Entries tagged with: BAM
Tangerine Dream at Moogfest 2011 (more by Diana Wong)
From June 1 - 7, BAMcinematek, will be hosting 'Tangerine Dreams,' a series of ten film screenings, all of which were scored by ambient pioneers Tangerine Dream. They'll be screening Miracle Mile, Legend, Strange Behavior, The Keep, Thief, Shy People, Le berceau de cristal, Near Dark, and Silent Running. The schedule with dates and viewing times is below. Tickets to all ten screenings are available and we're giving away a pair of tickets which include access to all of the screenings. Contest details are below.
The film series happens about a month before Tangerine Dream kick off their July tour which includes the previously discussed NYC show on July 7 at Best Buy Theatre. Tickets for that show are still available.
'Tangerine Dreams' schedule and contest details below...
Philip Glass at Tibet House benefit in February (more by Dana (distortion) Yavin)
BAM's 30th annual Next Wave Festival is going down from September 5, 2012 - January 19, 2013. The festival encompasses music, theater, film, dance and more. This year's programming includes Robert Wilson, Philip Glass and Lucinda Childs performing in Einstein on the Beach: an Opera in Four Acts; plus John Cale's Life Along the Borderline: A Tribute to Nico (w/ special guests, U.S. premiere); and When Past & Future Collide: Paris 1919 (w/ Wordless Music Orchestra, NY premiere); David Lang and Anonymous 4's love fail; So Percussion and Ain Gordon's Where (we) Live, and more. The complete list of 2012 Next Wave Festival programming is below.
Speaking of Philip Glass, the Philip Glass Ensemble will continue to celebrate his 75th birthday this year with a free show at Rockefeller Park on June 20 as part of the RIver to River Festival. The show will be opened by youth ensemble Face the Music, who will be performing Philip Glass' Glassworks. The show happens a few days after Philip finishes up his intimate three-night run at Issue Project Room.
Complete 2012 Next Wave Festival programming below...
What's better than getting a little sexy? Getting sexy for free at noon in the middle of Metrotech, BAM is guessing. That theory will be put to the test once again at the 2012 R&B Festival at Metrotech Commons, the annual, completely free and open to the public series going down throughout the summer. Kicking off on June 7th with a performance from the legendary Larry Graham and Graham Central Station, the party goes down every Thursday at noon until middle August and features appearances from Aloe Blacc, Fishbone, Blitz the Ambassador, The Orchestre Poly-Rythmo, Shemekia Copeland and NRBQ, Ky-Mani Marley, and more. Full shcedule is below.
The Orchestre Poly-Rythmo also play Central Park Summerstage while they're in town.
Aloe Blacc's appearance is one of THREE scheduled for NYC, including another free show at Lincoln Center on August 12th. He'll also be on hand to celebrate the late, great Curtis Mayfield on July 20th.
All Aloe Blacc dates, some video and the R&B Festival schedule, below....
Ok, I'll admit it. The first time I heard about BAM's Crossing the Ferry series, I quickly concocted an idyllic scenario that may or may not have involved sipping white wine on the deck of a boat lit with twinkling Christmas tree lights with Sufjan or an unidentified Dessner brother at my side. (Really, could someone get on the whole ferry show idea, please? Something other than the booze cruise?) Luckily, I had a few days for the disappointment to wear off.
Curated by the Bryce and Aaron Dessner of The National, The Crossing the Ferry series is a three-night, multi-room spectacle of music and film. Many of the likely suspects are there (My Brightest Diamond and Beirut Saturday, Sharon Van Etten on Thursday). But there are also a few wild cards.
Due to an early start time, I missed the first few sets, but arrived on Friday in time to catch a few in rapid succession, starting with the indie-soul outfit Ava Luna, who had a much more raucous, percussion-heavy sound than I remember. Back downstairs in the gorgeous Howard Gilman Opera House, I caught an intense performative DJ set by composer Tyondai Braxton (formerly of Battles) who sat atop a crazy metal table, surrounded by a complex web of blinking lights, laptops, and samplers.
The back and forth nature of the event created a festival-like atmosphere. Following Braxton's set, I headed back to the BAM Cafe to check out another artist I had never seen - Sinkane, whose spacey sound effects seemed a good match for the room's clean, futuristic design. Though the cafe space itself was visually appealing, the acoustics were lacking, so I soon set up camp in the Opera House where impeccable sound and gorgeous lighting provided the perfect accompaniment for The Antlers' brooding, atmospheric sound. With the exception of a song or two (including one that was brand new), The Antlers focused on the material from last year's Burst Apart.
With the upstairs cafe running some 20 minutes behind, I regretfully decided to skip Buke & Gass to ensure a prime seat for St. Vincent. While The Antler's multi-layered, methodical sound encouraged me to sink calmly into my plush red seat, I quickly perked up from the first notes of St. Vincent's set. Clad in rock star black, her hair loose and wild, Annie Clark is a force behind the guitar and a charmer at the mic.
Backed by a talented three-piece band, Clark covered a wide array of songs, from a handful of older favorites ("Actor Out of Work" and "Marrow") to a number from last year's excellent Strange Mercy and a cover by The Pop Group ("She Is Beyond Good and Evil"). During "Krocodil," an aggressive new song (that was released as an exclusive 7" for Record Store Day), Clark catapulted off stage and forcefully made her way through the crowd, stepping onto chairs and reaching out to hit people as she made her way. (There's video below.) After fearlessly crowd surfing in the orchestra pit, she managed to end up back in stage at precisely the last moment of the song, and darted off, only to return for a brief encore ("Your Lips are Red").
Pictures and video from night 1 are here. Night 3 is on the way. Pictures from all the night 2 bands are below, along with video of St. Vincent performing "Krokodil."
The Walkmen @ BAM
BAM's Bryce and Aaron Dessner-curated Crossing Brooklyn Ferry series/festival had its first night Thursday. It continues tonight/Friday with a lineup headlined by St. Vincent and The Antlers (and Saturday with Beirut and Atlas Sound).
Music kicked off at 5pm with early slots filled by indie-classical acts like yMusic and JACK Quartet. Composer-uke-player Jherek Bischoff started things out inside the Howard Gilman Opera House at 7pm, and his set featured guest spots from David Byrne and Amanda Palmer. Check out the pictures below.
The first band I saw was Twin Shadow, an act that always sounds a lot better to me on record than live (something about George Lewis Jr.'s voice and the intricacies of the production don't translate exactly on stage). A welcome special guest, the Blackfire Percussion, added drum corp percussion on a few of the songs.
Sharon Van Etten powered through a set that highlighted how much she's evolved since her early acoustic days. She offered a throwback to her Because I Was In Love debut with a solo version of "I Fold" dedicated to her parents. Aaron Dessner, who produced Tramp, played guitar on a few of the tracks. And Sharon tapped "Serpents" for the triumphant, soaring closer.
Sharon Van Etten @ BAM
The Walkmen navigated a set of new tunes and classics: in addition to putting out their sixth LP, Heaven, in June, this year marks the 10th-anniversary of their debut, Everyone Who Pretended to Like Me Is Gone. Among the songs played were "Angela Surf City," "In the New Year," "Blue As Your Blood" and new tracks "Heaven," "Heartbreaker" and "Southern Heart." Hamilton, as always, stretched the limits of his voice to good effect, especially on the haunting A Hundred Miles Off track "All Hands and the Cook." The band closed with an encore of "We've Been Had," which they noted was the first song they wrote as a band.
Between those last two I ventured to the BAM Cafe to see Zs, playing as a duo and sounding completed different than the last time I saw them in July. Guitarist Ben Greenberg describes the change as "The old stuff was like an old Soviet tank driving down Main Street; the new stuff is like a spaceship landing on City Hall." The shift from angular guitar and skronking saxophone to whatever they do now was pretty evident in the small snippet that I caught. Greenberg's guitar laid dubby rhythms lines while Sam Hilmer's sax played melodies and riffs off in the distance. Hopefully they'll line up more shows soon. (As Hubble, Greenberg makes the NYC debut of that project's "quadraphonic Hubble Superposition set" tonight.)
After that I caught a few songs by Yellowbirds, hidden up in Cinema 3 and playing to a crowd of about 20 people (including Conrad Doucette). The Jonathan Richman-esque two-piece was a nice surprise to find soaked in the smell of movie-theater popcorn.
(People Get Ready and Heather Broderick played, and a program of short films screened, but I arrived too late to see them. And I only caught a snippet of Callers by skipping the end of Twin Shadow.)
One bummer about the schedule is that, with the exception of the extremely early classical sets, it's impossible to see more than a few minutes of the smaller bands without skipping the headlining acts. That scheduling, and the vague, unnecessary "Brooklyn" theme, are a bit puzzling, but all in all the fest is a good chance to see bands like the Walkmen and Sharon Van Etten in the gorgeous Howard Gilman Opera House, a space that's surprisingly intimate and cozy for its size (and having the first few rows of seats removed for the crowd to stand was a nice touch).
More pictures from Thursday below...
The three-night, three-stage-per-night, Dessners-of-the-National-curated Crossing Brooklyn Ferry festival begins at the Brooklyn Academy of Music in Fort Greene tonight (5/3). The three stages are Howard Gilman Opera House (the big names), BAMCAFE (the smaller names) & BAM Rose Cinemas (a mix of film and other music). Things begin early too. The Walkmen headline the big room at 10:45pm tonight, but the music begins with the JACK Quartet in BAMCAFE at 5pm. The full schedule is at their site.
Before the Walkmen is Sharon Van Etten who spent last night covering the Stooges with Mike Watt and members of Dinosaur Jr. Before Sharon is Twin Shadow who may or may not to continue playing new material like they did recently at Glasslands. And before them is Jherek Bischoff who is rumored to be playing with a very special guest or two which is not surprising at all given who showed up to play with him at the Ecstatic Music Festival, and who appears on his new album Composed (out 6/5 on Brassland). This is the album's tracklist:
Introduction (Defeat)Jherek also plays on the new Amanda Palmer record. You can download and listen to the Zac Pennington & Soko track below...
Eyes (Jherek Bischoff & David Byrne)
The Secret of the Machines (w/ Caetano Veloso & Greg Saunier)
The Nest (with Mirah Zeitlyn & Paris Hurley)
Blossom (Jherek Bischoff with Nels Cline)
Your Ghost (with Craig Wedren)
Counting (with Carla Bozulich)
Young & Lovely (with Zac Pennington & Soko)
Insomnia, Death And The Sea (with Dawn McCarthy)
photos by Ed Lefkowitz, words by Andrew Frisicano
Rahzel & Kenny Muhammad @ BAM
The Questlove-curated "Shuffle Culture" debuted at the BAM Howard Gilman Opera House last night (4/19). As promised, a rotating cast of performers including Deerhoof, the Metropolis Ensemble, DJ Jeremy Ellis, D.D. Jackson and Sasha Grey (not to be confused with Gray) graced the stage at different times, performing in 5 to 10 minute bursts before transitioning into the next act. I had little idea what to expect going in and I think the show benefits from the blind approach (aka don't click below if you're going tonight).
The two-show run concludes tonight with Willis Earl Beal and Gray (not to be confused with Grey) replacing Reggie Watts. Both should fit well into the atmosphere of the gig. Tickets are still on sale.
More about the show and pictures are below...
Twin Shadow in Chicago in 2011 (more by Matt Ziegler)
Twin Shadow are playing Glasslands Gallery on Thursday, April 26 (two days before they play the Sweetlife Fest and about a week before they play BAM). Tickets for the relatively intimate Brooklyn show are on sale.
Other aritsts playing the Sweetlife Festival at Merriweather Post Pavillion in MD on April 28, include AVICII, Kid Cudi, The Shins, Explosions in the Sky, Fits & the Tantrums, Delta Spirit, and Action Bronson.
Twin Shadow are also playing Lollapalooza this year.
by Andrew Marinaccio
The Tribeca Film Festival is readying itself for another week-long celebration of cinema next month. Screening from Thursday, April 18-29, the event will continue its customary beats, including a variety of talks ranging from a chronicle of Universal Studios with Robert De Niro, Meryl Streep, and Judd Apatow to modern efforts in Avant-Garde film preservation, a gallery installation at New York Academy featuring winning artwork from the festival's jury competition, and family events including an ESPN-sponsored sports day and street fair. Or, if you're feeling limber, you even can attend a showing of "The Goonies" where you can compete in a no-holds-barred "Truffle Shuffle" dance contest. A full list of events can be found here.
Documenting the 150-year history of the Brooklyn Academy of Music, director Michael Sládek (Con Artist) compiles footage from the landmark venue's illustrious past performers in Bam150, including recent interviews with Laurie Anderson and performing arts authority Robert Wilson. The film turns to art history in articulating BAM's role in legitimzing Brooklyn as a modern "cultural Mecca."
Don't Stop Believin': Everyman's Journey tells the story of 2006 Internet curio Arnel Pineda, a Manila native who rose to postmodern stardom via Youtube videos of his cover band's performances. While exposure launched him to ubiquity, it also brought him closer to the bands he emulated than most music video hit-mongers, landing him a singing gig as the successor to Steve Perry in Journey. The documentary follows Pineda from slum squalor to world-tour escapades, studying how he's dealt with the "demands of his newfound fame."
First Winter, the feature-length directorial debut of NYU film graduate Benjamin Dickinson (who's directed music videos for Q-Tip, LCD Soundsystem, and The Rapture) dares to ask what happens to a group of isolated Brooklyn hipsters during a stark blackout when the "sex, drugs, and acoustic guitars" grow dull and give way to tension that threatens their ability to survive the "apocalyptic" outage. Self-proclaimed hipster context aside, the film seems scant on ironic snark as the clan ernestly attempts to rough it in the frigid sticks.
Brooklyn rapper and producer John Forte, most known for his Grammy-winning record work with The Fugees' on The Score, is followed on his "From Brooklyn to Russia With Love Tour!" the first major undertaking of his multimedia company Le Castle in Russian Winter. Petter Ringbom's documentary captures one of the greater creative shifts of a musician reclaiming momentum after serving an 8-year prison prison sentence in the last decade, immersing himself in the sounds of distant culture as he remains dedicated to continuing the art fate gave him a second chance at publically making.
the PS22 Chorus (photo by Bao Nguyen)
Another Youtube phenomenon, the often-seen-on-BV PS22 Chorus, have their viral stardom explained in Once in a Lullaby: The PS22 Chorus Story. Focusing on their days leading up to their performance at the 2011 Academy Awards, chorus teacher Gregg Breinberg attempts to organize his students amid adolescent insecurities like homesickness, feeling left out, and the intevitable disorientation of instant fame. There will be a Q&A with Breinberg and director Jonathan Kalafer after the screening (which is also the film's world premiere).
Editors's note: Not only in the name of full disclosure, we're also proud to point out that BrooklynVegan contributed to the PS22 documentary in small ways whenever possible, including introducing the director (an old friend who happened to decide to take this project on) to BrooklynVegan photographer Bao Nguyen who you will notice is listed as one of the film's producers and Director of Photography. Go Bao!
The Zen of Bennett documents legendary crooner and all-around class-act Tony Bennett as he recorded his latest Duests compilation with the likes of Lady Gaga, Aretha Franklin, and Amy Winehouse. Aside from a short monologue on the obscelence found in modern consumer culture that'll leave you "broke" (stating to have come from an era when "everything was made with quality") he riffs on that topic by simply saying that he hopes to bring that old-world standard of quality to his performances, which Bennett believes is ultimately what the public notices. If Zen gives him the chance to wax philsophic, modern cool should probably pay heed to the teachings from the Book of Bennett and learn a thing or two.
What do you want to see? What else is worth noting? What did we miss?
Ticket packages are available now, with single tickets on sale to the general public on April 16 and on sale to AmEx card holders as of today. Check here for a full list of ticket options and single ticket sale dates for downtown residents (and try their Facebook ticketing thing if you're having trouble figuring it all out like we are).
Trailers and other links below...
photos by David Andrako
Dr. John & Dan Auerbach (of the Black Keys), along with the Locked Down Band (aka Dave Guy-trumpet, Aaron Johnson- trombone, McCrary Sisters - background vocals, Leon Michaels - keyboards, Nick Movshon - bass, Brian Olive - saxophone, Yoshihiro Takemasa - percussion, and Maximillien Weissenfeldt - drums), complete their three night run at the Brooklyn Academy of Music this evening (4/7). Here are some pictures and the setlist from the first night. More below...
"For over 40 years, Dr. John has taken the exuberant and raucous sound of New Orleans under his wing, preserving its lore and channeling it through his own style of rhythm and blues. This spring, the good doctor comes to BAM with an extraordinary entourage of musical guests for an artistic residency, offering three distinct perspectives on his formidable career.As previously mentioned (and HERE), "Locked Down", also the name of the album that you can stream now in full at Spotify, begins at the Brooklyn Academey of Music TONIGHT, April 5th, and runs through April 7th. Tickets are still available.
In "Locked Down," Dr. John is joined by The Black Keys guitarist and singer Dan Auerbach to premiere hard-hitting tracks from their widely anticipated [released] album (out April 3). Don't miss this one-time chance to hear Dr. John and Auerbach perform their critically-lauded project live." [BAM]
John and Dan stopped by Fallon to play a song off the album. If you missed it, watch below...
Questlove at Brooklyn Bowl (more by Eric M. Townsend)
The lineup for BAM's Questlove-curated Shuffle Culture Fest has been announced and includes Reggie Watts, Deerhoof, Sasha Grey, Willis Earl Beal, Metropolis Ensemble and others. The full list is posted below. Tickets for the two-night affair (Apr 19th & 20th) are already on sale.
In addition to that, the lineup to the Roots Picnic in Philly on June 2nd and 3rd was recently announced.
Also coming up at BAM (and on sale) are Crossing Brooklyn Ferry, the Bryce and Aaron Dessner-curated shows, and several nights with Dr. John (whose guests include the Black Keys' Dan Auerbach, Rickie Lee Jones, Blind Boys of Alabama).
* "A Louis Armstrong Tribute" (March 29-31), an homage to the great Louis Armstrong by Dr. John and his collaborators.Lineups for both BAM fests are below...
* "Locked Down" (April 5-7), the first time Dr. John, Auerbach, and their handpicked band will perform songs from the new album of the same name.
* "Funky But It's Nu Awlins" (April 12-14), an all-out funk-infused night of New Orleans music featuring key players from the Crescent City including The Blind Boys of Alabama.
Remember that Dessner brother-curated festival, "Crossing Brooklyn Ferry," which is happening at BAM from May 3-5? And remember how when we posted the National-curated ATP lineup we suggested (for obvious reasons) that it might hint at the BAM lineup? Well, the lineup is out now, and there are definitely some similarities to that, and also not surprisingly, to the ongoing Ecstatic Music Festival which is great at highlighting the growing mix between indie rock and indie classical that the Dessners are huge fans of and participants in.
The three day Brooklyn Academy of Music festival includes The Antlers, My Brightest Diamond (w/ yMusic), Sharon Van Etten, and Buke and Gase who are all playing ATP, in addition to The Walkmen, St. VIncent, Beirut, Atlas Sound, Tyondai Braxton (formerly of Battles), Oneohtrix Point Never, Caveman, Sinkane, Twin Shadow, Jherek Bischoff, Pat Mahoney and Nancy Whang (DFA DJ set), Ava Luna, and others which are all listed below. As mentioned, the fest also includes the Brooklyn Youth Chorus and the NOW Ensemble.
3-Day Festival Passes go on sale Monday (3/5) to friends of BAM and Tuesday (3/6) to the general public. More details and schedule at the Crossing Brooklyn Ferry website.
Full lineup below...
Rufus Wainwright in Brooklyn (more by David Andrako)
Rufus Wainwright's Prima Donna opera is currently running live at BAM. The NY Times was at opening night and unfortunately wasn't impressed. The Daily News has a review too. Check BAM's site for tickets to remaining performances.
Sick of all this opera stuff, and just yearning for a good old fashioned performance by Rufus? If so, you got your wish, as Rufus Wainwright will return to the Howard Gilman Opera House at BAM on May 9, 2012 for what appears to be a regular concert, and tickets are on pre-sale now.
More tour dates are listed below...
Speaking of "Crossing Brooklyn Ferry", the Dessner brother-curated festival coming to the Brooklyn Academy of Music in May (May 3-5 to be exact), I have the names of a few people who will be part of it.
The Brooklyn Youth Chorus, who worked with the Dessners in 2011 (for a show at St. Ann's and an Ecstatic one at Merkin Concert Hall), will sing a major new work written for them by Bryce Dessner. The NOW Ensemble will perform Sarah Kirkland Snider's "Pale As Centuries", a work they premiered in October at the Miller Theatre as part of the SONiC Festival. That happens on May 5, 2012. The Brooklyn Youth Chorus date is TBD, but it will happen sometime within the fesival's three days in one of the "various venues in the Peter Jay Sharp Building."
Stay tuned for more lineup additions (including probably a bunch of indie rock ones). Tickets go on sale in March.
Tickets are on sale now for the National-curated ATP Fest happening in the UK in December. As previously mentioned, Sharon Van Etten, My Brightest Diamond, Wye Oak, Megafaun, The Antlers, Buke and Gase (FKA Buke and Gass), Lower Dens, Owen Pallett, Boris, Tim Hecker, Kronos Quartet, Suuns, and Dark Dark Dark are all playing that.
Meanwhile, NOW Ensemble plays with Dan Deacon in March as part of the 2012 Ecstatic Music Festival which begins this week. Listen to/watch a festival preview at the Greene Space even sooner.
Tickets just went on sale for a few different BAM shows including the previously mentioned series that Questlove is doing called "Shuffle Culture", and a bunch of shows with Dr. John: "Dr. John: Insides Out: A Louis Armstrong Tribute", "Dr. John: Insides Out: Locked Down", and "Insides Out: Funky But It's Nu Awlins." "Crossing Brooklyn Ferry," the National thing, doesn't go on sale until March.
Roger Waters tickets go on sale at 10am.
Jay-Z tickets go on sale at 11am.
Pete and Pete tickets go on sale at noon.
Jeff Mangum kicks off his sold out three-night run at BAM with The Music Tapes tonight (1/19). The Brooklyn shows are part of a longer tour for the two Neutral Milk Hotel bandmates. Updated dates, Philly included, are listed below.
Jeff himself is auctioning away 2 pairs of tickets for Saturday's (1/21) show! Each pair also comes with 2 original signed Jeff Mangum drawings. The tickets are being auctioned on ebay with a current bid (as of this post) of $300 and the proceeds will be donated to Occupied Real Estate, a project regarding the foreclosure crisis by Not An Alternative and Occupy Wall Street (not the first time Jeff has shown his support). You can bid on the tickets/drawings HERE and HERE.
Updated Jeff Mangum dates (sold out Coachellas included) below...
The National at Beacon Theatre in 2011 (more by Toby Tenebaum)
Bryce and Aaron Dessner (of The National) are curating 'Crossing Brooklyn Ferry,' a music festival taking place in BAM's spaces from May 3 - 5. Each night will include a variety of NYC artists, film screenings, accompanying scores, and a late-night dance party. Lineup announcement coming soon and tickets go on sale in March.
Questlove is curating April 19 & 20 at the same Brooklyn venue:
Ahmir "Questlove" Thompson, the charismatic drummer and producer of the Grammy Award-winning hip-hop group The Roots, comes to BAM with an immersive musical experience. Enlisting a stellar lineup of artists, Questlove and musicians perform a free-flowing playlist--a kinetic mix of songs and sounds from unexpected musical bedfellows--that celebrates and reflects our current shuffle culture.That full lineup is also coming soon. Tickets will start at $25.
Jeff Mangum plays BAM this Thursday, Friday and Saturday.
a scene from "Prima Donna"
Rufus's letter in full (with info on his upcoming shows at BAM and the state of opera in NYC and more), below...
a ticket to see Jeff in Jersey City (via Deanna Cannonball)
"Jeff Mangum's two sold-out shows at the Loew's Jersey theater in Journal Square on November 5 and 6 resembled a church service more than a rock concert.The rebirth of Jeff Mangum continues. After playing two sold out shows at Loew's in Jersey City over the past two nights, even more dates have been announced for the Neutral Milk Hotel frontman, and they include New Haven, Brooklyn, Philly, and a rescheduled UK ATP. All dates, with on-sale info, below...
The 1,500-strong audience sat quietly throughout both performances; the artist sat too, lit from above, on a bare stage flanked by four acoustic guitars. The audience applauded politely after each song; sometimes they clapped as the familiar chords of some cherished old favorite began, too. Once or twice -- following Mangum's earnest entreaties -- the crowd attempted to sing along, although even that sounded more like hymns in a cathedral than generational anthems at a big rock show.
Worship may be too strong a word to describe the relationship between Mangum and his fans, but barely so." [Jersey City Independent]
words & photos by Ryan Barkan
Feist played the Howard Gilman Opera House at BAM Wednesday night (11/2). It was the show that needed quadruple confirmation back in August. It was her first proper New York show since 2008, though a lucky few caught her play a surprise show in crypt in Harlem exactly one month ago.
After a surprisingly great (to me, first time seeing them) opening set by The Happiness Project, fronted by fellow BSS member Charles Spearin, Feist and friends took the stage around 9pm. They played a long, two-hour set leaning heavily on material from the newly-released Metals in addition to fun classics from way back, and the witty banter we have all grown to love. Highlights from the set include a skull-faced crowd member being invited up to the stage by Feist for a lively, dancey "My Moon My Man," new tracks like "The Bad In Each Other" and "How Come You Never Go There," and the gorgeous backing vocals of Mountain Man.
The encore brought a bundle of goodness so...good...that it was hard for Feist not to affirm that we made her not want to wait three years to come back again. Feist and Mountain man silenced the crowd with a stunning rendition of "Cicadas and Gulls". It's amazing how powerful four voices, one instrument, and one simple song can be in bringing a room to quiet admiration. Probably my favorite moment of the night. The rest of the band joined for a 50's version of "Bittersweet Melodies," and "Sealion," the latter seeing the stage surrounded by a hundred or so audience members invited up by Feist. Whistling ensued, Feist wore a hat, folks sat, lots of devices were taking photos and video. The coda of the evening came with a gripping rendition of 2005's "Let It Die."
More pictures from the show below...