Entries tagged with: Ariel Pink
It's the last week of November and we've hit Best-of List Season. Especially in the UK where we've already seen album lists from Rough Trade, MOJO, Q, and Uncut. Now here's long-running UK weekly NME with their LPs and tracks of the year. Topping the lists are St. Vincent's self-titled album, and Future Islands' omnipresent "Seasons." (Sorry, The War on Drugs, you're slightly lower on the list here.) And just to remind you they are British music magazine, Kasabian figure into both lists. Check out NME's full Top 50 LPs/Tracks of 2014 lists below...
We're just over a month away from 2015 and those UK year-end lists keep pouring in. Now British music mag Uncut has posted their 75 Best Albums of 2014. Looks like their winner is becoming a popular choice for #1, and the rest of their top 10 is split between real-deal veterans (Leonard Cohen [falling just a tad from his 2012 #1 spot], Robert Plant) and rising newcomers (FKA twigs). Elsewhere the list has a lot of the indie-related albums that keep popping up, a good deal of folk/country, more veteran appearances, and a certain opinionated UK duo who have appeared on every UK list we've seen so far and make their US debut this week.
Check out the full list below...
Rough Trade NYC on Record Store Day 2014 (more by Amanda Hatfield)
As they usually are, Rough Trade Shops are one of the first this year to post their favorite albums of 2014 list. It's 100 albums long and mostly filled with the bigger indie and indie-related releases of the year, but there's a few surprises in there too. Mark Kozelek will not be happy to see that The War On Drugs placed #2, 8 higher than the Sun Kil Moon record. Mark should be proud that he made the list not once, but TWICE though. His Christmas album landed at #84. Run the Jewels, who are not on it all, have started a "Suck My Dick Rough Trade" chant. Check out their full list below and see more on each album here.
PS 22 Chorus w/ Ariel Pink earlier this month (via PS 22 Chorus)
You may remember that Staten Island's famed PS 22 Chorus covered Ariel Pink's song "Round and Round" a few years ago. On a recent trip to NYC to promote his forthcoming album, pom pom, Pink visited the PS 22 Chorus who had worked up some special renditions of a couple of the album's tracks: the lighthearted "Jell-o" (which makes a lot more sense when sung by kids) and the more grim "Picture Me Gone," covering a few blips on the massive spectrum that Pink's music occupies. Check the videos out below.
The chorus members also had the opportunity to ask Pink questions. As a former art teacher, Pink's rapport with the kids was endearing, explaining his writing process, the meanings behind the songs and more. One member even went on to say, "When you're dead, I think that they should call you a legend."
Jack Name, who is touring with Thee Oh Sees even sooner, was added as opener to the Terminal 5 show.
Check out the new videos from PS22, as well as their 2011 cover of "Round And Round," as well as well as Pink's full tour schedule, below...
Ariel Pink's new album, pom pom, is out November 18 via 4AD and he's just shared a second track from it, "Black Ballerina." It's one of the more curious songs on the LP while still being stick-in-your-head catchy. You can stream it below.
Having debuted many of pom pom's songs at a very late night NYC show recently, Ariel's gearing up for a proper tour in early 2015, including his biggest NYC show yet: Terminal 5 on February 25. Tickets for the T5 show go on sale Friday (10/24) at noon. All dates are listed, along with the new song stream, below...
Ariel Pink @ Baby's All Right 10/2/2014 (via @deeaannaaa)
Ariel Pink may have dropped the "Haunted Graffiti" from his name but remains resolutely idiosyncratic on his new double album opus, pom pom. At times chaotic, somehow Ariel pulls it all together in a manner only he would. Fusing what feels like multiple songs together into one coherent thing seems like a huge pain in the ass but here we have Ariel referencing everything from Devo-like lunacy to the drama of King Diamond to the earworm madness of commercial jingles. Some brains just work that way.
Ariel was in NYC earlier this month for a beyond-packed, scene-of-all-scenes, post-midnight show at Baby's All Right. Though Madonna was nowhere to be found, the audience was a crazy who's who of Brooklyn music, best represented by the trio of DJs for the night: Pitchfork's Ryan Schreiber, 285 Kent/Palisades/Webster Hall booker Ric Leichtung and Baby's' own Billy Jones (who was also celebrating a birthday that night). Sky Ferreira, Mac DeMarco, members of Real Estate, John Norris and Marnie the Dog were just a few of the familiar faces who came out to see Mr. Pink and drink Pink Babies at the intimate Williamsburg show. Featuring mostly songs off the new album, the late late late set showed off the breadth of his vision, from the totally out-there "Dinosaur Carebears" to album-closing highlight "Dayzed Inn Daydreams."
Ariel was still or back in NYC because apparently he just visited the kids of PS 22 in Staten Island to play some songs with them (they famously covered him a few years ago). Stay tuned for the video of that to surface.
One day before the Baby's show, BrooklynVegan interviewer Jessica Pilot visited Ariel Pink at his hotel. Here is their conversation...
Jessica: Are there any stories behind any of the new tracks that you might want to share that might be interesting to tell?
Ariel: You're making me think way too hard already. [laughs] I mean they all have their own stories.
Jessica: Is there one in particular that you think would make a cool story?
Ariel: Let me think about it for a second.
What's your favorite color?
Okay, easy: none. I don't have any favorite colors whatsoever. I've got a really long-winded explanation for it too. I'm colorblind, but that's not the reason. I'm one of the least artistically minded people you've ever met. I have no aesthetical preferences for anything.
Is that true?
It's the truth! Despite my wonderful wardrobe and attire, I actually have zero--it's only because people leave good clothes at my house that are very stylish themselves. I actually don't have a favorite color. I don't think in color.
Ariel Pink just released the video for "Put Your Number in My Phone," the first single from his new album pom pom, due November 18 via 4AD. Grant Singer, who's also done videos for Foxygen and Sky Ferreira, directed this one and says "it's a story about friendship and the pursuit of happiness." Check it out below.
Ariel Pink also has live shows scheduled in NYC, London and LA and he's saying he'll be joined by a new 7-piece band. The NYC show happens on October 2 at Baby's All Right. All shows go on sale Friday (9/26) at 9 AM local time. Tickets for Baby's go on sale at this link.
All dates are listed, with the new video, below...
by Bill Pearis
Ariel Pink is back, no Haunted Graffiti this time, with a new album -- a double titled pom pom -- that hits November 18 via 4AD. You can stream the catchy piece of janglepop that is first single "Put Your Number in My Phone" and check out album art/tracklist in this post.
Meanwhile, Ariel Pink also features on "Tragically Alright," the new single from Ex Cops whose second album will be out in October. You can stream that below. You can catch them on tour this fall with Dum Dum Girls, including their October 30 show at Brooklyn Bowl (tickets).
All Ex Cops dates are listed, along with song stream, Ariel Pink stream, album art and tracklist, below...
by Andrew Sacher
James and Mario in the studio (photo by Heather Harris)
The Stooges guitarist James Williamson is releasing a solo album, Re-Licked, features "lesser-known Stooges tracks properly recorded and mixed for the first time" with an impressive list of guest lead singers, including Jello Biafra (Dead Kennedys), Mark Lanegan (Screaming Trees), Alison Mosshart (The Kills), Mario Cuomo (The Orwells), Bobby Gillespie (Primal Scream), Ariel Pink and others. James is backed by live Stooges members Steve Mackay, Toby Dammit, and Mike Watt (also of The Minutemen, fIREHOSE, etc) and that dog.'s Petra Haden provides backup vocals. The album's due out on October 29 via Leopard Lady Records. Artwork and tracklist below.
"I'm Sick of You," which has The Orwells' Mario Cuomo on guest vocals, makes its premiere in this post. James says it "was one of the very earliest songs [he] wrote with Iggy back in around late 1970," and that they "played it live at the King's Cross Cinema Show while [they] were in London just before [they] recorded Raw Power." Mario's a good choice, considering Iggy seems like a big influence on him, and he gets his Danzig or his Jim Morrison on a bit for this one too. Check it out below.
Song stream, LP artwork, tracklist, and another pic from the recording session, below...
by Andrew Sacher
Yesterday, Pitchfork posted their top 200 tracks of the decade so far, and today they've listed the top 100 albums to have come out between 2010-2014. There's some surprises on there. For example, I didn't expect to see Bon Iver's self-titled, their #1 album of 2011 and with a score of 9.5, rank as low as #27 on this list. I was also surprised to see Chief Keef make it but not, say, Shabazz Palaces or Schoolboy Q. And there's a few other glaring omissions: nothing by The National? Grizzly Bear? One thing that will surprise no one though, is their #1 pick.
You can check out the full list below...
It's not just you: Over the last five years, there's been a seismic shift in the way we engage with music. We tweet, tumbl, stream, and share our favorite songs; we scour dead links and navigate obtrusive pop-ups for the newest mixtapes; we watch our music videos on Youtube and Vevo. We watched the explosion of EDM, the birth of drill, the rise and fall of chillwave. We debated how to pronounce FKA twigs, whether the album was dead, and where Bobby Shmurda's hat went. We met Kendrick Lamar, Frank Ocean, Grimes, Jessie Ware, Disclosure, Miguel, and Charli XCX. We saw LCD Soundsystem break up, Neutral Milk Hotel reunite, and My Bloody Valentine release a new album--a shooting star if there ever was one. [Pitchfork]By the end of this year it will be halfway through the current decade, and to mark that, Pitchfork is posting lists of the best tracks, albums, and videos of the decade so far, this week. Today, they put out their list of the top 200 tracks. Like most of Pitchfork's 'top tracks' lists, it ranges from big names to underdogs in indie, electronic, hip hop and more, plus a few huge radio-pop songs sprinkled in. Can you guess what made #1?
Check out the full list HERE and browse the top 20, below...
DOWNLOAD: Phoenix - SOS In Bel Air (Ariel Pink's Krystal Bamboo Remix) (MP3)
Phoenix @ Barclays Center (more by Dominick Mastrangelo)
Phoenix, who just announced some North American dates to fill in the gap between Governors Ball in NYC and Bonnaroo in Tennessee, also just released a remix of "SOS in Bel Air" done by wacky Ariel Pink. You can download to "SOS in Bel Air (Ariel Pink's Krystal Bamboo Remix)" above and stream it below. Tour dates are listed below...
by Bill Pearis and Andrew Sacher
still from Kevin Drew's "Good Sex" video
It's been a while since we've done one of our video roundups, but there were just too many good videos this week to pass up the opportunity. (Plus, in honor of Valentine's Day, there's some v-day-themed ones worked in here.) We already posted a bunch this week, like Little Dragon, Thurston Moore, Metronomy, The Notwist, Thundercat, OFF!, Marissa Nadler, Arctic Monkeys covering The Beatles, Mission of Burma covering The Beatles, Polica, DTCV, La Femme, The Marked Men's return to NYC, and more, yet there were still plenty of cool ones we didn't get to. Check out recent videos from Kevin Drew, The National, Ariel Pink & Jorge Elbrecht, Phantogram, La Dispute, The Front Bottoms, Guided by Voices, Blouse, Chelsea Wolfe, S. Carey, Death Grips, Quilt, Shellshag and Twin Shadow & Samantha Urbani covering The Smiths, below.
by Lukas Hodge
Cold Cave in Winslow / dancers in Pittsburgh / Cat Power in Barstow
Just after you walk through the front doors of the historic La Posada hotel in Winslow, Arizona, a news clipping hanging from a bulletin board reads "Another City too Strong to Die". An interesting statement when you think about it due to the fact that it suggests that in all likelihood, this is not a place that's supposed to still exist. It almost advocates feelings that this is a city stuck swimming upstream. The question is raised, what here is worth preserving? If you ask a local, or even just walk a single block through the small downtown area, you'll understand quickly that the hope of this town rests on a song written by Jackson Browne in 1972. Everywhere you go there are signs advertising the town crux: a street corner two blocks from the train station named "Standin' On The Corner" park. Dedicated to one line in a single song, it's surrounded by murals, shops, and even a bronze statue which may or may not be in Jackson Browne's likeness. The song, is of course, "Take It Easy" as performed by The Eagles. And while no other part of this tour really comes close to the level of polarization created by an arena-filling rock band, the story of Winslow works as an effective allegory to sum up the meaning of why myself or anyone rode a customized train disguised as a moving piece of art, complete with recording studio, post-production office, dining hall, and one of Frank Sinatra's private rail cars, from New York to California.
The answer comes from multi-media artist, Doug Aitken, who's devoted his life to the pursuit of collaboration and performance. The "Happenings", as Aitken branded them, were never overwhelming. The numbers were intentionally kept low at each date allowing every participant a feeling of intimacy with each piece of art they encountered, whether it be a stark and awkward Cat Power set in the backyard of a railroad inn, or a UFO high above the California deserts and a Beck set featuring a full choir. This was most noticeable at the Barstow date, a little over one thousand people showed up to the happening within the walls of at least a 4,000 capacity drive-in theater. It's obvious that Aitken's focus was not on attendance and not on outsiders but on bringing together different artistic communities that would almost never normally interact. And hey, a thousand witnesses can't be a bad thing.
Levi's ®, who made the public art project known as Station to Station possible, had their own tents that resembled nomadic sculptures, known as Yurts set up at each date where independent artists and designers could create their own denim products out of locally sourced goods under the "Makers" brand. To quote Maker Laura Sato via an interview with Vice:
The Makers yurt was Levi's® artistic contribution to Station to Station. Levi's® Makers is a collective of artisan's from across the country who sell their handmade goods under the label of Levi's® Makers.The yurts which were also traveling with the train and acted as evolving installation pieces. The Nomadic Sculptures range from Carsten Höller's yurt pierced with holes that visitors can throw a Frisbee through, to Liz Glynn's creation of the universe that develops at each stop. At some stops, filmmaker Kenneth Anger screened a film in his Yurt.
For the majority of the trip, we had four other Makers along with the Levi's® Tailor Shop who had their stations set up in the yurt. Forestbound (one of a kind tote bags made of salvaged materials), Folk Fibers (hand-stitched, natural dyed quilts), Junkyard Jeans (customized chain-stitch embroidery), and Tangleblue Weavers. We also had a few guests along the way for a couple stops; Cobra Rock Boot Co.(handmade boots), Chimayo Weavers, and Teranishi (leather goods).
The yurt really gave us a platform to create and collaborate while allowing the public to observe our process and ask us questions. I've worked for the Levi's® Tailor Shop making handmade goods for almost three years, but when I met my fellow Makers on this trip it really hit me what a special thing I'm a part of. I got to work and become close with some of the most inspiring and talented people, all of us tied together with the common thread of loving to create and work with our hands. There was definitely a special energy inside the yurt.
Every stop on the trip included a combination of visual arts, installations, and live music, all in a very unforgettable fashion. Some of the Happenings take place inside actual train stations (Chicago, Pittsburgh), while others exist within hubs at the creative centers of communities (Brooklyn, Barstow). How the tour arrives at each stop is the truly unforgettable part. Within each of the nine train cars, each serving a distinct purpose, it was almost impossible to find someone without their face glued to the windows admiring the little seen landscape from up on the rails or with their hands on one of the many interactive tools ("for the modern frontier") made possible by Levi's ®. Included in these was an original 1901 Underwood No. 5 typewriter linked directly to Twitter, a 1939 web-enabled Graflex Speed Graphic still cam for taking Instagram pictures, . and a 1960's Gibson hollow body plugged straight into Soundcloud.
Aitken has repeatedly begrudged the term "tour" and endorses the idea that the project is an entity which "constantly changes". All posturing aside, whatever you want to call it, it's impressive and ambitious. Each station had a very distinct feel and was drastically different from the happening prior. In Brooklyn, it kicked off in a dark noise-filled soundstage on the river with sets from electronic pioneers Suicide, tour staple No Age, and psychedelic locals Ariel Pink (who performed at multiple dates), as well as a youth marching band from Kansas City. By the time it reached Chicago, Sonic Youth's Thurston Moore had joined for his set with drummer John Moloney as Caught On Tape. The Legendary gospel diva Mavis Staples also performed.
As the train rolled on, it finally made its way to the southwest and, in my opinion, its defining showcases. When the train, decorated in highly visible, flashing, LED lights, pulled up on the beautifully restored grounds of the almost century old La Posada hotel (which was the original Winslow train stop) the traveling event arguably achieved its most characterized evening. Between the location of the stage being only a few feet from the train, and the recently restored Inn doubling as a local art museum, this seemed to be the exact platform from which Levi's ® and Station to Station creator Doug Aitken wished to "make their mark". Jackson Browne tossed out a few classics before finally playing "Take It Easy, which resulted in a fevered reaction from every middle aged resident sitting in their lawn chairs. Another tour favorite was Cold Cave, who in Winslow, played atop an elevated platform overlooking a haystack maze full of puzzled onlookers.
One of the main themes being pushed was that the most important part was not the "happening", but what comes after it. For someone like Doug Aitken who's constantly looking forward to the next collaboration or project, it makes sense that the aim of the entire undertaking was to push imagination into the future while taking educated hints from the past. What better place exists than being in a shuttle riding the exact tracks that helped shape the land moving beneath it?
You already saw pictures and heard more about the NYC and Pittsburgh stops and saw a set of pictures from Chicago. More pictures and some videos from the train along with the Chicago, IL, Winslow, AZ, and Barstow, CA stops, below...
photos by P Squared Photography; words by Bill Pearis
Ariel Pink / Fresh & Onlys / the crowd @ Mexican Summer Five 10/11/2013
Brooklyn label Mexican Summer celebrated its fifth birthday last weekend with Mexican Summer Five Years, a two-day celebration at Red Hook space Pioneer Works featuring much of the label's roster (and a few friends). This has been a big year for NYC label anniversary fetes, and while I dug the scene at DFA's and had a good time at Captured Tracks', hands down this was the best of the three and had a great time both days.
I was wondering if I would, though, on Friday night (10/11) as it took me more than an hour to get there from my Williamsburg apartment. G train (and some walking) or bus, it's a slow trek out there and I was a little grumbly on my way, but that all melted away when I got inside Pioneer Works. What an amazing, cavernous space, formerly used to build ships and tanks, with an almost as big outdoor courtyard where you could hang out if you didn't want to watch one of the bands. People did just that, not to mention taking in the music line-up, doing a little record shopping, checking out some of the space's art and generally had a relaxed time. It felt more like a party than a concert.
But on that tip, they did a great job with the stage, lighting and sound -- though it certainly helped that most of Mexican Summer's artists benefit from natural reverb and echo.
A late start by me, I missed Home Blitz, Bob Trimble (who was joined by Quilt for a song or two) and most of Mike Wexler's set. But The Fresh & Onlys were great. Their rhythm section couldn't make the trip from San Francisco, so it was singer Tim Cohen, guitarist Wymond Miles and a pickup bassist and drummer (snares and brushes mainly). With Tim playing acoustic, the songs took on new form and allowed you to really appreciate the craft -- and the genuinely amazing, creative guitarwork Wymond Miles brings to the equation. I know I verge on F&O superfan status, but they deserve all praise. Their new EP, Soothsayer, is worth checking out.
The good vibes (and acoustics) also helped with Tamaryn's set. She's starting to come out of her shell a bit too. Tamaryn used to play in near darkness but now has a projected video backdrop and, for this show at least, some dramatic lighting which put her in cool silhouette for most of her set.
Ariel Pink's Haunted Grafitti closed out the night. I am a casual fan and know of his rep as being shambolic, but they played what I thought was a terrific set, and Halloween-themed projections (including a clever appropriation of the Scooby Doo opening titles for their band name). Jorge Elbrecht, who would play the next night with his old project Lansing-Dreiden and just released a collaborative single with AP, is now a Haunted Graffiti member and brings no small amount of technical abilities on guitar. That collaborative single, "Hang Onto Life, with its chorus of "You screwed the pooch, now face it," was probably the highlight of the set. Pictures from night 1 of Mexican Summer Five are in this post.
We'll have pics from day 2 -- with Connan Mockasin, Linda Perhacs, Langsing-Dreiden, Spiritualized and many more -- are on the way. Meanwhile, you can download a free Mexican Summer fifth anniversary sampler here. If you live in NYC, you can catch Mexican Summer bands Quilt and Happy Jawbone Family Band (both of whom were excellent at MS5 on Saturday) tonight (10/16) at Cameo as part of the Mexican Summer/Kanine/Carpark showcase.
Check out more pics from Friday below.
by Bill Pearis
Happy Jawbone Family Band
Mexican Summer's 5th Anniversary celebration is this weekend (October 11 & 12) happening at Pioneer Works in Red Hook. The shows will happen inside and outdoors and Friday (10/11) features Ariel Pink, Tamaryn, The Fresh & Onlys, Mike Wexler, Bobb Trimble's Flying Spiders, and Home Blitz; Saturday (10/12) has Spiritualized, No Joy, Connan Mockasin (first US show), a reunited Lansing-Dreiden, Co-La, Lilacs & Champagne, Happy Jawbone Family Band, folk cult hero Linda Perhacs (first NY show), Quilt, Weyes Blood and Soldiers of Fortune. Tickets are still available in a variety of bundles, some of which include a commemorative 250-page book and 10" vinyl compilation (which you can buy separately too). The daily schedule is listed below.
The 10" record that comes with the book features exclusive collaborations from Bay Of Pigs (Spiritualized, Soldiers of Fortune and Neil Hagerty), Jorge Elbrose (Jorge Elbrecht and Ariel Pink), Autre Ne Veut and Fennesz, Bobb Trimble and Quilt and The Lonely Sailor and Renée Mendoza Haran (members of Total Control, Lace Curtain and Ashrae Fax.) This music is exclusive to the book and will not be available digitally. There were 1000 made.
Many of the bands playing have new records either out now or on the way. Brattleboro, VT collective Happy Jawbone Family Band will release their brand new, self-titled LP next week (10/15) via the label. These guys have put out a lot of music -- some of which was collected for Tastes The Broom earlier this year -- but this is a pretty tight, cohesive and enjoyable record. And though the name gives off vibes of folk/bluegrass/jam/etc it would fit in alongside a mix with Fresh & Onlys or Built to Spill on it. You can stream the whole thing over at Pitchfork. You can also catch HJFB tonight (10/10) at Death by Audio with Gull, Lutkie and Painted Faces.
They'll also be around next week for CMJ, playing Cameo on Wednesday (10/16) with Eternal Summers, TEEN, Quilt, Bleeding Rainbow, and Mood Rings who are also on Mexican Summer but are not scheduled to play the anniversary. All dates are listed below.
Speaking for Boston's Quilt, they also have a new single, "Arctic Shark," coming out on Mexican Summer at the end of the Month and you can stream that below. That song will be on the band's new album, Held in Splendor, which will be out January 28.
No Joy, who were here not so long ago, will release a new four-song EP, Pastel And Pass Out, on November 5. Like their terrific Wait to Pleasure LP, this new 12" was produced by Jorge Elbrecht (of Lansing-Dreiden and Violens) and you can stream a track from that below.
Connan Mockasin (kind of the New Zealand analogue of Ariel Pink), who will play his first-ever US show at this, releases his new album, Caramel on November 5 as well. You can stream "I'm The Man, That Will Find You" below.
Speaking of Ariel Pink, he closes out Friday night's show and has a new collaborative single with Jorge Elbrecht which you can stream below. Jorge has his fingerprints all over this weekend, as Lansing-Dreiden are reuniting for Saturday's show (which should be interesting) and he released a single with Tamaryn as well as the above-mentioned No Joy records.
And J. Spaceman of Spiritualized plays tonight (10/10) at 7 Dunham Gallery with Glen Hasnard and Sean Bones as part of a Daniel Johnston photo book exhibition.
The Rockabus was originally going to provide transportation from Williamsburg and Borough Hall to Red Hook but that is not happening now. Public transportation will get you there eventually.
Quilt, Happy Jawbone, and No Joy tour dates are listed, along with the Mexican Summer Five Years schedule, streams and a flyer, below...
Spiritualized at Webster Hall last week (more by Greg Cristman)
Last week, we mentioned that Brooklyn label Mexican Summer would be throwing a fifth anniversary party in Red Hook (like Captured Tracks just did in Bushwick). It's since been announced that the festival will take place at Pioneer Works on October 11 and 12 and the lineup includes Ariel Pink (who just played Station to Station), the US debut of New Zealand's Connan Mockasin (who was supposed to play Station to Station, but dropped off), Spiritualized (who just played Webster Hall), Tamaryn, The Fresh & Onlys, No Joy, Quilt, Co La, Lilacs & Champagne, Happy Jawbone Family Band, Weyes Blood, Mike Wexler, Home Blitz, '80s-era cult psych-folk legend Bobb Trimble (who played NYC a couple times in the past year or so), '70s-era cult psych-folk legend Linda Perhacs (who makes her NYC debut at the show!), and Soldiers of Fortune (aka the "supergroup" of Papa Crazee, Mike Bones, Matt Sweeney, Barry London, Brad Truax, and Kid Millions, who will be doing a 2 hour jam sesh with special guests).
The fest also features an out-of-retirement performance by Lansing-Dreiden, the arty band led Jorge Elbrecht now of Violens. L-D only played a handful of shows in their original incarnation.
In addition to the festival, Mexican Summer is also celebrating their five-year anniversary with a new book. A press release states:
The five-year anniversary is commemorated by Mexican Summer: Five Years, a 250-page, 11x11" book limited to 1,000 copies. The book features unique and unseen art and ephemera, photos and written contributions from a host of Mexican Summer artists. Designed by longtime collaborator Dan Schechter, Mexican Summer: Five Years features an embossed cloth cover, screen-printed craft paper wrap, and three interior paper stocks.Full lineup below...
Accompanying the book is a 10" record of exclusive collaborations from Bay Of Pigs (Spiritualized, Soldiers of Fortune and Neil Hagerty), Jorge Elbrose (Jorge Elbrecht and Ariel Pink), Autre Ne Veut and Fennesz, Bobb Trimble and Quilt and The Lonely Sailor and Renée Mendoza Haran (members of Total Control, Lace Curtain and Ashrae Fax.) This music is exclusive to the book and will not be available digitally.
You may remember that onetime Cryptacize singer Nedelle Torrisi recorded a single and played a couple shows last year under the name Paradise. Reverting back to her own name, both sides of that single have now appeared on her new, self-titled album which was released last week (9/3). The LP was produced by Haunted Graffiti's Kenny Gilmore and features contributions from Nite Jewel, Dev "Blood Orange" Hynes, and Julia Holter. That's the cover art above and you can stream the whole thing below.
And just to connect dots a little further, Nite Jewel -- who not only played on Torrisi's new album but has collaborated with Holter too -- just released a new song, "Stay a Little Longer," and you can watch the video for that, along with the list of all Nedelle's tour dates, below.
by Lukas Hodge
Ariel Pink / art "yurts" / Yoshimi of Boredoms @ NYC Station to Station 9/6/2013
The cross country Station to Station tour, a public art project made possible by Levi's, was launched on Friday night in Williamsburg in a massive sound stage located right on the east river waterfront. Conceived by artist Doug Aitken, Station to Station involves a rotating cast of visual artists, musicians, filmmakers, and more who travel together on a single train. The NYC show, which happened at Riverfront Studios in Williamsburg on Friday (9/6), felt more like an art event (or Fashion Week party) than a concert and very much the "happening" it was billed as. (Most of these happen at actual train stations.) A welcome change to normal show-going.
Accompanying the musical aspects of the tour are rotating art installations, or, "Nomadic Sculptures." Designed by artists from all over the world, the pieces are built as small huts or "yurts." Watch a video below about the nomadic sculptures in Pittsburgh.
One of the yurts, designed by experimental filmmaker Kenneth Anger, worked as a screening room for his film "Lucifer Rising." Other sculptures included Belgian artist Carsten Höller's interactive yurt which was full of holes that participants could throw frisbees through. Another, maybe more ambitious, sculpture by Los Angeles artist Liz Glynn acts as an interactive reconstruction of the universe itself. Evolving as the tour goes on, her yurt began as a pitch black walk through complete with heavy black curtains and headlamps used by participants to navigate. All of the sculptures are positioned outside of the ticketed area, allowing anyone access to them (though this was not the case at the Brooklyn kickoff).
Additionally, tour sponsor, Levi's had their own yurts set up as well. One included a loom from which denim products were constructed in real time, personalized with patches and products sourced locally from each stop by artists, and then sold in another tent known as the "Makers yurt.
The Kansas City Cobras, a marching band based around community outreach for young teens, have been opening the nights up so far by performing outside and marching into the respective venue, collectively segueing into Los Angeles Sub Pop outfit No Age's set in an impressive display of collaboration. Intentional or not, it absolutely sets the tone for the entire Station to Station experience.
As for the music, Ariel Pink, YOSHIMO aka Yoshimi of Japanese experimental group Boredoms (who also opened for Kim Gordon's band Body/Head at Union Pool last night), and No Age (their second NYC show that week) all performed at both New York and Pittsburgh dates. Electronic pioneers Suicide headlined the Brooklyn kickoff show and their sandblasting noise was as loud as any metal band. Thurston Moore and John Moloney joined the tour in Pittsburgh (and dedicated songs to both Yoko Ono and the Steelers).
On the entire nationwide tour, the stage is wrapped in three giant screens which work as both impressive lighting/backdrop for the performances and also to showcase short films between sets. There were also non-musical between-band performances, like a slo-mo choreographed piece on rollerskates. The Brooklyn kickoff finished with a bit of pyrotechnics: a metal trellis wired with a rainbow of smoke bombs exploded against a battery of bright lights. Pictures from the whole night are in this post.
Station to Station hit Chicago last night (9/10). Mavis Staples joined the party in the windy city, and we'll have a full report and pictures from that soon up on BV Chicago. The next stop is in Minneapolis on Thursday (9/12) with No Age, Eleanor Friedberger and White Mystery.
Check out more pictures from the NYC kickoff event, as well as some from Pittsburgh, below.
Ariel Pink at Do Division 2013 (more by Kirstie Shanley)
As discussed, artist Doug Aitken is presenting the traveling Station to Station: A Nomadic Happening tour this year, with a variety of different artists in different cites. The NYC stop on the tour (which is the start of this whole thing) happens on September 6, and since we last spoke, more details have been announced. It happens at Duggal Greenhouse in Brooklyn Navy Yard and runs from 6:30-10:30 PM.
Musicians playing the NYC stop include No Age, Charlotte Gainsbourg & Connan Mockasin, Ariel Pink's Haunted Graffiti,
Jim Jarmusch & SQÜRL, The Boredoms, African American marching band The Kansas City Marching Cobras, and more TBA. There will also be a "surprise" from Rirkrit Tiravanija and a Technicolor smoke performance from Olaf Breuning. Tickets for the NYC show go on sale Friday (8/9) at noon.
Other artists added to other cities include Giorgio Moroder, Beck, Cat Power, Cold Cave, THEESatisfaction, Sun Araw, and more. Head to Station to Station's site for tickets and more info on the other cities. Full tour schedule (as it stands now), below...
Savages at MHOW in March (more by Wyatt Marshall)
Artist Doug Aitken just announced a new project, Station to Station: A Nomadic Happening, a traveling train tour that will take place over the course of three weeks in September. A press release reads:
At each stop, Station to Station will curate leading figures from the art, music, culinary, literary, and film worlds for a series of cultural interventions and site-specific happenings. The Aitken designed train turned kinetic sculpture will act as a cultural studio- globally broadcasting unique content and experiences from the stops as well as on the moving train.Each stop will feature a variety of different artists. Musicians taking part in the project include Savages, David Longstreth of Dirty Projectors, Ariel Pink, Eleanor Friedberger, Dan Deacon, No Age, Twin Shadow, Charlotte Gainsbourg, Nite Jewel and Connan Mockasin.
There will also be other artists Kenneth Anger, Olaf Breuning, Peter Coffin, Urs Fischer, Meschac Gaba, Liz Glynn, Carsten Höller, Christian Jankowski, Aaron Koblin, Ernesto Neto, Jack Pierson, Stephen Shore, Rirkrit Tiravanija, and Lawrence Weiner; writers Dave Hickey, Barney Hoskyns, and Rick Moody; and chefs Alice Waters and Leif Hedendal, and the Edible Schoolyard Project. Plus, even more participants TBA.
Station to Station stops in ten different cities this September, including NYC on September 6. More details on the specific "happenings" and ticket information are forthcoming. The project "will raise funds through ticket sales and donations to support non-traditional programming at seven partner museums around the country."
Savages' tour schedule makes it seem unlikely that they'll be on the NYC stop, but their tour does bring them here for shows on Webster Hall on July 11 (sold out) and September 12 at Terminal 5 (tickets).
All Station to Station stops are listed below...
by Fred Pessaro // BBG
Kirin J Callinan at BV-CMJ 2012 (more by Nate "Igor" Smith)
Loop-happy gothic guitarist and solo artist Kirin J Callinan is readying his new LP, EMBRACISM, for release via Siberia / Terrible Records in partnership with XL Recordings. The album, produced by Kim Moyes of The Presets and mixed by Chris Taylor (CANT/Grizzly Bear), is due on July 2. Dig on the title track, which is streamable below.
Callinan will suit up, and by that I mean drag out his half-moon of crazy effects pedals, for a string of US dates this spring with Ariel Pink that will include a stop at Irving Plaza on June 6 (tickets), but before that you look for the Australian-born artist to play 285 Kent on May 15, with Pure X (tickets). All dates are listed below.
R. Stevie Moore at Webster Hall in 2012 (more by Amanda Hatfield)
Prolific lo-fi wizard R. Stevie Moore is on his self-dubbed "Never Ending World Tour" (appropriate for a man with a never ending discography), and after having recently wrapped up a West Coast run, he's been taking a short break before he heads to Europe later this month. But right before he leaves, he'll squeeze a NYC show in at Glasslands on April 15 with past tourmates Tropical Ooze, along with Total Slacker and a DJ set from Cassie Ramone. Tickets for that show are on sale now.
Last month, R. Stevie's 61-track collaborative album with Ariel Pink, which came out digitally in 2012, was given a vinyl release in Japan, but they'll ship it to any country (it's also an abridged version because all 61 songs wouldn't fit on vinyl).
All dates are listed, along with a stream of that album, below...
Ariel Pink's Haunted Graffiti @ Webster Hall, 9/14/2013 (more by Amanda Hatfield)
Ariel Pink's Haunted Graffiti have just announced an extensive spring tour that will hit NYC on June 6 at Irving Plaza. No word on advance tickets just yet but you can keep checking Livenation.
All tour dates are listed below.
Says the PR
On the heels of a highly successful, critically acclaimed sold-out 2012 festival, the Sasquatch! Music Festival unveils its 2013 lineup, which once again features 4 days of music. The festival, hailed as "a model of well-paced programming...in a four-day schedule as efficient and natural feeling as an expertly built algorithm" by NPR Music while Wired notes, "leave the landscape out of it and Sasquatch! has a lineup to kill for," runs May 24-27 (Memorial Day Weekend) at TheWoot. 2013 Lineup below...
Gorge, the internationally acclaimed concert venue carved in the basalt cliffs high above the Columbia River Gorge in Quincy, WA.