Entries tagged with: Austin
photos by Tim Griffin
O'Death @ The Mohawk
"Outside"[their latest album] expands the band's Gothic-folk sound. O'Death deploys Americana elements -- banjo, violin, acoustic guitar -- to craft haunting, cinematic songs...O'Death completed a three-week tour of East Coast/Midwest/Southwest dates in September with Why Are We Building Such A Big Ship? which concluded in Maine. The dates left out NYC, a fact that will be rememdied when the band takes to the stages of Bell House on Saturday (10/8) with The Woes and Lady Lamb The Beekeeper. Tickets are still available.
O'Death may never top the charts but it's made a splash on the alternative and folk scenes with relentless live shows. The band's first gig after Rogers-Berry's close call was at the famed Newport Folk Festival. "We were definitely one of the more high-energy acts of the day, but it was appreciated," Jamie said.
Affirmation helps. In New York City, they don't fit in.
"I'm not sure what it is we're doing but there's not really anything like that going on in New York," Jamie said. "My gut's telling me we're not a part of a scene. ... I always feel out there like we're doing our own thing." -[Go Erie]
Here are some pictures from the Austin show at The Mohawk on 9/1 with Why Are We Building Such A Big Ship?, American Spirit and Guns are below (sorry no shots of Guns though) (rimshot!). More below...
photos by Tim Griffin
photos by Tim Griffin
Les Savy Fav are playing very few shows in 2011. One of them was at Music Hall of Williamsburg on 9/6. Another took place 23 days later in Austin as part of the Mohawk's 5th birthday celebration. Happy birthday Mohawk! Here are some pics from that Texas show. They continue below...
photos by Tim Griffin
Arcade Fire / The Walkmen
The 10th annual Austin City Limits festival came to a close on Sunday with a headlining set by Arcade Fire (who also taped an edition of Austin City Limits the TV show one day earlier). It was a rough year for some attendees. I'm talking about smokers. Austin Statesman posted the following before the weekend:
We welcome all the people and music artists attending this year's Austin City Limits Music Festival. It's a special year for the music festival, which is celebrating its 10th anniversary. The talent this year is incredible, with headliners Kanye West, Stevie Wonder and Arcade Fire, as well as local favorites such as Asleep at the Wheel.I don't know how many people obeyed that, but it's safe to say that ACL was fire free. In fact, much to the delight of many, it actually rained a bit on Friday and Saturday. Pictures from Sunday continue, with Arcade Fire's setlist, below...
Before we get this party started, we must advise attendees that the Austin Parks Department has banned smoking at all Austin parks, greenbelts, trails and golf courses. That includes Zilker Park, site of the festival.
We realize that a smoking ban might be an inconvenience for some. But it is necessary to keep everyone safe. So please have fun at the events, which run today through Sunday, but leave the cigarettes, cigars, pipes -- or whatever else one might be smoking -- behind. (The ban also prohibits wood or charcoal grilling in Zilker and other parks.)
Smoking was allowed at previous ACL festivals, but this year is different. This year, Central Texas is dealing with wildfires that have killed two people, destroyed about 1,500 homes and burned tens of thousands of acres in Bastrop County, Steiner Ranch, Pflugerville and other Central Texas communities. In Austin, city firefighters responded to 469 brush fires from January through July. Cigarettes caused about a fourth of those fires, officials said. [Austin Statesman]
photos by Tim Griffin
To complete this Gayngs trifecta (Polica HERE, Marijuana Deathsquads/Har Mar Superstar HERE), we though we'd report that Kathleen Edwards recently teamed with her tourmate (and Gayngs member) Bon Iver (aka Justin Vernon) for the new Wapusk 7" (out 9/27 via Zöe/Rounder). Justin produced the record and sings backup vocals on the new version of the title track which you can listen to at Pitchfork. The previous version of the song was recorded without Justin for the National Parks Project.
Bon Iver & Kathleen Edwards have been touring and played a sold out show at the 2000+ capacity theater The Long Center in Austin, Texas on 9/14. Pictures are on this post. The tourmates have since parted ways on the road (Other Lives have joined Bon Iver), but will reunite for a set of European dates on October that will include Pitchfork in Paris.
All dates and more pictures from the Austin show, below...
photos by Tim Griffin
Butthole Surfers @ Emo's East
"For those completely in the dark about the new venue, it is appropriately and bluntly titled Emo's East, because it is located east of downtown on E. Riverside Drive at the site of another iconic, but closed, Austin club, the Back Room.Pictures from the first show which happened on 9/11 with Bodytronix, 400 Blows & Butthole Surfers are in this post. They continue below...
Emo's East is technically a $2 million renovation of the now deceased metal club. However, there are very few recognizable remnants of Back Room at the new venue. This is not a bad thing by any means, but calling it a "renovation" is a bit of a stretch. The outside of the club is basic and modern looking (the club was designed by Michael Hsu, architect of Uchi) with a brightly lit Emo's sign that distinguishes the venue from the landscape of pawn shops, taco stands, and fast food establishments that line East Riverside.
There are an ample amount of parking spaces (around 600 from what I hear), but they are scattered between the street, the venue, and at least two other random parking lots, making parking pretty tricky. This show was sold out, so maybe I am being unfair. Parking may be a little chaotic, but it is nowhere near the pain of trying to find a spot for a show downtown." [The Horn]
BV Day party @ Emo's Outside - SXSW 2010 (more by Tim Griffin)
BV Day party @ Emo's Outside - SXSW 2011 (more by Tim Griffin)
We were sad to learn the Emo's Outside hosted its FINAL show on Saturday night (9/17), an ACL afterparty headlined by DFA1979 (pictures on the way). Note that Emo's Inside (the smaller room) is still open, as is the just-opened Emo's East elsewhere in town, but the big, main, outdoor (but covered) Emo's stage is on its way out. Emo's is/was one of the most centrally located and greatest venues to see a show in Austin and I'm going to miss the big room. I'm especially going to miss having the now-annual BV day party there on the first day of SXSW. Stay tuned for more info, pictures, etc..
photos by Tim Griffin
Olivia Tremor Control @ the Mohawk
Aquarium Drunkard: Although there was great showmanship of all the people onstage in the old E6 days, I never got the sense that it was, at its heart, more than just playing with your friends because you liked playing with them, and, oh yeah, it's a great show, too. It wasn't done in a super-calculated way.Olivia Tremor Control began their current tour in New Orleans. From there they moved on to Austin where they played their first of many tour dates with The Music Tapes at the Mohawk on Wednesday night (8/31). We stalked them to both states. New Orleans pics HERE. Austin pics (and a video) in this post.
JF: No, it wasn't [calculated]. And there was still always a spontaneous element on the Elephant 6 Holiday Surprise Tour, where certain times on certain nights, you might say, "I usually play on this, but maybe not tonight!" [laughter] And maybe other nights, you'd play on something you don't usually play on.
BD: There were definitely nights where I said, "You know, I think I'm just going to watch this tonight!" Like the Sun Ra thing, marching out to that? There was a night-or maybe two-where I said, "I'm just gonna go down and watch this." I wasn't the drummer or someone really necessary. I just want to see what it looks like. I just want to be in the audience and be entertained by it.
WH: It's definitely entertaining!
JF: We're going to have a tight show for the new Olivia shows we're doing. There is a guitar player named AJ Griffin who played with a band called Laminated Cat, and he's going to be playing some extra guitar and various other instruments. He plays everything, and he has a new band called Slaw and Order that's amazing!
WH: Slaw and Order!
BD: God, they were great, it was him on the keys and a drummer, and he was ripping it up on the keys. I couldn't believe it!
JF: Yeah, so it's gonna Derek on the drums because Eric can't do the tour, but Eric is going to play with us for All Tomorrow's Parties...
DA: So there is going to be a random element! [laughs]
JF: Oh, yeah, at All Tomorrow's Parties, there are going to be all sorts of random elements with people playing with us because there are so many good musicians...
BD: The whole Holiday Surprise group...
JF: Yeah, the whole crew is going to be there.
Aquarium Drunkard: Jeff [Mangum] is the curator, right?
JF: He's the curator, but when you look at the whole lineup, I think they probably made a lot of suggestions. He probably picked half the bands and they were all "But what about them?" and he said "Okay." They probably gave him a stack of stuff to listen to and said, "Can you pick from these?"
WH: Yeah, they definitely pick some. I doubt he's heard of the Fleet Foxes ever.
DA: Well, they are there for the kids!
WH: I'm not trying to diss Fleet Foxes; I've just never heard them!
photos by Tim Griffin
Handsome Furs @ the Mohawk
For their part, the Furs are eager to keep returning to places where few other Western bands ever venture, to maintain the friendships they've forged and the fanbases they've built. The tours sharpen the couple's perspective on their art, their politics, and the Handsome Furs' existence itself. Says Boeckner, "Instead of going into this band being like 'We're against this! We're against that!', it's, 'We're against these things, but we also feel happy and positive that we're able to make music.'" [National Post]The Handsome Furs are currently on a massive tour that hit Bowery Ballroom back on 8/18, and visited Austin, Texas for two shows yesterday (8/26). The first one happened inside Waterloo Records. The second was last night at Mohawk. We have pictures from both in this post.
And though we don't know the venue yet, we do know that Dan Boeckner and Alexei Perry
will be back in NYC in October for CMJ UPDATE: Handsome Furs are not actually coming to CMJ anymore. All tour dates and more Austin pictures below...
photos by Tim Griffin
"The Decemberists were perfect. So great to have Jenny Conlee back on stage.. bald and beautiful from fighting cancer. One of her first shows" - CrystalAnne
After taking some time off to fight cancer (she missed Bonnaroo, Newport and Prospect Park), a brave and beautiful Jenny Conlee returned to the stage at Stubb's last night, joining the Decemberists once again as they headlined the large Austin venue with Caitlin Rose as support. A set of pictures from the show, Decemberists setlist included, continues below..
Slayer at Izod Center (photos by Samantha Marble)
Slayer, Thee Oh Sees, Public Enemy, Girls, Danzig Legacy, (Danzig + Doyle von Frankenstein playing Misfits, Samhain & Danzig), Hot Snakes, Diplo, Major Lazer, Henry Rollins, Ted Leo & The Phramacists, Spank Rock, Murder City Devils, Hum, Lykke Li, Passion Pit, Four Tet, Rakim, The Damned, Austra, Purity Ring, and Flynt Flossy are just a few of the acts announced today as part of the Fun Fun Fun Fest 2011 lineup. Another amazing year! Check out the full lineup below and stay tuned for more announcements coming in August and September.
The new additions to the Austin, Texas festival, which takes place from 11/4 - 11/6, are in addition to the the previous "lineup leaks" that included Brian Posehn, Odd Future, Okkervil River, M83, X (performing "Los Angeles"), Reggie Watts, Flying Lotus, Tune-Yards, Ra Ra Riot, Kid Dynamite and others
2011 is the festival's sixth year, but first at its new home Auditorium Shores (no more Waterloo Park). Tickets are on sale now.
Fun Fun Fun 2011 flyer and almost-full lineup is below.
"Matt Talbott tells me there's some Hum shows coming this fall! I don't have all the details yet, but here's what I know: there will be one on September 10th, and it won't be in Champaign. A show in Champaign is possibly going to be planned for September 9th, and they are playing Fun Fun Fun Fest in Austin, TX in November." -[h-u-m.net]The above quote comes from a Hum fansite, and while we have yet to receive official word, it does seem within the realm of possibility considering that Hum have reunited occaisionally since officially dissolving in 2000. More news to come.
Hum released You'd Prefer an Astronaut in 1995 and the follow-up Downward Is Heavenward in 1998.
Though they haven't confirmed Hum, Fun Fun Fun Fest did recently "leak" some more of their Austin festival lineup. The first leak had Brian Posehn, Odd Future, Okkervil River, M83, and X (performing "Los Angeles"). The second leak added Reggie Watts, Flying Lotus, Tune-Yards, Ra Ra Riot and Kid Dynamite!
That now makes two upcoming shows for Kid Dynamite who are also playing FYF Fest in LA.
photos by Tim Griffin
Globe and Mail: What chapter are you in now?We continue to track Steve Earle's current trip across the country that will eventually see him back home playing shows at Music Hall of Williamsburg and Town Hall (tickets). Thursday night he played the Paramount Theater in Austin. A set of pictures from that show continues below...
Steve Earle: Maybe it's the third one. This is my 14th studio album. The last five years, since I moved to New York, I feel at home for the first time in my life. I'm 56. It takes living in a place where I can see any movie or see live theatre or see great works of art, and have hundreds of choices in those areas. I need that stimulation now to write.
photos by Tim Griffin
DOWNLOAD: Robert Ellis - What's In It For Me (MP3)
Robert Ellis (2nd from left) & band @ Cactus Cafe
Houston-based country singer-songwriter Robert Ellis, only 22 years young, released his album Photographs this week ("split in two sides with vinyl in mind, the A-side representing a more folksy, dark side of Robert's music while the B-side is a full band country sound, paying homage to the great artists that have influenced him.")
"Making him a name for himself with a stellar debut (2009's The Great Rearranger) and a weekly residency playing old-school country covers at Houston clubs, Ellis' latest release is full of snapshots of a man growing more mature. Some of the songs are actually downright cute, with Ellis singing about the day-to-day aspects of life and love, such as painting a house with his woman ("Two Cans Of Paint"), driving back from an out-of-town gig to be with his woman ("Comin' Home"), and the strains of being in a relationship with the woman ("What's In It For Me?", "No Fun")." [Houston Calling]Download "What's In It For Me" above.
Last night, July 5th, Robert shared a bill with Jonny Corndawg at Cactus Cafe in Austin. Pictures from that show are in this post. Tonight (July 6th), Robert and Jonny again share a bill at Robert's record release party at hometown Houston venue Fitzgaralds. Two days after that Robert hits the road with the Old 97's. That tour will bring him to The Bell House in Brooklyn on July 13th and 14th. Tickets for both shows are still on sale (7/13, 7/14).
Past Robert Ellis appearances on BV have both been Texas related too. Tim caught Robert opening for Lucero at Emo's, and we both saw Robert open for Deervana in Austin. More pictures from Cactus Cafe and all tour dates below...
photos by Tim Griffin
The Rosebuds in Texas
Viscous blue light drowned the stage as the highly anticipated headliner, The Rosebuds, captured attention and hearts with "Go Ahead", an indie-rock summer anthem, plagued with melancholy, but overflowing in beauty.
From their 2007 album, Night of the Furies, The Rosebuds performed "Cemetery Lungs" with unwavering energy, beneath bright pink and fuchsia lights. Also from Night of the Furies, one of the crowd favorites was clearly the upbeat and danceable indie-folk track, "Leaves Do Fall".
Promoting their latest album, Loud Planes Fly Low..., The Rosebuds primarily performed tracks featured on that particular album, such as "Limitless Arms", "Come Visit Me", "Cover Ears", and "Second Bird of Paradise". Loud Planes Fly Low, is the first album produced by The Rosebuds since front-musicians Kelly Crisp and Ivan Howard's divorce. Staying together for the sake of music, this particular album exuded more humanity and vulnerability than anything The Rosebuds produced before. -[Red River Noise]
The Rosebuds spent a Friday night (June 25) in Austin at The Parish, where they linked up with Oax and Other Lives for a show as part of their current ongoing Southwest/West Coast headlining tour. Pictures from the Texas show are in this post.
Its in Justin Vernon's home state of Wisconsin that The Rosebuds will link up with Bon Iver for a string of dates on their way back East, eventually landing at the final two sold-out dates of the tour in NYC, 8/9 at United Palace and 8/10 at Prospect Park Bandshell. Rosebuds tour-mate Other Lives will open shows for Bon Over in September. All dates are listed below.
Speaking of Bon Iver, as you may have heard:
Jill Scott earns her very first No. 1 album on The Billboard 200 with "The Light of the Sun," as the new set starts with 135,000 copies sold last week. The R&B singer's previous charting best was 2004's "Beautifully Human: Words and Sounds, Vol. 2," which peaked at No. 3. Her last studio album before a foray into acting was 2007's "The Real Thing: Words and Sounds, Vol. 3" which made it to No. 4.Jill Scott is touring in support of her album this summer too.
Meanwhile, Bon Iver has a big week as the self-titled sophomore set enters at No. 2 with 104,000. These numbers easily best his former highs: his 2009 EP "Blood Bank" debuted and peaked at No. 16 with 23,000. Mastermind Justin Vernon's first album under the moniker, "For Emma Forever Ago," never made it higher on the chart than No. 64. [HitFix]
Loud Planes Fly Low is The Rosebuds new LP, out now via Merge. Look for it at the merch table of one of their tour dates, which are all listed with more pictures from The Parish, below...
photos by Tim Griffin
Nicole Atkins @ Stubb's
Nicole Atkins plays the free Hudson Square Music and Wine Festival on August 9th as part of an added leg to her previously announced tour. Nicole's new dates also include support slots for Fountains of Wayne on their headlining tour. Her City Winery show is the only recently added show without Fountains of Wayne, though they play a show together at the same venue four days earlier (which is now sold out).
Both Nicole and Fountains of Wayne have other separate tri-state area dates on their tours too. Nicole plays Music Hall of Williamsburg on July 8 with Workout & My Best Fiend, Union County Performing Arts Center in Rahway, NJ on July 21, and The Stone Pony in Asbury Park, NJ on July 28. Fountains of Wayne play Maxwell's on 7/21 with Mike Violia and Maxwell's on 7/22 with Oranjuly, The Stone Pony on July 23 with Marah (tickets), and Bowery Ballroom on August 3 (tickets). No opener has been announced for the Bowery show, and note that the Maxwell's dates have slightly changed since the original announcement.
Nicole Atkins recently made a video for "My Baby Don't Lie." Check that out along with updated tour dates and pictures from Nicole's Austin show at Stubb's in Austin on June 15 (where she was joined by Robert Harrison for a song), below...
While I was polishing off my night at Emo's and Red 7 during the fourth night of Chaos in Tejas, Keith Marlowe and Harriet Roberts were checking out an awesome punk show at Mohawk. His report is below. - BBG
Night Birds played a song about their friend Dave, the singer for Tear It Up, who broke his arm in a motorcycle accident. It was called "Dave's Only Got One Arm" which was also the song's only lyrics. I think it's gonna be a big, big hit. Dave confided to me that the week before Chaos in Tejas is a bad time to break an arm, especially if you're planning to get in the pit for Cro-Mags. He still managed to sell merch for the Night Birds, even with only one arm.
The members of Toys That Kill had a lot of energy, considering that members also played as FYP and in Underground Railroad to Candyland this weekend. The Slowmotions also played multiple shows this weekend, and left Texas for a west coast tour before heading back to Japan.
During their first song, Damian, the singer for Fucked Up jumped off stage and immediately began giving everyone in the audience, sweaty, meaty hugs. He started a circle pit that swirled around him and a guy on the speaker stack kept the mic cord elevated above the fray. Damian told the crowd how Austin, and Chaos in Tejas specifically, was the first place he had the self-confidence to take his shirt off, inspiring dudes in the audience, fat and skinny, to take theirs off too. After climbing up to the second story he pretended to stage dive off the railing, and laughed "What are you, crazy? We'd all die..." at the people who got ready to catch him. He got back in the crowd and impressively managed to keep singing while multiple people bounced off him simultaneously.
Dillinger 4 ended the night at Mohawk with a set that kept everybody in the crowd moving after Fucked Up. The singer claimed to have a contact buzz from weed smoke in the crowd, and told the audience, "If we turn into a jam band tonight, it's your fault." He also called out to Mike from the Night Birds, to see if he was still in the crowd, and when he got no response, he urged everyone to get on twitter after the show and claim Mike was a white power supporter.
[ED: Keith then caught some of Capitalist Casualties -- pictures are HERE.]
The last show I caught was Career Suicide at Beerland, it was at the end of the night the place was beyond packed and I had to crush my way up to the front. It was really dark and so sweaty my lens kept steaming up, but luckily there was plenty of beer flying around to wash it off with. The atmosphere reminded me of a scene from Fight Club, especially after one guy hit the ground with a broken nose, and the guy next to me who resembled the Thing kept smashing his bloody forehead into mine. Markus, the singer from the Boston band Brain Killer, was up front screaming along. After the show I saw the dude with the busted nose out front and he asked me to take a photo and show it to him, so he could see if his nose was straight. I told him it was straight enough and he probably didn't need to hit the emergency room. He thanked me and blew a bunch of blood on the ground. It was a fitting end to Chaos and Tejas.
If you missed it, you can check out all of our previous coverage from Chaos in Tejas (pictures from day 1 HERE and HERE, day 2 HERE and HERE, day 3 HERE and HERE, and the rest of day 4 here). More pictures from Keith, Harriet, and the rest of Tim's night at Mohawk/Beerland are below...
After three amazing days in Austin (pictures from day 1 HERE and HERE, day 2 HERE and HERE, and day three HERE and HERE), most of which I spent at Emo's, Chaos in Tejas came to a close for me across two venues. Black metal posse Black Twilight Circle was holding a bit of a showcase at Red 7 outdoors (with Dolorvotre, Ashdautas, Volahn, Arizmenda, Blue Hummingbird on the Left, Shataan, and Axeman) which was pretty much comprised of a core of a few members who rotated instruments and added new members as the night went on. Volahn was definitely my favorite of the bunch, though I missed both Ashdautas and Dolorvotre.
Meanwhile, Emo's outdoors was hosting a mostly crust/punk lineup that oddly enough featured Baroness as a headliner. Opening with a set from the Czech Republic's See You In Hell, the night also featured sets from Chicago hardcore crew Manipulation, Brooklyn nihilistic faves Perdition, Australia's Teargas (who played NYC twice... with Doom and with Tragedy), and powerviolence greats Capitalist Casualties. Perdition and Capitalist Casualties were definitely my favorites of the night, though I enjoyed every set. See you next year!
Before I got my lazy ass out to the shows, Tim Griffin, Keith Marlowe, and Harriet Roberts were already at Red 7 checking out Dillinger Four with Fucked Up and many others, and they took pictures to prove it: HERE. The rest of the pictures of everything described above, are below....
photos by Tim Griffin
Beirut @ ACL Live
Beirut are releasing their long-awaited third LP The Rip Tide on August 30 on Zach Condon's own Pompeii Records internationally and on Revolver in the US. New tracks "East Harlem" and "Goshen" both also appear on a limited edition single which is out now, and you can listen to both of those songs streaming below.
Beirut's recent live shows have included a sold out show at the Wellmont Theater in NJ, a small, private show in Stratosphere Sound Recording Studio, a small, private show in a Brooklyn loft, and a big show at ACL Live's Moody Theater in Austin last night (6/8) with Twin Sister. Pictures of Beirut from the Texas show are in this post (the Twin Sister pics are HERE).
Beirut's upcoming shows include Bonnaroo this weekend, Lollapalooza, Outside Lands, and a big Northside Festival show in McCarren Park with Sharon Van Etten which is now SOLD OUT (though they have to let some Northside Badgeholders in).
All tour dates, new song streams, new album tracklist, and more pictures from Austin, below...
photos by Tim Griffin
Peter Bjorn & John @ Antone's
Peter, Bjorn & John recently announced a tour with six local dates in September, but the September 14 show at Highline Ballroom is actually not happening (they were considering it and accidentally announced it, but it is 100% cancelled). That's ok though because there are still more than enough chances to see the band. Tickets are still available for MHOW and Bowery, Maxwell's, and Brooklyn Bowl. The Mercury show is sold out. Updated tour dates are listed below.
PB&J just finished the second leg of their April, May & June North American tour. The first leg hit Music Hall of Williamsburg and Bowery Ballroom twice, and according to a tour laminate, included a "Columbia Records Private Show." The second leg hit Antone's in Austin on June 1st. Pictures from that Texas show are in this post.
Oax opened the Austin show. Oax is the solo project of Giorgi Angelini. Giorgi has played bass in The Rosebuds and Bishop Allen, and previously sang in the band 1986 with Cully Symington, currently of Okkervil River (who play tonight). Oax releases a 5-song EP today (6/7). According to his facebook:
"The record was recorded by Giorgio Angelini in his home studio with the co-production help of Ivan Rosebud (The Rosebuds). The EP features guest performances by Jim Eno of Spoon and Chris Simpson (Mineral, Gloria Record). It's a hot one....and not like that Matchbox-20/Santana joint."The Rosebuds release their new album, Loud Planes Fly Low, today too! They leave on tour on June 10th and will open for Bon Iver on a lot of dates. Oax open for the Rosebuds in Texas on June 23rd, 24th & 25th.
Check out more pictures of Peter, Bjorn & John and Oax from the Antone's show, the setlist, and updaed PB&J dates, below...
photos by Tim Griffin & BBG, words by BBG
An uber-late Thursday night with Tragedy and Origin of M ruined me for Friday day shows (and daylight, for that matter), but I was not going to miss one of my favorite two-pieces, Iron Lung at Emo's outdoors on the 2nd day of Chaos in Tejas 2011 (June 3rd). The band was third on the bill that hot and sticky night. They played after Hatred Surge and Cider, and were followed by an amazing lineup of fast/brutal featuring Innumerable Forms, Extortion, Citizens Arrest, and the piece de resistance, a headlining set from none other than Autopsy. The show was a stark contrast to what was happeing on the inside state: Lower Dens, Milk Music, The Young, and Unholy Two. Allo Darlin' were supposed to play too, but they cancelled (their NYC shows seem to still be happenning though).
My "day" started with a mix of witty banter and powerviolence brutality from Iron Lung, the first of what would be several pits of the evening. The duo are bulldozer-strength despite their numbers, and incited stage dives & pits despite the early hour. After a set from the dependably great Innumerable Forms (though we need some new mat'l gentlemen!), which featured Justin of Mind Eraser backed by Mammoth Grinder, Extortion took the stage to play a fastball of a set to a highly responsive (and stagedive-y) crowd. The band's clean tone fast-core was great, and the band delivered a more powerful set than at Maryland Deathfest... possibly due to the lack of barrier?
Citizens Arrest followed Extortion. It was the NYC hardcore greats' last set in the foreseeable future, and the fans at Chaos in Tejas were definitely more receptive than the MDF bunch (also, barrier?). The show resembled the band's showing at Knitting Factory in December with plenty of stage dives, dancing, and general mayhem. Many of the dancing few were from band's themselves, so it was awesome to see members of great bands going apeshit just like the rest of us. Awesome set.
Autopsy headlined the evening, sitting comfortably in the middle ground between wide-eyed maniac and perfectly executed death metal veterans. The band played material from their latest Macabre Eternal, as well as earlier material during their hour+ set. From the moment that the band's intro music came on, the crowd was pressed up against each other in the front rows, with the audience swaying from side to side and front to back in the humidity. It was hot, but not hot enough for me to take my eyes off of Autopsy. Awesome set.
During Autopsy I poked my head into the Emo's indoor room where a sparsely populated crowd were enjoying Lower Dens (catch them on tour with Cass McCombs). I enjoyed the air-conditioning.
photos by Tim Griffin
Gruff Rhys @ Club DeVille
Austin venues Mohawk and Club DeVille border each other. If there's a loud show at Mohawk, a quiet show at DeVille will suffer. Thus, back on May 27th, as Gruff Rhys was taking the Deville stage he announced, "The idea is to play as many songs as we can... Before the Melvins kick in next door." Luckily, ultimately it wasn't a problem. H0key.net was there:
"The sweetness dripped heavy, especially on songs like 'Honey All Over' and 'If We Were Words (We Would Rhyme).' Gruff didn't go overboard, however. The fact that the Melvins and some other sludge metal type bands were playing next door helped out. It also gave an opportunity for Gruff to flex his wit.Wales instrumental surf rock quartet Y Niwl opened the show, and then became Gruff's backing band, like they're doing on the entire tour that started on May 18th at Knitting Factory in Brooklyn. The tour ends June 15th back in NYC at Mercury Lounge. Tickets for that one are still available.
Gruff also flexed his technological ability. The amount of noise gadgets that filled the stage exceeded my expectations. There were these wobbly, red light tipped, noise makers he shook every once in awhile. He had a tiny metal box with a red light shining on itself that produced sound. The coolest gadget for me was the record player he used to drop in effects and other items during songs. It's such a practical use for an old technology that you can get away with using it live and not have to drop major coin for a big computer box thingy to play sounds when needed."
Tickets are also still available for the June 18th screening of Gruff's movie Separado! at BAM where there will be a "Q&A with co-director and film subject Gruff Rhys" (we weren't sure last time we mentioned it).
More pictures from the Austin show, some videos from the Brooklyn show, and all tour dates (including a whole bunch of newly announced European shows), below...
photos by Tim Griffin
Melvins @ Mohawk
"It's hard to imagine an album like [Lysol] making an A&R's mouth water--and it certainly hasn't moved Nirvana numbers. But nonetheless, the churning Lysol has emerged as the secret blueprint for contemporary underground metal. The euphoric, spiritual hum of opener "Hung Bunny" spawned the eternal drones of Sunn O))) and Nadja; the triumphant joy-doom of closer "With Teeth" foreshadowed the uplifting "life metal" of Jesu and Torche; cramming the whole thing into one 31-minute track informed "experience" records like Sleep's Jerusalem. (Says frontman Buzz Osborne proudly: "I didn't want people to just be able to skip the first song.") Lysol was also a résumé builder for bassist Joe Preston; his presence on that album eventually helped him earn the bearded bruiser positions in High on Fire and Harvey Milk. Crover even lovingly describes once getting a cassette demo from Japanese cult heroes Boris, on which a track sounded "almost like an exact note-for-note vocal line [from Lysol] that he was singing in Japanese."" [Village Voice]The Melvins have been touring their way east, having already played two nights each in Seattle, San Francisco, Austin, Chicago and Boston. Each city gets a night of Lysol, Egg Nog, & Houdini followed by a night of Bullhead and Stoner Witch. Still to go is Minneaplis on June 13 & 14, and Music Hall of Williamsburg in Brooklyn this Monday (6/6) and Tuesday (6/7) night. Both NYC shows are sold out, but keep an eye out for any tickets that might be released last minute by the venue.
The Austin shows were May 27th & May 28th at the Mohawk in Austin. Pictures from the first night continue below...
photos by Tim Griffin & BBG, words by BBG
The Chaos has begun! Chaos in Tejas, which runs through Sunday, kicked off officially yesterday (6/2) with shows featuring headlining sets from Converge, Hooded Menace, The Spits, White Lung, and Cro-Mags.
My journey began with a few minutes of Crazy Spirit from NYC (who were awesome, and sold-out the inside room at Emo's) before heading to catch Trap Them as they kicked off the show at Mohawk. There was some trepidation in the room considering news that a Converge member had a health issue and would cancel the remaining dates of their tour, but Trap Them made sure to reassure the crowd that the band was on hand to play Austin last night. Converge news aside, Trap Them played another excellent set that saw Ryan McKenney open up his face (again) while climbing the PA, walls, and everything in between.
Cult of Youth were already playing at Emo's by the time I reached the venue, and the band's energetic folk peppered with violin was an excellent contrast to the rest of the night's speed demon punishing, but also just plain excellent. Vile Gash followed on the indoor stage shortly thereafter, playing a short set of pissed-off hardcore that got the pit moving. Their material on Youth Attack was represented well in the live setting. I caught the tail-end of Bone Sickness shortly thereafter. Their awesome and brutal death-metal was an another excellent contrast to the rest of the night.
Veins was next, and this hardcore crew comprised of members of Charles Bronson, Das Oath, Castevet, and more was fantastic. From the opening note of their set (the first song from their self-titled debut), the crowd was unhinged, and only got crazier when the band covered Sick of It All's "Straight Ahead". One of the highlights of my night.
After a set by The Slowmotions on the large stage, Double Negative opened up the pit again with their unique take on punk/hardcore. The North Carolinians had a helluva task to follow Veins, but were completely up to the task. Awesome set by these guys.
The crowd ate up Asta Kask's crusty confections on the main stage, but it was D-Clone (who headlined Emo's indoor) who brought us back down to hell. The Japanese band lives by the mantra "Noise Not Music", and their furious and high-energy hardcore was atonal, screeching and amazing. Sooo loud... their piercing noise lead to, according to an Emo's staffer, "the most earplugs we've ever sold". The last three sets at Emo's indoors (D-Clone, Double Negative, Veins) were total highlights for me.
Cro-mags finished off the crowd with classic NYHC material that included covers by Bad Brains, Leeway and others. The band's energetic set was amazing, and it's hard to argue that Jon Joseph is not one of the most energetic frontmen in hardcore. Bodies flew (see above) (and below).
After Cro-mags, I was still a bit restless so I sauntered on over to Broken Neck to catch Tragedy (again) with Origin of M... but I'll save that story for later (stay tuned).
Read about future CiT happenings in our guide. Our first set of pictures from Chaos in Tejas, all taken on the first day, continues below...
Tragedy fan at Europa (more by Konstantin Sergeyev)
No rest for the wicked. After a grueling weekend of heavy music at Maryland Deathfest (pictures of day 1 HERE, day two HERE, day three HERE, and day four HERE), I am looking forward to a mix of punk, hardcore, metal, crust, d-beat, and indie at Chaos in Tejas in Austin this week! Kicking off on Thursday (June 2nd) the four day festival features appearances from tons notables, day shows, after parties, and in-stores, some for free. Swing down for a blow by blow breakdown of what you should look for every day at the multi-venue music fest.
Thursday, June 2
Ah the start of the festival.... fresh legs and feet, and a hunger for tons of good bands. Thursday will sate your hunger too, as there are tons of great hardcore/metal shows to choose from. Shows tonight happen on both stages at Emo's, both stages at Red 7, at the Mohawk, Beauty Bar, Beerland and the Broken Neck.
Despite the high profile cancellation of Killing Joke at Emo's outdoor, CIT bounced back and added Cro-Mags to an already awesome lineup of rare appearances from strong>Asta Kask (Swedish d-beat), D-Clone (a rare show from these Japanese hardcore monsters), Veins (featuring Mark McCoy from Charles Bronson/Das Oath as well as Ian from Copremesis/Castevet), Double Negative (North Carolinian hardcore greats who released the awesome Daydreamnation last year), Vile Gash (brutal hardcore on Youth Attack), Japan'sThe Slowmotions, and NYC's Cult of Youth (dark folk with a great new LP on Sacred Bones) and Crazy Spirit (excellent hardcore with members of Perdition).
Thankfully, I can use my wristband from Emo's to hit up Red 7, right around the corner, where an awesome metal show will clash with an awesome garage show on the two stages. Finnish doomers Hooded Menace will headline on stage with Denmark's Undergang, crusty death metallers Acephalix (mems of the amazing Vastum), more death metal from Bone Sickness, and local death and rollers Mammoth Grinder. Meanwhile, the second stage will feature The Spits, the Arrivals, Shellshag, TV Ghost, and others. All of this means that I'll probably miss Converge/Title Fight/Touche Amore/Trap Them/Burning Love/the Menzingers at Mohawk and How I Quit Crack/The Indicator Dogs at Beauty Bar. At least I can end the night right with Tragedy and Origin of M at Broken Neck as part of an after-party. Yikes!
the rest of Thursday's schedule and what to do on Friday, Saturday and Sunday, below...