Entries tagged with: Austin
Autopsy at MDF (by Justina Villanueva)
One of the worst things about Maryland DeathFest this year was that it fell on the same weekend as Chaos in Tejas in Austin. Thankfully, you won't have to make a choice next year as Chaos in Tejas 2011 will take place on 6/2 - 6/5 (MDF is in May). What's more, the Austin festival has announced its first round of as-many-as-100 bands including Autopsy (their second US show in 20 years), D-Clone (Japan, U.S. exclusive), Extortion (Australia), Isterismo (Japan, U.S. exclusive), Miasmal (Sweden), Ceremony, Xibalba (Mexico), The Slowmotions (Japan, U.S. exclusive), Perdition, Crazy Spirit, Vile Gash, Origin of [m] (Japan), Bone Sickness, Innumerable Forms, Reigning Sound, and Unbroken. That's an impressive cross-section of metal/crust/punk/hardcore so far, with a slate of indie and hip hop artists to be announced across the festival's seven venues. Stay tuned for updates.
Meanwhile a few of the Chaos in Tejas bands have been announced for Maryland Deathfest 2010 too, which has been finalized with the addition of Tragedy to the lineup. Full MDF lineup is below and tickets are on sale.
Current Chaos in Tejas and the full MDF lineups and some video is below too...
Butthole Surfers @ The Scoot Inn
"The idea of Butthole Surfers performing Locust Abortion Technician in its entirety was a curious one, I thought, when I first saw the announcement. I listened to the album carefully and wondered how they were going to pull it off with all that electronica and distortion and sampling and mixing, without it seeming like they were just playing a recording. Few of the songs are melodic tunes that are probably easier to recreate in a live show. It's a great album, but I just had trouble picturing it. It could have been a disaster if they hadn't prepared so well. And prepare they did. It was clear how hard they were working up there to pull off the performance, professionally and technically, and I for one truly appreciated the effort they made.Butthole Surfers played two shows at The Scoot Inn in their official hometown in late October. October 29th's Austin show was advertised as "1st set - Locust Abortion Technician; 2nd set - everything else", and then they played on Halloween with Meat Puppets.
Turns out that playing this album was a genius idea, executed perfectly. It was clear that not only had they been rehearsing, but they orchestrated the songs with a fresh spin. They played the entire album in one long, continuous exhale that gave a shape to the over-arching themes of the music in a way that isn't immediately apparent when you listen to the album." [Gibby n Me]
Now it's NYC's turn. And though there's no word on whether they'll perform an album, Butthole Surfers will play two holiday shows at one Brooklyn venue. Tickets go on sale Tuesday, 11/23, at noon for December 30th at Music Hall of Williamsburg ($35), and December 31st (New Years Eve) ($55). Openers TBA.
Meanwhile go check out some art by Brooklyn resident Gibby Haynes at Kidd Yellin in Red Hook (not far from where he currently resides).
Videos from Austin below...
It's 1PM in Texas and I just tied a bandana around my face before its time to get down to business. I'm not some outlaw out to rob a bank and hop on a speeding stagecoach; With the dry dirt and the hordes of kids in full-on circle-pit/floorpunch mode, a bandana or a surgical mask is a key tool in dealing with the clouds of dust that form around the chaos.
Chaos it was, off-stage that is, as the crowd popped for the likes of Suicidal Tendencies, Snapcase, Dwarves, Municipal Waste, Gwar, Mastodon and others on Fun Fun Fun Fest's Black Stage (where I spent a good bit of my time). Though I wandered to the Orange Stage to catch amazing performances from Cap'n Jazz, The Hold Steady & Descendents (among many others) and the Blue Stage to catch scorching shows from Big Freedia, Pharoahe Monch, Dam-Funk, and A-Trak, but it was the Black Stage where I caught pretty much every single band in action.
And that's a lot! One of the great things about the Black and Orange stages is that they are actually TWO stages each. A band will finish their set, and then on a stage right next to it, another band will line check and play. Times between bands varied (due to set time length and on occasion, technical difficulties), but there were moments when it was as low as 5 minutes between sets. More music and less downtime.
I started out my Saturday (11/6) with Black Congress, whose powerful post-hardcore impressed the early crowd. Hatred Surge followed, and even with a new singer in tow, the brutality has stayed a constant. Power Trip was next, and they do crossover-thrash that is less DRI/ Municipal Waste, and more serious/furious. Bands this good shouldn't play this early.
I'm very picky about sung vocals and punk rock, so it's sort of no surprise that I didn't care for either Bad Religion (who had no guitar in the mix for the first three songs), The Briggs or The Vandals, but I did enjoy what I saw of Strike Anywhere's live set (even though I am not into their recorded output). Dreadlocked singer Thomas Barnett is as energetic a frontman as I would see on the Black Stage all weekend, and really added tremendous power to the band's melodic hardcore.
Muncipal Waste (more here)
Strike Anywhere is from Richmond, and the band got a "Richmond represent" shout out from the great Municipal Waste that day. The band thrashed their way through one of my favorite sets of the afternoon, complete with thrown trash cans, a wall of death, stage diving, and an "execution" courtesy of fellow Richmond band Gwar. Gwar was fun in a kitschy way and delivered a great set later in the day, but the crowd energy and the precision of MW's live show was the most memorable.
Also on the Black stage were Valient Thorr and The Casualties who both delivered energetic sets, with the latter giving a crusty spin on the Ramones classic "Blitzkrieg Bop". The mohawk-ed kids went ape, and a wall of death, which was later faux-mocked by Municipal Waste when they initiated their own wall of death, was called upon by vocalist Jorge Herrera.
On the Orange stage, I managed to catch Woven Bones, The Appleseed Cast, and Jeff The Brotherhood. Jeff The Brotherhood is a staple of the small stage in NYC, so it was a bit odd to hear that guitar tone blaring out of 50 feet of PA speakers. Odd, but no less fun/impressive.
Along with Municipal Waste, Big Freedia was another one of my favorite sets of the day. Her nonsense odes to ass, ass, and ass-clapping were a pure sugar-rush and left 90% of the crowd in hilarious amazement and the other 10% with a big old "WTF" look. The Freedia set was tamer than her usual appearances, but no matter, it was still much fun and much booty-shakin. Dam-Funk would also get the crowd moving on that same stage hours later.
Seeing Big Freedia meant missing a good portion of Cap'n Jazz, who announced on stage that Fun Fun Fun would be their last show. Unbelieveably kinetic and powerful, Cap'n Jazz reminds me that emo is short for "emotional" and not just a psuedonym for pop-crossover. Mesmerizing and awesome.
Sunday (11/7) was a late start for me, so I got to the venue to see the tail end of Junius (who played 2nd, after Eagle Claw on the Black Stage). They're a band I'm very familiar with for their latter-Isis crunch-and-clean vocals steelo. It was surprisingly the next band that really got me going: Peelander-Z. With a large crowd looking on, Peelander-Z delivered an incredible mix of energy, stage presence, audience participation, fun and simple song-craft, and plain old good times. They played from the crowd. They stage dove. They led the audience in a giant game of limbo. They had a footrace. Totally fun.
I have a lot of recent experience seeing OFF!, High on Fire, Kylesa, Floor, Mastodon, and The Bronx, who all played the Black Stage that day. All gave predictably excellent shows though Kylesa in particular seemed a bit more energetic that usual (lots of Laura pogoing). It might have been the fact that FFF marked the end of their US tour with Torche and High on Fire, but they were particularly good on that sweltering Sunday afternoon. Floor was great as usual, though I enjoyed them more at Red 7 later that night... possibly because their music felt like a bookend to a great weekend. Both High on Fire and Mastodon's setlist delved into all of their recorded efforts which, as a long time fan, was comforting.
I'm not particularly scared of anyone, but Human Furnace of Ringworm gives me the shakes. His gravelly voice propels the rest of the Clevo-hardcore band forward and blew my mind that afternoon. They were one of my highlights of the day, and if I had only seen them and Snapcase on Sunday, I would have been content.
If my dad listened to modern music anymore, he would go apeshit for The Hold Steady. The band cranked out a crunchy Springsteen-esque set and sounded better than I have ever heard them before. Though they were killing on the Orange stage, I made the hard decision to bounce to catch the rest of Suicidal Tendencies' set.
Nothing against Mike Muir, but he isn't in the same shape that John Joseph of the Cro-Mags is (Muir and the rest of the known universe). No matter, it doesn't stop him from zigging and zagging back and forth on stage as the rest of Suicidal Tendencies runs through hits like "You Can't Bring Me Down" and "I Saw Your Mommy". High energy stuff; I can't imagine running in circles while trying to recite the words to "Institutionalized". Catch Suicidal and Cro-Mags together at Terminal 5 on November 14th.
If I was to pick two of my favorite sets from Sunday, the winners easily go to Snapcase and Descendents. Snapcase was brutal, technical, confrontational, and totally fun; the crowd gave back every ounce of energy that the band put in. From the opening notes of their third song, "Zombie Transmission" from Progress Through Unlearning, I knew that this was going to be a highlight. We need more shows from Snapcase.
Descendents, who we also need more shows from, are one of the few bands that pass my "no clean vocals in punk rock" test. Their songs are funny without being goofy, melodic without being overtly pop, and driving/hard when they want to be. Classics like "Suburban Home", "Bikeage" and a good portion of Somery, "Everything Sucks" and many of the highlights from that LP, and tons of others all made their way onto the setlist that night. And yes, the band made sure to fit in "All" and "Weinerschnitzel". Too fun, and though I left Mastodon early to catch them, I have no regrets.
As far as pictures go, we already split the fest up into ten other posts, my pictures from Saturday included. This post is number 11 and it includes all my pictures from Sunday (and it is our final set of Fun Fun Fun pics from this year) which continue, below...
photos by Tim Griffin
"This solo project from Animal Collective's Deakin (or Deacon, or Josh Dibb) was just as psychedelic, but in more of a dub vein, with spacey, ambient guitar over echoing reverberating distorted drum-pad beats. A pair of smoking-hot yoga-body hipster girls were dancing throughout--no idea how they found a beat to lock into, as loose as the rhythm was, but none of the guys nearby were complaining." [Dallas Observer]From some of our posts, you might think metal and punk dominated at Fun Fun Fun Fest, and honestly it kind of was the metal and punk bands who packed the most punch making it harder to enjoy the lighter fare all in one day, but there are many who probably spent all weekend at Waterloo Park and never even ventured over to the Black Stage once, not even to check out the spectacle that is Gwar who were on that the same time as Dirty Projectors on Saturday.
If indie rock/pop/chillwave was all you were looking for, or even just dancing and hip hop, you had more than your share of best new music to keep you occupied from noon to 10pm on the Orange and Blue stages. Sunday alone featured Deerhunter, Toro Y Moi, Washed Out, Deakin, Magic Kids, Best Coast (Wavves played the day before) and Cults, not to mention Yelle, Polvo, P.O.S. and A-Trak. Those are most of the artists pictured in this post which continues below...
photos by Tim Griffin
Fun Fun Fun Fest getting the Descendents as a last minute headliner fill-in for Devo was a big deal, and the size of the crowd that showed up Sunday night to watch the reunited California punk band proved it. It was almost definitely the biggest crowd at any one stage the whole weekend. They played on the Orange, aka the "indie" stage, that MGMT headlined the night before, and you could see that they pulled something like double the crowd, and there were a lot less people watching Mastodon one stage over Sunday night too, partially because the Descendents stole some of their crowd.
""It really was the equivalent of a punk-rock half-court shot at the buzzer," James Moody, co-owner of music booking agency Transmission Entertainment, said backstage on Sunday. "Our backs were against the wall. We're not a big organization. When you've got 10 days to book a monster headliner that you really respect it's hard. We were sweating it."That said, I ran over to Mastodon at the Black Stage for a minute, and their crowd wasn't too shabby either. A-Trak was playing at the same time to a large crowd on the Blue stage too. The Austin festival manages to pull in enough punk and metal fans to actually make Mastodon vs. Descendents (which was supposed to be Mastodon vs Devo) work just fine, from a crowd control point of view anyway. Oh, and the Descendents didn't forget who they were replacing. Like Snapcase (who dedicated the appropriately titled "Energy Dome" to Devo) and Weird Al Yankovic before them, the Descendents paid tribute to Devo. Their way of doing it was by covering "Uncontrollable Urge" during the encore which ended with "Bikeage".
Transmission's players needn't have worried -- playing its first show in many years and its only scheduled United States date, the Descendents drew throngs of true believers, with frontman Milo Aukerman sounding as enthused as ever on frenetic classics like "I Don't Want to Grow Up." Not bad for a guy who's pushing 50." [Austin Statesman]
The show did not dissapoint. Video of the encore, and other videos and more pictures including one of their setlist, below...
Digital Retribution: When I last interviewed you, you said of the Dead Kennedys reunion, "I thought it was fucking pathetic, though, when The Dead Kennedys went out without Jello as their singer." What I meant to say instead of whatever monosyllabic witticism I spouted is: What's the difference between DK and the reformed Misfits, who GWAR toured with?With 46 acts spanning multiple genres, all worth at least checking out, and most worth more than that, playing on four stages in a 10 hour period along with side attractions like a bungee jumping thing and a mechanical bull, and with three of us at Fun Fun Fun Fest, it shouldn't be surprising that it took us ONE, TWO, THREE, and now FOUR posts to cover just the pictures from Saturday. They continue below...
Dave Brockie (aka Oderus): I think there is a big difference, but don't expect the original product in either. I like Jerry and I would rather have him out touring and having fun than have him working in his machine shop. You can't blame him for wanting to cash in on how great The Misfits were, and enjoy himself in the process, plus give all of his pals jobs in his crew, and show his kids the time of their lives! So in that aspect, I think Jerry and what's left of The Misfits is cool, as long as you don't go in there expecting to see Glenn Danzig! I feel Jerry has earned the right to do whatever the fuck he wants through 30+ years of dedication to this music. Jerry never lets up, he is always gigging. Whereas the Dead Kennedys thing was just a one-shot money grab. They knew they could get away with it, do a year or two, cash in, and bail...and also, The Misfits actually got away with replacing their singer, with Mike Graves, and did a couple of great records! That was when we toured with them, and that was great! American Psycho is a great fucking album!
Floor at Red 7 for the BrooklynVegan Fun Fun Fun Fest After-Party
Robotic Empire dropped the exhaustive Floor box set earlier this year and now Chunklet will release a Floor DVD entitled Sight & Seen, a two disc compilation on the mighty Floridian band that spawned also-greats Torche and Dove. The DVD includes multi-angle video from both Floor renunion shows at The Earl in Atlanta (pictures here) as the centerpiece, the set also includes a featurette on the band with more live footage and interviews, audio from both shows, and older video that spans Floor's original run. If it's anything like the Harvey Milk Anthem DVD, you'll want to get your hands on it... Get your copy via Chunklet, but hurry; only 700 will be released in varying colorways. Look for it the first week of December 2010.
After a long day of incredible performances Sunday at Fun Fun Fun Fest (pictures are on the way), I was a bit worn out (not just from the day, but from Wednesday, Thursday, Friday, and Saturday too). But the energetic performances from all bands- Ratking is brutal crusty noise/hardcore featuring Coop from Made out of Babies, Mammoth Grinder is a personal fave, and Landmine Marathon was especially great with their new drummer- got my heart racing. Even though I caught Floor earlier that day at the fest, I enjoyed them much more as my final band of the Fun Fun Fun trek.... just incredible. Thanks to Transmission and all that filled Red 7!
More pictures from Red 7, and the Sight & Seen trailer, are below...
Tim's complete set of pictures from FFF Fest Saturday are split into two posts: HERE and HERE. A third set, that I took with far inferior skills and camera, but that fills in some blanks and includes stuff like a dude being thrown into a pool filled with thumbtacks, a member of Gwar storming the stage during Municipal Waste's set, and people waiting in line to get Wavves' autograph, continues below...
photos by Tim Griffin
Appreciative crowds turned up at all four [Fun Fun Fun Fest] stages [this past weekend], and the festival's vaunted circus atmosphere was out in force -- with plenty of traffic at the mechanical bull, the Eurobungy, the skate ramps and the arcade games set to free play. After a few weeks with unexpected, last-minute cancellations and other problems, Moody said the organizers were able to breathe a sigh of relief.The 2010 edition of Fun Fun Fun Fest, complete with constant dust in the air (a few smart people wore masks or bandanas over their face), is now over (and it's true, the dust is a bit uncomfortable, but the mud and rain last year was worse).
"All the snafus [like Devo cancelling] happened before the fest. We don't have a record of great luck, you know? Whether it be weather or bands or whatever," said Moody. "So when that kind of thing starts happening you start to wonder, 'Oh (expletive), is this gonna be another year with some weird curveball?' We were just hoping it wasn't a run of bad luck and it wasn't. We got a little bad luck before the festival but all kinds of good luck at the festival."
Even the dust cloud had a silver lining.
"We love the dust this year, because at least it's not raining," Moody said. "We hated the dust when it first happened a few years ago, but after it rained last year we were like 'Bring on the dust!'" [Austin 360]
photos by Tim Griffin
The 2010 edition of Fun Fun Fun Fest is now complete. You saw pictures from the first night. We have lots of possitive things to say coming up, but for now here is a part two of our photos - all from day two aka Saturday (11/6). They continue below...
ACL 2008 (more by Kyle Dean Reinford)
October 8-10, 2010 | Zilker Park, Austin, TXTickets go on sale today. The 2010 ACL lineup is below...
"The Austin City Limits Music Festival began as a modest, two-day event and now, as it enters it's 9th year, has become a perennial American music experience. Taking place at the heart of Austin, Texas in the legendary Zilker Park, ACL Festival has grown to 3 days, 8 stages and over 130 bands."
words by Kim Kelly, photos by Tyler Nutter
At roughly 4:30am on Friday, May 7th, I dragged my sorry ass through the doors of Philadelphia International and stumbled towards my gate, getting the usual hairy eyeball that all pierced, tattooed longhairs can expect to receive from the cranky security guards and sinking into a ripped polyurethane seat to wait. Ten hours, one flight fuckup, one rerouting, and a few thousand miles later, I was in Austin, TX, walking up to 600 Red River Street to catch the mighty EyeHateGod unleash hell at legendary dive Emo's. The NOLA sludge warriors were due to play their first two dystopian masterworks, In the Name of Suffering and Take As Needed for Pain, and there was no way I could miss it. EyeHateGod are the granddaddies of the viscous bastardized Southern hardcore that is New Orleans sludge, and now that all the members are legally allowed to cross state lines, have been touring like madmen across the US and Europe.
photos by Tim Griffin
The Dr. Dog and Deer Tick tour hit Emo's in Austin for a sold out show back on Saturday, May 1st. Tim happened to be in town and stopped by to shoot (though he got there too late for Deer Tick). His pictures of the headliner continue below.
The Dog & Tick show hit Philly last night, play the 9:30 Club in DC tonight (5/14), and end their run Saturday night at Terminal 5 in NYC. Tickets for that one are still available.
Dr. Dog are touring behind their new Anti-released album Shame, Shame. Deer Tick's new one, The Black Dirt Sessions, is out June 8th on Partisan. More Austin pics below...
Willie Nelson's website reports that, "We regret to inform you Willie Nelson and Family have to cancel or reschedule various upcoming tour dates. At this time, I am told that shows scheduled for May 7th-15th will be affected. Please contact the venue or original ticket agency for additional details." CMT seems to know that "the cancellation was said to be a torn rotator cuff Nelson suffered". If so, Willie might be in some pain at the Grand Ballroom in NYC TONIGHT (5/6) (definitely not cancelled).
In related news,
On May 27, the Austin City Council will consider a proposal to give West Second Street between Trinity and San Antonio streets the honorary name of Willie Nelson Boulevard, according to a statement from the city.Another reason Austin rules.
A statue of the Texas music legend will also be installed on West Second Street near the entrance to the new KLRU's Austin City Limits Studio in the W hotel nd condo project that is under construction. A model of the statue will be unveiled at a ceremony at 6:30 tonight at the studio's current location on the University of Texas campus. [Austin Statesman]
Affected & rescheduled dates, many which will now happen during the tour that brings him back to NYC to play Radio City Music Hall, below...
The Middle East @ the BV official showcase @ Club DeVille
Early in the day The Canadian Blast BBQ & Showcase broadcast live back to Canada. I caught an in-form You Say Party! We Say Day! who, according to the presenting DJ, were making their first performance in the US in four years. (A little research found they were banned from performing after touring without visas in 2006.) Earlier on I managed to catch the last half of roots rockers Justin Rutledge and The Beauties. (The Beauties played their own official SXSW show later that night at Soho Lounge.) From there it was on to the evening showcases and the first stop being St. David's Historic Sanctuary for singer-songwriter Miranda Lee Richards who was at the grand piano when we walked in and nearly in the dark off to the side of the altar. She was followed by another singer-songwriter with backing band, Sweden's Sofia Talvik.
I then moved on to the BV party to catch The Middle East who were playing their second-ever show on American soil. The set started slowly but was buoyant by the time they got to "Blood" off their recordings of The Middle East EP. A brisk walk across town and a behind schedule Tap Room at Six allowed me to catch all of England's indiepop quartet Allo Darlin. Behind schedule became a theme as I settled into the Galaxy Room Backyard (KCRW Showcase) where Fitz and the Tantrums were still setting up. Their set was something else. Fun all around, tight contemporary Motown dance numbers that had people dancing and singing and when the sound guy told the band they had only one more song, Fitz responded, "We're playing at least two more." Sadly, they did only play one more. The last band of the night was Sweden's Miike Snow and their dance pop numbers. It took nearly 40 minutes for them to change out from The Tantrums' set and the crowd had been patient but getting anxious by the time they went on. They battled a few sound problem during their set but Animal was the song everyone came to hear and when they closed their set with it, the crowd danced and shouted along to every word. Heading back to the car I stumbled upon Black Top Demon who were set up between 6th and 7th Streets along Red River. St. Patrick's Day revelers were moving and shaking in front of them and their stripped down kick drum, guitar setup as they played all kinds of blues and rock numbers and even a Johnny Cash tune.
More pictures from the day below...
So a few weeks ago,I sat down with Crustcake.com and Rich Hall (1000 Knives) to decide the greatest Austin venue for a metal show. BrooklynVegan metal is already going HUGE this year between a show on 3/17 at Emo's (with Torche, Fucked Up, Salome, Dark Castle, The Atlas Moth, Javelina and more TBA), and another day party at Red 7 on 3/20 (lineup TBA), so we figured why not go small. REALLY small.
BrooklynVegan/Crustcake/1000 Knives Present a Pizza Party at Hoeks Death Metal Pizza! The day show happening on Thursday, March 18th will be headlined by a special guest we can't announce yet and feature nine of our favorite destroyers. This show promises to be one of the biggest- um, I mean SMALLEST metal shows during SXSW. Who's on board?
lineup:Anyone from or who's been to Austin knows Hoeks. Even if you've never eaten there you can't miss their appropriately themed locale, conveniently located right on 6th Street between Red River and Neches. It's practically spitting distance from Emo's. The show itself will take place in the new venue that is actually the backyard of the restaurant.
* Special guest
* Kill The Client
* Landmine Marathon
* Book of Black Earth
* The Atlas Moth
* The Funeral Pyre
The party kicks off at noon. More details are on the way. Check out the flyer and some videos of other recent shows at Hoeks below...
yes we've lost our minds...
BrooklynVegan & AnSo Present:Thank you to Annie Southworth of Panache Booking aka AnSo for partnering with us on this amazing party. More info on the bands and stuff as we find time. In the meantime, happy to get this (yet another BrooklynVegan party at SXSW this year) announced!
A Day Party in Austin, TX!
@ Spider House (2908 Fruth St @ Guadalupe)
Thursday March 18, 2010
ALL AGES-FREE [No badges, wristbands or RSVP necessary]
19 bands on 3 stages (1 indoor and 2 outdoor)
Full bar w/ Drink Specials. In house restaurant & backyard BBQ.
6:00 Human Eye
4:00 Thee Oh Sees
3:00 Golden Triangle
1:00 The Beets
5:00 Jim Jones Revue
4:00 Slim Cessna's Auto Club
3:00 Kid Congo Powers
2:00 Carletta Sue Kay
1:00 Or, The Whale
12:00 La Strada
4:30 Everybody Was In the French Resistance Now (w/ Eddie Argos of Art Brut)
3:30 DM Stith
1:30 A Sunny Day in Glasgow
12:30 The Sandwitches
P.S. Odawas is also on the bill of the free BrooklynVegan Happy Hour show happening at Noise Pop in San Francisco this Saturday (2/27)
UPDATE: SXSW flyer below...
Rorschach at The Charleston (more by Ryan Muir)
Last year's jaw-dropping lineup at Chaos In Tejas was sick, and 2010 is proving to be no different. For four days across four different Austin venues, May 27th to the 30th at Emo's, Mohawk, Red 7 and Beerland, the festival will offer some of the most impressive names in the independent/underground scene including the indestructible Rorschach, the first ever US appearance from Australian punk greats X, a one-time reunion of Japanese crust-core band Bastard, the quirky cutesy indie pop-punk of Grass Widow, Gehenna (who just played A389), Subhumans, Bastard Noise (who have a new record), Bone Awl, BV faves Jeff The Brotherhood, The Spits, Psychedelic Horseshit, Ty Segall, The Ponys, Iron Lung (who recently played Cake Shop), Poison Idea, Inquisition, and many many many others.
In addition to the obvious mayhem that will ensue over the four days, Chaos in Tejas will also showcase art from some of the scene's most interesting names including Tim Kerr (of Big Boys), Winston Smith (responsible for tons of collage work, including the Dead Kennedys best album art), and Bryan Ray Turcotte (best known for his book Fucked Up and Photocopied).
The full (and intimidating) list is below...
DOWNLOAD: Harlem - Friendly Ghost (MP3)
Jay Reatard & Harlem shared a bill @ Emo's on Wed (photo by David Weaver)
"While [Jay Reatard's] set [at Emo's in Austin on Wednesday night] had all the makings of a fun night of pop-punk, it was sadly abridged at only 40 minutes -- less than the opening performance by Austin's own Harlem -- after two rowdy fans attacked Reatard on-stage shortly after he announced he was playing the night's final song. He retaliated by swinging his microphone stand and departed mid-song, giving the at-times rambunctious audience the finger as he exited the stage. There was to be no encore -- the lights went up and the PA music kicked in as the two intruding fans were arrested by police outside the club's Sixth Street entrance.I don't think Jay usually plays much longer than that anyway. Harlem, who were last here to play their label (Matador)'s showcase during CMJ (Jay is on Matador too), visits NYC again to play Mercury Lounge on February 10th. Tickets are on sale.
It was a good show -- while it lasted. And Reatard can't be held responsible for violent fans. But at less than 45 minutes and with a buzzkill of an ending, it's hard to regard the night as anything more than an initially promising disappointment. That's the sad thing about punk rock -- sometimes the anger overtakes the fun and an audience walks away let down. With a too-short set and a combative ending, Reatard's Wednesday night show ultimately felt less like a satisfactory set from a skilled player and more like a sad tease of the fun evening that might have been.
Update: The Austin Police Department's public information office has confirmed that Michael Buehrer, 20, and Peter Aravello, 23, were the two men arrested. Both have been charged with public intoxication.
Pitchfork has this statement from Reatard's publicist: "Jay was attacked, totally unprovoked, by two different people, both of whom were later arrested. One guy bolted onstage and came swinging at Jay, but security took him away pretty quickly. Soon after (the band hadn't stopped playing, by the way), another guy sprinted onstage and hit Jay. Unlike the first guy, Jay didn't even see this guy coming. So Jay defended himself with the mic stand until security took that guy away, too. Jay is safe and unhurt, and the cops were there for about an hour afterwards." [Austin 360]
Jay's next and only upcoming show is opening for Spoon (like he did in Brooklyn once) at the Riverside Theater in Milwaukee, Wisconsin on New Years Eve.
Harlem will announce more 2010 dates soon in support of their 2nd album, 'Hippies' which "hits North American record shops, farmers markets and digital storefronts on April 6 on the always popular LP, CD and MP3/FLAC configurations." MP3 from that album above. Cover art below...
SXSWeek 2010: March 12-21The intial lineup of bands playing the music portion, below...
Interactive: March 12-16
Film: March 12-20
Music: March 17-21
This Saturday (11/21) will be exactly two weeks since I saw Negative Approach at Red 7 in Austin. It will also be the day NA returns to Southpaw in Brooklyn. Tickets are still on sale (for the early show).
Austin & Brooklyn are two of seven cities NA announced shows in. There's also Sunday (11/22) in Long Branch, NJ.
The Austin show was one of a few official Fun Fun Fun Fest afterparties (another I went to was Forgetters at the same venue one day later). That dude in the cart above was one of many going crazy in the pit. Trash Talk was one of the openers and you can see their singer stagediving in the pictures that are continued below...
photos by V. Marc Fort (American-Statesman critic & Norushi Minx bassist)
When Jay-Z wasn't showing the Texans how his crew does it in Brooklyn, he spoke from the heart during his between song banter. "I know it sounds cliche, but don't let any haters block your dream," Hova said earnestly during one of the final breaks. Another one of the show's more intimate moments came when he brought up vocalist Bridget Kelly for two songs. After her inspired assist on "Empire State of Mind," Jigga Man smiled his biggest smile of the evening and said, "Damn...she put something extra on it for Texas...she put some extra bar-b-que sauce on it for Texas!" - V. Marc FortN.E.R.D. opened the show at the Frank Erwin Center at the University of Texas in Austin on Tuesday (11/10). The full setlist and more pictures below. A couple of weeks earlier Jay-Z did "Empire State of Mind" (the new 'New York, New York'?) with Alicia Keys at Yankees Stadium to kick off Game 2 of the World Series. That video is below too.
returns to Austin for another show on November 22nd (November 22nd was moved to November 10th). It's one of four more shows he has this month. Then in February of 2010 he'll get on the road again with a NYC-area show announced for March 6th at the Izod Center in NJ. Tickets for that show go on Citi Cardmember Presale on Tuesday, 11/17 @ 10am. That's followed by an "Internet Presale" two days later which is followed by general sale two days after that (Sat, 11/21 @ 10am). All dates, with the other stuff, below...
It's hard to find time to discover new music at Fun Fun Fun Fest because so many bands I already like play (and many of them at the same time), but exploring can still be done, sometimes accidentally and especially in the early hours. That's when I came across Austin's The Black and White Years (who I have since found out were just in NYC for CMJ) (they played Bowery Ballroom on 10/20). The impressive voice of their mustached frontman Scott Butler channels David Byrne and other greats. They have the new wave sound of Devo, and the legendary Ohio band's good looks too.
Before their set was finished I headed to the appropriately named Black stage (aka where Danzig would play later) to see some of Philly hardcore band Reign Supreme who were thrilled to be playing on such a big stage at such a big festival. They sounded good despite the early hour and having just lost their drummer (he quit) (their manager or someone was filling in), especially to the five-or-so floor punchers who must have gotten a good night's sleep the night before.
From there I walked around the grounds a little. The festival, in addition to having four stages of music, has plenty of things to look at and spend money on (food, posters, glass pipes, etc) scattered throughout the park (not the least of which was the mechanical bull which I featured prominently in the pictures of Day One). Then I caught some of Texas post-rock band (think Explosions in the Sky) This Will Destroy You, but not for long because that's about the time it started to rain. The rain didn't stop me from getting soaked for almost the entire rest of the day, but at this early point I decided to take shelter at least until Fuck Buttons came on.
I hoped/thought the rain would stop actually, if not for Fuck Buttons, then definitely for Mika Miko who were up after them. Everyone was optimistic that it was going to pass quickly, but it never really did until right before the end of the day (before Danzig went). I watched Fuck Buttons from various angles, trying to stay dry and get used to getting wet. Read all about their recent NYC show with Growing (who also played Sunday at the fest, but before I got there) HERE. More pictures from Sunday below...
The show was outside, in the afternoon, and it was raining. Even worse, the band forgot their telephone mic in LA! Neither of those factors stopped Mika Miko from putting on a great 2nd-to-last (unless they add more) punk show at Fun Fun Fun Fest in Austin on Sunday (11/8). "This will be the last time you see us... or maybe the first time..." they announced to the crowd, though I'm sure at least some people in attendance (like No Age for instance) will be at their very last show at the Smell (whenever they have it). As previously posted...
"In sad news for telephone-microphone hybrid fans everywhere, the L.A. art-punk quintet Mika Miko is calling it a day. The group, known for its breakneck rhythms, trashy guitar riffs and the slumber-party romp of its dueling vocalists, will wrap up their career after playing Austin's Fun Fun Fun Festival and, according to a band representative, a last 7-inch single and a show at the Smell."Co-vocalist Jennifer Clavin, when not moving to the side with a guitar, spent most of the show center stage with a mic and tambourine. She cleverly wore a Misfits shirt while performing on the very stage that Danzig would headline on six hours later (Mika Miko are also known to cover the Misfits).
Co-vocalist and saxophone player Jenna Thornhill did just fine with a standard microphone, both at this show, and later in the day when she played with her new band, the Strange Boys. Drummer Seth Densham is also now in both bands (but more about that later).
To add to the specialness of the show, many of Mika Miko's friends supported on the side of the stage including both members of No Age (who performed on day one of the festival) (Dean Spunt and Jennifer also happen to be a couple). Mika Miko encouraged everyone to crowd surf. One kid did so with the help of a skateboard. Dean even stage dove - over the security/photo pit, and into the crowd where he watched some of the show from the front row. He returned to the stage in time for the ending though. There were hugs all around and everyone was really wet and muddy. More pictures below...
DOWNLOAD: Voxtrot - Trepanation Party (MP3)
The real story here is that Voxtrot still exists! Or at least they did for one night at the Mohawk in Austin on Saturday (11/7). It was one of a few Fun Fun Fun Fest afterparties and the Octopus Project was also on the bill. They're now a four piece (Jared left the band), and the little I caught of their set (I got there late) brought me right back to the pre-backlash stage of the band. It helped that the show was in their hometown of Austin and the crowd wasn't afraid to cheer and dance.
It's unclear what the band's future plans are (probably even to them), but they did release a limited edition 7-inch & digital single called "Berlin, Without Return" in August. Earlier in the year they posted the new song that you can download above.
As mentioned, this show happened after a full day of music in Waterloo Park (which is only like six blocks away). More pictures from the Mohawk below...