Entries tagged with: Atlantic City
photos by Dana (distortion) Yavin
Soundgarden at the Borgata - 5/3/13
The reunited Soundgarden, who have played NYC quite a few times in the past year, brought their spring tour through the area for a show at Atlantic City's Borgata this past Friday (5/3). The setlist leaned most heavily on their classic albums, Superunknown and Badmotorfinger, in addition to 2012's King Animal, but included a few tracks from other albums and EPs too.
More pictures, the full setlist, and a video of almost the entire show, below...
If I ever did go see Motley Crue live (you know, like ironically) (hopefully with Dave Hill in attendance), it would have to be somewhere awesome like Atlantic City, NJ (where they happen to be playing on May 25) (all tour dates are listed below). That said, it will never again be as awesome as it was in the 80s, as the below video illustrates....
Soundgarden at Hammerstein Ballroom in January (more by Jonathan McPhail)
Soundgarden have been touring a lot lately, and already played NYC three times this year and basically three other times at the end of last year. Now they've announced another leg of touring for 2013, and though it doesn't bring them back to NYC, it does include a show in the area which happens in Atlantic City on May 3 at the Borgata. Tickets for that show go on sale Friday (3/1) at 10 AM.
A list of all dates and the Dave Grohl-directed video for "By Crooked Steps" below...
Kanye in mask (via Buzzfeed)
Kanye West did a three-night run in Atlantic City at Revel Ovation Hall from December 28-30. He performed completely alone on stage, without backup dancers, DJs, or a band, with widescreen projections of nature scenes behind him. The scenes changed a few times throughout the show, as did his outfits, which at certain points included two weirdly awesome masks -- one covered in diamonds and one covered in mock snow and/or feathers. For the set he stuck mainly to the hits, which at this point in his career results in a pretty long show, having touched on "Clique," "Mercy," "Power," "Jesus Walks," "Heartless," "Gold Digger," "Stronger," and many more.
At night 2, he gave a freestyle/rant during "Clique" about his criticism and about not receiving more major nominations in the 2013 Grammys. And on night 3, Kanye stopped in the middle of "Lost in the World" and asked, "Can we make some noise for my baby mama right quick?" implying that Kim Kardashian is pregnant. Neither Kanye or Kim have explicitly announced anything, but Kim's sister Kourtney later tweeted, "Been wanting to shout from the rooftops with joy and now I can! Another angel to welcome to our family. Overwhelmed with excitement!"
Kanye's friend/collaborator Jay-Z plays Barclays Center with Coldplay tonight for New Year's Eve. Maybe 'Ye will make an appearance? (though he probably has something better to do).
Videos of Kanye's "Clique" rant, his "baby mama" announcement, other songs from the show, the setlist from night 1, and another mask pic below...
Tenacious D at Hammerstein Ballroom in June (more by Chris La Putt)
Jack Black and Kyle Gass' comedy metal duo Tenacious D have announced an "Old School Acoustic Style" tour, harkening back to the duo's late '90s roots, which will begin in late February and continue into March. The tour doesn't come to NYC, but it comes close when it hits Atlantic City on February 28 at Showboat Hotel & Casino: House of Blues. Tickets for that show are on fan club presale (password: "Fenix") and Ticketmaster presale now, and general on-sale begins Friday (12/14) at 10 AM.
The D released a Black Friday Record Store Day 12" last month which featured the almost 12 minute track, "Jazz." A stream of that song, and a list of all dates are below.
"Watching Neil young in Phili. He's telling us all we are fuck ups. This is interesting. He isn't just banging out hits." - Beach House
Neil Young & Crazy Horse at MSG on Tuesday (more by Gretchen Robinette)
After playing MSG on Tuesday (11/27), Neil Young & Crazy Horse continued their tour with Patti Smith at the Wells Fargo Center in Philly last night (11/29). The setlist was the same as MSG (and basically the rest of the tour), except for the encore which Neil sometimes changes up, treating Philly to the massive "Like A Hurricane." The full setlist is below.
Patti Smith isn't on that one but you can still catch her with NY&CH in Brooklyn at the Barclays Center on Monday (12/3) (tickets).
Philly setlist below.
Kanye at MoMA in 2011 (more by Bao Nguyen)
Kanye West came to Atlantic City's Revel Ovation Hall for two sold out shows this past July and he must have had a good time, because he plans to return to the venue for three nights right before New Year's Eve: December 28, 29, and 30. Tickets for all three nights go on sale to the general public on Friday, November 30 at noon with a Citi cardmember presale starting Tuesday (11/27) at 10 AM, and Revel and TIcketmaster presales starting Thursday, November 29 at 10 AM.
Being that Kanye only plays the three days leading up to New Year's Eve, it means that Jay-Z will potentially be available all three of the dates and Kanye will be free when Jay plays Brooklyn at Barclays Center on NYE (12/31) with Coldplay. Tickets for that show are still available.
A list of all Kanye dates and a stream of his recent track, "White Dress," from RZA's The Man With The Iron Fists soundtrack, below.
Coney Island this morning (via @dimkas79)
As you might expect and/or saw on the news, Hurricane Sandy hit Coney Island pretty good with major flooding, including the New York Aquarium whose entire 14-acre facility was entirely "under water". They won't be able to access the damage till the water recedes but we sure are worried about the sea otters and other animals there.
The Cyclone made it through intact, which is more than we can say for 'Jersey Shore' stomping grounds Seaside Heights, NJ whose boardwalk was almost entirely destroyed by the hurricane and the Jet Star roller coaster, well you can see for yourself::
Jet Star roller coaster hanging into the Atlantic Ocean in NJ (via NBC4)
Atlantic City, as you probably heard, was also hit very hard too.
Kanye West at Ovation Hall - 7/7/12 (via eyevfaye)
Kanye West, who has been touring with Jay-Z in support of Watch the Throne, took some time off from that this past weekend to do a 2 night solo run at Atlantic City's Revel Ovation Hall on Friday (7/6) and Saturday (7/7). He performed no songs from WTT and played solo the entire time except for when he brought out Pusha T for "Runaway" the first night, and for their new song, "New God Flow," the second night (the first time they ever performed the track live). Like Kanye's other recent solo shows, it was a big on-stage production, with dancers, cranes, costumes, huge backgrounded artwork, etc.
Both nights got performances of "Mercy," which is purportedly going to be on the upcoming G.O.O.D. Music album, Cruel Summer (due out 8/7), which "New God Flow" will potentially appear on as well. Though Jay-Z didn't show up, Kanye did cover him the first night ("Run This Town"), and the second night he covered Michael Jackson ("PYT").
In related news, MTV reports that Kanye is planning a new solo album to come out at some point after Cruel Summer. The album will follow his 2010 year-end-list-topping My Beautiful Dark Twisted Fantasy.
Videos and setlists from both nights are below.
photos by Dana (distortion) Yavin , words by Andrew Sacher
Metallica / A Place to Bury Strangers at Orion Music Fest 6/24/2012
Day 2 (6/24) of Orion Fest kicked off with sets by two different, but both very dark Brooklyn bands: Liturgy in the Frantic tent and A Place to Bury Strangers (whose new album, Worship, is out this week) on the Fuel stage. Unfortunately, I showed up a bit too late for Liturgy, but I was able to catch the tail end of APTBS' set, which saw Oliver Ackermann turning his monitors to face the audience and putting his vocal mic up to his guitar amp, creating even more noise than the trio already make. You can catch APTBS in their hometown on 7/27 at MHOW with Hunters.
Then I headed over to the Orion stage for Sweden's Ghost, who were introduced by James Hetfield (who is openly a huge fan). James intro-ed the band saying, "It's never too early for scary," and despite the bright sun shining over their stage, he was right. The band, who always come decked out in white ghoul cloaks with singer Papa Emeritus in face paint, crown, and black cloak, were creepy as ever. Papa Emeritus lead the band with demonic priestlike conduction as he bellowed the vocals to a number of songs off their 2010 LP, Opus Eponymous. The only time he wasn't in the spotlight is when the band took an instrumental break and he stood in the back of the stage, hands pressed together and remaining completely still.
I left about halfway through Ghost for the second half of The Black Angels, who were playing the Frantic tent. They supplied a huge dose of droning psychedelia, and though singer Christian Bland's vocals are often delivered stoically, he's quite charismatic on stage. During their last song, which saw bassist (and Elephant Stone frontman) Rishi Dhir switch over to sitar, they went into an extended jam which eventually saw Rishi playing the sitar riff of The Beatles' "Norwegian Wood" (which the Black Angels recorded an exclusive performance of at Coachella) and was soon joined by the rest of the band who covered about half of the song. Slowly, the band exited the stage until only Rishi was left, sending waves of sitar over the head-nodding audience.
Around 4 PM, Best Coast began their set at the Orion stage. Diplo was probably wondering what the faces of Metallica fans would look like during Liturgy's set, though I was also pretty curious about what they'd look like for Best Coast, who played the same stage Metallica would later headline with many anxious fanatics already claiming their front row spots. I think I did actually see one guy sleeping (or maybe he was just really zoning out to the music?), but overall they actually got a pretty great reaction from the people who gathered to see them. The new album, The Only Place (which came out last month), is lacking compared to their debut (it's not bad, just too much of the same), but this was definitely the best I've ever seen Best Coast -- no doubt due to their decision to finally add a bassist. When mixed into a setlist, some of the new songs, like "Why I Cry," actually proved themselves to be standouts, and the songs from her debut sounded great as well. In response to a fan request, they played "When I'm With You" earlier than planned, and before going into it, frontwoman Bethany Cosentino promised a Fleetwood Mac cover too. That cover presumably would have been "Rhiannon," which the band are contributing to the upcoming Fleetwood Mac tribute LP, and premiered on NPR this morning... but they never got around to it.
Next band on my schedule was Titus Andronicus, who were playing the Frantic tent. Before they began, I heard a crowd member ask someone, "So are these guys metal, or is it regular music?" A few minutes later, they fired up their set of regular music, riling up everyone in the tent. The crowd was pretty small -- everyone else was waiting for Metallica or watching Avenged Sevenfold -- but the people who were there were loving it, singing along, pumping their fists, and starting push pits. When the band began fan favorite, "No Future Part Three: Escape From No Future," the crowd's singing was overpowering frontman Patrick Stickles and if anyone wasn't taking part, they joined in on the ending's repeated "you will always be a loser!"
When Metallica took the stage a bit before 8:30, they started their set exactly the same as the night before. Everything including AC/DC's "It's a Long Way to the Top (If You Wanna Rock 'n' Roll)" playing through the PA directly before the band walked out, the "Ecstasy of Gold" strings with accompanying video clip, followed by "Hit the Lights" and "Master of Puppets," was there, just like it had been the night before. I realize that Metallica have a routine for their shows, but at a festival where much of the crowd had shown up for both nights, it would have been an appropriate time to throw a few curveballs into the set. The only pre-Black Album songs included in Sunday's setlist that wasn't in Saturday's were ...And Justice for All's "Blackened" and "The Shortest Straw," which were great but it would've been nice to hear more/different tracks from Master of Puppets or Kill 'Em All.
That said, I had already been going into Black Album night with less anticipation than I had for the performance of their 1984 colossus Ride the Lightning the night before, and they did deliver well. The bigger Black Album tracks like "Enter Sandman," "Sad But True," and "Nothing Else Matters" were still tons of fun and the crowd goes nuts for them. One of the biggest highlights was "Through the Never," which of all the Black Album tracks is most similar to their thrash roots. Regardless of your thoughts on the album's material though, they performed it flawlessly and was a welcome dip into Black Album's deeper cuts that are less likely to see the light of day at other Metallica shows.
Pictures and review of Day 1 are HERE. More pics from Day 2 below...
photos by Dana (distortion) Yavin ; words by Andrew Sacher
Metallica / Fucked Up at Orion Music Fest, June 23, 2012
Metallica's Orion Music & More festival went down in Atlantic CIty's Bader Field this weekend, featuring the band performing Ride the Lightning in full on Saturday (6/23) and The Black Album on Sunday (6/24), in addition to many other bands across four stages. Bader Field, which was previously used as an airport, was filled with rockers of all kinds -- from the satanist metalheads to the Gaslight Anthem-shirt bearing rock and rollers. In addition to the bands, you could check out Lars Ulrich's curated film screenings, James Hetfield's classic cars, Kirk Hammett's horror memorabilia, rock memorabilia with everything from old Velvet Underground postcards to Melvins posters, and much much more. And all of this went down just across the water from the towering, lit-up excess of Atlantic City's Trump Plaza, Caesars Palace, and the like.
I showed up to the festival on Saturday about halfway through Baroness' opening set on the main Orion Stage. Though the crowd was still pretty thin (they went on at 1 PM), the band delivered a strong set filled with a great mix of hooks and sludge, winning over most of the people who had showed up early enough to catch them.
Next stop for me was Lucero, also on the Orion Stage. "This song's called 'Women and Work,' it's about whiskey," said singer Ben Nichols of the title track off their most recent LP, making what was only one of many whiskey references during their set. They had a solid mix of the upbeat ones like that, and their sprawling slow-burners. The band sounded best on those slower cuts, as they drifted across the hot, sunny, mid-afternoon Bader Field, though I'm sure the foot-stompers would have taken charge in a smaller, tightly packed venue like their drunken NYE show at Brooklyn Bowl. The band did crank up the distortion on "Sounds of the City," and got great crowd reaction during "All Sewn Up," which he dedicated to the audience: "Plenty of fucking bad tattoos out there, so this one's for all y'all."
After Lucero's set ended, the Fuel stage saw what might have been the wildest set of the day with Fucked Up. Frontman Damian Abraham began by saying, "Last year we were thinking... who would be the craziest band we could play with, and we were like... METALLICA!" before kicking into "Queen of Hearts" off 2011's epic David Comes to Life. As per ushe, it only took about three seconds into that song for Damian to barge into the crowd (where he spent most of the show) and another few minutes before he took his shirt off. They relied most heavily on material off of David, playing other highlights like "The Other Shoe," "Turn the Season," and more. In the past I've said that Damian's in-the-crowd antics tend to be less successful in larger venues, but at Orion fest he did everything in his power to make his way through the entire crowd. He must have been part of every single mosh pit that broke out, and traveled everywhere from the kids pushing against the barrier to the people standing in the very back.
The Gaslight Anthem followed, taking to the Orion Stage, and came out with an introduction from Lars (as many other bands that day did). After his introduction, the Beastie Boys' "Sabotage" began playing through the PA as the band walked out, with frontman Brian Fallon decked out in an "RIP MCA" shirt (written in Run DMC typeset). I didn't notice it during Baroness or Lucero (and maybe Fucked Up's loud mayhem was to blame), but the sound at Orion Stage was significantly lower for all the non-Metallica bands that played, and it became easy to feel removed during The Gaslight Anthem's set. Despite the conditions, the band still sounded on point. They played "45," the single off their upcoming album, which is easily their best song since The '59 Sound, and older favorites as well, like "Old White Lincoln," "The Patient Ferris Wheel," and of course, "The '59 Sound."
Lars Ulrich introducing Hot Snakes
I then made my way over to the Frantic tent -- undoubtedly the best stage to watch bands -- for Hot Snakes, who were also introduced by Lars. Lars acknowledged the stage as well ("this is becoming my favorite stage of the day... this is where all the cool kids hang out!") and said tons of flattering things about Hot Snakes. The band thanked him a couple times for his compliments, before asking the crowd if any of us had heard of them, to which they were greeted with massive cheers that they seemed pretty surprised about. After all the intro-ing, the band began playing the buzzsaw guitar riff of "I Hate the Kids," the opening track off 2002's classic Suicide Invoice. They reunited last year after breaking in 2005, and they've definitely still got it. They played a good amount of Suicide Invoice, including "LAX," "Who Died," "Gar Forgets His Insulin," and the punishing title track.
After Hot Snakes' set, Modest Mouse took over the Orion Stage, and like with The Gaslight Anthem, the sound and setting of this stage did them absolutely no justice. We got some great songs -- "Bury Me With It," "Dramamine," "Tiny Cities Made of Ashes" -- but they were mostly drowned out by the talking of the uninterested crowd, many of who had begun gathering for Metallica. Not surprisingly, "Float On" was the one song that stopped the crowd from talking and got 'em singing along. Things probably went over better for Modest Mouse at the more indie-centric Governors Ball, which they played on Sunday.
Suicidal Tendencies meanwhile were playing to a giant crowd on the smaller metal-centric Damage Inc. stage, with help from their ex-bandmate, Metallica bassist Robert Trujillo who joined them for a bunch of songs.
Suicidal Tendencies/Arctic Monkeys
Hands down, my highlight of the pre-Metallica portion of the festival was Arctic Monkeys, who played the Fuel stage directly before the headliners took over Orion. It goes without saying that Lars took the time to introduce this band (their first record is his favorite of the '00s) and he said tons of appreciative things about the band, including that he's seen them every time they've played his city. They opened their set with the attack of "Brianstorm," which sent the band into a frenzy that didn't let up once during the set. Though the band's latter two records have been a bit less popular than their first two, they've really shown a maturation in sound on them and especially on a festival with a mass of heavier bands a lot of their newer material fit right in. Songs like "Pretty Visitors" and "Don't Sit Down 'Cause I've Moved Your Chair" border on sludge metal and stood out just as much, if not more than older classics like "Teddy Picker," "Fluorescent Adolescent," and "Dancefloor." In keeping spirits with the festival, during "Don't Sit Down," Alex Turner changed the line, "bite the lightning," to "Ride the Lightning," and pointed across the field at the Orion stage where Metallica's stage hands were gearing up for the band to play said album in full.
Alex takes complete control of the crowd and throws in a bit of playful arrogance, like pointing to Matt Helders and saying, "check this shit out," before one of Matt's more technical drum parts. The band pretty much kept their whole set in full throttle mode, eschewing many of their lighter songs, and they delivered with colossal power. Over ruthless drumming, stoner rock guitar solos, and overall ceaseless energy, Alex effortlessly topped it all off with his soaring vocals, almost of all of which were met by singalongs from the crowd.
Finally, after the rest of the festival had wrapped up, the strings of Ennio Morricone's "The Ecstasy of Gold" from Metallica's S&M album began playing through the PA, which meant the band -- who for many, were the sole reason of coming to the festival -- were about to take the stage. They opened with a bunch of live staples, like "Hit the Lights," "Master of Puppets," "Sad But True," and "The Four Horsemen," plus a newer one as well. Then the lights went black and on the stage's screens, popped up a video of clips from Metallica's Ride the Lightning period, which was greeted by huge cheers of the thousands of people that knew the band's performance of the album was on the way. When soundclips of Cliff Burton surfaced on the video, even more applause came, honoring the band's bassist who performed with them on their first three albums before passing away in a tour bus accident in 1986. After the video ended, an animated play on the Lightning album artwork took over the screens and the album's final track, "Call of Ktulu" began playing (they performed the album in reverse). Once "Ktulu" picked up, the lights came back on, revealing the band members on stage playing the song, and yielding more and more applause.
After the instrumental track, live favorite "Creeping Death" came in, sending the band pummeling into a spiraling vector of thrash. The band's theatrics, rock star approach, and tendency to play hits-heavy sets can give off the feeling that they've reached the point where their shows are simply crowd-pleasers, but it's really not the case. The band whole heartedly rock the fuck out on stage, and despite everything else going on, simply watching them play is pretty mind blowing.
According to Lightning's reverse tracklist, after "Creeping Death," came "Escape," which the band have never performed live, mainly because James absolutely hates the track. For anyone who didn't know, he made it abundantly clear at the show and even looked like he was having a bit of trouble getting into it while they played it live for their first time ever, but by the end, the crowd had welcomed its live debut more than excellently. Though James wouldn't hear of it -- "NO!" he yelled when the crowd tried convincing him that they loved it.
Then came "Trapped Under Ice," followed by "Fade to Black," which was by far the loudest singalong on the album during the acoustic guitar-led verses and, as occurs at Metallica concerts, the melody to Kirk's guitar solo in the intro. After the song's headbanging second half, James, with a smug smile, responded to the fanatic cheers with, "Yeah, I like that one too." The level of noise stayed above 10 for the following song, "For Whom the Bell Tolls," whose chorus saw tons of \m/-raised arms attached to bodies screaming along. Following the album's title track, Metallica wrapped up their performance of the album with much anticipated opening thrasher, "Fight Fire With Fire," for which the screens behind the band showed the masses of audience members singing along to the song's choppy vocals.
Directly after the performance of the album ended, the band stayed on stage and went immediately into more live staples -- "Nothing Else Matters" and "Enter Sandman." They then left the stage before returning for an encore which began in the dark with the acoustic intro of "Battery," and then hitting the lights for the song's slaying mile-a-minute riffing. The encore wrapped up with loud fireworks, black Metallica beach balls thrown int the crowd and two more live staples, "One" and "Seek & Destroy" and after the members of the band continued to thank the crowd for coming and making their festival a success.
More Orion Music Fest coverage to come. Lots more pictures, including Roky Erickson, Red Fang, Suicidal Tendencies, and more are below.
As mentioned, Orion Music & More happens this weekend in Atlantic CIty's Bader Field from June 23-24 and is being headlined by Metallica both nights, who play Ride the Lightning in full on Saturday (6/23) and The Black Album in full on Sunday (6/24). Other bands playing include Arctic Monkeys, Modest Mouse, Hot Snakes, Fucked Up, The Gaslight Anthem, Titus Andronicus, Best Coast, Liturgy, A Place to Bury Strangers, and more, plus a heavy stage with Suicidal Tendencies, Sepultura, Torche, Red Fang, Kyng, Landmine Marathon, Black Tusk, Thy Will Be Done and others. The heavy stage (aka "Damage, Inc.") isn't the only place you can catch heavy bands though. The festival also includes Baroness on the Orion stage, The Sword on the Fuel stage, Liturgy on the Frantic stage, and Ghost on the Orion stage. You can check out the full schedule of both days and all four stages HERE.
Orion Music & More is the first NYC-area appearance for Hot Snakes since the reunited band played The Bell House and Maxwell's in December. They'll play another area show (also in NJ) at ATP I'll Be Your Mirror in September.
As mentioned, it's the first time in a while that Modest Mouse will be in the NYC area. They play Orion on Saturday (6/23) before heading to Randall's Island for Governors Ball, which also happens this weekend.
There's a ton of stuff going on at Orion other than live music too. You can pick up rock 'n' roll memorabilia at Ktulu's Rock 'N' Roll Emporium, check out film screenings hand-picked by Lars Ulrich at Hit The Lights Films, skate the Motorbreath Mini Ramp, have a glimpse into Kirk Hammett's creepy personal collection of horror film memorabilia at Kirk's Crypt, surf, nerd out at the ESP Guitar Experience, check out the Metallica Museum, show your support for a variety of charities, or check out the car show.
If you're heading out to Atlantic City for the fest this weekend, head here for directions. If you're driving, there's no on-site parking at the field, but there are a number of parking areas nearby and free shuttles that run from the lots to Bader Field. If you're taking the train, you can get there via the Amtrak or the NJ Transit Rail and there will be a free shuttle from the Atlantic City terminal to the festival. Once you're there, this map should help you get around. We're also told that it's about a 20-30 minute walk from the boardwalk.
Tickets for the festival are still available.
In related news," Kirk's Crypt" isn't the only place Mr. Hammett will be indulging in his love of all things creepy. He'll be publishing a book titled Too Much Horror Business - The Kirk Hammett Collection this October via Abrams Image with photographs of his personal collection of horror memorabilia. The book also includes Kirk's own handwritten captions for many of the photographs. He'll be putting out limited edition toys, like the ones he's been collecting his whole life, along with the book this October. You can pre-order the book at Kirk's online toy store. He'll be discussing the book at Kirk's Crypt at 4 PM each day.
Maybe his old friend Glenn Danzig will add it to his book collection...
The Black Keys (t-shirts) @ MSG last week (more by Dana (distortion) Yavin)
As it turns out, Beyoncé Knowles will not be the first artist to sing at the new Ovation Hall at Revel Resorts in Atlantic City. This morning, the casino hotel -- which will celebrate its grand opening on May 25 with the first of three Beyoncé concerts -- announced an Ovation Hall show a week prior to the big date. The Black Keys, the Grammy-winning Akron blues-rock duo with a lovably grimy sound, will appear at Revel on May 19. Tickets for the Black Keys concert go on sale March 30 at 10 a.m. through Ticketmaster.Beyonce tickets go on sale April 6 at Ticketmaster. The Black Keys play their 2nd of 2 shows at NYC's Madison Square Garden with the Arctic Monkeys TONIGHT (3/22). Pictures from the first are HERE.
Technically, the Keys won't be the first act to play at Revel, either. The hotel is opening a second performance space called the Social, a smaller room than the 5000-seat Ovation Hall. (This is likely to be similar to the division at the Borgata -- the Event Center handles the really big acts, and the Music Box takes care of the more intimate shows.) Revel is planning a soft opening -- they're calling it an eight-week preview -- on Apr. 2, and the casino is marking the occasion with a Social performance by Danish noise-pop the Raveonettes.
It's shaping up as a big spring and summer for popular music in Atlantic City. In addition to the Beyoncé shows on May 25, 26, and 27, Phish are scheduled to play a three-night stand at the disused Bader Field Airport on June 15, 16, and 17. A week later, Metallica brings its Orion Music + More festival to the same location. Bader Field successfully hosted the Dave Matthews Caravan last June.
UPDATE: and The Black Keys will be co-headlining a new NYC festival this summer too!
Suicidal Tendencies at Terminal 5 (more by Meghan McInnis)
After an initial announcement featured bands from across the map, Metallica's Atlantic City summer festival Orion Music & More (June 23rd and 24th at Bader Field) has announced more bands and a "Damage Inc" stage. The new stage has a more metal focus while avoiding the standard "Summer Slaughter"/"Monster Energy Drink Mayhem Festival" type fare. Suicidal Tendencies will headine the stage, which will also feature Sepultura, Torche, Red Fang, Kyng, Landmine Marathon, Black Tusk, and Thy Will Be Done.
Eric Church, The Jim Breuer Heavy Metal Comedy Tour, Soul Rebels, and Wooden Shjips have also been added to the lineup.
The new bands are in addition to previously announced folk like Metallica, Modest Mouse, Titus Andronicus (who play the BV Official Showcase at SXSW), Arctic Monkeys, The Black Angels (who are also playing a BV SXSW event), and many others. Tickets are on sale. Full lineup below...
I wish it was Master of Puppets and Ride the Lightning, or Kill 'Em All on one night, but I'll take Ride the Lightning which Metallica announced via Livestream that they'll be performing in its entirety at their Orion Festival in Atlantic City. It's Ride the Lightning one night and the Black Album the other.
Metallica @ Yankee Stadium in 2011 (more by Dana (distortion) Yavin)
Metallica sent out a "Save the Date" on Friday. Along with the below video, it included this message:
WHO: MetallicaWe'll know what that's all about at 2:00 PM EST, but if the Daily Swarm is to be believed (and I think they are):
WHAT: Save The Date
WHEN: Tuesday, February 7th at 11:00 AM PST
METALLICA IS THROWING A TWO-DAY FESTIVAL IN ATLANTIC CITY THIS SUMMER...Stay tuned for more.
What we do know: a two-day Metallica festival is set for June 22 & 23 in Atlantic City, and due to be announced this afternoon. Many bands are playing.
What we don't know: everything else. We will update as soon as we find out more information. An announcement is set for 2PM EST, today.
Look for clues in the "Save The Date" video below...
Adele @ Joe's Pub in 2008 (more by Bao Nguyen)
Adele's reps say:
Adele has been forced to cancel her upcoming 10 city sold-out tour of the U.S. due to a haemorrhage into her vocal chord. Vocal chord issues forced the British singer to postpone dates earlier this year as well. Adele has just wrapped up touring around the UK and was preparing to kick off her US tour on October 7 in Atlantic City, NJ when her illness reappeared (see below for full list of cancelled US tour dates). Renowned for her powerful live vocal performances, Adele has been advised by doctors that she'll need an extended rest period in order to begin to recuperate properly. Further details to follow regarding these cancelled dates. Refunds may be obtained at point of purchase.You can read a more personal letter along with a list of the cancelled dates and Adele's new video for "Someone Like You", below...
"Elvis Costello sincerely regrets that due to illness he must postpone his July 22nd Elvis Costello and the Imposters concert date at The Borgata Hotel Casino & Spa." Check the Borgata's site for info on refunds and rescheduling. Elvis's tour continues this weekend at Gathering of the Vibes in CT followed by a NY show in Westhampton.
"Mars Volta killed. Now awaiting the boys of Soundgarden to bring
their thunder to the Borgata." - Matt Volpe
"Was right up near the rail tonight-Soundgarden at the Borgata.Another amazing show not quite as loud as Nwk. Chris was especially charming." - Donna
photos by Dana (distortion) Yavin
Soundgarden played Borgata Spa & Resort Event Center on Thursday (7/14) in Atlantic City, NJ with The Mars Volta. Soundgarden's setlist was pretty similar to their earlier shows at Jones Beach and Prudential Center, save for a few songs.
The Mars Volta's setlist consisted entirely of new songs except for the last song "Goliath," off their 2008 LP The Bedlam in Goliath. The songs are assumingly off of their upcoming full length, which supposedly will be released in 2012. The Soungarden/MV tour continues through the end of July.
More pictures, videos and setlists from the AC show below...
Arctic Monkeys at Summerstage in May (more by Dana (Distortion) Yavin)
Arctic Monkeys, who just headlined Summerstage, are back for another North American tour late this summer and early fall. First they'll play a run of August dates which include Lollapalooza and Outside Lands. Then, after returning to Europe for a few festivals there, the Monkeys will head out on another North American run in September and October with Smith Westerns opening most of the dates. The tour doesn't hit NYC at the moment, but the band will play Atlantic City, NJ on October 14 at Showboat Atlantic City. Check Arctic Monkeys' website for pre-sale info and ticketmaster for general sale, which starts Friday (7/15) at 10 AM. Hopefully the band will find time to stop in NY while they're here.
Arctic Monkeys also recently made a video for Suck It and See track "The Hellcat Spangled Shalala." The video was directed by Focus Creeps, who were also the duo behind the acid visuals of Arctic Monkeys' "Don't Sit Down 'Cause I've Moved Your Chair" video.
Check out both of those videos and all tour dates below...
photos by Dana (distortion) Yavin
"I'm watching Motorhead in Atlantic City.
Nothing else needs to be said. #Lemmy" - Mike Conroy
Not long after passing through both Starland Ballroom in NJ and Best Buy Theater in Times Square, the Motorhead / Clutch / Valient Thorr tour hit House of Blues in the gambling capital of NJ. No Valient Thorr, but pictures from the rest of the 3/4 House of Blues show continue below...
photos by Greg Cristman
Q: Even though "Raw Power" was a great album, the Stooges never got to tour behind it properly because your management company quit you and your record label didn't seem to care either. So is it a case of getting back to unfinished business with this album?Iggy & The Stooges played House of Blues in Atlantic City on Friday (8/27), one of four shows scheduled for this week culminating in an appearance at ATP NY where the band will perform all of Raw Power.
A: Absolutely. I'm finishing a job here. It had its re-release. I did my remix too, which I knew at the time in the '90s there was a muscle-bound rock-metal thing going around, and I knew that people couldn't hear the record as it was originally mixed and mastered in that environment. So I thought if I make it unbearably loud, it would sell, and it did! (laughs) Now it's been re-released, and James has been able to tell his stories about it, and get his credit as due, gotten to say his piece. I'm in the midst of fulfilling my leadership obligations to the group on this record. And I've done really well with it.
Q: What do you think of Bowie's original mix?
A: It's a good mix of a particular taste. It was very similar to the way David had his own records mixed around that era. It's peculiarly English. What I didn't know at the time was that it was disastrously mastered (after Bowie mixed it). By that time we had no communication with management who had decided to let us go. I didn't know why you had to turn your stereo to "10" to hear it at all. One of the archivists at Sony later postulated that because of the non-management the group was under, the record had no advocate at the label, and it was assigned to a guy who didn't know the Stooges, and he was applying the standards of a Mitch Miller record to it (in the mastering stage). They were rightfully listening to it as a load of noise, and their concern was how can we reduce it? So if you reduce the noise on "Raw Power," you will reduce the record...-[from a Chicago Tribune interview w/ Iggy Pop]
Iggy Pop @ House of Blues
The band played a loud and killer set for 1.5 hours to the NJ crowd who may have learned about the show from the giant billboard on the highway, or the 'Atlantic City Weekly' cover story on Iggy. Iggy dove into the crowd multiple times including one backwards free fall. Unfortunately, the room was only half-full, but that didn't stop it from being a great show. Full setlist below. On Sunday, the band played the Riviera (4746 N. Racine) in Chicago after the show was moved from Aragon late on Friday night. On Tuesday, 8/31, you can catch the band at the
Bank of America Pavillion House of Blues (it was moved too) in Boston.
In other Iggy news, Jim Jarmusch will direct an upcoming documentary on the legendary rocker upon the request of Iggy himself. Jim Jarmusch will also be in attendance at ATP New York Next weekend, curating the entirety of Sunday's bill (with sunn/Boris, Fucked Up, many many others).
More pictures, and the setlist, from the Atlantic City show, continue below...
photos by Ryan Barkan
Jones Beach, 8/18
One of the best things about Phish Tour is getting to see and enjoy shows with so many friends gathered in one place. It's social multi-tasking. It's a big fucking party! I met up with some of said friends and we pre-gamed appropriately for such an occasion: Phish's 2010 Summer Tour closing run at Jones Beach. Hershey Park was a lot of fun, but wasn't completely satisfying. This being the end of the tour, I hoped the boys would have their Tour Legs on and be ready to kick some major ass, as per the 2009 MSG run. -[Jambands.com]Hackey sacks were brought, bowls were packed, nitrous tanks were confiscated, and tailgates were ajar on August 17th and 18th as Phish played Jones Beach. The 18th was the night of the unfortunate balcony jumping. Pictures in this post are from both shows - the inside shots are from the 17th, the outside shots are from the 18th.
Phish is back on the road this fall, tie-dying the rest of the East Coast and NYC does not get a look in this go around, but Atlantic City gets four shows including Halloween, and there are strong rumors of Madison Square Garden on New Years Eve (and speaking of hippies at MSG, Further is playing there twice in November). Tickets for the new Phish shows go on sale to the general public on Sept 10th and 11th, but a fan "ticket-requesting" system is up and running until then. For the upcoming fall trek, all concert-goers will receive copies of the show they attended (in MP3 form). The band also recently posted a free-for-download live sampler entitled Live Bait.
More pictures and the setlists from Jones Beach and the new tour dates, below...
Built to Spill @ Webster Hall Oct. 2009 (more by Bryan Bruchman)
Built to Spill and The Black Keys are both opening for Kings of Leon on their North American tour this summer. Their travels together don't come near New York City though. The closest Kings of Leon get is the Altantic City Borgata, and that's with The Whigs opening. Tickets are on sale (and only $125).
The Black Keys' upcoming NYC shows are two nights at SummerStage in Central Park (the full lineup for which just got fully announced) with the Morning Benders. (Check out their "sexy new video" if you haven't already.)
Ends up, Built to Spill will be in NYC too this summer - they play a Wednesday, July 28th show at Irving Plaza. Tickets go on Live Nation presale Thursday at 10am. General Sale starts Friday at 10am.
All Kings of Leon tour dates and their other openers (The Features, The Stills) are below...
Wayne Coyne @ ATP NY 2009 (more by Ryan Muir)
The Flaming Lips have revealed they're in talks with Des McAnuff to turn their hit 2002 album Yoshimi Battles The Pink Robots into a theatrical spectacular.The Flaming Lips will be playing in NYC this July with a show at Central Park SummerStage. That's already sold out, but way before that they have that April 19th show at Wellmont Theatre in Monclair, NJ, (just six days from now) which despite being listed as sold out still has tickets available at the moment. Also in April they have a few other shows - outside the NYC-area, but not that far. Lots of road trip opportunities.
Frontman Wayne Coyne tells WENN, "We've talked about doing something with Yoshimi Battles The Pink Robots now for about five or six years. They did it with Tommy and Des McAnuff was the director, and he's the one that wants to do Yoshimi.
"We've actually pursued it to a certain extent and I think that where it sits is really just me deciding to dedicate a couple of years of my life to making it.
"It's a strange opportunity but I know we've talked about it since 2003. We would incorporate all the songs and probably write some other music that told a little bit more of a story. I guess my biggest dilemma is there's not really a story with Yoshimi Battles The Pink Robots; it's just a series of unconnected songs that sound connected when you listen.
"That being said, I don't think it would be overly impossible to draw some connections and come up with some type of emotional storyline." [WENN]
They play Mid Hudson Civic Center in Poughkeepsie (put on by Vassar College) on Saturday, April 17th - tickets are still on sale. Stardeath & White Dwarfs open both the Vassar show and Wellmont, and The Hood Internet play Vassar too. Between those, Flaming Lips perform in Ithaca (Cornell University's Barton Hall to be exact).
The same month as the Central Park show, Flaming Lips have other New York State/New Jersey gigs: July 4th at Atlantic City House of Blues (tickets), July 22nd at ArtPark in Lewiston, NY, near Buffalo (tickets), and July 23rd on an awesome bill with Black Keys and Morning Benders (together in NYC later in July) at CMAC Performing Arts Center in Canandaigua, NY, south of Rochester (tickets).
All Flaming Lips tour dates and more are below...