people thought Discovery must be a put-on. They took the joy in the record for irony. Rather, the band had simply plunged into the raw popstuff of their 70s childhoods, from AOR to disco, Buggles to Manilow, rock to robotics. They wanted their listeners to get the rush of context-free delight they had hearing music as kids, and on "Aerodynamic" and "Digital Love" they succeeded wildly, dissolving a decade-plus of dance music good taste. And not all of Discovery looked back. The middle of the album is house music as string theory, with the duo finding dimensions of pleasure coiled within the tiniest loops: "Crescendolls" releases an awesome, gleeful energy by repeatedly triggering one five-second sample.Daft Punk grabbed the #3 spot on Pitchfork's list of the Top 200 albums of the 2000s (now fully announced) (yesterday they were only up to #21). The top 20 are also listed below...
Discovery was simply the decade's best good-times record, with Daft Punk as pyramid-toting party wizards and the chipmunk Kraftwerk of "Harder Better Faster Stronger" their anthem. But this most celebratory of records has a bittersweet streak, too: Daft Punk know that a rush always carries the risk of exhaustion. Perhaps the album's most underappreciated track is the sad but gorgeous "Short Circuit", a three-minute robot graveyard of crumbled transistors and dying LEDs. But from Romanthony's first blissful, vocoded shout of "one more time!" the dominant emotion on Discovery is joy. A joy that wasn't afraid to be sentimental and funny as well as hard and futuristic, and is all the better for that. When a generation looks back and tries to catch a fuzzy hold of the music that made them happy this decade, Daft Punk's will be top of the list. --Tom Ewing [Pitchfork]
The backstory has been repeated so often with such insistence that three years later it's become a mythic tall tale: Guy breaks up band in North Carolina, decamps to the wilds of Wisconsin, makes a record originally intended to be heard by almost nobody. But what happened next is much more interesting: After Justin Vernon made 500 copies and distributed them himself, the album is picked up by indie juggernaut Jagjaguwar, gets big props from Wisconsin Senator Russ Feingold, holds up to hundreds of repeat listens, and get thousands of festivalgoers singing along solemnly to "The Wolves". Quiet and folkily ambient, For Emma, Forever Ago is an impassioned cry too compelling not to become heard. From those opening strums to the "Flume" to the closing hums of "Re: Stacks", the album communicates acute loneliness and nurses a pain that has dulled but obviously not died-- which is perhaps our own romantic view of ourselves. It's easy to get caught up in the stories surrounding this out-of-nowhere album, but the music pulls you back to the real world. --Stephen M. DeusnerThat's Pitchfork's description of the 29th best album of the decade (part of the top 200), Bon Iver's For Emma, Forever Ago. They will announce the top 20 on Friday. What will they be? In Rainbows got #21. Vampire Weekend was #51. Outkast put out the best song.
words by Black Bubblegum, photos by Ryan Muir
Steve Albini in Shellac
"We're taking a bath, but I don't care," Barry Hogan told [Sasha Frere-Jones]. We were standing in the makeshift production office for the All Tomorrow's Parties festival, at Kutsher's, a resort in the Catskills."My name is Sufjan Stevens and I am going to play all of my Seven Swans album. That should be a good early afternoon hangover sort of thing"
Kutsher's, where Muhammad Ali trained and a thousand schticks were born, was once the jewel of the Borscht Belt. The main venue at Kutsher's, the Stardust Ballroom, has a capacity of 2,800. But Hogan seemed largely unbothered that only 1,800 tickets to ATP had sold. It is 2009, after all.
Considering the bad coffee situation and the fun that I had the day before, Sufjan was spot on. Clad in tie-dye that the band had purchased at the general store at Kutsher's, the five piece were delicate, light and lilting. Sufjan's bright banjo strums and songs, like the sunny "Sister", resonated so well in the Stardust Ballroom. The Seven Swans album was an excellent choice for a wake-up set on the second day of the three day upstate NY festival (Saturday, September 12, 2009).
After Sufjan, I wandered over to catch a crew of young Aussies named Bridezilla. Though their name is a touch offputting, guitarist/vocalist Holiday Sidewinder has a sexy and breathy coo that recalled PJ Harvey and their her cocktail-dress-ed crew were a surprise and a delight.
Grouper were next, and as a fan of 2008's Dragging a Dead Deer Up a Hill, I was eager to check out Liz Harris's ambient soundscapes. Playing to a projection of an ocean at night, the stage show wasn't much visually but the tides of noise was otherworldly.
Conversely, Black Dice in the same room was a psychedelic mindfuck. Blasts of tribal noise beats nodded heads and shook them in equal measure.
As a fan of Bradford Cox, it was great to see him pull a doubleheader on Saturday, beginning with Atlas Sound. Rolling solo with guitar, harmonica, and some backing tracks, Cox was engaging both in song and with between song banter. I would regrettably end up missing Deerhunter's set a few hours later. Drowned in Sound was there though:
Bradford Cox is a picture of serenity as he swaps his shirt for a more tasteful number and leads Deerhunter into their Saturday night set. He announces that this will be their last performance for some time, causing the band to roll out the hits in quick-fast fashion. They gallop through 'Cryptograms' and 'Nothing Ever Happened', the positively herculean double guitar sound feeling unstoppable and a sense of jubilation ricocheting between the walls as people succumb to these great big shining pop songs. The closing 'Calvary Scars' is a slab of beautiful kraut-pop, with Lockett Pundt's metallic Tim Gane-esque strum leading the way, face-painted kids jerking their bodies back and forth, and Cox looking genuinely sad that this will be the last time these songs will be wrung from his fingers and throat for a while.Anti-Pop Consortium was my next venture, the first time I had ever seen the crew though I was a long time fan. On the Stardust Ballroom system, APC's distorted and creative beats sounded amazing but save for Beans energetic movement, I was less than impressed with their live show. Live hip hop is hard to pull off, and those who try should heed the great Rakim who said "to me MC means move the crowd". If you want to give them a chance, they're at Santos Party House on September 29th.
Sleepy Sun were line checking when I got back to the second stage, with vocalist Rachael Williams checking her levels in the monitor
"Check. Check. I. Hi. Me. You. All of you. Us. Getting nervous."
If they had nerves, the band channeled them into positive energy. Sleepy Sun's influences fit right in with their hometown, San Francisco, as the band dabble in a psychedelic California sound with some krautrock-y elements. I was most struck by their fantastic drummer Brian Tice as well as vocalist Williams, who ripped out a solo that had the crowd shouting and applauding. Wayne Coyne watched the band from stage left, clearly impressed.
After an elongated line check, El-P came on and with a four-piece band (Chin Chin) and hypeman (Mighty Quinn) to the sound of "Tasmanian Space Coaster". I have a soft spot for El-Producto's Blade Runner beats and post-apocalyptic rhyme styles, and it was great to see a Hip Hop artist who actually puts an emphasis on his live show. As a matter of fact, El-P put a little too much of himself out there, almost falling off the stage after pogo-ing around during "Smithereens". Careful dude... we need a follow-up to I'll Sleep When You're Dead.
I hadn't seen Akron/Family since the then more acoustic-centric band played Tonic many years ago (with Hamid Drake?) and it was refreshing to see their energy were still in place. Against a backdrop of a tie-dyed American flag, the band played a rousing and ripping set. It's good to see that the loss of Ryan Vanderhoof to a Buddhist center hasn't slowed them a bit.
Autolux had the discordant riffs, feedback squalls, and a 90s alt punk sound to hit all of the right influences (Joy Division, Sonic Youth, etc), but unfortunately didn't really distinguish themselves from their influences. Autolux isn't offensive by any means, just not compelling or distinctive, and I find it a touch disappointing that guitarist Greg Edwards was a member of Failure (a band that I dug).
Dead Meadow and their fuzzy freakout psych blues were riffing on Stage Two towards the end of the Autolux set, but by half way in, the crowd had diminished considerably due to Shallac on the main. For shame, as the trio played a ripping set!
words by Black Bubblegum, photos by Ryan Muir
Friday, September 11th - Stage 1:The floors have been waxed. The bathroom tile is dry and shiny. Couches are not draped with bodies. Kutsher's and it's distinct 1960s time capsule "charm" is still in full force, though the place seems oddly tidied. Doorways that last year lead to muddy, mold infested corridors have been nailed shut. Random holes punched into the drywall have been patched. The musty smell that permeates the building is "covered" by an equally foul carpet deodorizer. I arrived a shade past 3PM on Friday (9/11) and it was obvious the ATP crowds hadn't sunk their fangs into the Country Club yet. Everything was still nice and clean.
3.15pm-4.15pm : The Drones performing Wait Long By The River...
4.45pm-5.30pm : The Feelies performing Crazy Rhythms
6.00pm-7.00pm : Dirty Three performing Ocean Songs
7.30pm-8.30pm : Suicide performing Suicide (First LP)
9.00pm-9.45pm : Panda Bear
10.15pm-11.15pm : Iron & Wine
11.45pm-1.00am : The Jesus Lizard
Friday, September 11th - Stage 2:
9.00pm-9.30pm : Jon Glaser & Jon Benjamin
9.45pm-10.15pm : Derrick Brown & The Navy Gravy
10.30pm-11.00pm : Eugene Mirman
11.15pm-11.45pm : David Cross
As a veteran of multiple music festivals, I think that most feel very familiar... borderline generic even. ATP is an animal all its own. There is an energy that is positive, creative and palpable. Musicians wander about the grounds, checking out the bands. The sound system is killer. It's like an indie summer camp complete with a poorly functioning shower.
We arrived early enough to catch the first part of The Drones whose current tour also had them at The Bell House in Brooklyn two days earlier.
"I hope you like bronchitis, 'cause that's what all you're getting" the guitarist said while pointing toward the front row of the audience.
Bronchitis or no, the band's angular and sometimes atonal pop was immediate and fun despite anyone's poor health.
The Feelies followed with Crazy Rhythms indeed, alternating between jingle bells, timbale, shaker, maracas, hanging lead pipe as well as a satellite floor tom and snare drum. It was great to see those songs come alive. See them in Brooklyn on Sunday night.
Dirty Three was four, as Nick Cave sat in the tickle the ivories. Nick played a backseat role, no singing, none of his songs... For all intensive purposes he was John Q. Pianoplayer. Ocean Songs is a very affecting record, and their engaging post-rock-y compositions swelled and collapsed with emotion. Just don't call them emo.
"I'd like to set the record straight for Pitchfork and those guys... we did not invent emo. Blame it on some other cunts," Warren Ellis quipped between songs.
During songs, Ellis hopped around on one leg while playing his violin, sashaying to melodies and punctuating key moments with jump-kicks. Dude has ups, especially in a suit. Those in NYC have another chance to catch the band Sunday at Bowery Ballroom.
Suicide followed, and I am definitely a fan of their first LP. In the Stardust Ballroom, a ski-goggled Martin Rev banged away at his Triton producing compelling keyboard squelches and 200 BPM kick drum assaults, while Alan Vega barked lyrics from his music stand like an ornery old man. It was very loud. Fun for a while, but I couldn't watch the entire set.
Panda Bear's loopy harmonious bliss is something that I enjoyed on the Person Pitch LP, but was not looking forward to in a live setting. Nevertheless, I checked out Noah Lennox's knob-twisting live set which contained backlit projections. It's hard to pull off a one man show effectively, especially if there is limited crowd interaction. Noah's other band headlines Saturday night (tonight) of the festival.
Iron & Wine was solo acoustic, and Sam Beam engaged the crowd fully. I caught a few songs until leaving catch some of David Cross's set before The Jesus Lizard.
Kicking off with "Puss" and heading into "Gladiator" and "Seasick", The Jesus Lizard attacked the stage with their trademark screechy guitar lines and high frequency bass lines. Duane Denison, David Wm. Sims, and Mac McNeilly were tight as hell and the band roared through their classics to an extremely enthusiastic crowd all while David Yow acted like a buffoon.
Either I'm showing my age, or he his, but I used to find David Yow and his antics menacing. That's not to say he was anything less than riveting. He performed 1/3 of the show from the crowd (surfing or otherwise). When on stage, Yow mock-jerked himself off, hula-danced, slap-boxed the microphone stand, pointed at women while crotch-thrusting, and wished the audience a.... "Happy 9/11".
By the way, if you're wondering who IS responsible for emo. David Yow has the answer.
"That's Slint's fault"
photos by Paul Birman
"First came the rain on Friday, then the heat on Saturday. But Lollapalooza breeds a hearty stock, so with slip 'n slides, togas and giant Chinese peasant hats in tow, out came the 70,000-plus for another day of music that was capped by fill-in headliners the Yeah Yeah Yeahs and doomy metal icons Tool.No that isn't an All Points West review. More pictures from the second day of this year's Lollapalooza festival, below...
Taking the place of the Beastie Boys, who had to drop out several weeks ago due to MC Adam Yauch's bout with cancer of the salivary gland, the Yeah Yeah Yeahs brought their always-colorful A-game, led, as usual, by fashion-forward singer Karen O, who took the stage in a kaleidoscopic, towering bird costume. Down on the south end, things couldn't have looked and sounded any more different, as Tool singer Maynard James Keenan stripped down to a pair of black workout shorts and moaned the lyrics to his band's turgid D&D metal as giant H.R. Giger-like images of giant bugs and morphing aliens were projected on the big screens." [MTV]
photos by Ryan Muir
"Finally out the hospital." - Zomby
"Damn... people are gettin at eachother's throats! this is crazy. Anyhow. I'm not sure which night was better... I ate some mushrooms the first night... so I didn't really enjoy dam funk's hour and a half long opening set... Black Dice were good as always, but should've been louder. It was much quieter than when I saw them at the Bowery.Dam-Funk (who plays a free show at Trophy Bar Sunday night) opened both shows in Prospect Park. XXXCHANGE replaced Zomby on Saturday night's bill. Black Dice opened on Friday. Pictures and the setlist from that show HERE. More pictures and some videos from Saturday, below...
The "re-worked comfy in nautica" is actually a new song called bleed... just for clarification. Personally I found the highlights to be the new Who Could Win A Rabbit and Chores, considering I hadn't heard them play those yet. Everything else was still awesome, though I could've done without daily routine, and IMO they threw away What Would I Want Sky too early.
The second night they opened with Grace... which I've wanted to see since the Grand Ballroom show, so I basically freaked out when I heard it. Also Frightened and #1 also made that set really awesome. All in all great end of the summer." [Anonymous]
photos by Tim Griffin
totally stupid show tonight. both BD & AC rocked crazy/ hard.Animal Collective played their second of two shows at the Prospect Park Bandshell in Brooklyn last night (8/15). Here are the pics and setlist from the first (8/14)....
About halfway thru the set AC slowed down a bit, but finished strong + 3 encores.
also played 'chores' from Strawberry Jam.
BD played intense 45 min opening set.
about half the audience was into it & the other half were just staring into space.......................
[capt mission | August 15, 2009 12:36 AM]
DOWNLOAD: Josh Dibb/Animal Collective remix (MP3)
Animal Collective @ Sonar 2009 (more by Zach Dilgard)
Despite what a few anonymous troublemakers tried to get people to believe, Noah 'Panda Bear' Lennox is still in Animal Collective (he just isn't playing his solo set the same day as them at ATP).
Animal Collective play their first of two shows at the Prospect Park Bandshell tonight (8/14). They play their second on Saturday.
- Friday (8/14) - Animal Collective (8:15) w/ Black Dice (7:00) & Dam Funk (DJ between sets) (TICKETS AVAILABLE)
- Saturday (8/15) - Animal Collective (8:15) w/ (no opener?) & Dam Funk (DJ between sets) (TICKETS AVAILABLE)
- Friday (8/14) - Bring your Animal Collective ticket stub to the Bell House and enter the Dungen/Woods show for $10 instead of $15.
- Saturday (8/15) - 10:30pm / $5 or FREE w/ your Animal Collective Ticket Stub
Celebrate Brooklyn & The Bell House Present
THE OFFICIAL ANIMAL COLLECTIVE AFTER PARTY!
The party doesn't stop after the show at Prospect Park - come dance & hang out with the Animal Collective Round Robin DJ Crew & special guest DJ Andy Beta at The Bell House!
Junior Boys @ Webster Hall - July 23, 2009 (sneuffer)
As previously posted, The King Khan & BBQ Show are playing two shows in NYC on October. They'll be at Bowery Ballroom on the 30th, and at The Bell House in Brooklyn one day later (Halloween). Dum Dum Girls, who last played their first and only show in NYC during the Woodsist Festival (and have since signed to Sub Pop) will open both dates.
The Bell House show is an early one - it'll be over by 10:30 so that doors can open for the late show which it can now be revealed will be a performance by the Junior Boys (who were last here when they played a rescheduled date at Webster Hall in July). Tickets for the late show will be on sale soon. Tickets for the early show are still on sale now (and no tickets for Bowery yet).
By the way, Dungen and Woods play the Bell House this Friday night (8/14). $15 tickets are still on sale, and you can get in (capacity permitting) for $10 at the door with your stub from the Animal Collective show happening in Prospect Park the same evening. All JB dates below...
"Due to circumstances beyond our control, Panda Bear will now be playing on the Friday rather than Saturday at ATP New York. If you have a Saturday day ticket and would now like to attend on the Friday please call Seetickets on 0871 2200260 (24hrs) to arrange being rebooked. If you booked a Daytripper Saturday ticket through us directly and would like to change please email us on email@example.com." [ATP] (thx mike)
That means Panda Bear is no longer playing on the same day as Animal Collective. Full, recently announced, ATP NY lineup, HERE. Video of a panda bear doing a handstand, below...
All Tomorrow's Parties (ATP) is happy to announce its return to Kutsher's Country Club in Monticello, New York for the 2nd annual ATP New York festival. The event will be held Sept 11-13, 2009. Last year's festival, co-curated by My Bloody Valentine, was a critical and cultural success with rave reviews from media and fans. This year's Fest will be co-curated by The Flaming Lips.ATP has announced the final lineup additions to this year's festival. That includes the comedians who will be joining David Cross on Friday night, and official confirmation that it will in fact be Bob Mould who will be playing Husker Du songs (a whole LP to be exact) with No Age (who also just announced some NYC shows). Every act who plays Sunday will be playing some kind of special set...
Recently added were Crystal Castles, Super Furry Animals, Boris performing Feedbacker, Low Lows and "Oneida presents the Ocropolis" - where Oneida will transport the impetus, spirit and community of their multidisciplinary studio/performance space, The Ocropolis, to ATP for a full day of improvisation, collaboration, and recording, combined with the astounding Mighty Robot Visuals light crew. Other announced acts include Boredoms continuing their BOADRUM series, performing with 9 drummers on stage. Deerhoof will perform with special visuals by Martha Colburn. Caribou will perform as Caribou Vibration Ensemble, with a 4 piece horn section, 4 drummers and a choir and guests that include Kieran Hebden (Four Tet/Fridge/Kieran Hebden & Steve Reid), Koushik (Stones Throw Records), John Schmersal (Enon, Brainiac), Kathryn Bint (One Little Plane), Ahmed Gallab (Sinkane), Marshall Allen (Sun Ra Arkestra) and more.Other brand new additions to Sunday are Menomena, Black Moth Super Rainbow, Birds Of Avalon, and Hopewell.
Circulatory System, was added in the last announcement, and have since revealed an entire tour. Dead Meadow play ATP on Saturday and will perform on a boat in NYC that same week. The Feelies have a Brooklyn show scheduled. Super Furry Animals play NYC and NJ in addition to ATP. The list of related shows goes on...
Unfortunately missing from the ATP NY schedule is Nick Cave - not that he was ever supposed to be there, but in addition to being very involved with ATP in general, he was recently confirmed to be only a short car ride away just one day after the festival ends. Full 2009 lineup below...
Sufjan Stevens w/ Clogs @ BAM in February (more by Kyle Dean Reinford)
We are extremely excited to announce the addition of Sufjan Stevens to the ATP-curated Saturday lineup. Stevens, who will be releasing Run Rabbit Run (a re-arrangement of his 2001 album Enjoy Your Rabbit) in October, has not played a US show in over two years, and this is sure to be a special performance. [ATP NY]Sufjan is one of the most recent additions to ATP NY, running September 11th-13th in Monticello, NY. It'll be his first show in a while, though over the past year Sufjan has made appearances joining St. Vincent at BAM, The Welcome Wagon at St. Paul's Lutheran and the Clogs with My Brightest Diamond (which you can see above) again at BAM .
Sufjan will be joined on the Saturday bill by new additions Shellac, Circulatory System and Grouper (who we previously announced).
Other Sunday additions are Super Furry Animals (who are also playing Maxwell's and Highline Ballroom), Boris, Low Lows and Oneida, the latter of which will perform a special set, described below...
"Oneida presents the Ocropolis" - where Oneida will transport the impetus, spirit and community of their multidisciplinary studio/performance space, The Ocropolis, to ATP for a full day of improvisation, collaboration, and recording, combined with the astounding Mighty Robot Visuals light crew.Limited tickets for the fest are still on sale. Ongoing coverage of ATP NY and related NYC-area shows HERE. Full lineup so far below...
photos by Graeme Flegenheimer
The eighth annual Bonnaroo drew about 75,000 people to 700 acres of farmland here in Manchester, 60 miles from Nashville, for a lineup headlined by a jam band (the reunited Phish, playing three-hour shows on Friday and Sunday), rockers whose careers are measured in decades (Bruce Springsteen, Nine Inch Nails and David Byrne) and rappers who now qualify as old school (the Beastie Boys). [NY Times]Far from a complete representation of what went down in Tennessee from June 11-14, but nonetheless, one set of pictures from the fest (catching up this weekend), below...
photos by Zach Dilgard
"Late of the Pier played a 20 minute shmeh set and crystal castles had no sound. crookers were better than usual and orbitol were awesome. grace jones is fucking mad and fucked up the schedule. Fever Ray is a shamanic wonder." [The Naked Smiles Club]Grace Jones has shows coming up in both NYC and LA. The 2009 Sonar Festival took place June 18-20 in Barcelona. More pictures from that weekend in Spain, below...
DOWNLOAD: Animal Collective - Summertime Clothes (Dam-Funk Remix) MP3
Dam-Funk @ American Museum of Natural History (more by Rod Mickens)
LA Times: How did you end up hooking up with Animal Collective to remix "Summertime Clothes?"That Dam-Funk Animal Collective remix is posted above. The L.A. DJ, whose named is pronounced "Dame," (short for his real name Damon) will open for AC at both of their Prospect Park shows on August 14th and 15th. It's unclear exactly whether these shows should be classified as "DJ", or "live", or a mix of both, but a show Dam played in an LA museum earlier this month definitely leaned toward the live side of things, as you can see in the two videos below.
Dam-Funk: Animal Collective's manager reached out to me because the group wanted to collaborate with me. I dug their material and we agreed to do something. I studied their song, I didn't just chop it up and put effects on it -- I studied it hard, and shaped it around the vocal to take them to the dance floor, but still have something that you could ride around with your girl and listen to. I understood that the band's fans are sensitive to the source material. It's like Prince -- if someone remixed Prince back in the day, I would've been waiting with baited breath.
I was pleased that the majority of people seemed to like it. When I saw Animal Collective at the Troubadour, one of them told me that he couldn't stop listening to it on repeat, and that meant a lot to me. I really respect those dudes and wanted to get down with them. For lack of a better description, they sort of remind me of Talking Heads, how they were into expanding their sound and collaborating with George Clinton. I love that aspect of collaborating with different types of artists. Nite Jewel has become a good buddy of mine, because we like those same type of chords. No matter what type of genre, if it's beautiful music, that's what we'll lean towards.
The LA museum show is not to be confused with the NYC museum show, which took place in May.
Dam will also be at the Cubic Zirconia record release party at Santos on Thursday, July 2nd. He'll be spinning (definitely a DJ set this time) with DJ Assault, Kool Hersh and Mike 2600. Live sets that night include Cubic Zirconia, Head Automatica and Chico Mann. Advance tickets for that night are on sale (poster below).
Dam-Funk's debut LP, Toeachizown, will be seeing a late summer/early fall release on Stones Throw Records. The DJ discusses his new record, with a preview video for it, some other videos with all dates, below...
LA RECORD: I notice some writers making cracks about glowsticks and jam bands--what do you think makes people use that for cheap jokes?Make some popcorn and prepare to enjoy Animal Collective's set live from Bonnaroo from the comfort of your own computer later today (6/12). Grab a peanut butter cup, and enjoy the band's new video, below...
Noah Panda Bear: I'd say that the music just isn't those people thing and I think that's fine and as it should be. They're just putting it down because they aren't into it and they think it's lame. If you want to be a creative person and you want to share your things with other people then you better be prepared to be told you suck.
photos by Chris Graham
"Sasquatch was hot. H-O-T. Not Paris Hilton "hot," but temperature hot. For a mossed-over clutch of Northwesterners who have been shrouded under rain and clouds for the past eight months, the brutal sun at the Gorge this weekend was a shocking jolt into summer. Sure, it was generally nice to be out in the sun, but any shade cover at the 'Squatch was few and far between, and there was almost no chance of relief. A small row of spindly trees dotted the upper walkway, and overheated concertgoers crammed themselves underneath them. When the sun dipped behind a cloud during Animal Collective's generally unimpressive set, the crowd cheered louder than they had for any band. Clothing sweated clean through, energy was conserved, and water was at a premium. It was a weekend of dizzy sunburning and frizzled brain." [Portland Mercury]The 2009 Sasquatch Festival ran from May 23-25 (Memorial Day Weekend) in Gorge, Washington. More pictures from Day One, below...
Mutek banner in Montreal - May 27, 2009 (bneely)
Mutek, the electronic music festival celebrating its tenth year, is currently underway in Montreal. The five-day fest runs to Sunday, May 31st, and it's streaming online. Moderat, the Modeselektor & Apparat supergroup, performed at Mutek on Thursday, May 28th; the group plays NYC's Music Hall of Williamsburg on Saturday, May 30th (the show was originally planned for Webster Hall). Tickets are still on sale.
Speaking of parties up North this summer... three other biggies are Ottawa Bluesfest (July 8th-19th), Vancouver Folk Music Festival (July 17-19th) and Calgary Folk Music Festival (July 23rd-26th). Each of those suitably transcend the "blues" and "folk" labels, hosting bands like The Dead Weather and Yeah Yeah Yeahs (in Ottawa), The Weakerthans and Rock Plaza Central (in Vancouver), and The Decemberists, Apostle of Hustle, Kid Koala and Akron/Family (in Calgary). Full lineup for the Calgary Fest (Ottawa in particular is much too massive to post) and ticket info below.
And don't forget about the previously reported Breeders-headlined Sled Island Fest in Calgary on June 24th-27th, Montreal's Osheaga, NXNE, and Toronto's Olympic Island Fest on July 11th, which will host Broken Social Scene and its Arts & Crafts cohorts.
Across the pond, UK's Glastonbury Festival, which runs from June 24th to 28th, has been sold out since February even though the full lineup wasn't announced until this week. Neil Young, Bruce Springsteen, and Blur will be joined by The Specials, Crosby, Stills & Nash, Spinal Tap, Jarvis Cocker, Nick Cave & the Bad Seeds, Madness, Tom Jones, Animal Collective and many others.
And finally in the States, Monolith Festival, which runs from September 12th to 13th at Red Rocks Ampitheatre in Colorado, has announced its intial lineup, Girl Talk, Passion Pit, and The Walkmen included. The whole thing is posted below.
The weekend before Monolith, Bumbershoot will take place in Seattle (September 5th-7th). That fest's lineup has been updated too. New additions include Vivian Girls, Akron/Family, and Elvis Perkins. All new additions, with previously announced acts, are below. Tickets are still on sale.
In Michigan, the Rothbury Festival over July 4th weekend will feature the only summer fest performance by The Dead, as well as sets by Bob Dylan, String Cheese Incident, Broken Social Scene and more. A few more jam-friendly acts were also just added to the bill. Full lineup below. Tickets are on sale.
Info on all the above fests, with ticket info, below...
photos by Natasha Ryan
"There actually is some brand new material being played on this tour, a three minute gem that goes by the working title "Bleed," written last week, which continues Panda's odyssey of Caribbean gold digging, just back and forth vocal interplay over a bed of washy noise and instrumentation so sparse it's hardly there at all. It's quick -- some I heard from even mistook it for a between-song interlude -- but it again finds them stroking just the right melodic nerve amidst the weirdness. The other new song played was the Grateful Dead-sampling Merriweather outtake "What Would I Want Sky." [Tripwire]Animal Collective and Grouper played Terminal 5 in NYC last night (5/13). Two nights earlier they played the 9:30 Club in DC, and you can listen to that whole show courtesy of NPR. Both setlists, more pictures, and videos, including one of the new song being performed on May 10th in Baltimore, below...
Artist: ANIMAL COLLECTIVEAnimal Collective, who along with Panda Bear are scheduled to play ATP NY in September, are on tour and play Terminal 5 in NYC tonight (5/13) with Grouper. Much like the box set, the show sold out almost instantly (when it went on sale back in January). Since then, AC have added two more summer NYC shows at the Prospect Park Bandshell (both not free). Tickets are still available for the Saturday, August 15th one.
Title: Animal Crack Box
Format: 3 LP Box Set
Label: Catsup Plate
***DUE TO OVERWHELMING DEMAND WE HAVE SUSPENDED TAKING ORDERS UNTIL FURTHER NOTICE. IT WILL TAKE A DAY OR TWO TO SORT OUT ALL THE ORDERS UP TO THIS POINT. IF THERE ARE ANY COPIES LEFT WE WILL ANNOUNCE IT ON THE NEXT EMAIL UPDATE. THANKS TO EVERYONE FOR THEIR ENTHUSIASM*** [FUSETRON]
Last week AC appeared on Late Night With David Letterman. Video from that performance below...
Boss Hog @ Maxwell's (more by Tim Griffin)
Friday will feature a first New York show in a long time by The Jesus Lizard and newly announced, ATP favourites Iron and Wine. They will join the Don't Look Back shows also taking place on Friday: The Feelies performing Crazy Rhythms, New York's finest Suicide performing their first LP, Dirty Three performing Ocean Songs and The Drones performing Wait Long By The River... The evening will be rounded off with the Comedy Stage hosted and curated by the one and only David Cross.This is great. Full (current) lineup (in list format), and more info, below...
Saturday is curated by ATP and is headlined by Animal Collective and an exclusive performance by Panda Bear. Other confirmed acts include the newly announced Boss Hog, Deerhunter and Bridezilla, plus the previously announced Melvins, Black Dice, Dead Meadow, Autolux, EL-P, Akron Family, Antipop Consortium, Atlas Sound and the hotly tipped Sleepy Sun.
Sunday is curated by the outlandish Flaming Lips. Every act that plays will perform an exclusive special show, bespoke for this event. First up are the Boredoms who will continue their BOREDRUM [BOADRUM?] series, performing with 9 drummers on stage. No Age will perform a whole LP by Husker Du including special guest vocalist [um... Bob Mould?]. Deerhoof will perform with special visuals by Martha Colburn. Caribou will perform as Caribou Vibration Ensemble, with a 4 piece horn section, 4 drummers and a choir and guests that include Kieran Hebden (Four Tet/Fridge/Kieran Hebden & Steve Reid), Koushik (Stones Throw Records), John Schmersal (Enon, Brainiac), Kathryn Bint (One Little Plane), Ahmed Gallab (Sinkane) and more. Finally Stardeath and White Dwarfs also join the line-up, with lots more to be announced!
"Though promoters around the country report strong early ticket sales for festivals and summer tours, the recession is causing jitters. This year Coachella, which has the most glamorous reputation of all American festivals, began selling tickets on layaway, and 18 percent of its customers took that option, Mr. Tollett said.With all the leaks of bands playing Lollapalooza this year, there are almost no surprises in the official lineup announcement, except maybe the Animal Collective DJ set... The whole thing below...
The proliferation of big festivals, like Bonnaroo near Nashville and Lollapalooza in Chicago, has not been without casualties. This year Langerado in Miami shut down, citing the economy. The Pemberton Festival in British Columbia is on hiatus after only one year, although its promoter, Live Nation, said the problem was permit delays." [NY Times]