Entries tagged with: BAM
Feist's BAM show, now quadruple confirmed, goes on sale Monday, August 15th at noon. Tickets, priced by section are $54 / $47.50 / $40, and available at BAM.org, by phone at 718-636-4100 or the BAM Box Office, 30 Lafayette Ave. Mon-Sat: 12noon - 6pm.
Feist is continuing to reveal details to her upcoming album Metals, which will be released October 4 via Cherrytree/Interscope. Her third vignette, Metals #7, was unveiled, and her website now notes that Metals #5 will surface this Friday (8/5). Check out the new video below.
She also revealed the tracklist and full color version of the album art (above), which you were given a chance to paint yourself and enter your version into a contest on her facebook. Hipster Runoff theorizes that Feist is "planking" on the cover (or "riding plankwaves"). You can also pre-order the album starting today (8/3) at Feist's website.
As previously mentioned, and confirmed again in a press release, the 11/2 Brooklyn show at BAM seems to be CONFIRMED, though someone at BAM's box office told us it is not when we called to find out about tickets. Let us know if you have better luck.
Check out the new vignette, tracklist and updated tour dates, including European and Canadian dates below...
Promoter Bowery Presents has confirmed the existence of Feist's November 2nd show at BAM's Howard Gilman Opera House in Brooklyn, NY. Though it's not listed on BAM's website yet, the ticket info is that "Tickets are available at BAM.org, by phone at 718.636.4100 or the BAM Box Office, 30 Lafayette Street, Brooklyn, NY, Mon-Sat: 12noon-6pm. $54, $47.50, $40." More dates HERE.
Feist's upcoming album Metals will be released on October 4 via Cherrytree/Interscope. A set of November Feist tour dates appeared on the internet today via Pitchfork and they include a November 2nd show at Howard Gilman Opera House in Brooklyn which Pitchfork has now marked as "not confirmed". Google confirms that Interscope also listed and then deleted a Feist show at the same venue. Stay tuned for more info.
UPDATE: The Brooklyn show is now confirmed.
Meanwhile check out all the dates listed below.
"The Barclays Center, the 18,000-seat arena at the heart of the project, will host performances by artists selected by the Brooklyn Academy of Music in a programming alliance between the two neighboring institutions, their directors said. The collaboration will include three or four shows a year and allow the academy to bring to Brooklyn work that would not fit into its theaters -- the largest of which has 2,000 seats -- with costs underwritten by the arena." [NY Times]
photos by Greg Cristman
Genesis Breyer P-Orridge's band Thee Majesty played the BAM Cinema Cafe on 6/23 directly following the screening of the new documentary The Ballad of Genesis and Lady Jaye and subsequent Q & A. The film, which details Genesis Breyer P-Orridge and Lady Jaye path through "Pandrogyne", was screened as part of BAMcinemaFest, a festival which also saw films with Gruff Rhys and Bobby Liebling (Pentagram) among others. Bill Pearis saw the Genesis film and reviewed it.
Genesis Breyer P-Orridge is scheduled to make an appearance this weekend at the previously discussed Licker License event at Secret Project Robot on July 2nd, "a girl-on-girl, video and performance event". Genesis will be one of a few providing video art for the evening. Flyer is below.
More pictures from BAM , alongside a video of "I Love Being Here" from the performance, also below...
by Bill Pearis
As mentioned (and here and here and here), BAMcinemaFest is underway at BAM in Brooklyn (it runs through June 26th), and there's a couple worthy music docs playing this week that you should check out. Tonight (6/22) they're screening Last Days Here, about Pentagram frontman Bobby Leibling's struggles to beat drug addiction and return to the stage. When the movie opens, 50-something Leibling is in bad shape, living in the "sub-basement" of his aging parent's house. But through the help of fan and indie metal label employee Sean Pelletier, there might be hope for Leibling yet.
If that sounds like standard rock doc type stuff, it is, and those who follow metal coverage on BV at all you probably know how everything turns out but it's not really the point. Last Days Here a moving portrait of recovery and, yes, love -- and you can't help but get a little choked up at the end.
I could've used a little more backstory on Pentagram (for that this SPIN article is pretty good at filling in the blanks), and could've done without the (sparingly used) reenactment footage, but the film works on its own terms. Filmmakers Don Argott and Demian Fenton will answer questions after tonight's screening.
Tomorrow night (6/22), BAMcinemaFest hosts The Ballad of Genesis and Lady Jaye which is definitely NOT you're run-of-the-mill rock doc. Filmed over seven years on 16mm, the film follows former Throbbing Gristle/Psychic TV leader Genesis Breyer P-Orridge and his partner Lady Jaye through their "Pandrogyne" project, where they sought to become two parts of the same person through body modification surgery. It is crazy, and amazing, and a genuinely touching portrait of real love. You won't forget it.
Director Marie Losier and Genesis will be in attendance for a post-screening Q&A which should be pretty interesting and will then be followed by a performance from Thee Majesty, Genesis' current project.
photos by Tim Griffin
Gruff Rhys @ Club DeVille
Austin venues Mohawk and Club DeVille border each other. If there's a loud show at Mohawk, a quiet show at DeVille will suffer. Thus, back on May 27th, as Gruff Rhys was taking the Deville stage he announced, "The idea is to play as many songs as we can... Before the Melvins kick in next door." Luckily, ultimately it wasn't a problem. H0key.net was there:
"The sweetness dripped heavy, especially on songs like 'Honey All Over' and 'If We Were Words (We Would Rhyme).' Gruff didn't go overboard, however. The fact that the Melvins and some other sludge metal type bands were playing next door helped out. It also gave an opportunity for Gruff to flex his wit.Wales instrumental surf rock quartet Y Niwl opened the show, and then became Gruff's backing band, like they're doing on the entire tour that started on May 18th at Knitting Factory in Brooklyn. The tour ends June 15th back in NYC at Mercury Lounge. Tickets for that one are still available.
Gruff also flexed his technological ability. The amount of noise gadgets that filled the stage exceeded my expectations. There were these wobbly, red light tipped, noise makers he shook every once in awhile. He had a tiny metal box with a red light shining on itself that produced sound. The coolest gadget for me was the record player he used to drop in effects and other items during songs. It's such a practical use for an old technology that you can get away with using it live and not have to drop major coin for a big computer box thingy to play sounds when needed."
Tickets are also still available for the June 18th screening of Gruff's movie Separado! at BAM where there will be a "Q&A with co-director and film subject Gruff Rhys" (we weren't sure last time we mentioned it).
More pictures from the Austin show, some videos from the Brooklyn show, and all tour dates (including a whole bunch of newly announced European shows), below...
BAM presents the 17th annual R&B Festival at MetroTech. The festival is a free outdoor concert series featuring shows every Thursday from noon-2 PM, June 2 through August 4 at MetroTech Commons in Brooklyn. Awesome if you work right there. The fest kicks off this Thursday (6/2) with George Clinton & Parliament/Funkadelic. Full lineup below.
by Bill Pearis
Gruff Rhys kicks off his North American tour tonight at Knitting Factory and tickets are still available. He's over here supporting his new solo album, Hotel Shampoo, and will wind his way around the country before ending back up here in New York for a show at Mercury Lounge on June 15.
A mostly mellow affair, with detours into Bossa Nova and '70s MOR territory, Hotel Shampoo is another fine record from the hardest working indie musician in Wales. Where previous visits have involved just Rhys and a tablefull of junkshop keyboards and other oddball instruments, this time Gruff will be backed by Y Niwl, the finest surf band in Wales, who'll also get their own opening set. Rhys is one of the most charismatic performers around, do go if you can.
In other news, Rhys' travelogue tour film Separado! will make it's NYC debut on June 18 as part of the BAMcineFest. No word yet as to whether Rhys will be at the screening. Like Rhys himself, the film is charming, scruffy, funny and full of good songs. Tickets to all BAMcinefest selections -- including the Pentagram documentary Last Days Here, and The Ballad of Genesis and Lady Jaye -- go on sale May 23.
All Gruff Rhys tour dates are below, along with videos, trailers and album streams.
by Andrew Frisicano
Just a reminder that Laurie Anderson's Delusion is still at BAM through this week (minus Monday, Sept 27). The show is definitely worth a look.
Since Laurie has the night off, tonight (9/27) is a good chance to see her Next Wave compatriot and Bang on a Can All-Star Evan Ziporyn, whose "A House in Bali" runs October 14-16 at BAM Opera House. Evan is at LPR tonight, where he duets with violinist Todd Reynolds and presents his composition "Typical Music," being performed by Todd, pianist Vicky Chow and cellist Ashley Bathgate. are on sale.
The same month of the opera, Evan will have a night at Carnegie Hall as part of their Making Music series (the performers include Brad Lubman and Signal, Gamelan Galak Tika, clarinetist David Krakauer and pianist Vicky Chow). Tickets for that October 30th show are on sale.
Video of some of Evan's pieces (and one of his BoaC compositions on Rock Band) are below...
photos by Rahav Segev, words by Andrew Frisicano
Laurie Anderson's Delusion, the first production in this year's BAM Next Wave Festival, is in effect the artist opening up her notebook to the audience. The 90-minute work recounts dreams, stories, parables, musings, jokes and melodies strung together with moody cinematic projections. Some of the stories we've heard before, like "Another Day in America," a song intoned as Laurie's male alter-ego, from her stellar LP Homeland was was released earlier this year. Others - an emotional story about the death of her mother, sharp one-liners and surreal scenarios about the afterlife - were fresh from the workshop.
Above all though, Laurie's sonorous voice, and her ability as a monologuist to travel to different places (the moon, Iceland, dreams), drove Delusion. The metronomic brilliance of the words and cadences would've been enough to propel a one-woman show in any downtown space. Here, they were supported by the projections and stage elements - one main screen in the center, with a smaller projector focused on a covered seat, and two smaller screens on either side.
Her supporting cast loomed beyond those side screens: violinist Eyvind Kang and horn & reed player Colin Stetson. Their silhouettes, namely that of Colin's unmistakeable bass saxophone, rocked steadily behind the backlit screens as they added layers to the evening's instrumental moments. The pair peaked up mainly during Delusion's chaotic interludes, when a red light washed over the stage, evoking the landscape of hell, with Anderson the Mephistophelean figure guiding the madness.
Clearly, Laurie was having a good time on stage, during the goodtime moments, with a permanent grin and a wink. The wink, as we found out, might be genetic; it also speaks to her style of communication: subtle, everyday gestures that unfold in countless ways. "Not a lot of people know this but..." one of her stories goes.
Delusion is at BAM Harvey Theater through October 3rd, every day except Monday. Tickets are on sale.
More pictures from the show are below...
Nick Cave w/ the Dirty Three @ ATP NY 2009 (more by Ryan Muir)
"You wake up one morning to discover that you've turned into a giant bug. It's the stuff of nightmares, unless you're Kafka's oddly placid Gregor Samsa--more concerned about being late to work than anything else. Iceland's Vesturport Theatre and its fearless director Gísli Örn Gardarsson (who made their US debut with Woyzeck at the 2008 Next Wave Festival) present a topsy-turvy stage adaptation of Metamorphosis, whose protagonist leaps, scrambles, and skitters, telegraphing his mounting despair.Metamorphosis, adapted by David Farr and Gísli Örn Gardarsson with music by Nick Cave and Warren Ellis, will make its US debut at BAM's Next Wave Festival, Nov 30--Dec 5 at BAM Harvey Theater in Brooklyn. The production premiered at Lyric Hammersmith Theatre in London in 2006.
The performance is a tour de force, supported by Nick Cave and Warren Ellis' delicately inflected score. The excellent cast, each member embodying the alienation and dysfunction of Kafka's unsparing tale, enhances the precariousness of the predicament as it morphs into outright cruelty. [BAM]
After the December 2nd show there will be a post-performance talk with actor/director Gísli Örn Gardarsson and others from the show for ticket holders. Maybe that'll be around the time Nick Cave brings Grinderman back to NYC in support of their upcoming 2nd album.
Cave and Ellis previously collaborated with Vesturport Theatre on their adaptation of Woyzeck (which debuted in 2006 and was part of the 2008 Next Wave Festival). Trailers with music excepts from both shows are below...
BAM Next Wave Festival 2010 (the annual music/dance/theater/opera series to run September 21--Decemeber 19) will include work & performances by Laurie Anderson (doing the NY premiere of her work Delusion), a song cycle from Stew and Heidi Rodewald (of Passing Strange fame), music by NOLA's Trombone Shorty, Mikel Rouse's multimedia-song project Gravity Radio, and A House in Bali, an opera by Bang on a Can All-Star's Evan Ziporyn featuring Balinese Gamelan Salukat and BoaC All-Stars.
Next Wave Festival subscription tickets for Friends of BAM (as well as subscribers to both the 2010 Spring Season and 2009 Next Wave Festival) are on sale Jun 7; subscription tickets for the general public are on sale Jun 14. Single tickets for Delusion and Vollmond are on sale Aug 30 (Aug 23 for Friends of BAM).
More info on the above-mentioned shows is below...
photos by Erez Avissar
Queen Mermaid Laurie Anderson (at Santos Party House)...
Mark your calendar for this year's Mermaid Parade, happening Saturday, June 19th at 2pm. Leading the proceedings will be "King Neptune" Lou Reed and "Queen Mermaid" Laurie Anderson. The parade's afterparty, featuring burlesque and music, is at the nearby NY Aquarium later that night. More details on the route and transportation are here.
Laurie Anderson has a new album on the way.
Laurie Anderson's forthcoming Nonesuch release, Homeland, is due out on June 22. To count down the weeks till then, Nonesuch will release one short video clip featuring Anderson's male alter ego, Fenway Bergamot, every Tuesday now through release day. In today's inaugural clip, Bergamot revisits the early days of the 2008 financial crisis. BAM has announced that Anderson will give the NY premiere of her new work, Delusion, at the Next Wave Festival this fall. [Nonesuch]Delusion will run at BAM's Harvey Theater Sep 21-25, Sep 28-30, Oct 1 & 2 at 7:30pm and Sep 26 & Oct 3 at 3pm. Tickets will be $20, 35, 45, 60. "Next Wave Festival subscription tickets for Friends of BAM (as well as subscribers to both the 2010 Spring Season and 2009 Next Wave Festival) are on sale Jun 7; subscription tickets for the general public are on sale Jun 14. Single tickets for Delusion and Vollmond are on sale Aug 30 (Aug 23 for Friends of BAM)."
The above-mentioned Nonesuch videos get posted here. There's also a remix contest for the song "Only an Expert" off that record, which runs through May 27th (the winner will get $1,000 and their song will be available on iTunes).
Looking way into the future, Laurie Anderson joins Lou Reed, Mike Patton, Marc Ribot, Dave Douglas, and Uri Caine to perform with John Zorn in "a series of mind-bending sonic compositions and no-holds-barred improvisations" at NYC Opera on Wednesday, March 30, 2011. Tickets...TBA?
Lou recently took part in the Anthology Film Archives benefit at Hiro, but never made it to the Codes Festival in Poland where he was scheduled to play with Laurie and John Zorn on May 15th (Laurie and John did go though). All three of them are next scheduled to appear together on July 2nd at the Montreal Jazz Festival.
The pictures above and those below are from an April 28th benefit show at Santos Party House with Laurie Anderson, Tony Conrad, Erik Friedlander and (not pictured) Text of Light. More pictures and videos (including one with Laurie talking about Delusion) are below...
words by Rachel Kowal, photos by Getty Images for American Express
All week, The National has sponsored nightly events at their "High Violet Annex" to celebrate the release of their highly anticipated fifth album, High Violet. On Friday they even performed a set of National songs at the space. Saturday night's sold-out "ZYNC from American Express Presents The National to Benefit Red Hot" show at BAM capped off the week's festivities which started earlier the same evening at the Annex where 70-or-so lucky attendees were, unexpectedly, given tickets to the BAM show and then bussed to the Brooklyn venue to see the show...
the bus @ BAM
The BAM show began with a brief behind-the-scenes video about their recording process, and then the band launched into "Mistaken for Strangers" and then played a string of new songs. Though the National is technically a quintet, as many as nine additional people joined them on stage to play a variety of string and brass instruments. Sufjan Stevens joined the band to sing backing vocals (like he did on Letterman) on a handful of songs. Sometimes National-members Padma Newsome and Thomas Bartlett (Doveman) made a rare appearance together on stage (usually its one or the other as a member of the band). The biggest surprise band member of the night was the Arcade Fire's Richard Reed Parry who sang backup and played a variety of instruments throughout the set. Richard, Sufjan and Thomas all also contributed to High Violet which is out now.
With its ornate molding, dramatic curtains, and theater-like seating, BAM may be a bit of an odd choice to host what is essentially a rock show, but the beautiful space complimented the dapperly dressed band and gave them enough room to spread out on stage. Possibly sensing that something was not quite right, lead singer Matt Berninger hopped off the stage and began pulling people up into a standing position early into the show.
Throughout the show, Berninger was a sight to behold. One moment, he'd take a sip of white wine and sing softly into the mic stand and the next, he's wildly pacing back and forth on stage with his head down, pounding his hands together like a mad man. The contrast between Berninger's smooth baritone voice and his manic behavior makes for a dynamic performance. During the four-song encore, Berninger leapt off stage again and rushed the audience in the orchestra section. With his impossibly long mic chord trailing behind him, Berninger climbed desperately over anything in his path - be it chairs or people. From the middle of a row, he stood recklessly on a chair, screaming the chorus to "Mr. November" into the faces of ecstatic fans.
When all was said and done, The National played the entirety of High Violet in addition to a number of older songs. Film directors D. A. Pennebaker and Chris Hegedus were on hand to direct the live webcast of the concert that was happening on YouTube (the band addressed the Internet audience a few times), and which you can still watch there (some videos below too).
After the show, a fancy ZYNC-sponsored afterparty was held around the corner at One Hanson Place, aka the Williamsburgh Savings Bank Tower, downstairs in the old bank's bottom floor (now used as an event space). The National, their friends and associates, partied until late with an invite-only crowd that also included members of Grizzly Bear and Beirut, and some celebrities who had attended the show (like Julia Stiles). And there was a lot to party about - recently completed Europe tour and a week of festivities in NYC aside - High Violet is selling really well too. More pictures from the show and the afterparty, with the setlist and some videos below...
The National's High Violet came out Tuesday. They also used that occassion to release a video for the song "Bloodbuzz Ohio." That clip, which features Matt Berninger, his infamous glass of wine, and documentarian D.A. Pennebaker as a bartender, is posted below.
The band's High Violet Annex events kicked off last night with a low key few hours of DJing from members of Blonde Redhead and a ticket contest for Saturday's BAM show. Contests like that will be happening each day at the space which is next to Other Music. Tonight, Wednesday, there's also a full lineup of bands playing. Lineups for the rest of the nights still TBA.
Speaking of D.A. Pennebaker, he'll be directing a live webcast of the BAM show on YouTube Saturday night. And speaking of ticket contests for the show, we also have two pairs to give away courtesy of the show's sponsor, Zync. Contest details, with the above-mentioned video and a Pennebaker/Dylan (both pictured above) rehash to promote the show, below...
"Tickets did go on sale at the pre-sale link b/c it now says "No Inventory Currently Available".Comments like that yesterday illustrated the confusion surrounding how to get tickets for the show The National are playing at BAM on May 15th, but Beggars, Bowery Presents & the band's original instructions all confirm that, despite what someone at BAM may have said, tickets do go on general same today at 10am (and appear to be on sale as of 9am for BAM members). Yesterday, as advertised, was just the presale.
If you try to purchase via BAM's website, you get the following message: "Although tickets are on sale, this performance of The National is currently not available online. Please contact BAM Ticket Services"
I talked to someone in the ticket office who said tickets did go on sale via BAM's website this morning and are sold out, but more tickets may become available & to check back" [Brett]
The National performed at Royal Albert Hall in London last night (5/6), and the UK's Electric Ballroom the night before that. All dates HERE. Videos from those shows below...
The National on WNYC's Soundcheck
The National's Brooklyn Academy of Music show on May 15th will be going on presale tomorrow (May 6th) at 10am. Tickets are here (pw: "VIOLET"). They go on general sale through BAM May 7th at 10am. Apparently you don't actually need a ZYNC card to get the tickets. You can also try to win your way in (and get flights and a hotel) through KEXP and via KCRW.
The show is a benefit for the Red Hot Organization (which the Dark Was the Night project also supported) and will be filmed by Don't Look Back D.A. Pennebaker and Chris Hegedus for an Internet simulcast on YouTube.
The National recently appeared on WNYC's Soundcheck, and videos of their performance on that show are posted below...
Naomi Shelton celebrating Brooklyn in 2009 (more by Fresh Bread)
BAM Rhythm & Blues Festival brings free afternoon shows to the MetroTech Commons (corner of Flatbush and Myrtle Aves) on Thursdays June 3-August 5 (noon-2pm). The performers this year include Naomi Shelton and the Gospel Queens, Fela Kuti drummer Tony Allen, Malian guitarist Vieux Farka Touré (who played LPR in April), Bernie Worrell's SociaLybrium (fronted by the Parliament-Funkadelic and Talking Heads keyboardist), Mykal Rose of Black Uhuru, bassist Victor Wooten and more.
The full schedule, with directions, is below...
...though I don't know when it goes on sale or how tickets are working yet. The show will be a benefit, like Dark Was the Night, for the Red Hot Organization. A live webcast of the concert will be streamed from the Brooklyn Academy of Music on YouTube. The webcast will be directed by documentary filmmakeer D.A. Pennebaker and Chris Hegedus and it'll be the first live (like, actual live, as it happens) concert video directed by the husband and wife. Before the concert they'll show one of their short films. The show is being presented by ZYNC from American Express.
Stay tuned for more info on that, and what exactly will be happening at the High Violet Annex from May 11-15th. Meanwhile, stream High Violet at NPR.
UPDATE: The Zync Facebook page now mentions the show.
Updated National tour dates below...
photos by Kevin Mazur/ Wire Image
"Yoko Ono, Paul Simon, Eric Clapton, Bette midler, freaking amazing!" - nico843
Yoko's Plastic Ono Band will be playing a special show at BAM's Gilman Opera House on Tuesday, February 16th. The show includes guest spots from original/former Plastic Ono band members Eric Clapton, bassist Klaus Voormann and drummer Jim Keltner. Other guests include Justin Bond, Kim Gordon, Bette Midler, Thurston Moore, Mark Ronson, Scissor Sisters, Martha Wainwright, Haruomi Hosono, Paul Simon and son Harper Simon, and current Ono Band members Cornelius, Yuka Honda and Sean Lennon.That's how we listed last night's event at BAM (2/16). Martha Wainwright, whose mother recently passed away, ended up not being there, but Gene Ween showed up. Full review and setlist coming soon. In the meantime here are a set of pics...
DOWNLOAD: Sweet Apple - Do You Remember (MP3)
Thurston w/ Sonic Youth @ MHOW in November (more by Lori Baily)
Society's Ills: In 1994 Society's Ills (Moore, Cadena, Watt, Markey) made their world premier with the now coveted "Skins, Brains, and Guts" release - a slab that managed to cram (9) 7 seconds covers onto one 7". In 2010, the band is back and once again fronted by Thurston but he brings with him a new crue of slayers to launch the hardcore fury:Society's Ills play in addition to Thurston Moore solo, Talk Normal, The Entrance Band, Violent Soho, the Slits' Viv Albertine, Awesome Color, Jemina Pearl and more at the Ecstatic Peace SXSW Showcase happening Friday, March 19th at Red 7 in Austin. Curious about Society's Ills? Their version of 7 Seconds' "I Hate Sports" is below.
Thurston Moore: Vocals
J Mascis: Guitar
Don Fleming: Guitar [SY producer & Velvet Monkeys/Gumball frontman]
Andrew W.K.: Bass
Awesome Allison: Drums [from Awesome Color]
This set is their first, but don't worry if you miss it cause I'm sure we can put this together again in another 15 years! [Ecstatic Peace]
J Mascis will also be playing at SXSW with Sweet Apple, who are playing Mercury Lounge on April 20th. One of their SXSW sets will be at the showcase for TeePee Records, who are putting out the Sweet Apple debut, Love & Desperation, a track from which is above. That show is Thursday, March 18th at Habana Calle 6, and also on the bill are Priestess, Iron Age, Nebula, Naam, Imaad Wasif and more. Full details and a poster are below. Tee Pee Records has also teamed up with BrooklynVegan and Chronic Youth for another day party taking place on Saturday, March 20th in Austin. This is the first we've mentioned it. Stay tuned for more info.
Lou Barlow will also be at SXSW (backed again by The Missingmen) - one of his shows will be the Merge Records showcase at Cedar Street Courtyard on March 18th also featuring Let's Wrestle, She & Him, and others. Full lineup below. For She & Him it's one of two official SXSW shows. They also play Saturday night (March 20th) at Auditorium Shores (with Justin Townes Earle & TBA). Cheap Trick play the same slot at Auditorium Shores one night earlier.
Merge's showcase mentions that one slot will be filled by "Special Guest". We don't know who that is, but we'd have to guess Superchunk is a strong possibility since Mac & Laura have a speaking engagement (in a bookstore) on March 17th, and another one (official SXSW) at the convention center on March 19th (with Michael Azerrad), and the band is on the bill of the Village Voice day party happening at La Zona Rosa the afternoon of March 19th (with the xx, the Pains of Being Pure at Heart, and Surfer Blood). It's definitely not Spoon who play the NPR show at Stubb's on March 17th with Deerhunter (their tour-mates) and The Walkmen.
Kim and Thurston are playing with the Plastic Ono Band in their two-night Brooklyn Academy of Music run. They were at the dress rehearsal (aka the first night) last night (2/16). BV photographer Greg Cristman was in the audience and told us, "One definite highlight was Thurston and Kim played with Yoko as a trio and did a killer version of Mulberry from Unfinished Music No. 2 while the film Fly was projected on a huge screen behind them!" - a (poor quality) video clip of one of the other songs is below.
Full lineups for the showcases and videos are below...
"WE ARE PLASTIC ONO BAND on February 16 sold out immediately! Due to popular demand, a special dress rehearsal show featuring Yoko Ono and her core band (Sean Lennon, Yuka Honda, and Cornelius) has been added. They have never done anything like this before and probably never will again. This will certainly be a once-in-a-lifetime experience, and while no special guest artists are slated to rehearse, you never know..." [Bam]
words & photos by Dominick Mastrangelo, more words by Zach Pollack
Ra Ra Riot
Ra Ra Riot played to a sold-out crowd at the Howard Gilman Opera House in Brooklyn on Friday (2/5). The Syracuse-based band played an energetic set and threw in a couple of Kate Bush covers (finishing the show with "Hounds Of Love".) "Suspended in Gaffa" appeared on 2008's critically acclaimed The Rhumb Line of which the band played all of its songs.Peter Silberman, Michael Lerner, and Darby Cicci collectively known as The Antlers took the stage at BAM's Howard Gilman Opera House at a prompt 8:10pm. This kicked off the 4th night of BAM's Sounds Like Brooklyn Festival. Silberman commanded audience attention with his sweeping falsettos, and impressive guitar tones coming from his daisy chain of pedals. They had a two man horn section join them (Tim Cronin and Jon Natchez), adding depth to their already dense sound. The band's set largely consisted of songs off of Hospice.
The Antlers, architects of one of last year's critically acclaimed records, Hospice, opened with a taut, haunting set, placed in stark contrast to the headliner's flowing, uptempo pop songs. - Dominick
Ra Ra Riot headlined the show, featuring a string quartet and a four man horn section. The band sounded impeccable live, and carried though their set with the poise, grace, and energy of a well practiced rock band. In four short years since forming the band Ra Ra Riot has grown a large fan base, which was certainly apparent at The Howard Gilman Opera House Friday night. Cellist Alexandra Lawn and violinist Rebecca Zeller add to the already dense rhythms of the band with their sweeping string section.
Friday night's show was the third and last 'Sounds Like Brooklyn' show at BAM this year. The first two were Les Savy Fav / Vivian Girls and Rain Machine / Anti-Pop Consortium. More pictures from Ra Ra / Antlers, below...