Entries tagged with: Atlas Sound
words & photos by BBG
Hopefully, there weren't masses that headed to DUMBO on Saturday (10/15) expecting a few Mozz-a-repa stands, a sausage & pepper cart, and a dealer selling his collection of "tobacco" pipes while looking for the live music. The Creators Project had much more to offer. It celebrated the different facets of creativity within art, music, and theater while showcasing live music alongside interactive sculpture to create a wholly different "festival" environment.
The musical portion was limited to two live stages and a third "DJ" stage which also housed a few exhibits. One live stage was located under an archway beneath the Manhattan Bridge. The other was in the "Tobacco Warehouse", a brick structure that has also hosted the Brooklyn Hip Hop Festival. The shows were free, though you needed to RSVP (and even then you needed a confirmation that you were accepted).
I kicked off my afternoon at the Tobacco Warehouse stage with Teen Daze whose laptop knob-twiddling didn't make for much of a live event. After a few songs I moved on to my first band of the day, Brooklyn's Chairlift. Caroline Polachek is the clear focus of the band's sound, with her vocals pushed to the front and the electronic-pop complementing her lilting voice. Their sunny and simple compositions were sugar-y, well executed and a good way to ease into the day, but not particularly memorable. The next performance would bring about an abrupt change.
No one outcrazys John Maus. After the crew cleared the stage of seemingly every piece of gear, the very unassuming Maus came on to plug his Roland SP-404 sampler into the DI and his microphone into an echo pedal. With the hit of his sampler, Maus kicked off his set by bouncing left and right and jumping around. Veins bulged in his neck and face as he began to scream, sing, whimper and all but cry into his microphone during his vocal parts. Even if I had no interest in his recorded material (which I do, and tons of it), I would, as I'm sure any passerby would, still find the maniacal John Maus live (almost freak) show absolutely enthralling. Catch him again this week at 285 Kent.
After 3+ songs from Clams Casino on the laptop which was about as exciting as it sounds (dramatic key-stroke!), A$AP Rocky opened his set by explaining that people are saying he is the "biggest thing to hip hop since the Wu-Tang Clan". I'd like to meet these people. Regardless of how over/correctly hyped A$AP is, he and his crew (which included an appearance from Spaceghostpurrp) were particularly high energy - stage-diving, inciting mosh-pits, and hopping around on stage. The crowd didn't move with the same enthusiasm though. Despite calls for more participation, the crew didn't ignite similar energy in the crowd.
After a visit to see Four Tet (another knob-twiddling set), I cruised over to see Bradford Cox do a one-man Atlas Sound. I prefer Atlas Sound in full band mode to Bradford solo, but his set was fresh change to the mostly electronic vibe of the day. Cox's voice coupled with the Bridge backdrop and the Manhattan skyline was particularly impressive.
It had been around 14 years since I saw Company Flow on tour with Organized Konfusion, the former celebrating their seminal Funcrusher Plus and the latter promoting what may be their final effort, The Equinox. That summer in 1997, Co-Flow sounded so alien to everything else in the era; primitive, noisy beats made with crude synths and harsh scratches were complemented by abstract and double-time rhymes. Lead by a white redhead-ed MC (a rarity in the era), Company Flow was truly unique in their time.
Company Flow were massive to me in that certain, early-backpacker Rawkus era, the blast-off point for El-P's noisy and dystopian blueprint at Definitive Jux. So it pains me to say that the primitive Company Flow sound hasn't aged so well live; El-P still has a good stage presence as always, but unfortunately the rawness of the tracks just now come across as simplistic in comparison to his sleeker production. It was good to see the crew though, and with Pharoahe Monch in tow, much like that night in DC in 1997.
After Co-Flow, I caught a bit of Florence & The Machine before calling it an evening meaning I also missed the abbreviated Justice DJ set. Though cops shut down Jusice early and a vocal minority of DUMBO residents complained about the takeover of their neighborhood streets, the complaints were minor leagues compared to the impressive spectacle that descended on art galleries, parks, storefronts, and even an archway underneath the Manhattan Bridge.
We're splitting this into multiple parts, so stay tuned for the rest. Meanwhile, more pictures of everything I saw, below...
Zola Jesus at Pitchfork Fest (more by Dominick Mastrangelo)
On October 19, Zola Jesus, We Are Augustines, Portugal. The Man, and Clap Your Hands Say Yeah will perform during the day with "Matador, 4AD, and Rough Trade DJs" at night. On October 20, there will be performances by Widowspeak, Givers(who opens for Portugal. The Man at Webster Hall), Dum Dum Girls (who also plays Bowery Ballroom), and The Lonely Forest, and DJ sets by Acephale Records and RVNG INTL. On October 21, there will be performances by WATERS (who has other CMJ shows), EMA (who has two other CMJ shows), Atlas Sound, and one more TBA, and DJ sets by Group Tightener and Merge Records. You can just show up and watch, or else tune into KEXP to listen on those days.
Full CMJ KEXP schedule below...
The Creators Project will return to New York from October 15 - October 16 by transforming the DUMBO neighborhood of Brooklyn into a colossal two-day arts and technology festival.Except for Karen O at St Ann's, it's all free with RSVP.
After spending the year traveling the world, VICE and Intel's The Creators Project lands back in New York with a marquee lineup of live performances and original Studio works by groundbreaking artists, musicians, designers and filmmakers.
This year's festival will take to the streets of DUMBO, Brooklyn, erecting 30-foot sculptures, showcasing works from over thirty leading international artists, and featuring dozens of live music performances. The event will also include the world premiere of Karen O's psycho-opera, Stop The Virgens, along with film screenings and panels.
Original artworks include Life on Mars Revisited, an immersive short film of David Bowie's classic space-rock anthem from legendary music photographer Mick Rock and filmmaker Barney Clay; 'A Physical Manifestation of Ladies and Gentlemen, We Are Floating in Space,' a cathedral-like physical manifestation of the song created by Spiritualized's J. Spaceman and acclaimed film director Jonathan Glazer; and Origin, a striking thirty by thirty foot audiovisual installation by UVA and composer Scanner, which will be the largest responsive work ever created by the UK based artists.
The festival runs:
Lineup, venue list, etc, below...
DOWNLOAD: SBTRKT - "Wildfire" (Drumma Boy remix ft. Shabazz Palaces) (MP3)
Back in June, we announced the killer initial lineup for Moogfest 2011 (October 28, 29, 30). That lineup just got even better with additions including TV on the Radio, Special Disco Version featuring James Murphy and Pat Mahoney, St. Vincent, SBTRKT, Flying Lotus, YACHT, John Maus, Araabmuzik Baths, Zomby, Active Child and more. It was also announced that Brian Eno, part of the initial lineup, will be presenting Brian Eno's 77 Million Paintings and "Illustrated Talks" as part of this year's fest.
The initial announcement also included Suicide, Tangerine Dream, Hans-Joachim Roedelius, Austra, M83, Little Dragon, Passion Pit, Toro y Moi, Moby (full band), The Flaming Lips, Battles, CANT, Brandt Brauer Frick (who will be on a US tour that hits Glasslands), and more.
Speaking of CANT (aka Chris Taylor of Grizzly Bear), he revealed the song "Believe" from his upcoming debut LP yesterday. Stream the track below. The album comes out September 13 on Chris' own Terrible Records. He's also got an upcoming tour surrounding Moogfest which includes a show on October 25 at Bowery Ballroom. Tickets are still on sale.
Speaking of SBTRKT and Little Dragon, Drumma Boy remixed the SBTRKT song with Little Dragon's Yukimi Nagano on lead vocals. Shabazz Palaces is also featured on the remix (compare that to Drake's version). Grab the track above via Gorilla vs Bear. Shabazz wrote on Facebook today, "Besides the release of Black Up, I don't think I've seen one article on here create such a surge of activity as this Wildfire Remix has. Amazing."
Sampha, who sings live with SBTRKT and on his album, also recently released his own song, "Indecision." Stream the track below. Moogfest is one of the stops on SBTRKT's recently announced US tour that also hits Bowery Ballroom on October 31 (with Araabmuzik) and Music Hall of Williamsburg on November 1. Tickets for both shows are still on sale.
Little Dragon plays a BV-presented Record Release show at Music Hall of WIlliamsburg TONIGHT (8/16). The show is sold out, but if you don't have tickets you can catch them in NYC again on their headlining tour which hits Terminal 5 on October 14. Tickets are still on sale.
Song streams and full Moogfest lineup below...
Atlas Sound in a church
Northside Festival got off to a sweaty start yesterday, but luckily, the weather held out. I don't think I'm alone in saying that last night may have been the most stacked. Forget a slow build-up. It was 8:00, and there were already at least three places I really wanted to be, but I decided to go with Atlas Sound. I mean it was at St. Cecilia's, so it got extra points.
"I think this is the first time I've been in a church," one guy said tentatively to his friend before the show started. With its stained glass windows, carefully carved decorations, shiny chandeliers, and beautiful pews, it was a sight to behold.
The setting couldn't have been more fitting for the opening act, Lichens. The set got off to a slow start - seven solid minutes of a monotone buzz, but it soon started to build with every passing minute as Robert Aiki Aubrey Lowe added more to the mix, including some otherworldly vocals. The natural reverb of the space further complimented his sound.
After about playing for about thirty minutes straight, he stopped as suddenly as he had begun, and another one-man act, Adam Forkner (aka White Rainbow), took his place behind a folding table and began to fiddle with a series of knobs and pedals. Forkner, too, carefully looped his music together, but for him, the music was more to entertain - not to bring about a religious experience. With the addition of some bass in the mix, it was just enough to get two people near the front to stand up in their pews and start dancing. (I smell a Craigslist missed connection in the making.)
Up next was yet another one-man act, Atlas Sound. In his red button up shirt and high-wasted khaki pants, Bradford Cox was dressed for the occasion. The majority of his set comprised brand new songs (for which he apologized, saying he had forgotten how the other ones go), but he did at least slip in a few older ones, including "Shelia." It's only a matter of time before Cox starts to make up songs on the spot for each show (as he joked he was doing at the Brooklyn show).
Unfortunately, though the atmosphere was ornate, I didn't love the sound quality. (Or maybe I'm just spoiled from hearing him play at the Bell House.) At times, the guitar took on this jarring quality as it pierced through the otherwise dreamy mix, but the crowd didn't seem to mind too much (Andrew liked it). A number of people left their seats in the back and filled in the space in between the pews as the show went on.
After a brief encore, Bradford Cox delivered something of a benediction to the crowd, and turned everyone loose to dash to the next show - for me, it was off to a sticky hot Bruar Falls (as per Bill's recommendation) for a bit of jangly pop, courtesy of Reading Rainbow and Eternal Summers. It was still early after all.
by Andrew Sacher
Atlas Sound at SXSW (more by Chris Gersbeck)
Atlas Sound played St. Cecilia's Church last night (6/16) with support from Lichens and White Rainbow. If half hour drone sets are your thing, you may enjoy catching Lichens again at Zebulon on June 22 with Soft Circle and Urxed. And if you're into similar sounds, but with more hip hop beats, White Rainbow plays again tonight (6/17) at the Impose Magazine & Weird Magic show at 285 Kent Ave. The bill also includes Laurel Halo, La Big Vic, Co La (who aren't playing Death By Audio), and others. There will also be DJ sets by Brian DeGraw (Gang Gang Dance), DJ Azizaman, and Weird Magic DJs.
Atlas Sound, which was Bradford Cox with mic, guitar and effect pedals, played a great set last night with a ton of new songs (Bradford said he didn't really remember how to play most of his old ones). A full review and pics of this show coming soon.
Updated Deerhunter dates below...
Deerhunter at Webster Hall in 2010 (more by Amanda Hatfield)
So far Bradford Cox has limited his his summer show announcements, with both Atlas Sound and Deerhunter, to shows that end in "fest" or "Festival", until now. Deerhunter will play Webster Hall on August 22nd. Tickets for the NYC show go on AmEx presale at noon on 5/18 and regular sale on Friday.
As previously announced, Atlas Sound has an upcoming show that is part of Brooklyn's Northside Festival. Bradford will play St. Cecelia's on 6/17 as part of the fest and tickets are still available or you can try and use your Northside badge.
All Deerhunter dates below...
In their own words:
Northside Festival is thrilled to announce special series of shows in beautiful St. Cecilia's church in Greenpoint.And the shows are:
St. Cecilia's is one of the most beautiful and vital churches in Brooklyn. We are excited to be working with this community institution and proud to say that St. Cecilia's will be an important part of Northside.
There will be four shows taking place at the most spectacular venue imaginable.
words & photos by Chris Gersbeck
!!! @ the BrooklynVegan/MFM Day Party Saturday
By the time Saturday rolled around in Austin, I was admittedly starting to tire of the massive crowd that had been occupying 6th Street since I arrived on Tuesday. That didn't stop me from hitting up as much live music as I could in that final day though. Thanks to an insane amount of free day parties, this was a relatively easy task, albeit an exhausting one.
To start things off, Jonny Corndawg (who has a Brooklyn Bowl residency coming up) was playing a Fiji Water-sponsored, artist-only brunch in the upstairs of Barbarella where the BrooklynVegan/M For Montreal Day party was happpening downstairs (with !!!, Trail of Dead & more). Though I've seen Corndawg several times before, it goes without saying that he's an entertaining performer/songwriter, and his intimate set was well received by the early morning brunch-eating fans.
After that I jetted downstairs to the outside Barbarella stage to catch one of the weirder performances I'd seen all week. Misteur Valaire, a five piece Canadian dance-punk outfit energetically jumped around stage, switching instruments on nearly every song, and often breaking out into choreographed dance sequences. To say it was odd is an understatement, but nonetheless I had a smile on my face the entire time. It was also a great way to embrace us for the crazy dance party that ensued when !!! (chk-chk-chk) took the stage next.
Nic Offer, easily the greatest short-shorts wearing frontman in indie rock, made no hesitation in getting the increasingly packed outdoor crowd dancing for !!!'s set. Though he did express his dismay of there being a couch on the dance floor (yes, for some reason there was a couch in the middle of the dance floor), Offer used it as a prop to jump into the middle of the crowd several times. And their tribute to the late Nate Dogg, a cover of "Get Up", was a great way to conclude their set.
Up next on the Barbarella outdoor stage was Austin's own Trail of Dead, who initially suffered from sound/equipment problems, but eventually got it together to play a pulverizing set to the still packed outdoor stage. Though short in length, it was in no way short on enthusiasm, and Trail of Dead blasted through their set as they flung themselves around on stage. Bassist Autry Fulbright III even broke a bass string towards the end of their ecstatic concluding song, a feat I've rarely seen accomplished.
After an ill-fated trip to the free Mess With Texas party where I hoped to catch the Dead Milkmen and Odd Future (the location was so dusty and packed it was unbearable), I was able to make it into the official Red Ryder SXSW showcase at the Central Presbyterian Church on 8th Street in time to witness a jaw dropping performance from Sharon Van Etten.
Sharon Van Etten @ the Red Ryder SXSW showcase
Van Etten was one of the more talked about performers of the entire SXSW festival, and I couldn't have been happier to catch her set after missing her at the BrooklynVegan showcase earlier in the week. The church made for absolutely breathtaking acoustics. Members of Wye Oak and TV on the Radio's Kyp Malone watched from the balcony. I cannot stress it enough, do not miss her upcoming show at the Music Hall of Williamsburg on April 16th.
Portland, Oregon super-sized group Typhoon followed Sharon Van Etten, and though that may have been the problem, it was also a reminder that often less is more. Not to say they didn't put on a heartfelt performance, or that the massive church setting wasn't perfect for their big, full sound, but their enthusiasm at times came off as a bit much. Though if you're a fan of the Polyphonic Spree or We're From Barcelona, Typhoon is likely right up your alley.
After catching them at the Bowery Ballroom the week prior, I was definitely excited to see the Rural Alberta Advantage again. They didn't disappoint. Stating that they played the same venue at SXSW in 2009, keyboardist Amy Cole expressed a slight feeling of déjà vu, but said they were happy to be performing in such a space for a second time. What was apparently a repeat of that '09 performance, the band returned for an encore of a stripped down performance of their song "Good Night" surrounded by the crowd, completely un-mic'd and unplugged. It was an entrancing and honest moment from the Canadian band, and a perfect way to end a long, long week of live music where I also caught sets by The Kills and Atlas Sound.
Pictures from everything mentioned above, below...
DOWNLOAD: Crystal Stilts - Practically Immaculate (MP3)
"The Black Angels and Reverberation Appreciation Society are happy to announce the dates, location and initial lineup for Austin Psych Fest 4. The 4th annual festival will be held at The East Side Drive In, an outside venue in the heart of downtown from April 29 - May 1, 2011. Spanning the full range of the psych sounds, the festival honors the past while also magnifying the modern vanguard of mind-expanding music. The festival grounds will feature a multi-stage setup and wide-open spaces for you to stretch out and enjoy live performances from these bands and many more to be announced."Grab the free new Crystal Stilts holiday track above. Check out the Psych Fest lineup below...
Ornate blue and white paper snowflakes dangled from the ceiling of the Bell House on Saturday night (12/11), announcing the unofficial onset of winter and appropriately setting the stage for the sparse, introspective music of Atlas Sound. Following Lyonnais' early performance (which I inadvertently missed), Bradford Cox walked on stage alone and began with a bit of an awkward intro. "How you doing? Can you guys hear this?" He took a seat on the stool. "Oh, it's soft," he admitted with surprise. He hadn't even begun to play, but he already held the audience's full attention. With a harmonica strapped around his neck and a guitar in his lap, Cox kicked off his show with a string of newer songs, beginning with the excellent "Terrarium."
After a few songs, Cox addressed the crowd, his voice comically laden with reverb. "It's great to be here," he began. "I figure [he reached to turn off the effect] I figure I came here in the winter last time and played and had such a good time. Why not repeat the experience? I really like this place a lot. The people are awesome, and I really like the sound. And I think I'm going to come here every year. In the wintertime.... like a Christmas tradition... or Hanukkah tradition...or Kwanzaa - whatever it is you choose. A holiday tradition. What do you think?" The crowd cheered enthusiastically in response.
Though Cox played a few songs from his studio recordings (like "Shelia" and a toned down version of "Walkabout"), much of his set contained songs he self-released on his website in recent weeks. "I hope some of you have heard these," Cox announced mid set. "I got off tour with Deerhunter, and I went home and didn't have anything to do. I started feeling pretty wild. Like cabin fever, you know? I watched two seasons of Law and Order: Criminal Intent in like 52 hours, and I wasn't returning phone calls. It was dark. So I got out my little recording machine and made some recordings and then I decided to play them."
As per usual, the lyrics in Cox's new repertoire were often on the bleak side, making them well-suited for the winter show format. But to counteract the foreboding sense of gloom that pervaded his lyrics, Cox warmly interacted with the cordial, sold-out audience throughout the evening.
After capping off his set with a few longer, more meandering songs, Cox thanked the crowd and announced that there was another event scheduled, so he had to wrap up his set. As he walked off stage, the lights to the venue came back on, but it wasn't enough to deter the crowd from cheering for an encore. Cox soon returned with a big grin plastered on his face.
"I'll remember this. That was a nice feeling. I really didn't think I'd have time, then they told me to come back." He fumbled around for a moment, trying to figure out what to play. "Would anyone be mad if I played 'The Screens'? You guys are actually making me nervous. You're so nice." "You're nicer!" came a gruff male voice in response. Cox began to play the harmonica, then stopped abruptly to shake the spit from it. "Let's see if I can't fuck this up."
Despite his low estimation of his talent (or perhaps because of it?), his brief encore was the perfect end to the evening, and I eagerly await next year's winter show, as promised.
Atlas Sound also played Maxwell's in Hoboken one night earlier. The approximate setlist from The Bell House and a video from the show, below...
by Bill Pearis
DOWNLOAD: Violens - Acid Reign (MP3)
DOWNLOAD: Violens - Violent Sensation Descends (MP3)
DOWNLOAD: Fergus & Geronimo - Powerful Lovin' (MP3)
DOWNLOAD: Warm Ghost - Open the Wormhole In Your Heart (MP3)
DOWNLOAD: Weed Hounds - Beach Bummed 7" (ZIP)
DOWNLOAD: Acylics - Nightwatch (MP3)
We'll start of this week with a giveaway. Violens play Santos this Saturday and if you'd like to win a pair of tickets to the show as well as a copy of the band's new album, Amoral, just send an email to BVCONTESTS@HOTMAIL.COM with "VIOLENS" as the subject and we'll pick a winner at random.
I think Violens' debut is a pretty sweet slice of glossy goth pop, heavily in debt to bombastic '80s UK mope but with a modern sheen. If it's out-of-step with what's currently in favor in Brooklyn, it's all the more distinctive for it. It also sounds really good loud. Amoral may hold up pretty well down the line, too, as songs like "Violent Sensation Descends," "Acid Reign" (both downloadable above) and "The Dawn Of Your Happiness Is Rising" are cleverly-produced and catchy-as-hell.
What else is going on this week? MOJO Album of 2010 recipient John Grant plays two shows this week: an early show tonight (12/8) at Mercury Lounge and then Saturday (12/11) at The Rock Shop. If you haven't checked out the former Czars frontman's solo debut -- produced and backed by Midlake -- you should really do so. From MOJO's year-end review:
[Midlake]'s intervention supplied confidence, empathy and a meticulous '70s soft rock sound, allowing Grant to channel a life's worth of vitriol and self-flagellation into songs of spiritual hunger, emotional fireworks and bile-black humour that always searched for self-improvement and atonement. Here were tales of alcohol and cocaine dependency, self-hate and destructive love affairs that raised the twin ghosts of Patsy Cline and Karen Carpenter. The result was in an intensely bittersweet pop record, that, like a couple of similar MOJO classics before it -- Antony's I Am a Bird Now and Bon Iver's For Emma... -- sounded like it's creator had been waiting his whole life to make.You can listen to the whole shebang via a widget at the bottom of this post. Unfortunately, Midlake won't be backing him on these shows so we won't get Queen of Denmark is it's truly epic glory but I have a feeling that Grant, with help from multi-instrumentalist Casey Chandler, will do just fine on a smaller scale.
Trip hop pioneer Tricky is here this week as well, with shows at Le Poisson Rouge tomorrow (12/9) and Brooklyn Bowl on Friday (12/10). Here's one of those artists that even that despite a string of lackluster records, I always give the new album a chance. While there are more than a few regrettable moments on Mixed Race (I don't think anybody could make a Peter Gun sample work in 2010), there's also some of the best we've heard from him in ages that drip that paranoid, slow-burn cool that made his first two albums classics.
Atlas Sound, Feb 2010 @ the Bell House (more by Dominick Mastrangelo)
While Deerhunter's terrific Halcyon Digest is finding its way into many's Top Ten of 2010 lists (maybe mine, we'll see), Bradford Cox stays busy as Atlas Sound who play an Maxwell's on Friday (12/10) and The Bell House on Saturday (12/11). Has any other artist been on such a creative hot streak as Cox since 2008? The guy releases at least one "official" album a year in one of his two guises, with regular demo dumps via his blog that are almost always worth downloading. Like the four-part Bedroom Databank series we got in the last two weeks. May this ride never end.
And a few more picks, day-by-day, for shows not covered above.
WEDNESDAY, DECEMBER 8
It's the 30th anniversary of John Lennon's death, and Glasslands pays tribute tonight with a cavalcade of indie names, including: Acrylics, Amazing Baby, Nicole Atkins, Here We Go Magic, Eytan & The Embassy, Psychic, Teen, The Royal Chains, Miles Benjamin Anthony Robinson, Bizi Gara, Class Actress, and Brian Harding. Proceeds go to Arts Education International.
Over at Death by Audio, you can catch a rock-solid bill featuring bash-pop duo Sisters, Total Slacker offshoot Web Dating, indie rock quartet Shark?, sleazoid garage rockin' X-Ray Eyeballs, and Philly duo Slutever.
Bradford with Deerhunter at Fun Fun Fun Fest (more by Tim Griffin)
"Left with huge amounts of material which [would] never leave his bedroom, Bradford Cox decided to simply release the tracks on his blog. Containing early versions of well known tracks, total rarities and covers the download series was a treasure trove for fans.Atlas Sound plays the NYC area twice SOON: 12/10 at Maxwell's and 12/11 at The Bell House. Bradford can also be found at at The Echo in LA on 12/3, and that's it for now - three shows total, though Deerhunter has some dates coming up in Japan and Australia.
However... Sony weren't pleased. Sending the songwriter a stern 'cease and desist' order the label demanded that Bradford Cox take down almost every track from the download series.
Infuriated, Bradford Cox complied with the order then simply re-loaded them.... "Apparently Sony Music Owns my bedroom," he complained. "I am re-uploading the files now."
A bizarre case, which just took a rather pleasing twist. Bradford Cox recently received an apology from the label, which has admitted that it was in the wrong... "The Bradford Cox tracks were mistakenly removed. We advised Mediafire that the titles were mistakenly taken down. We have communicated all of this to Bradford Cox and his manager." -[ClashMusic]
All dates and a couple of recent videos below...
Memorial Day Weekend officially opened the summer, and for those in the Pacific Northwest it also brought Sasquatch Music Festival (pictures from all three days are coming soon). Now the lineup for its Labor Day cousin, Bumbershoot 2010, has been announced. That fest, happening at Seattle, WA's Seattle Center September 4th-6th, will include headliners Bob Dylan, Mary J. Blige, Weezer, Hole, Rise Against, Neko Case, The Decemberists, J. Cole and "one more very special guest to be announced soon."
Tickets (including non-Mainstage 'economy' passes) are on sale now. The rest of the lineup (by day) for the seven-stage festival is posted below...
words & photos by Dominick Mastrangelo
"I had this all planned out," said Atlas Sound's Bradford Cox, "This was going to be a mind-blowing second song." Cox battled technical issues with one of his loop machines throughout his sold out show at the Bell House in Brooklyn, dropping it on the stage several times to get it to work.
Through it all, the Deerhunter frontman handled the technical difficulties with grace, humor and self-deprecating wit. Once he was up and running (almost making it through that second song, "Te Amo" before the drum track cut out again) his eight-song set was a sprawling reworking of many tracks off last year's, Logos.
The two standout tracks from that record, "Walkabout" and "Shelia" went back to back. Excellent on the record, but live both songs were lacking those key elements that make them so winning - the infectious piano melody on "Walkabout" and the shuffling drums on "Shelia." But those were minor complaints when songs like main set closer "Attic Lights" were so stunning with building echoing vocals and feedback that filled the venue.
The title track was one of three songs performed during the encore. Before he left the stage Cox charmed the audience even further explaining how much he appreciates playing in New York.
Opening were NJ-based, dance-rock outfit Memory Tapes (Dayve Hawk). Atlas Sound plays a 2nd NYC show, this time with Neon Indian, tonight (2/4) at NYU. More pictures from the Brooklyn show below...
Atlas Sound @ ATP NY 2009 (more by Ryan Muir)
tonight in NYC
* Aziz Ansari @ Comix
* Mick Barr @ The Stone
* Dinosaur Feathers @ Fort Useless
* Sarah Silverman @ Apple Store Soho
* Motion City Soundtrack @ Irving Plaza
* Big Teriffic w/ Max Silvestri @ The Cameo
* Ladysmith Black Mambazo @ Highline Ballroom
* Atlas Sound, Memory Tapes @ The Bell House
* Those Darlins, Pine Hill Haints @ Maxwell's
* The Constellations, Brian Bonz @ Brooklyn Bowl
* Weasel Walter & BJ Rubin Variety Show @ Death By Audio
* Midnight Masses, Borrowed Eyes, Submarine Bells @ Union Pool
* Miniboone, Pet Ghost Project, I'm Turning Into, Shark? @ Glasslands
* Jimmy Gnecco, Static, Papercranes, Adam Kowalczyk, Starbolt @ Mercury Lounge
* Adam Franklin (Swervedriver), Bolts of Melody, Hopewell, Soren Well @ Southpaw
* Nate Wooley/Peter Evans Duo, Travis Laplante, Gerald Cleaver, Mike Formanek @ Zebulon
* Stories in High Fidelity w/ Nicole Atkins, Echoecho, stories from David Byrne, Alan Light, Dan Kennedy & Jason Gordon @ Bowery Ballroom
The Max Silvesti-hosted free comedy show at the Cameo tonight will includes sets by Kristen Schaal (flight Of The Conchords), Julian Mccullough (comedy Central Presents), Joe Randazzo (editor, The Onion) and Edith Zimmerman (the Awl, Nymag.Com).
Atlas Sound (Bradford) play The Bell House with Memory Tapes tonight, and then NYU with Neon Indian tomorrow. Both are sold out. A live video of Atlas Sound performing "Cold as Ice" in Georgia in 2008, below...
Death By Audio's avant-jazz/improv music variety show
.puttin' on the ritzVideo of Fanfarlo performing "I'm a Pilot" live on KEXP, below...
.bj rubin & walter weasel
.matt mottel [of talibam!]
.tim dahl [of child abuse]
.sarah lipstate & caroline contillo
.sexy thoughts [aka kevin shea]
Punkcast video of The Octagon playing "(Save your Body for) Revolution" at Bruar Falls on January 22nd below...
DOWNLOAD: Deerhunter - Carve Your Initials Into the Walls of the Night (mediafire)
Atlas Sound @ MHOW in October (more by Toby Tenenbaum)
It's one of two dates currently booked for the group. The other is a February 26th show in San Francisco.
Over the weekend (12/12), Bradford posted a 2005 Deerhunter CD-R, Carve Your Initials Into the Walls of the Night, as a free download on his blog. He writes: "It features only me and Moses and is very experimental in nature. This was during our "tape phase" when we would often play shows as a duo (or as a trio with colin) playing only tape machines and vocal loops." The recording is linked above. Its tracklist, more info, Bradford's favorite albums of 2009, and tour dates below...
photos by Toby Tenembaum
Broadcast / Bradford
One of the bigger tours that came through NYC during CMJ is the Atlas Sound / Broadcast one. Tuesday night it was at Le Poisson Rouge in Manhattan. Wednesday it was Music Hall of Williamsburg in Brooklyn.
Broadcast hit the stage with seventeen mintues of trippy synth noise brought on by two Dr. Samples and some pedals. They had swirly black and white projections while the audience rocked on their heels in anticipation, waiting to see where all this witchcraft would go. The dude wore a nice patterned sweater and the woman wore some white flowy madness.I talked to a lot of people that didn't enjoy Broadcast.
After their floating through about twenty minutes of Broadcast's pscyhedelic sound pudding, the audience was treated to the hits. They played "I Found the F" and "Black Cat" and some other poppy stuff that I couldn't identify.
For the last song, lead singer Trish Keenan pulled out a three stringed Eastern folk guitar to play some harsh yet sweet drones while white capped drums repeated driving the audience into a meditative sway." [wilkinism]
The Selminaires opened the show and were Bradford's backing band for Atlas Sound. More pictures from Music Hall below...
words by Black Bubblegum, photos by Ryan Muir
Steve Albini in Shellac
"We're taking a bath, but I don't care," Barry Hogan told [Sasha Frere-Jones]. We were standing in the makeshift production office for the All Tomorrow's Parties festival, at Kutsher's, a resort in the Catskills."My name is Sufjan Stevens and I am going to play all of my Seven Swans album. That should be a good early afternoon hangover sort of thing"
Kutsher's, where Muhammad Ali trained and a thousand schticks were born, was once the jewel of the Borscht Belt. The main venue at Kutsher's, the Stardust Ballroom, has a capacity of 2,800. But Hogan seemed largely unbothered that only 1,800 tickets to ATP had sold. It is 2009, after all.
Considering the bad coffee situation and the fun that I had the day before, Sufjan was spot on. Clad in tie-dye that the band had purchased at the general store at Kutsher's, the five piece were delicate, light and lilting. Sufjan's bright banjo strums and songs, like the sunny "Sister", resonated so well in the Stardust Ballroom. The Seven Swans album was an excellent choice for a wake-up set on the second day of the three day upstate NY festival (Saturday, September 12, 2009).
After Sufjan, I wandered over to catch a crew of young Aussies named Bridezilla. Though their name is a touch offputting, guitarist/vocalist Holiday Sidewinder has a sexy and breathy coo that recalled PJ Harvey and their her cocktail-dress-ed crew were a surprise and a delight.
Grouper were next, and as a fan of 2008's Dragging a Dead Deer Up a Hill, I was eager to check out Liz Harris's ambient soundscapes. Playing to a projection of an ocean at night, the stage show wasn't much visually but the tides of noise was otherworldly.
Conversely, Black Dice in the same room was a psychedelic mindfuck. Blasts of tribal noise beats nodded heads and shook them in equal measure.
As a fan of Bradford Cox, it was great to see him pull a doubleheader on Saturday, beginning with Atlas Sound. Rolling solo with guitar, harmonica, and some backing tracks, Cox was engaging both in song and with between song banter. I would regrettably end up missing Deerhunter's set a few hours later. Drowned in Sound was there though:
Bradford Cox is a picture of serenity as he swaps his shirt for a more tasteful number and leads Deerhunter into their Saturday night set. He announces that this will be their last performance for some time, causing the band to roll out the hits in quick-fast fashion. They gallop through 'Cryptograms' and 'Nothing Ever Happened', the positively herculean double guitar sound feeling unstoppable and a sense of jubilation ricocheting between the walls as people succumb to these great big shining pop songs. The closing 'Calvary Scars' is a slab of beautiful kraut-pop, with Lockett Pundt's metallic Tim Gane-esque strum leading the way, face-painted kids jerking their bodies back and forth, and Cox looking genuinely sad that this will be the last time these songs will be wrung from his fingers and throat for a while.Anti-Pop Consortium was my next venture, the first time I had ever seen the crew though I was a long time fan. On the Stardust Ballroom system, APC's distorted and creative beats sounded amazing but save for Beans energetic movement, I was less than impressed with their live show. Live hip hop is hard to pull off, and those who try should heed the great Rakim who said "to me MC means move the crowd". If you want to give them a chance, they're at Santos Party House on September 29th.
Sleepy Sun were line checking when I got back to the second stage, with vocalist Rachael Williams checking her levels in the monitor
"Check. Check. I. Hi. Me. You. All of you. Us. Getting nervous."
If they had nerves, the band channeled them into positive energy. Sleepy Sun's influences fit right in with their hometown, San Francisco, as the band dabble in a psychedelic California sound with some krautrock-y elements. I was most struck by their fantastic drummer Brian Tice as well as vocalist Williams, who ripped out a solo that had the crowd shouting and applauding. Wayne Coyne watched the band from stage left, clearly impressed.
After an elongated line check, El-P came on and with a four-piece band (Chin Chin) and hypeman (Mighty Quinn) to the sound of "Tasmanian Space Coaster". I have a soft spot for El-Producto's Blade Runner beats and post-apocalyptic rhyme styles, and it was great to see a Hip Hop artist who actually puts an emphasis on his live show. As a matter of fact, El-P put a little too much of himself out there, almost falling off the stage after pogo-ing around during "Smithereens". Careful dude... we need a follow-up to I'll Sleep When You're Dead.
I hadn't seen Akron/Family since the then more acoustic-centric band played Tonic many years ago (with Hamid Drake?) and it was refreshing to see their energy were still in place. Against a backdrop of a tie-dyed American flag, the band played a rousing and ripping set. It's good to see that the loss of Ryan Vanderhoof to a Buddhist center hasn't slowed them a bit.
Autolux had the discordant riffs, feedback squalls, and a 90s alt punk sound to hit all of the right influences (Joy Division, Sonic Youth, etc), but unfortunately didn't really distinguish themselves from their influences. Autolux isn't offensive by any means, just not compelling or distinctive, and I find it a touch disappointing that guitarist Greg Edwards was a member of Failure (a band that I dug).
Dead Meadow and their fuzzy freakout psych blues were riffing on Stage Two towards the end of the Autolux set, but by half way in, the crowd had diminished considerably due to Shallac on the main. For shame, as the trio played a ripping set!
photos by Ryan Muir
"I'm going to remember ATP 2009 as the festival of bass, though, and fondly, because this event takes sound seriously. Somebody in the organization is aware that the small, judicious audience for something like this--including many fans flying over from England to see it--wants to feel music physically. In just about every show at the two principal stages, all weekend, the sound was loud and broad and clear; it got inside your bones.Bass or not, I disagree. The No Age/Mould show, Sunday night's second to last performance of the upstate NY festival (and one of the few that I saw from start to finish), was a personal highlight for me in a day that also included great sets by the Boredoms, Oneida, Super Furry Animals, Boris and of course the day closer/curator The Flaming Lips (pics & further review coming).
But this may be why the Bob Mould and No Age collaboration didn't quite get off the ground. Mr. Mould, once of Hüsker Dü, and No Age, the young punk duo from Los Angeles, apparently admire each other. They came up with a good and relatively easy idea: working as a trio for one night only, playing songs from both acts. The set included all eras of Husker Du ("Something I Learned Today," "Makes No Sense At All," "In A Free Land," "I Apologize," "Could You Be the One?" and "New Day Rising"); it also ran through No Age's "Eraser" and "Boy Void," as well as a cover of the Heartbreakers' "Chinese Rocks," with Bradford Cox of Deerhunter joining in. But there was no bass player, and it felt light in the wrong way."
Bradford performed with his own band Deerhunter, and solo as Atlas Sound, on the Saturday of the festival. Atlas Sound tours with Broadcast in October.
Bob Mould tours with his own band in October too.
More pictures of No Age/Mould/Cox @ ATP, below...
August 25th, 2009 (Austin, TX) - Transmission Entertainment is pleased to announce the lineup for the 2009 Fun Fun Fun Fest, taking place on November 7th and 8th at Waterloo Park in Austin. Fun Fun Fun Fest made its first appearance on a cold Friday evening in 2006, offering a unique approach to festival booking, filling stages with talent bubbling from the underground: what sounded great, and what was making an impact, regardless of what mainstream media said was cool. What started out as a show for a few touring acts and local favorites has become a movement -- a festival that fans and bands alike realize needs to be experienced year after year.Greatest. Festival. Ever...
Now in its fourth year, Fun Fun Fun Fest has made a significant impact on the country's winter calendar, successfully combining the vast worlds of indie, punk, rap, electronica and comedy while showcasing some of the city's most unique local businesses.
All Tomorrow's Parties (ATP) is happy to announce its return to Kutsher's Country Club in Monticello, New York for the 2nd annual ATP New York festival. The event will be held Sept 11-13, 2009. Last year's festival, co-curated by My Bloody Valentine, was a critical and cultural success with rave reviews from media and fans. This year's Fest will be co-curated by The Flaming Lips.ATP has announced the final lineup additions to this year's festival. That includes the comedians who will be joining David Cross on Friday night, and official confirmation that it will in fact be Bob Mould who will be playing Husker Du songs (a whole LP to be exact) with No Age (who also just announced some NYC shows). Every act who plays Sunday will be playing some kind of special set...
Recently added were Crystal Castles, Super Furry Animals, Boris performing Feedbacker, Low Lows and "Oneida presents the Ocropolis" - where Oneida will transport the impetus, spirit and community of their multidisciplinary studio/performance space, The Ocropolis, to ATP for a full day of improvisation, collaboration, and recording, combined with the astounding Mighty Robot Visuals light crew. Other announced acts include Boredoms continuing their BOADRUM series, performing with 9 drummers on stage. Deerhoof will perform with special visuals by Martha Colburn. Caribou will perform as Caribou Vibration Ensemble, with a 4 piece horn section, 4 drummers and a choir and guests that include Kieran Hebden (Four Tet/Fridge/Kieran Hebden & Steve Reid), Koushik (Stones Throw Records), John Schmersal (Enon, Brainiac), Kathryn Bint (One Little Plane), Ahmed Gallab (Sinkane), Marshall Allen (Sun Ra Arkestra) and more.Other brand new additions to Sunday are Menomena, Black Moth Super Rainbow, Birds Of Avalon, and Hopewell.
Circulatory System, was added in the last announcement, and have since revealed an entire tour. Dead Meadow play ATP on Saturday and will perform on a boat in NYC that same week. The Feelies have a Brooklyn show scheduled. Super Furry Animals play NYC and NJ in addition to ATP. The list of related shows goes on...
Unfortunately missing from the ATP NY schedule is Nick Cave - not that he was ever supposed to be there, but in addition to being very involved with ATP in general, he was recently confirmed to be only a short car ride away just one day after the festival ends. Full 2009 lineup below...
BV would like to further leak that our most-favorite weekend in Austin will also feature sets by Alaska in Winter, Les Savy Fav, comedians Jake Flores, Joe Staats & JT Habersaat, VEGA, Lucero, Metallagher, The Night Marchers (they played Mess With Texas last year at the same venue), and Shonen Knife (part of their large upcoming tour).
Speaking of the Hot Snakes, Obits are scheculed to play the South Street Seaport in NYC tonight (7/31).
The official FFFFest "leak" page includes stage assignments, which are below. We have 2008's FFF Fest in pictures (day one & day two), and you can check out recap videos from 2006 and 2007, also below...
This fall, Atlanta's Atlas Sound and Birmingham, England's Broadcast are teaming up for an extensive North American tour. Both groups have new material surfacing this year - an EP from Broadcast, to be released on Warp in conjunction with the tour in October, and a new Atlas Sound album to be released this fall on Kranky.The previously announced Brooklyn show (10/21) is now on AmEx presale. The show happening one night earlier at Le Poisson Rouge in Manhattan is also on sale.
This will be Broadcast's first tour in North American since 2005, and their sets will be a stripped down, 'duet' of sorts, with Trish Keenan and James Cargill performing new work as well as Broadcast classics. Speaking about the new material, Trish had the following to say: "Okay people...Broadcast and The Focus Group have joined hands to create a new ep of seancing songs and witch cult rumbles"
The co-headlined tour will see both bands trading off set times, with The Selmanaires taking the opening slot each night.
The tour ends at Fun Fun Fun Fest in Austin on November 8th. All dates below...