Entries tagged with: Atlas Sound
La Femme at Bowery Ballroom in March (more by Amanda Hatfield)
France's La Femme have an addictive sound pulling from psychedelic pop, surf rock, ye-ye and more, and as good as their recorded music is, their live shows are crazy on another level. So lucky for us, they've announced that they'll be returning to the US this fall where they have three shows announced so far -- NYC's Le Poisson Rouge on October 16, LA's Echoplex on October 23, and San Francisco's Beach Goth Party on 10/25 with The Growlers, The Drums, DIIV, GZA, Cherry Glazerr, Andrew Jackson Jihad, Chelsea Wolfe, The Spits, Atlas Sound and more. CMJ is right in the middle of that gap, so it doesn't seem impossible that they'll play some shows during that as well. Tickets for LPR go on sale today (8/15) at noon.
All dates are listed, with a couple videos, below...
"Thanks for your Gotham award jokes, everybody! Really funny. Will be reading 10 on stage! #Gothamjokes" - Mike Birbiglia
Bradford Cox (Atlas Sound) at Osheaga 2012 (more by Dominick Mastrangelo)
Jordan Catalano aka Elijah Wood's best friend aka 30 Seconds to Mars frontman aka one of the "alt-est" human beings alive Jared Leto is set to star in the new Jean-Marc Vallée-directed film, Dallas Buyers Club, where he plays an AIDS-infected cross-dresser whose lover is being played by Deerhunter/Atlas Sound frontman Bradford Cox (the alt-est couple ever?), Hollywood Reporter reports (via Pitchfork). The film also stars Matthew McConaughey and Jennifer Garner.
Jared Leto also recently directed his own film, a documentary called Artifact, which beat the PS 22 Chorus documentary Once in a Lullabye at the Gotham Awards last night (11/26). Gregory Ellwood was live blogging for Hitfix and after predicting Beasts of the Southern Wild would win, he wrote:
This was voted by members and the audience is shocked. Was there a limit to the number of times you could vote? [Jared Leto] says "This movie, which many of you haven't seen is a very, very personal film. It was made by a small group of people over a few years. It talks about being an artist and art and commerce. I'd like to thank everyone who voted for us online. I know some people are upset that 'Beasts of the Southern Wild' isn't up here and it's a phenomenal film." He adds, "Don't hate me because I won. I love that other film too."The Gotham Awards were hosted by Mike Birbiglia, who was partially telling jokes that were supplied to him by his Twitter followers, some of which he tested out live on stage at the Pretty Good Friends Sandy benefit at The Bell House one night earlier (11/25).
A video of Atlas Sound and Lower Dens playing "Mona Lisa" at a special session during Primavera Sound in Barcelona this past June can be watched below...
Ringo Deathstarr in Austin in August (more by Tim Griffin)
Austin trio Ringo Deathstarr released their new album, Mauve, late last month (9/25), and if you've yet to hear it, you can stream the whole thing below. Also below is the video for the album's lead track, "Rip."
They're on tour now supporting the album, and as discussed they'll come to NYC for shows at Shea Stadium on October 21 and Cake Shop on October 22. Those shows happen right after CMJ, and as predicted, the band have since added a CMJ show which happens on October 20 at Ding Dong Lounge with Dead Leaf Echo, Brief Candles, and Scren Vinyl Image. There may be more CMJ week shows added as the fest gets closer (it's pretty close already).
After their 3-night run in NYC, Ringo Deathstarr will return to the NYC area to play the annual Fall Fest at SUNY Purchase on October 27 with Atlas Sound, Mykki Blanco, Joey Bada$$, Pop. 1290, Leather, Tetsuo, Chit Chat, and Ravi Shavi. That festival is technically only open to students and their guests.
An updated list of Ringo Deathstarr dates, the video and album stream are below.
photos by Debi Del Grande
Atlas Sound / Dinosaur Jr. / crowd
LA's FYF Fest wrapped up on Sunday (9/2) after kicking off one day earlier. Sunday's portion of the fest gave us sets by Yeasayer, Dinosaur Jr., American Nightmare, Atlas Sound, Wild Nothing, Desaparecidos (Conor Oberst's old band who reformed this year), Paul Banks, Ceremony, Cursive, and many more.
Pictures of day 1 are HERE and more pics of day 2 are below.
Baroness at Terminal 5 in May (more by Joe McCabe)
Earlier this week, we posted an update from Baroness showing that things were looking upwards for the band. Unfortunately though, with two members having broken vertebrae and frontman John Baizely having a broken arm and leg, it doesn't come as much of a surprise that Baroness have in fact cancelled some of their upcoming North American tour dates, including their NYC show at House of Vans and LA's FYF Fest. They will not be replaced on the House of Vans lineup, which happens on August 29 and now just includes Turbonegro, Doomriders, and Nightbirds. This is a bummer but it makes sense that the band takes the time they need to recover, and we wish them a speedy and successful recovery!
Meanwhile, FYF Fest, which Wild Flag also dropped off of, recently expanded its lineup. It now features The Faint (who just announced they'll be reissuing Danse Macabre and touring the album), Glass Candy, King Tuff, and newcomers The Orwells. Tickets for FYF Fest are still available. The updated lineup and flier are below.
Florence / Dum Dum Girls / the scene, Osheaga Fest 8/03/2012
"I can't believe we walked the whole thing."
This was the opening of an e-mail Saturday morning from my friend, the Montreal based singer-songwriter Leif Vollebekk. Day 1 of Montreal's Osheaga Music and Arts Festival (8/3) was in the books and instead of joining the crush of people all trying to get into the Metro, we opted to walk with a much smaller group of people from Parc Jean-Drapeau, the festival's home, over the closed-off Jacques Cartier Bridge back to the Mile End.
"You know," Leif's e-mail continued, "we could've all just waited for the subway, but then we might have been accused of being reasonable."
What came before the trek from the island to the mainland was a hot, dusty, sweaty blur of music and dancing and a sold-out crowd determined to pull every ounce of enjoyment from their day out.
The highlight for me on Day 1 was always going to be Sigur Ros, who I'd seen just a days before in Philadelphia. Sure, Justice may have been the official headliner on the day, but the Icelandic band, even restricted to their one-hour time slot, felt like the real headliner and reduced the electronic duo and their glorified DJ booth to the equivalent of an afterparty.
Earlier in the day, The Walkmen featured Skyler Skjelset of Fleet Foxes on bass and guitar and Icelandic band Of Monsters and Men packed the field at the Scene Verte stage on the other end of the park for their mid-day set.
The Dum Dum Girls set was delayed with sound issues and once they got going the tech guys spent most of their set running back and forth across the stage adjusting and fixing gear. It was the beginning of a trouble-filled weekend at the Scene des Arbres stage where delays were constant and, on Day 3, Zola Jesus' set was controversially cut short as thunderstorms rolled through. (Festival officials shut her set down just as the worst of the storm had passed.) She took to Facebook to voice her frustration (though what happened in Montreal was nothing compared to what went down at Lollapalooza in Chicago the same weekend).
Gary Clark, Jr. impressed over at the Scene Verte as his loud, fuzzy guitar riffs conjured dancing girls and good vibes.
Along with a beautiful set from Florence and the Machine and a raucous end-of-the-night set from Montreal's Les Breastfeeders, it was a great start to the festival.
Stay tuned for more on Day 2 and 3. More Osheaga Day 1 photos are below.
Grimes / Godspeed You! Black Emperor
The 2012 Pitchfork Music Festival continued on Saturday (7/14), and like day 1, Chicago's Union Park was plagued by some rain, but everything moved along as planned and the weather cleared up by mid-afternoon. Day 2 began with sets by The Psychic Paramount and The Atlas Moth (both of who we unfortunately missed) and then continued with Cloud Nothings, Flying Lotus, Schoolboy Q, Chromatics, Hot Chip, Godspeed You! Black Emperor, Grimes and much more.
If you weren't at the festival, did you stream it live?
More pics from day 2 are below (all by Fred Pessaro/BBG except Grimes by Chase Turner) and day 1 pics are HERE.
shittychandelier with a pitchfork
If the many artists playing the Pitchfork Festival in Chicago this weekend, only a few will be part of the webcast on Pitchfork's Youtube Channel. Check out the schedule (in Chicago time I assume), and the stream itself, below...
After teasing folks with a few names here and there -- like Run DMC most recently -- Austin's annual Fun Fun Fun Fest (Nov 2 - 4) has revealed it's full line-up, including Public Image Ltd, De La Soul, Superchunk, Santigold, Refused, X peforming Los Angeles, and lots, lots more. 3-day passes go on sale at 10AM CST.
Full FFF Fest lineup is below.
FYF Fest. September 1st and 2nd, 2012WOW.
At the LA State Historic Park, Los Angeles, CA
Tickets are $77 and go on sale Friday June 22nd.
American Nightmare has two shows coming up at Webster Hall.
Full FYF lineup, in alphabetical order, below...
We just posted about Austra who's coming back to North America (including 9/19 at Music Hall of Williamsburg) after a tour of Europe. She's also one of many artists playing the 2012 Osheaga Festival in Montreal which happens August 3 - 5. Tickets are still available for the three-day event.
In addition to Austra, Osheaga plays host to The Black Keys, Snoop Dogg, Justice, Metric (who play Radio City Music Hall soon), Sigur Ros (who play Prospect Park and are streaming their new LP), Florence & The Machine (who plays Jones Beach this summer), The Weeknd, Passion Pit (who play Governor's Ball soon), The Jesus & Mary Chain, MGMT, Santigold (who just played Irving), Zola Jesus (who just played the Guggenheim) and many many more.
Full Osheaga lineup is below.
photos by David Andrako
The inaugural, Dessner-curated Crossing Brooklyn Ferry festival concluded on Saturday night (May 5) with performances from Beirut, Atlas Sound, My Brightest Diamond, Caveman and more.
There were whispers there'd be an unannounced set from The National, but the secret guest Phi Slamma Jamma was actually Arcade Fire's Will Butler, Jeremy Gara, Tim Kingsbury, and Richard Reed Parry who performed a bunch of covers (Ramones, R.E.M., Devo, Beatles and the Stones, among others) to cap out the Fest.
Night Two pictures HERE. Night one HERE. Lots of pictures from all of Saturday night's performers (including Sufjan), plus video of Atlas Sound (who also kept busy in others ways while in town), Caveman, Beirut and Phi Slamma Jamma performing a song each, below...
On the roof at 47 Wooster St. for Pitchfork-presented Ryan McGinley opening.
There may be a surprise. (Ryan Schreiber)
Atlas Sound performing 'Te Amo' on the roof at 47 Wooster St, NYC
for Pitchfork-presented Ryan McGinley open (Ryan Schreiber)
Atlas Sound plays acoustic set in gallery after NYC cops
force performance indoors due to noise complaints (Ryan Schreiber)
"An exhibition of new work from the photographer Ryan McGinley opens this Wednesday at Team Gallery in SoHo. Technically, it's two exhibitions, because the gallery has two spaces, one at 83 Grand Street and one around the corner at 47 Wooster -- and McGinley's pictures will be at both. The Grand Street location is showing "Animals," studio-made photos of various creatures interacting with naked humans in sometimes cute and sometimes provocative ways. Wooster Street, meanwhile, has "Grids," photos taken at music festivals all over the world, including pictures from Bonnaroo that we commissioned for our Look pages last year." [NY Times]Atlas Sound is also DJing Glasslands this Saturday (5/5), after playing a set at BAM as part of the three day Crossing Brooklyn Ferry which begins TONIGHT (5/3).
In related news, Lotus Plaza just announced a tour. All Atlas Sound dates, including another Pitchfork event, are listed below...
Remember that Dessner brother-curated festival, "Crossing Brooklyn Ferry," which is happening at BAM from May 3-5? And remember how when we posted the National-curated ATP lineup we suggested (for obvious reasons) that it might hint at the BAM lineup? Well, the lineup is out now, and there are definitely some similarities to that, and also not surprisingly, to the ongoing Ecstatic Music Festival which is great at highlighting the growing mix between indie rock and indie classical that the Dessners are huge fans of and participants in.
The three day Brooklyn Academy of Music festival includes The Antlers, My Brightest Diamond (w/ yMusic), Sharon Van Etten, and Buke and Gase who are all playing ATP, in addition to The Walkmen, St. VIncent, Beirut, Atlas Sound, Tyondai Braxton (formerly of Battles), Oneohtrix Point Never, Caveman, Sinkane, Twin Shadow, Jherek Bischoff, Pat Mahoney and Nancy Whang (DFA DJ set), Ava Luna, and others which are all listed below. As mentioned, the fest also includes the Brooklyn Youth Chorus and the NOW Ensemble.
3-Day Festival Passes go on sale Monday (3/5) to friends of BAM and Tuesday (3/6) to the general public. More details and schedule at the Crossing Brooklyn Ferry website.
Full lineup below...
I hate writing year-end lists, as might be obvious to many long-time BrooklynVegan readers. That said, I also like them. They help organize things, which is related to my problem though. I'm too unorganized and hectic to ever get around to making one! But this year a few of us (BrooklynVegan contributors) got together and decided to come up with a collective list of albums that we loved that we think most represented 2011 in BrooklynVegan land. Our indie rock-centric list purposely does not include metal (that's HERE) or hip hop (we should make a separate list). With that in mind, our top 26 albums of 2011, in alphabetical order, are listed (with some commentary and a list of honorable mentions too) below...
photos by Natasha Ryan
Atlas Sound @ Bowery Ballroom
Atlas Sound (aka Bradford Cox) played his annual winter shows in NYC this past weekend at The Bell House on Saturday (12/17) and Bowery Ballroom on Sunday (12/18) where he he played most of the recently released Parallax, a few older cuts and a Christmas song called "Artificial Snow."
NYCTaper was there and you can download the complete show at his site. He wrote:
What elevated this Bowery show above the rest was not just the final polish on a finished and released album, but the near flawless level of proficiency with which Bradford performed. The Parallax numbers (nine of the twelve songs were played) were stretched out and allowed to breath, while Bradford developed looping tracks that were faithful to the album's theme.--
Bradford recently gave us his list of his ten favorite albums of 2011 and 20 older songs that he's been into over the past year. Check that list out, along with more pics, videos, and the setlist from the Bowery Ballroom show, below...
By Bill Pearis
Parlovr at M for Montreal 2011
It's that time of year again, so let's sing it up real pretty. Are we all in the spirit? Better be, because there's a zillion holiday parties going on this weekend, including two thrown by this very blog you are currently reading. How these parties differ from the shows we go to the rest of the year? Only a Scrooge would ask such a question. But to answer it: there's maybe more strand lights. And some Christmas songs thrown in sparsely by DJs or as covers by the bands playing. And some snowflakey sweaters. Whatever you call it, there's lot of great music to go see this weekend. Here's some of it.
Montreal's Parlovr are visiting, playing two shows. Tonight (12/15) they play the Popgun Holiday Party at Glasslands and then tomorrow (12/16) at Mercury Lounge with Shout Out Louds offshoot thing Serenades.
I'm on record as being a fan of this trio who I most recently saw at this year's M for Montreal. I'm not sure any of their records have quite captured the band's live energy, which is why you should go see them. But the recorded version of my favorite song, "Hell/Heaven," comes pretty close. You can download it above. Live, there's lots of flying hair (via singer/guitarists Alex and Jeremy) and flying limbs (lanky drummer Louis) that fits well with Parlovr's spiky indie rock. The band have recorded a holiday track called "Spike the Eggnog" which judging from the video (you can watch below) the spiking involves something much stronger than whiskey.
The Popgun Holiday Party tonight looks to be a good time, with Bell and TWII-faves North Highlands playing as well. There's also a "+ Special Guest" listed as well, no idea who that might be but the Popgun folks usually don't throw around that phrase too lightly.
Tomorrow's show is with Serenades which is a Swedish super-duo consisting of Adam Olenius from Shout Out Louds and Markus Krunegård of Laakso. Their album Criminal Heaven is out next year in the U.S. and is chock-full of sparkling pop that seems aimed directly at the charts. It's slicker than Shout Out Louds (Laakso were pretty shiny, though they sang in Swedish) but still maintains that sharp melodic sense and shaggy, sad-eyed lyrical bent. You can download a track at the top of this post. Serenades also play tonight (12/15) at Knitting Factory.
There's also the Brooklyn Night Bazaar which runs tonight through Saturday. The enormous space (40,000 square feet!), the layout of which was based on the set of Lars Von Triers' Dogville (!!!), is a holiday shopping, eating, drinking and live music extravaganza as you have probably already heard. Tonight (12/15) is James Murphy DJing, along with Poolside, the Crystal Ark Party Machine and Midnight Magic. Saturday night (12/17) is The Hold Steady, Titus Andronicus and Wakey! Wakey!
Friday (12/16) is the BrooklynVegan Presents night with a SPIN Album of 2011 winners Fucked Up, plus Dom, Big Troubles, Caged Animals, and Radical Dads. Frankie Rose and myself will be spinning tunes before the bands start and between sets. And only $10, so that's only two bucks a band. What a bargain! Tickets will be available at the door too. I am DJing starting at 5PM, Frankie will be there from 6PM and bands start at 7PM, with Radical Dads up first. (Then Caged Animals, Big Troubles, Dom, and Fucked Up.) If you're coming, do make an effort to get there in time for them, they're awesome. As are all the bands on the bill I think. Shop, eat, rock out, eat and shop some more, rinse repeat. Say hi.
In addition to DJing our party tomorrow, Frankie Rose is also playing an acoustic set at Glasslands on Saturday (12/17) as part of a Jonathan Toubin benefit that also features Xray Eyeballs, K-Holes and The Stalkers. Frankie Rose's new album, Interstellar, is out in February and I think will surprise a lot of people. She is definitely out of the garage on this one, ditching the reverb and embracing synthesizers, jangly guitars and her inner pop star. Like a lot of folks this year, The Wake seems to be an influence. Fans of Craft Spells are gonna like it.
And to wrap up BV holiday party related items, Saturday's fest with Twin Sister, Widowspeak and Ava Luna is sold out! Hope you got tickets! If you're going, we're raffling off a load of cool prizes -- like every Domino release of 2011 -- with all proceeds benefiting Toys for Tots.
And last but not least we've got Atlas Sound here for two shows this weekend:The Bell House on Saturday (12/17, tickets still available) and Bowery Ballroom on Sunday (12/18, sold out). Andrew Sacher wrote about Atlas Sound's new album Paralax a few weeks ago which I'm gonna quote:
The flow of the album subtly works in the slower, more ambient cuts to space out the relatively high amount (for an Atlas Sound record) of pop standouts. Like many pop experimentalists before him, Bradford Cox has mastered the art of leaving his own weird touch on even the simplest tune. This comes across most strongly on "Mona Lisa," a re-recording of a track that appeared on his Bedroom Databank collection. The song is carried by the sort of upbeat acoustic guitar rock that Bowie experimented with on Hunky Dory, and Bradford sings with a fragile falsetto that brings to mind Lennon's "#9 Dream."I'll add that Parallax has a post-2AM vibe to it and some of Cox's best songs yet. It also reminds me, a bit, of Spoon too.
That's the big stuff. Some more picks, day-by-day, follow.
by Andrew Sacher
Atlas Sound at Creators Project in October (more by Dominick Mastrangelo)
Bradford Cox released the latest effort under his Atlas Sound moniker, Parallax, on November 8 via 4AD. For someone who seemingly can't stop releasing songs, when Bradford puts out a proper full length, it always comes off as a cohesive piece of work and Parallax is his most focused album yet. It's got a similar overall feel to the dreamier direction Deerhunter took on 2010's excellent Halcyon Digest, but the material is so strong that it hardly sounds repetitive. The flow of the album subtly works in the slower, more ambient cuts to space out the relatively high amount (for an Atlas Sound record) of pop standouts. Like many pop experimentalists before him, Bradford has mastered the art of leaving his own weird touch on even the simplest tune. This comes across most strongly on "Mona Lisa," a re-recording of a track that appeared on his Bedroom Databank collection. The song is carried by the sort of upbeat acoustic guitar rock that Bowie experimented with on Hunky Dory, and Bradford sings with a fragile falsetto that brings to mind Lennon's "#9 Dream." You can stream the entire Parallax album on Spotify and purchase it at the 4AD webstore. You can also grab two MP3s from the album above.
As mentioned, Atlas Sound will be playing in NYC this winter, like he has been doing for the past few years. Earlier today, we mentioned the 12/17 Bell House show, which tickets are on sale for. It has since been announced that another show is happening on December 18 at Bowery Ballroom, which is good news for those who plan on attending our BV Holiday Party with Twin Sister, Widowspeak, and Ava Luna on 12/17 at Bowery Ballroom (tickets). Both Atlas Sound shows are with Balkans. Tickets for the Bowery Ballroom show go on sale Friday (11/25) at noon.
Like he did in years past, Bradford Cox aka Atlas Sound will play a winter show in NYC, or more specifically at the Bell House in Brooklyn (on December 17th). Balkans open this year's show and tickets are on sale.
UPDATE: 2nd Atlas Sound show announced
Fucked Up @ House of Vans in July (more by Harriet Roberts)
today in NYC
* Whiplash @ UCB
* Brain Cloud @ Barbes
* Chicha Libre @ Barbes
* David Bazan, Golden Bloom @ Maxwell's
* John Hodgman @ Barnes & Noble Union Square
* Youth Lagoon, Young Magic @ Mercury Lounge
* Buddy Guy @ B.B. King Blues Club and Grill
* Fucked Up, Titus Andronicus @ Le Poisson Rouge
* Karl Berger's Stone Workshop Orchestra @ The Stone
* Noel Gallagher's High Flying Birds @ Beacon Theatre
* Reverend Vince Anderson & His Love Choir @ Union Pool
* Russian Circles, Deafheaven, The Men @ Bowery Ballroom
* Field Theory, Memphibians, Wojcik, Randi Russo @ Death By Audio
* Gross Relations, Hard Nips, Omega Express, Jewel Heist @ Saint Vitus
* Prospector, The Wicked Tomorrow, Slothpop, The Counselors @ Cake Shop
* Foo Fighters, Social Distortion, The Joy Formidable @ Prudential Center
* Jim Campilongo Electric Trio with Stephan Crump, Tony Mason @ Living Room
* Hot Tub w/ Kurt & Kristen w/ Eliza Skinner, Ben Lerman, Ted Alexandro @ Littlefield
Fucked Up perform "David Comes to Life" at LPR tonight, and then again tomorrow at Warsaw. Titus Andronicus open both shows.
Check out a video of Atlas Sound performing at the Ace Hotel for KEXP during CMJ, below...
DOWNLOAD: Altered Zones - Te Amo (MP3)
Atlas Sound @ Creators Project (more by Dominick Mastrangelo)
"We are thrilled to announce today that Atlas Sound has joined the lineup of our event this Saturday at New Museum! More information, as well as set times, will be revealed Friday." - Altered Zones
photos by Dominick Mastrangelo, Justice shots by Bryan Derballa
As we were saying, the Creators Project takeover of DUMBO went down this past weekend. Here is a second set of pictures from Saturday, now with Justice, Florence & the Machine, and more. They continue below...
words & photos by BBG
Hopefully, there weren't masses that headed to DUMBO on Saturday (10/15) expecting a few Mozz-a-repa stands, a sausage & pepper cart, and a dealer selling his collection of "tobacco" pipes while looking for the live music. The Creators Project had much more to offer. It celebrated the different facets of creativity within art, music, and theater while showcasing live music alongside interactive sculpture to create a wholly different "festival" environment.
The musical portion was limited to two live stages and a third "DJ" stage which also housed a few exhibits. One live stage was located under an archway beneath the Manhattan Bridge. The other was in the "Tobacco Warehouse", a brick structure that has also hosted the Brooklyn Hip Hop Festival. The shows were free, though you needed to RSVP (and even then you needed a confirmation that you were accepted).
I kicked off my afternoon at the Tobacco Warehouse stage with Teen Daze whose laptop knob-twiddling didn't make for much of a live event. After a few songs I moved on to my first band of the day, Brooklyn's Chairlift. Caroline Polachek is the clear focus of the band's sound, with her vocals pushed to the front and the electronic-pop complementing her lilting voice. Their sunny and simple compositions were sugar-y, well executed and a good way to ease into the day, but not particularly memorable. The next performance would bring about an abrupt change.
No one outcrazys John Maus. After the crew cleared the stage of seemingly every piece of gear, the very unassuming Maus came on to plug his Roland SP-404 sampler into the DI and his microphone into an echo pedal. With the hit of his sampler, Maus kicked off his set by bouncing left and right and jumping around. Veins bulged in his neck and face as he began to scream, sing, whimper and all but cry into his microphone during his vocal parts. Even if I had no interest in his recorded material (which I do, and tons of it), I would, as I'm sure any passerby would, still find the maniacal John Maus live (almost freak) show absolutely enthralling. Catch him again this week at 285 Kent.
After 3+ songs from Clams Casino on the laptop which was about as exciting as it sounds (dramatic key-stroke!), A$AP Rocky opened his set by explaining that people are saying he is the "biggest thing to hip hop since the Wu-Tang Clan". I'd like to meet these people. Regardless of how over/correctly hyped A$AP is, he and his crew (which included an appearance from Spaceghostpurrp) were particularly high energy - stage-diving, inciting mosh-pits, and hopping around on stage. The crowd didn't move with the same enthusiasm though. Despite calls for more participation, the crew didn't ignite similar energy in the crowd.
After a visit to see Four Tet (another knob-twiddling set), I cruised over to see Bradford Cox do a one-man Atlas Sound. I prefer Atlas Sound in full band mode to Bradford solo, but his set was fresh change to the mostly electronic vibe of the day. Cox's voice coupled with the Bridge backdrop and the Manhattan skyline was particularly impressive.
It had been around 14 years since I saw Company Flow on tour with Organized Konfusion, the former celebrating their seminal Funcrusher Plus and the latter promoting what may be their final effort, The Equinox. That summer in 1997, Co-Flow sounded so alien to everything else in the era; primitive, noisy beats made with crude synths and harsh scratches were complemented by abstract and double-time rhymes. Lead by a white redhead-ed MC (a rarity in the era), Company Flow was truly unique in their time.
Company Flow were massive to me in that certain, early-backpacker Rawkus era, the blast-off point for El-P's noisy and dystopian blueprint at Definitive Jux. So it pains me to say that the primitive Company Flow sound hasn't aged so well live; El-P still has a good stage presence as always, but unfortunately the rawness of the tracks just now come across as simplistic in comparison to his sleeker production. It was good to see the crew though, and with Pharoahe Monch in tow, much like that night in DC in 1997.
After Co-Flow, I caught a bit of Florence & The Machine before calling it an evening meaning I also missed the abbreviated Justice DJ set. Though cops shut down Jusice early and a vocal minority of DUMBO residents complained about the takeover of their neighborhood streets, the complaints were minor leagues compared to the impressive spectacle that descended on art galleries, parks, storefronts, and even an archway underneath the Manhattan Bridge.
We're splitting this into multiple parts, so stay tuned for the rest. Meanwhile, more pictures of everything I saw, below...
Zola Jesus at Pitchfork Fest (more by Dominick Mastrangelo)
On October 19, Zola Jesus, We Are Augustines, Portugal. The Man, and Clap Your Hands Say Yeah will perform during the day with "Matador, 4AD, and Rough Trade DJs" at night. On October 20, there will be performances by Widowspeak, Givers(who opens for Portugal. The Man at Webster Hall), Dum Dum Girls (who also plays Bowery Ballroom), and The Lonely Forest, and DJ sets by Acephale Records and RVNG INTL. On October 21, there will be performances by WATERS (who has other CMJ shows), EMA (who has two other CMJ shows), Atlas Sound, and one more TBA, and DJ sets by Group Tightener and Merge Records. You can just show up and watch, or else tune into KEXP to listen on those days.
Full CMJ KEXP schedule below...
The Creators Project will return to New York from October 15 - October 16 by transforming the DUMBO neighborhood of Brooklyn into a colossal two-day arts and technology festival.Except for Karen O at St Ann's, it's all free with RSVP.
After spending the year traveling the world, VICE and Intel's The Creators Project lands back in New York with a marquee lineup of live performances and original Studio works by groundbreaking artists, musicians, designers and filmmakers.
This year's festival will take to the streets of DUMBO, Brooklyn, erecting 30-foot sculptures, showcasing works from over thirty leading international artists, and featuring dozens of live music performances. The event will also include the world premiere of Karen O's psycho-opera, Stop The Virgens, along with film screenings and panels.
Original artworks include Life on Mars Revisited, an immersive short film of David Bowie's classic space-rock anthem from legendary music photographer Mick Rock and filmmaker Barney Clay; 'A Physical Manifestation of Ladies and Gentlemen, We Are Floating in Space,' a cathedral-like physical manifestation of the song created by Spiritualized's J. Spaceman and acclaimed film director Jonathan Glazer; and Origin, a striking thirty by thirty foot audiovisual installation by UVA and composer Scanner, which will be the largest responsive work ever created by the UK based artists.
The festival runs:
Lineup, venue list, etc, below...