Entries tagged with: Austin
As tweeted at our special @bvSXSW twitter, BrooklynVegan is presenting 9 shows, 16 stages total, in Austin during the Music week of SXSW 2011 (March 16-19). That includes our official showcase at Swan Dive on Wednesday & official Dot Com Day Stage on Thursday.
Swan Dive (formerly Barbarella but completely remodeled) and Barbarella (formerly Spiros and Encore) are connecting venues on Red River, right at 7th St (between Emo's and Stubb's). Together the two venues have a total of three stages. We'll be presenting free shows on all three stages on Thursday and Friday and Saturday, each day from noon-6pm. Full lineup announcements (with partners and sponsors) coming very soon!
The full BrooklynVegan SXSW schedule listed with dates and venues below....
photos by Tim Griffin
Lucero played Emo's in Austin, Texas on Tuesday night (2/22), one night before they appeared on Carson Daly (can't find a video), with an assist from Robert Ellis & The Boys. Lucero's set included a cover of Jawbreaker's "Kiss the bottle" and Bill Withers' "Ain't no Sunshine." Speaking of bottles, the four-song encore was accompanied by special guest (bottle of) Jameson. Pictures from that show show are in this post.
The show is/was part of a few tour dates that the band has before they go out for a stretch of dates as part of Warped Tour 2011. That tour, which Peelander-Z is also a part of, hits Nassau Coliseum on July 23rd and Monmouth Park Raceway in Oceanport, NJ the next day. Tickets go on sale 4/1.
Lucero is also on board for Krazy Fest in Louisville on May 20-22 alongside bands like 7 Seconds, Against Me, Hot Water Music, Coalesce, Title Fight (who are coming to NYC), and many others. Not long before then, Hot Water Music frontman Chuck Ragan is scheduled to play the Bell House with Sharks. Tickets for the May 16th show are on sale.
More pictures and tour dates are below.
photos by Tim Griffin, words by BBG
Nearing 30 years in the industry, D.R.I. took the stage shortly before midnight and played till 1:37 a.m., setting off a flurry of bodysurfing from the pent-up teenage-and 20-somethings in the crowd seconds before the first song even began... No matter the viewing point, songs such as "The Application" and "Slumlord" were enjoyed by the youngsters with a fury of moshing angst, and by the older crowd with relaxed appreciation. After original singer Kurt Brecht pointed out that D.R.I. played its first show in 1982, he and original guitarist Spike Cassidy, longtime drummer Rob Rampy and bassist Harald Oimoen also delivered the goods on "Suit and Tie Guy" and closers "The Five-Year Plan" and "Violent Pacification" -[Examiner]That review comes from D.R.I.'s San Antonio date at White Rabbit, the day after they got all romantic with an Austin crowd at Emo's (on 2/14 aka Valentine's Day). With the lights dimmed and turned red, the Austin crowd swayed to the sexy sounds of the Houston crossover legends alongside Death Angel, Lazarus A.D. & Bonded By Blood, and with Before Dishonor & Southern Front adding a little hometown sensuality.
Austin & San Antonio were rare dates that converged two tours, D.R.I. and Death Angel/Lazarus A.D./Bonded By Blood. The D.R.I. tour continues on and the band will play Starland Ballroom on 2/27 with Mucky Pup before looping back afer European and South American tours to play Gramercy on 5/13 with Apathy & Horrifier. Death Angel's tour does not include an NYC date, but it does include a show at Scion Rock Fest (no BbB or LAD).
All tour dates and more pictures from Austin are below.
Converge at Santos Party House (more by Paul Birman)
After a pair of mega-announcements (first and second) which included names like Larm, Kreigshog, Hooded Menace, Youth of Today, Autopsy, and many esteemed others, Chaos in Tejas (June 2 - 5 in Austin) has expanded even more with a third batch of bands recently added to the ever-growing list of awesome. Newest additions include Converge, Guitar Wolf (who play NYC on 5/13), Mind Eraser (side project Innumerable Forms also on board), Cult of Youth, No Statik, Touche Amore, Hatred Surge, and many more.
Full Chaos in Tejas additions, some video and current Chaos in Tejas lineup (more announcements forthcoming) is below.
it's very white inside new Austin venue Swan Dive
So it begins. I'm proud and excited to announce the very special lineup of the 2011 BrooklynVegan SXSW official showcase which will take place Wednesday, March 16, 2011 at the new and swanky Swan Dive in Austin, TX (conveniently located at 615 Red River St). It looks like this:
08:00 Lady Lamb the BeekeeperIt should be a magical night for both SXSW badgeholders and those who pay admission at the door (details TBA). People have been raving about the new venue which was recently renovated, used to be Barbarella (which has moved next door), is located right at 7th & Red River, and is primarly used as a jazz club.
09:00 Olof Arnalds
10:00 Ted Leo (solo)
11:00 Sam Amidon
12:00 Sharon Van Etten
01:00 Evan Voytas
Ted Leo will be doing his thing solo and early (like he did at one of the BrooklynVegan day parties at Public Assembly this past CMJ), while Sharon Van Etten will be playing with her full band (unlike when she played a BrooklynVegan CMJ day party upstairs at Pianos in 2009).
Evan Voytas played the same BV day party as Ted during CMJ, and will again be showing up with a full band, but this time to close the SXSW night with his smooth and danceable jams.
Swan Dive is white in every direction
Sam Amidon (who played the very first BrooklynVegan event as part of Doveman's band with Aziz Ansari, Cloud Cult and Dave Deporis) is also bringing some band members, though I think Olof Arnalds will be playing the Swan Dive show solo (like she did at the BrooklynVegan Northside Festival showcase that Dave Deporis also played).
Lady Lamb the Beekeeper will open the show solo like she did at the BrooklynVegan-presented Rock Shop launch party that Tune-Yards and... Sharon Van Etten also played.
I think this is the first BV show with all BV show veterans on the bill, though none of them ever played a BV-SXSW event before (and Sam has never been billed as himself).
Sharon Van Etten & band are back out on tour soon - catch them on the road or when they get back home and headline Music Hall of Williamsburg on April 16th (exactly a month after the BV-SXSW show) with Little Scream. Tickets are still on sale.
Stay tuned for more BV-SXSW show announcements. An updated set of SVE tour dates, videos of all the artists on the SXSW bill, and more Ted Leo solo dates, below...
Yob at Scion Rock Fest (more by BBG)
Amongst the zillions of bands playing billions of showcases, every year presents certain must-go events at SXSW. Thursday Mar 17th at Barbarella Patio will feature an incredible line-up of bands as part of the Nanotear Showcase, co-headlined by the one-and-only Yob with Agalloch, and featuring appearances from Witch Mountain, Worm Ouroboros, Amber Asylum, Arabrot, and Wizard Rifle. The show will be Yob and Agalloch's lone appearance at SXSW, and the first date of a East Coast tour for Agalloch/Worm Ouroboros that will eventually land them at NYC's Le Poisson Rouge on March 22nd. Tickets are still available.
Yob recently cancelled their appearance at Roadburn, as well as their entire European tour. While that comes as sad news, the festival has added Keiji Haino, Jesse Sykes & The Sweet Hereafter, and a performance of Eve by Ufomammut in its entirety to counteract that. Full Roadburn lineup is below.
Arabrot will hit the road with Wizard Rifle, playing dates along the East Coast. More on those dates very soon, but for now check out some video, the Roadburn lineup and all Agalloch dates below...
photos by Ryan Barkan
"On Saturday, the singer/songwriter/artist Daniel Johnston turned 50 and he celebrated with a couple of personal appearances in Austin. After a short visit to Waterloo Records, Johnston turned up at his famous "Hi, How Are You" mural (at the corner of 21st and Guadalupe, across from the University of Texas campus).The Songs Daniel played were "The Last Song" and "Mean Girls Give Pleasure". Later that night, Dan appeared on his own birthday radio show which you can still listen to at his site. Wilco, Mates Of State, and Corin Tucker of Sleater-Kinney are among those you can hear giving Dan birthday wishes on the streaming show. Meanwhile, Dan's Kickstarter project to raise money for a comic book has already gone past its $10,000 goal, but if you still want to give, they're still taking money. More pictures from the party at the wall on Saturday, below...
Well-wishers sang him "Happy Birthday" then Johnston pulled out an acoustic guitar to sing a few of his own songs. Then he posed for a few photos with fans and that was it. Happy Birthday, Daniel." [30 Days Out]
The brilliant, controversial, legendary and much-covered 'outsider' folk musician (and visual artist) Daniel Johnston is turning 50 years old on January 22nd, and those closest to him are helping him celebrate with the launch of new projects including a call-in number where anyone can leave Daniel a 'Happy Birthday' message.
Call (936) 463-4688 now to hear a message from Daniel and to record your greeting. People are encouraged to "tell a story, sing Daniel a song, cover one of his songs, or anything else that lets Daniel, and his fans, know how much he means to you and to the world of music. Throw on a party hat if you got one, and leave any message you want. Any length you want. Anything goes."
Daniel will get all the messages, and most of them will air along with special musician guest messages, on a 50th birthday show happening on the new Daniel Johnston Radio (Radio.hihowareyou.com) on January 22nd at 8pm CT. The live birthday show will also include Daniel's music and stories from the man himself.
In addition to the birthday hotline and radio station, Daniel is also about to release his first-ever comic book. "Through Kickstarter.com, Daniel will raise money to publish a limited run of the comic book he's always wanted to make, titled Daniel Johnston's Infinite Comic Book of Musical Greatness. The comic will also exist online complete with music and interactive elements which will take Daniel's vision to a whole new dimension."
Stay tuned for the direct Kickstarter link UPDATE: It is live.
Besides a 2pm on 1/22 birthday appearance at the famous "Hi, How Are You?" wall in Austin (which you'll hear about if you call the number), Daniel has no upcoming live shows announced, but he did just play a 50th birthday celebration at Fitzgerald's in Houston, Texas on 1/14. Videos from that show ("Happy Birthday" included) are below...
Tragedy fan at Chaos in Tejas 2008 (photo by joecurry666)
After an initial lineup was announced earlier this year, Chaos in Tejas is back for more with another set of bands confirmed for the June 2nd - 5th Austin festival. Get to booking your ticket if you're interested in seeing Kriegshog (from Japan, their last show ever), a Youth of Today reunion (Ray Cappo, Porcell, Ken Olden + a drummer who isn't Sammy), Low Threat Profile, Omar Souleyman, Hooded Menace, Lower Dens, Double Negative, FYP, Oneohtrix Point Never, Veins (their only show ever), Universal Order of Armageddon, and many many others. Oh, and by the way, the previously discussed Autopsy appearance will be their only US show of the year. Full list of bands playing the multi-venue party is below.
In related news, Low Threat Profile (members of Lack Of Interest/Infest/No Comment) released their debut LP via Deep Six Records before the new year. Pick it up at your favorite distro/webstore, like Tankcrimes or Phantom City.
Universal Order of Armageddon play NYC TWICE soon; on 1/21 at Cake Shop with Trophy Wife (and more TBA) and 1/22 at Death By Audio with The Body, Orphan, and (according to Youth Attack) Salvation. Take note, the lineups have changed since we first posted, and differ from what Kill Rock Stars has posted (click the link for Baltimore and Philly date info too).
Current Chaos in Tejas lineup (more announcements are due soon), below...
DOWNLOAD: Crystal Stilts - Practically Immaculate (MP3)
"The Black Angels and Reverberation Appreciation Society are happy to announce the dates, location and initial lineup for Austin Psych Fest 4. The 4th annual festival will be held at The East Side Drive In, an outside venue in the heart of downtown from April 29 - May 1, 2011. Spanning the full range of the psych sounds, the festival honors the past while also magnifying the modern vanguard of mind-expanding music. The festival grounds will feature a multi-stage setup and wide-open spaces for you to stretch out and enjoy live performances from these bands and many more to be announced."Grab the free new Crystal Stilts holiday track above. Check out the Psych Fest lineup below...
Autopsy at MDF (by Justina Villanueva)
One of the worst things about Maryland DeathFest this year was that it fell on the same weekend as Chaos in Tejas in Austin. Thankfully, you won't have to make a choice next year as Chaos in Tejas 2011 will take place on 6/2 - 6/5 (MDF is in May). What's more, the Austin festival has announced its first round of as-many-as-100 bands including Autopsy (their second US show in 20 years), D-Clone (Japan, U.S. exclusive), Extortion (Australia), Isterismo (Japan, U.S. exclusive), Miasmal (Sweden), Ceremony, Xibalba (Mexico), The Slowmotions (Japan, U.S. exclusive), Perdition, Crazy Spirit, Vile Gash, Origin of [m] (Japan), Bone Sickness, Innumerable Forms, Reigning Sound, and Unbroken. That's an impressive cross-section of metal/crust/punk/hardcore so far, with a slate of indie and hip hop artists to be announced across the festival's seven venues. Stay tuned for updates.
Meanwhile a few of the Chaos in Tejas bands have been announced for Maryland Deathfest 2010 too, which has been finalized with the addition of Tragedy to the lineup. Full MDF lineup is below and tickets are on sale.
Current Chaos in Tejas and the full MDF lineups and some video is below too...
Butthole Surfers @ The Scoot Inn
"The idea of Butthole Surfers performing Locust Abortion Technician in its entirety was a curious one, I thought, when I first saw the announcement. I listened to the album carefully and wondered how they were going to pull it off with all that electronica and distortion and sampling and mixing, without it seeming like they were just playing a recording. Few of the songs are melodic tunes that are probably easier to recreate in a live show. It's a great album, but I just had trouble picturing it. It could have been a disaster if they hadn't prepared so well. And prepare they did. It was clear how hard they were working up there to pull off the performance, professionally and technically, and I for one truly appreciated the effort they made.Butthole Surfers played two shows at The Scoot Inn in their official hometown in late October. October 29th's Austin show was advertised as "1st set - Locust Abortion Technician; 2nd set - everything else", and then they played on Halloween with Meat Puppets.
Turns out that playing this album was a genius idea, executed perfectly. It was clear that not only had they been rehearsing, but they orchestrated the songs with a fresh spin. They played the entire album in one long, continuous exhale that gave a shape to the over-arching themes of the music in a way that isn't immediately apparent when you listen to the album." [Gibby n Me]
Now it's NYC's turn. And though there's no word on whether they'll perform an album, Butthole Surfers will play two holiday shows at one Brooklyn venue. Tickets go on sale Tuesday, 11/23, at noon for December 30th at Music Hall of Williamsburg ($35), and December 31st (New Years Eve) ($55). Openers TBA.
Meanwhile go check out some art by Brooklyn resident Gibby Haynes at Kidd Yellin in Red Hook (not far from where he currently resides).
Videos from Austin below...
It's 1PM in Texas and I just tied a bandana around my face before its time to get down to business. I'm not some outlaw out to rob a bank and hop on a speeding stagecoach; With the dry dirt and the hordes of kids in full-on circle-pit/floorpunch mode, a bandana or a surgical mask is a key tool in dealing with the clouds of dust that form around the chaos.
Chaos it was, off-stage that is, as the crowd popped for the likes of Suicidal Tendencies, Snapcase, Dwarves, Municipal Waste, Gwar, Mastodon and others on Fun Fun Fun Fest's Black Stage (where I spent a good bit of my time). Though I wandered to the Orange Stage to catch amazing performances from Cap'n Jazz, The Hold Steady & Descendents (among many others) and the Blue Stage to catch scorching shows from Big Freedia, Pharoahe Monch, Dam-Funk, and A-Trak, but it was the Black Stage where I caught pretty much every single band in action.
And that's a lot! One of the great things about the Black and Orange stages is that they are actually TWO stages each. A band will finish their set, and then on a stage right next to it, another band will line check and play. Times between bands varied (due to set time length and on occasion, technical difficulties), but there were moments when it was as low as 5 minutes between sets. More music and less downtime.
I started out my Saturday (11/6) with Black Congress, whose powerful post-hardcore impressed the early crowd. Hatred Surge followed, and even with a new singer in tow, the brutality has stayed a constant. Power Trip was next, and they do crossover-thrash that is less DRI/ Municipal Waste, and more serious/furious. Bands this good shouldn't play this early.
I'm very picky about sung vocals and punk rock, so it's sort of no surprise that I didn't care for either Bad Religion (who had no guitar in the mix for the first three songs), The Briggs or The Vandals, but I did enjoy what I saw of Strike Anywhere's live set (even though I am not into their recorded output). Dreadlocked singer Thomas Barnett is as energetic a frontman as I would see on the Black Stage all weekend, and really added tremendous power to the band's melodic hardcore.
Muncipal Waste (more here)
Strike Anywhere is from Richmond, and the band got a "Richmond represent" shout out from the great Municipal Waste that day. The band thrashed their way through one of my favorite sets of the afternoon, complete with thrown trash cans, a wall of death, stage diving, and an "execution" courtesy of fellow Richmond band Gwar. Gwar was fun in a kitschy way and delivered a great set later in the day, but the crowd energy and the precision of MW's live show was the most memorable.
Also on the Black stage were Valient Thorr and The Casualties who both delivered energetic sets, with the latter giving a crusty spin on the Ramones classic "Blitzkrieg Bop". The mohawk-ed kids went ape, and a wall of death, which was later faux-mocked by Municipal Waste when they initiated their own wall of death, was called upon by vocalist Jorge Herrera.
On the Orange stage, I managed to catch Woven Bones, The Appleseed Cast, and Jeff The Brotherhood. Jeff The Brotherhood is a staple of the small stage in NYC, so it was a bit odd to hear that guitar tone blaring out of 50 feet of PA speakers. Odd, but no less fun/impressive.
Along with Municipal Waste, Big Freedia was another one of my favorite sets of the day. Her nonsense odes to ass, ass, and ass-clapping were a pure sugar-rush and left 90% of the crowd in hilarious amazement and the other 10% with a big old "WTF" look. The Freedia set was tamer than her usual appearances, but no matter, it was still much fun and much booty-shakin. Dam-Funk would also get the crowd moving on that same stage hours later.
Seeing Big Freedia meant missing a good portion of Cap'n Jazz, who announced on stage that Fun Fun Fun would be their last show. Unbelieveably kinetic and powerful, Cap'n Jazz reminds me that emo is short for "emotional" and not just a psuedonym for pop-crossover. Mesmerizing and awesome.
Sunday (11/7) was a late start for me, so I got to the venue to see the tail end of Junius (who played 2nd, after Eagle Claw on the Black Stage). They're a band I'm very familiar with for their latter-Isis crunch-and-clean vocals steelo. It was surprisingly the next band that really got me going: Peelander-Z. With a large crowd looking on, Peelander-Z delivered an incredible mix of energy, stage presence, audience participation, fun and simple song-craft, and plain old good times. They played from the crowd. They stage dove. They led the audience in a giant game of limbo. They had a footrace. Totally fun.
I have a lot of recent experience seeing OFF!, High on Fire, Kylesa, Floor, Mastodon, and The Bronx, who all played the Black Stage that day. All gave predictably excellent shows though Kylesa in particular seemed a bit more energetic that usual (lots of Laura pogoing). It might have been the fact that FFF marked the end of their US tour with Torche and High on Fire, but they were particularly good on that sweltering Sunday afternoon. Floor was great as usual, though I enjoyed them more at Red 7 later that night... possibly because their music felt like a bookend to a great weekend. Both High on Fire and Mastodon's setlist delved into all of their recorded efforts which, as a long time fan, was comforting.
I'm not particularly scared of anyone, but Human Furnace of Ringworm gives me the shakes. His gravelly voice propels the rest of the Clevo-hardcore band forward and blew my mind that afternoon. They were one of my highlights of the day, and if I had only seen them and Snapcase on Sunday, I would have been content.
If my dad listened to modern music anymore, he would go apeshit for The Hold Steady. The band cranked out a crunchy Springsteen-esque set and sounded better than I have ever heard them before. Though they were killing on the Orange stage, I made the hard decision to bounce to catch the rest of Suicidal Tendencies' set.
Nothing against Mike Muir, but he isn't in the same shape that John Joseph of the Cro-Mags is (Muir and the rest of the known universe). No matter, it doesn't stop him from zigging and zagging back and forth on stage as the rest of Suicidal Tendencies runs through hits like "You Can't Bring Me Down" and "I Saw Your Mommy". High energy stuff; I can't imagine running in circles while trying to recite the words to "Institutionalized". Catch Suicidal and Cro-Mags together at Terminal 5 on November 14th.
If I was to pick two of my favorite sets from Sunday, the winners easily go to Snapcase and Descendents. Snapcase was brutal, technical, confrontational, and totally fun; the crowd gave back every ounce of energy that the band put in. From the opening notes of their third song, "Zombie Transmission" from Progress Through Unlearning, I knew that this was going to be a highlight. We need more shows from Snapcase.
Descendents, who we also need more shows from, are one of the few bands that pass my "no clean vocals in punk rock" test. Their songs are funny without being goofy, melodic without being overtly pop, and driving/hard when they want to be. Classics like "Suburban Home", "Bikeage" and a good portion of Somery, "Everything Sucks" and many of the highlights from that LP, and tons of others all made their way onto the setlist that night. And yes, the band made sure to fit in "All" and "Weinerschnitzel". Too fun, and though I left Mastodon early to catch them, I have no regrets.
As far as pictures go, we already split the fest up into ten other posts, my pictures from Saturday included. This post is number 11 and it includes all my pictures from Sunday (and it is our final set of Fun Fun Fun pics from this year) which continue, below...
photos by Tim Griffin
"This solo project from Animal Collective's Deakin (or Deacon, or Josh Dibb) was just as psychedelic, but in more of a dub vein, with spacey, ambient guitar over echoing reverberating distorted drum-pad beats. A pair of smoking-hot yoga-body hipster girls were dancing throughout--no idea how they found a beat to lock into, as loose as the rhythm was, but none of the guys nearby were complaining." [Dallas Observer]From some of our posts, you might think metal and punk dominated at Fun Fun Fun Fest, and honestly it kind of was the metal and punk bands who packed the most punch making it harder to enjoy the lighter fare all in one day, but there are many who probably spent all weekend at Waterloo Park and never even ventured over to the Black Stage once, not even to check out the spectacle that is Gwar who were on that the same time as Dirty Projectors on Saturday.
If indie rock/pop/chillwave was all you were looking for, or even just dancing and hip hop, you had more than your share of best new music to keep you occupied from noon to 10pm on the Orange and Blue stages. Sunday alone featured Deerhunter, Toro Y Moi, Washed Out, Deakin, Magic Kids, Best Coast (Wavves played the day before) and Cults, not to mention Yelle, Polvo, P.O.S. and A-Trak. Those are most of the artists pictured in this post which continues below...
photos by Tim Griffin
Fun Fun Fun Fest getting the Descendents as a last minute headliner fill-in for Devo was a big deal, and the size of the crowd that showed up Sunday night to watch the reunited California punk band proved it. It was almost definitely the biggest crowd at any one stage the whole weekend. They played on the Orange, aka the "indie" stage, that MGMT headlined the night before, and you could see that they pulled something like double the crowd, and there were a lot less people watching Mastodon one stage over Sunday night too, partially because the Descendents stole some of their crowd.
""It really was the equivalent of a punk-rock half-court shot at the buzzer," James Moody, co-owner of music booking agency Transmission Entertainment, said backstage on Sunday. "Our backs were against the wall. We're not a big organization. When you've got 10 days to book a monster headliner that you really respect it's hard. We were sweating it."That said, I ran over to Mastodon at the Black Stage for a minute, and their crowd wasn't too shabby either. A-Trak was playing at the same time to a large crowd on the Blue stage too. The Austin festival manages to pull in enough punk and metal fans to actually make Mastodon vs. Descendents (which was supposed to be Mastodon vs Devo) work just fine, from a crowd control point of view anyway. Oh, and the Descendents didn't forget who they were replacing. Like Snapcase (who dedicated the appropriately titled "Energy Dome" to Devo) and Weird Al Yankovic before them, the Descendents paid tribute to Devo. Their way of doing it was by covering "Uncontrollable Urge" during the encore which ended with "Bikeage".
Transmission's players needn't have worried -- playing its first show in many years and its only scheduled United States date, the Descendents drew throngs of true believers, with frontman Milo Aukerman sounding as enthused as ever on frenetic classics like "I Don't Want to Grow Up." Not bad for a guy who's pushing 50." [Austin Statesman]
The show did not dissapoint. Video of the encore, and other videos and more pictures including one of their setlist, below...
Digital Retribution: When I last interviewed you, you said of the Dead Kennedys reunion, "I thought it was fucking pathetic, though, when The Dead Kennedys went out without Jello as their singer." What I meant to say instead of whatever monosyllabic witticism I spouted is: What's the difference between DK and the reformed Misfits, who GWAR toured with?With 46 acts spanning multiple genres, all worth at least checking out, and most worth more than that, playing on four stages in a 10 hour period along with side attractions like a bungee jumping thing and a mechanical bull, and with three of us at Fun Fun Fun Fest, it shouldn't be surprising that it took us ONE, TWO, THREE, and now FOUR posts to cover just the pictures from Saturday. They continue below...
Dave Brockie (aka Oderus): I think there is a big difference, but don't expect the original product in either. I like Jerry and I would rather have him out touring and having fun than have him working in his machine shop. You can't blame him for wanting to cash in on how great The Misfits were, and enjoy himself in the process, plus give all of his pals jobs in his crew, and show his kids the time of their lives! So in that aspect, I think Jerry and what's left of The Misfits is cool, as long as you don't go in there expecting to see Glenn Danzig! I feel Jerry has earned the right to do whatever the fuck he wants through 30+ years of dedication to this music. Jerry never lets up, he is always gigging. Whereas the Dead Kennedys thing was just a one-shot money grab. They knew they could get away with it, do a year or two, cash in, and bail...and also, The Misfits actually got away with replacing their singer, with Mike Graves, and did a couple of great records! That was when we toured with them, and that was great! American Psycho is a great fucking album!
Floor at Red 7 for the BrooklynVegan Fun Fun Fun Fest After-Party
Robotic Empire dropped the exhaustive Floor box set earlier this year and now Chunklet will release a Floor DVD entitled Sight & Seen, a two disc compilation on the mighty Floridian band that spawned also-greats Torche and Dove. The DVD includes multi-angle video from both Floor renunion shows at The Earl in Atlanta (pictures here) as the centerpiece, the set also includes a featurette on the band with more live footage and interviews, audio from both shows, and older video that spans Floor's original run. If it's anything like the Harvey Milk Anthem DVD, you'll want to get your hands on it... Get your copy via Chunklet, but hurry; only 700 will be released in varying colorways. Look for it the first week of December 2010.
After a long day of incredible performances Sunday at Fun Fun Fun Fest (pictures are on the way), I was a bit worn out (not just from the day, but from Wednesday, Thursday, Friday, and Saturday too). But the energetic performances from all bands- Ratking is brutal crusty noise/hardcore featuring Coop from Made out of Babies, Mammoth Grinder is a personal fave, and Landmine Marathon was especially great with their new drummer- got my heart racing. Even though I caught Floor earlier that day at the fest, I enjoyed them much more as my final band of the Fun Fun Fun trek.... just incredible. Thanks to Transmission and all that filled Red 7!
More pictures from Red 7, and the Sight & Seen trailer, are below...
Tim's complete set of pictures from FFF Fest Saturday are split into two posts: HERE and HERE. A third set, that I took with far inferior skills and camera, but that fills in some blanks and includes stuff like a dude being thrown into a pool filled with thumbtacks, a member of Gwar storming the stage during Municipal Waste's set, and people waiting in line to get Wavves' autograph, continues below...
photos by Tim Griffin
Appreciative crowds turned up at all four [Fun Fun Fun Fest] stages [this past weekend], and the festival's vaunted circus atmosphere was out in force -- with plenty of traffic at the mechanical bull, the Eurobungy, the skate ramps and the arcade games set to free play. After a few weeks with unexpected, last-minute cancellations and other problems, Moody said the organizers were able to breathe a sigh of relief.The 2010 edition of Fun Fun Fun Fest, complete with constant dust in the air (a few smart people wore masks or bandanas over their face), is now over (and it's true, the dust is a bit uncomfortable, but the mud and rain last year was worse).
"All the snafus [like Devo cancelling] happened before the fest. We don't have a record of great luck, you know? Whether it be weather or bands or whatever," said Moody. "So when that kind of thing starts happening you start to wonder, 'Oh (expletive), is this gonna be another year with some weird curveball?' We were just hoping it wasn't a run of bad luck and it wasn't. We got a little bad luck before the festival but all kinds of good luck at the festival."
Even the dust cloud had a silver lining.
"We love the dust this year, because at least it's not raining," Moody said. "We hated the dust when it first happened a few years ago, but after it rained last year we were like 'Bring on the dust!'" [Austin 360]
photos by Tim Griffin
The 2010 edition of Fun Fun Fun Fest is now complete. You saw pictures from the first night. We have lots of possitive things to say coming up, but for now here is a part two of our photos - all from day two aka Saturday (11/6). They continue below...
ACL 2008 (more by Kyle Dean Reinford)
October 8-10, 2010 | Zilker Park, Austin, TXTickets go on sale today. The 2010 ACL lineup is below...
"The Austin City Limits Music Festival began as a modest, two-day event and now, as it enters it's 9th year, has become a perennial American music experience. Taking place at the heart of Austin, Texas in the legendary Zilker Park, ACL Festival has grown to 3 days, 8 stages and over 130 bands."
words by Kim Kelly, photos by Tyler Nutter
At roughly 4:30am on Friday, May 7th, I dragged my sorry ass through the doors of Philadelphia International and stumbled towards my gate, getting the usual hairy eyeball that all pierced, tattooed longhairs can expect to receive from the cranky security guards and sinking into a ripped polyurethane seat to wait. Ten hours, one flight fuckup, one rerouting, and a few thousand miles later, I was in Austin, TX, walking up to 600 Red River Street to catch the mighty EyeHateGod unleash hell at legendary dive Emo's. The NOLA sludge warriors were due to play their first two dystopian masterworks, In the Name of Suffering and Take As Needed for Pain, and there was no way I could miss it. EyeHateGod are the granddaddies of the viscous bastardized Southern hardcore that is New Orleans sludge, and now that all the members are legally allowed to cross state lines, have been touring like madmen across the US and Europe.
photos by Tim Griffin
The Dr. Dog and Deer Tick tour hit Emo's in Austin for a sold out show back on Saturday, May 1st. Tim happened to be in town and stopped by to shoot (though he got there too late for Deer Tick). His pictures of the headliner continue below.
The Dog & Tick show hit Philly last night, play the 9:30 Club in DC tonight (5/14), and end their run Saturday night at Terminal 5 in NYC. Tickets for that one are still available.
Dr. Dog are touring behind their new Anti-released album Shame, Shame. Deer Tick's new one, The Black Dirt Sessions, is out June 8th on Partisan. More Austin pics below...
Willie Nelson's website reports that, "We regret to inform you Willie Nelson and Family have to cancel or reschedule various upcoming tour dates. At this time, I am told that shows scheduled for May 7th-15th will be affected. Please contact the venue or original ticket agency for additional details." CMT seems to know that "the cancellation was said to be a torn rotator cuff Nelson suffered". If so, Willie might be in some pain at the Grand Ballroom in NYC TONIGHT (5/6) (definitely not cancelled).
In related news,
On May 27, the Austin City Council will consider a proposal to give West Second Street between Trinity and San Antonio streets the honorary name of Willie Nelson Boulevard, according to a statement from the city.Another reason Austin rules.
A statue of the Texas music legend will also be installed on West Second Street near the entrance to the new KLRU's Austin City Limits Studio in the W hotel nd condo project that is under construction. A model of the statue will be unveiled at a ceremony at 6:30 tonight at the studio's current location on the University of Texas campus. [Austin Statesman]
Affected & rescheduled dates, many which will now happen during the tour that brings him back to NYC to play Radio City Music Hall, below...
The Middle East @ the BV official showcase @ Club DeVille
Early in the day The Canadian Blast BBQ & Showcase broadcast live back to Canada. I caught an in-form You Say Party! We Say Day! who, according to the presenting DJ, were making their first performance in the US in four years. (A little research found they were banned from performing after touring without visas in 2006.) Earlier on I managed to catch the last half of roots rockers Justin Rutledge and The Beauties. (The Beauties played their own official SXSW show later that night at Soho Lounge.) From there it was on to the evening showcases and the first stop being St. David's Historic Sanctuary for singer-songwriter Miranda Lee Richards who was at the grand piano when we walked in and nearly in the dark off to the side of the altar. She was followed by another singer-songwriter with backing band, Sweden's Sofia Talvik.
I then moved on to the BV party to catch The Middle East who were playing their second-ever show on American soil. The set started slowly but was buoyant by the time they got to "Blood" off their recordings of The Middle East EP. A brisk walk across town and a behind schedule Tap Room at Six allowed me to catch all of England's indiepop quartet Allo Darlin. Behind schedule became a theme as I settled into the Galaxy Room Backyard (KCRW Showcase) where Fitz and the Tantrums were still setting up. Their set was something else. Fun all around, tight contemporary Motown dance numbers that had people dancing and singing and when the sound guy told the band they had only one more song, Fitz responded, "We're playing at least two more." Sadly, they did only play one more. The last band of the night was Sweden's Miike Snow and their dance pop numbers. It took nearly 40 minutes for them to change out from The Tantrums' set and the crowd had been patient but getting anxious by the time they went on. They battled a few sound problem during their set but Animal was the song everyone came to hear and when they closed their set with it, the crowd danced and shouted along to every word. Heading back to the car I stumbled upon Black Top Demon who were set up between 6th and 7th Streets along Red River. St. Patrick's Day revelers were moving and shaking in front of them and their stripped down kick drum, guitar setup as they played all kinds of blues and rock numbers and even a Johnny Cash tune.
More pictures from the day below...