Entries tagged with: Bauhaus
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We already posted Tony Visconti, Iggy Pop, Florence + the Machine, The Mountain Goats, Questlove and Cyndi Lauper's tributes to the late, great David Bowie, and other artists have written tributes as well. Paul McCartney (pictured with Bowie above) writes:
Very sad news to wake up to on this raining morning. David was a great star and I treasure the moments we had together. His music played a very strong part in British musical history and I'm proud to think of the huge influence he has had on people all around the world.
"I send my deepest sympathies to his family and will always remember the great laughs we had through the years. His star will shine in the sky forever.
The Rolling Stones posted tweets reading: "The Rolling Stones are shocked and deeply saddened to hear of the death of our dear friend David Bowie. As well as being a wonderful and kind man, he was an extraordinary artist, and a true original." Mick Jagger added, "David was always an inspiration to me and a true original. He was wonderfully shameless in his work. We had so many good times together. He was my friend, I will never forget him," and posted the above pic.
Brian May of Queen wrote:
I woke up late, after a long night, to shocking news. David Bowie gone.Jarvis Cocker of Pulp, who were clearly heavily influenced by Bowie, talked to BBC 6Music:
I don't know if I can react immediately.
He was a fearsome talent, and the loss to Music and Culture from his passing is inestimable.
In and out of our lives, always challenging and innovative, and ... shocking.
But this news is hard to take in.
I had no idea he was close to death. Would like to have said something ...
Very sad. Sincere condolences to his family.
But what a life.
All hail, David Bowie, Star Man, Hero. RIP
He was like an umbrella for people who felt a bit different. Bowie was like a like a lighthouse that guided those people and made them feel it was alright to be different, to try things out and dye your hair and wear strange clothes. I think people feel it very personally because he was very important in how people grew up.
I do think it's quite amazing that he put this record out and managed to keep it secret that he was ill. People should watch that 'Blackstar' video and listen to that song. It's like he's saying goodbye to everybody, he's controlling it.
We can all talk about David Bowie. I think the best thing to do on this day would be to listen to him, and to watch films of him and just see what a fantastic artist he was and how many different guises he had, and the incredible amount of work that he did.
Obviously it's a sad day that he's died, but the fact that he managed to stay in control of that image and make another artistic statement when he was obviously ill and knew that he was dying, I think that's incredible and it makes me feel quite happy that he stayed creative right to the end of his life. I think that can only be inspirational."
Brian Eno (pictured with Bowie above) said in a statement via BBC:
David's death came as a complete surprise, as did nearly everything else about him. I feel a huge gap now.
We knew each other for over 40 years, in a friendship that was always tinged by echoes of Pete and Dud. Over the last few years - with him living in New York and me in London - our connection was by email. We signed off with invented names: some of his were mr showbiz, milton keynes, rhoda borrocks and the duke of ear.
About a year ago we started talking about Outside - the last album we worked on together. We both liked that album a lot and felt that it had fallen through the cracks. We talked about revisiting it, taking it somewhere new. I was looking forward to that.
I received an email from him seven days ago. It was as funny as always, and as surreal, looping through word games and allusions and all the usual stuff we did. It ended with this sentence: 'Thank you for our good times, brian. they will never rot'. And it was signed 'Dawn'.
I realise now he was saying goodbye.
Gerard Casale of Devo (pictured with Bowie at NYC's Max's Kansas City, from a 1970s issue of Rock Scene Magazine, above) wrote: "David Bowie was one of the greatest artists of all time. I feel privileged that I ever got to know him. He gave Devo his blessing. He remained true to his art until the end like I wanted so badly for us to do."
Nile Rodgers, who produced Bowie's hit 1983 album Let's Dance, paid tribute in The Guardian:
One day David said: "Nile, this is what I want my album to sound like," and he showed me a picture of Little Richard in a red suit getting into a red Cadillac convertible. How do you translate that?! But in actual fact I knew exactly what he meant, and that was the point I realised that David Bowie was the Picasso of rock'n'roll. He got uncomfortable with me calling him that but I did it anyway. Because I realised he saw the world in an abstract way, as well as in the way we all see it. And what that picture meant was not that he wanted a retro record, or something based on Little Richard's music, but that he wanted something that would always look modern. He showed me the future and the past and it was evergreen. The highly designed Cadillac and the red monochromatic suit - that picture was taken in the 1960s but it would still look modern to someone in the year 3000!Kim Gordon of Sonic Youth, writing for The Talkhouse, said:
When I went to see the David Bowie retrospective traveling the globe, which was then in Chicago, I discovered that he wanted to be a writer when he was a young, with no desire to be a performer. It made sense to me that he would approach performing and his persona from a conceptual practice, understanding the idea of projection, the back 'n' forth unspoken dialogue between performer and audience. There is no one who did it better than Bowie, breaking thru the glass ceiling of gender roles and expectations for what is sexy and charismatic as a rock 'n' roll icon, post John Wayne, bringing the idea of the "dandy" of eighteenth century France into contemporary life, bringing a focus on this new male identity set adrift with no apparent purpose since the demise of the silent cowboy type (who's going to protect and take care of us womenfolk?), except free to be whatever he could imagine he could be, and taking us, his audience, along with him. The world has lost its most glittery son but the music and the imprint of Bowie on the world is forever.Sonic Youth also posted a video of them performing with Bowie (below)
J Mascis wrote: "I'll miss David Bowie so much. He was the only 60's rocker who seemed to know and care what was going on out of his generation, and made younger bands feel understood and relevant." He posted it along with a stream of Dinosaur Jr's cover of Bowie's "Quicksand," which you can hear below.
Jimmy Page of Led Zeppelin said, "Bowie was an innovator, a unique artist with a vision that changed the face of popular music. He is greatly missed."
The Who tweeted, "Rest in peace @DavidBowieReal 1947-2016. With love, Pete Townshend and Roger Daltrey."
Peter Gabriel writes:
I was shocked to learn of David Bowie's death this morning. He meant so much to me and to so many.Bernard Sumner of New Order writes: "Very shocked and saddened to watch the news this morning and hear about the death of David Bowie. I always looked up at him and thought yeah - he's the real deal, indisputably good, a figurehead for a whole host of musicians I'm sure. We've lost someone unique who can't be replaced."
He was a one-off, a brilliant outlier, always exploring, challenging and inspiring anyone who wanted to push the boundaries of music, art, fashion and society.
There are so few artists who can touch a generation as he did, we will miss him badly.
Long Live Lazarus.
Soft Cell's Marc Almond says, "It's not often I truly cry at the loss of an artist but I'm devastated. He meant so much. Goodbye David Bowie and our youth. We loved you. X"
Brian Wilson says, "I was shocked to hear today about David Bowie and my thoughts and prayers go out to his family. I was honored when David recorded "God Only Knows" - he was a great artist and will be missed.
- Love & Mercy, Brian"
Gary Numan tweeted, "A True Legend. David Bowie. RIP"
Yoko Ono posted the above photo and this message:
John and David respected each other. They were well matched in intellect and talent. As John and I had very few friends we felt David was as close as family.Sean adds, "Absolutely devastating news. I feel so lucky to have considered you a friend. R.I.P. Thank you for everything."
After John died, David was always there for Sean and me. When Sean was at boarding school in Switzerland, David would pick him up and take him on trips to museums and let Sean hang out at his recording studio in Geneva.
For Sean this is losing another father figure. It will be hard for him, I know. But we have some sweet memories which will stay with us forever.
Rough Trade shops have announced that they're donating all January profits from Bowie recordings to cancer research.
Lou Reed is unfortunately not around to tell us what he thinks today, but we're sure he's greeting the "master" in the sky.
Also head HERE to read tributes by Arcade Fire, Deerhunter, Debbie Harry, Madonna, Kim Gordon, Lee Ranaldo and more.
See more from Talking Heads, Pixies, Sonic Youth, Courtney Love, Kanye West, El-P, Krist Novoselic, Dave Grohl, St. VIncent, Arcade Fire's Win Butler, Billy Corgan and more, below...
by Bill Pearis
Peter Murphy's 'Lion' cover art
Peter Murphy will release his 10th album, Lion, this summer. Produced by Killing Joke bassist Youth, the album doesn't have a North American release date yet but will be out in the UK on June 2. You can stream song samples over at Amazon.co.uk. Opening cut "Hang Up" will be released -- in dub form -- as a Record Store Day 7" with non-LP song "I'm on Your Side" on the flip.
While a full tour hasn't been announced yet, tour dates have started to pop up, including NYC at Irving Plaza on June 9. Tickets for that show are on sale now and all known dates are listed below.
David J & The Gentlemen
In related news, Murphy's old Bauhaus bandmate David J has added a second NYC show on his tour. In addition the full-band show Pianos on April 19, he'll do an acoustic show at Grand Victory on April 17 with Azar Swan opening. Tickets for the Grand Victory and Pianos shows are on sale now. In addition to songs from his new solo album (and previous ones), he's also been peppering his sets with Love & Rockets songs such as "No New Tale to Tell" and "The Dog-End of a Day Gone By" as well.
Azar Swan, meanwhile, recently released a cover of Marianne Faithful's "Broken English" and you can stream that below.
And finally, Daniel Ash of Bauhaus/L&R/Tones on Tails (and one of post-punk's more underrated guitarists) currently has a Plegemusic campaign to fund an album titled Stripped, that will featuring acoustic versions of some of Ash's best-known songs from his previous bands.
All Peter Murphy and David J dates are listed, along the the 'Lion' tracklist and Azar Swan stream, below...
While mainly known for being a member of Bauhaus and Love & Rockets, David J has had a steady solo career as well, putting out some especially lovely, spare acoustic records in the '80s, such as 1985's Crocodile Tears And The Velvet Cosh and 1990's Songs From Another Season. His new album, An Eclipse of Ships, is very much in those records' molds. The record was funded via kickstarter and will be out later this year. David explains about it:
The title, An Eclipse of Ships, is a play on the old Longfellow line, 'ships that pass in the night', describing the rare incident of seaborne vessels sailing directly past each other in the dark. Traditionally, sailors would shine a light onto each other's hulls as a silent greeting before continuing on their respective voyages. The phrase was later employed to describe a brief, intense encounter between two people who then part, never to see each other again.You can watch the video for "You Suit a Rainy Day" from it below.
North America will get a preview of of An Eclipse of Ships on David J's upcoming spring tour. He'll be in Austin, TX next week for SXSW and, in April, he'll play East Coast dates with his band The Gentlemen Thieves, including NYC's Pianos on April 19 with The Vandelles and Dead Leaf Echo on the bill as well. David also plays Asbury Park's The Saint on April 18. Tickets to both those NY-area shows are on sale now.
In other news, his 1983 solo debut, Etiquette of Violence, was just reissued by Cherry Red with a bonus disc of outtakes and demos. It's been out of print since 1990.
All upcoming David J dates are listed, along with the new song and some classic solo songs, below...
Peter Murphy @ Webster Hall, 5/7/2013
Last night (5/7), Peter Murphy returned to New York, playing a nearly two-hour set of his Bauhaus material to a sold out Webster Hall. It was part of his Mr Moonlight tour, Celebrating 35 Years of Bauhaus, which takes him throughout the US, Mexico, Canada and Europe. (He was in Austin a couple weeks ago.) However as girls sat on each other's shoulders taking photos of each other with Bauhaus signs, Murphy was quick to remind everyone that "We're not Bauhaus, we're us!" Otherwise his set was notably free of the usual between-song banter, which I wondered about until he dedicated an emotional "Who Killed Mr Moonlight" to his mother-in-law saying she'd passed away eight hours earlier.
The two support bands were Loudboy from NYC, apparently a nickname given to frontman John Andrews by Helmet's Page Hamilton, followed by Ours, a six piece who have supported Peter Murphy in the past and describe themselves as "an American based musical group led by singer, songwriter, and multi-instrumentalist Jimmy Gnecco." Ours are also in the midst of an extensive headlining tour throughout the US.
More pictures from Webster Hall are below.
Peter Murphy, of Bauhaus/solo artist fame, was arrested this weekend after allegedly hitting another car in his Subaru (brutal) and attempting to flee the scene. He was cornered by an eyewitness until the police arrived:
The eyewitness followed Murphy, 55, from the crash at Central and Goode avenues in Glendale to the 3400 block of Barham Boulevard in Los Angeles because "he was afraid [Murphy] would kill someone with his driving," according to Glendale police.No word as to whether or not the arrest will change anything with his upcoming all-Bauhaus tour scheduled for this spring.
Murphy, who was in a Subaru Forester, reportedly struck a Mercedes about 11:48 a.m. at the intersection, then drove around it and entered the 134 Freeway, police said. As he fled the scene, a witness who was washing windows snapped a photograph of Murphy's vehicle, which had sustained moderate front-end damage...
Glendale officers said Murphy appeared to be at points "very confused" and had difficulty recalling the day and time.
Murphy denied drinking alcohol that day, adding that he had only taken his regular prescription pills for depression, according to police... Inside the L.A. police patrol car where Murphy had been detained, officers reported finding a small plastic bag, possibly of methamphetamine, police said. Murphy denied that the bag belonged to him, but officers said they believed he was trying to discard it in the patrol car. -[LA Times]
Peter Murphy @ The Well, Sept. 2012 (more by Harriet Roberts)
Peter Murphy will be celebrating Bauhaus' 35th Anniversary with a tour this year where he'll perform a set solely comprised of his old band's material. Too bad he couldn't coax his bandmates Daniel Ash, David J and Kevin Haskins (aka Love & Rockets) to reunite as they did for Bauhaus' 20th anniversary in 1998 (anyone go to either/both of the Hammerstein Ballroom shows?). For some, though, Murphy digging deep into Bauhaus's catalog will be good enough. The tour will hit NYC on May 7 at Webster Hall. Tickets for that show go on AmEx presale on Wednesday (3/6) at noon with the regular on-sale happening on Friday at noon.
All tour dates are listed, plus their entire 1998 "Gotham" concert video, below...
photos by Harriet Roberts
Peter Murphy at The Well, 8/26/2012
Goth icon Peter Murphy played Bushwick outdoor venue The Well a couple weeks ago (8/26) and we've got a belated set of pics for you to check out. His set mixed cuts from 2011's Ninth with many of his late '80s alt-rock hits ("Cuts You Up," "All Night Long") as well as a few Bauhaus songs and Bowie's "Ziggy Stardust" which Bauhaus covered as a single in 1982.
Setlist from The Well, along with more photos from the show are below...
DOWNLOAD: Heavenly Beat - "Messiah" (MP3)
Xeno and Oaklander at BV-CMJ 2011 (more by Amanda Hatfield)
Brooklyn synth goths Xeno and Oaklander have an upcoming local show this week at Public Assembly on Friday (5/11) with Frank (Just Frank), and DJ sets by Bauhaus/Love & Rockets bassist David J, CREEP and Todd Pendu. (There's also an open Asahi beer bar at 9:30.) Tickets are still available.
Next month, the band will head to Austin for Chaos in Tejas, and upon returning home, they'll play another NYC show at The Studio at Webster Hall on June 11 with fellow goths Plastic Flowers and Religious to Damn and fellow electronic artist Autre Ne Veut. Tickets are on sale now. The flier for this show is below.
RØSENKØPF also plays Glasslands with King Dude soon, in celebration of a new record. That record has a song called "Light The Way" which has a video which you can watch below.
In addition to DJing the Friday Public Assembly show, David J is also DJing tonight (5/10) at Elmurst club Arena Queens. Besides his gigs in Bauhaus and Love & Rockets (and Porno for Pyros and The Jazz Butcher Conspiracy), David J has a long solo career as well, having released his eighth album, Not Long for This World, last year on Starry Records. You can stream some of it here.
In more related news, Plastic Flowers have a NYC show coming up at Glasslands on July 10 with Captured Tracks bands Cosmetics and Beach Fossils side project Heavenly Beat (who has a new song out, download above), and Psychobuildings. Tickets are on sale now.
Speaking of both Cosmetics and Dirty Beaches, Exclaim points out that Montreal's Grand Trine have broken up and member Shubhayan Roy has joined Dirty Beaches while Tobias Rochman has joined Cosmetics.
All dates, stream, and flier below...
HR with Bad Brains at Music Hall of Williamsburg (more by Erik Erikson)
The two-day benefit for Lucinda's Kids at Bowery Electric begins today (4/29) with Marah, Jesse Malin, Willie Nile, Jimmy Gnecco, Dave Milone, Jim Boggie, Aaron Lee Tasjan, Ptter Ericson Stakee.
H.R. of Bad Brains plays night two, Monday, of that Manhattan benefit, but first he'll headline a Brooklyn show of his own at Public Assembly tonight (4/29) with support from Paranoid Social Club, The WonderMics, Groundswell, Matt Pless, and Jay Samel. Tickets are on sale.
The show is one of a few notable events at Public Assembly in the coming months. Xeno & Oaklander will headline Public Assembly on May 11th with David J (Bauhaus), Frank (Just Frank), and DJ sets by CREEP and Todd Pendu. Tickets are still available. Xeno & Oaklander are currently touring in the Midwest.
Also going down in the near future at Public Assembly, Idiot Glee (who we profiled last year) will play with Nick Diamonds (of islands), Celestial Shore, and DJ Udbhav on May 11th. $8 gets you in. Idiot Glee recently posted a new video for "That's All For Everyone" which is viewable below. The track comes from the band's Don't Go Out Tonight 7" and is a cover of Fleetwood Mac. Pick up a copy.
Public Assembly will host The X-Ecutioners, Da Beatminerz and "special guests TBA" alongside resident DJs Total Eclipse and Gen.Erik on May 3rd. Details, including cost, are forthcoming but prepare for a night of jaw-dropping turntablism.
Check out that Idiot Glee video and more videos below.
words & photos by Harriet Roberts
Peter Murphy @ Irving Plaza
I came to Murphy's concert at Irving Plaza this week with, I think, the right amount the reverence. Murphy's baritone is iconic. He's got half a dozen great singles, including "Cuts You Up," "You're So Close" and "Final Solution," spread among the eight or nine records in his post-Bauhaus career.Peter Murphy played to a mostly packed Irving Plaza on 11/21, supported by She Wants Revenge from San Fernando Valley, California and Hussle Club from New York. The show was part of Murphy's huge, ongoing tour with She Wants Revenge through Europe and North America to support his latest release Ninth.
If you overlook the indulgent and pretentious Turkish-flavored records Murphy has put out, there are enough great songs to sustain a couple hours of entertainment.
The voice is still there and Murphy is trim and expressive in his mid-50s, acting out the songs with his hands and fingers like he's in a silent movie. But the impression he left me with, a balding old man playing old songs to aging acolytes, was that the whole thing was kind of farcical... The music we grew up with is gone. It's part of who we are now, but it can't be recaptured or recreated. A simulacrum of something that was once awesome and genuine and that hit hard is just that, a simulacrum. The songs may sound the same, they may evoke feelings or memories that, for a few bars, evoke a place and a time..., but they're not the real thing. Each return to a Peter Murphy song, or a Depeche Mode song, actually separates us a little big further from the original.
-[Upper Middle Brow]
For many Murphy is best known for his work as part of the influential group Bauhaus, who arrived late 1978 influenced by the punk rock movement and went on to unintentionally spawn a genre (Goth). They survived for four hot years before disbanding, at which point Murphy went on to start a successful solo career and to collaborate with artists such as Japan's Mick Karn in the group Dalis Car. In 1998 the members of Bauhaus reunited and the band returned for the full-scale 'Resurrection' world tour, before disappearing forever. Murphy returned to his solo career, writing and touring ever since.
More pictures from Irving Plaza and all remaining tour dates are below.
NIN played their first of two shows at Chicago's Aragon Ballroom last night (8/28). Peter Murphy was their no-longer-surprise guest. Mew opened and they do it again tonight (8/29). Last night's setlist below...
photos by Tim Griffin
There was one absolutely insane (not in the fun way, but in the clinical way) woman who was clearly drunk and stumbled up behind us and kept calling up to the stage demanding attention.Since there was no Nine Inch Nails show last night (they start back up again in Chicago tonight) and I didn't want to go a day without a Peter Murphy post, I was glad to remember that we had this unused set of pictures in the reserve from one of Peter's July shows at Highline Ballroom in NYC (they may or may not be from the show Leslie was at) (actually, Leslie was probably at both). More pictures below...
Crazy-Lady: Peter! It's Leslie [turning back towards us] I know him, he remembers me.
Crazy-Lady: Peter! You have to help me, Peter! They're going to kill me!
I am not making this shit up!
She started making weird shapes with her hands like she was casting spells, and kept holding out her hand to Peter and the guitarist, cupped as if she was demanding an offering from them.
When Peter shook hands with everyone standing near the stage, Crazy Leslie tried to get his attention again:
Crazy-Lady: Peter, it's Leslie! You remember me, Peter!
Peter Murphy: I'm sorry, I'm sure I don't remember you. [Nymphean]
Peter Murphy makes a grand appearance @ Terminal 5 - 8/26/09 (by trentvanegas)
"Whether rising from coffins on-stage, driving a hearse called the "Bauhearse," or appearing in concert as vampires, Bauhaus was one of the establishing acts of the goth movement. Their use of spacey recording effects and theatrical aesthetics was evocative of both early horror films and glam rock; they became an influential group in the early days of gothic rock.Nine Inch Nails have completed their four-night run in NYC. Tonight (8/26) was the 2nd show at Terminal 5 and it ended with another guest appearance by Peter Murphy who descended from the ceiling on a chain... upside down like a bat (see above and below).
In 1982, Bauhaus appeared during the opening sequences of the horror movie The Hunger, performing one of their most popular songs, "Bela Lugosi's Dead". The camera focused almost exclusively on Murphy during most of the scene, panning only briefly to the stars David Bowie and Catherine Deneuve." [Wikipedia]
Peter helped Trent and band perform "Reptile", "Strange Kind Of Love", Bauhaus's "Bela Lugosi's Dead", and Pere Ubu' "Final Solution". Full setlist and video below...
"Secret Cover Tour '09: To coincide with the staggered release of 4 single covers, the Secret Cover Tour will include a preview of new material from Peter's forthcoming album (to be announced in the near future). More touring is planned to follow U.S. & Europe." - [Peter Murphy]The two NYC Peter Murphy shows are tonight (7/6) and tomorrow (7/7). Tickets are still available for both. Modwheelmood is the opener. Updated tour dates below...
"He only played a few songs from his solo back catalog, so if you are expecting another greatest hits tour, this isn't it. But I have heard those songs before many times so for me it is much more exciting to hear new songs. Especially when they sound this good!" - [strangelets in San Francisco]
"Tonights show was great! all except the venur security who did not want us to tak esetlists home as mementos. Sorry if you guys planned to reuse them. We always print nw ones out. Never in my life have I had my arm pulled behind my back to the point of snapping and ushered out without putting up a fight and then thrown out. All I wanted was a memento to remember the show by." - [Steve Lane in Portland]
Peter Murphy @ Gramercy Theatre June 26, 2008 (more by Lori Baily)
Bauhaus frontman Peter Murphy made a rare appearance at Austin's South By Southwest festival today (March 19, 2009), coming all the way from his adopted home in Turkey to perform for a packed house at Elysium.Murphy is coming back to the US for solo shows this summer. That tour includes a two-show NYC run at the Highline Ballroom in July. Tickets for the Monday, July 6th and Tuesday, July 7th shows are on sale.
Backed by a four-piece band, the goth legend performed several songs from his extensive solo catalogue and pranced around the stage dramatically throughout the 45-minute set.
In between songs, Murphy bantered with the crowd and delivered a message to any musicians in the room. "This is about music, not radio friendliness," he said. "The artist has more power than anybody. The artists must know that they are the centre of it."
At one point, Murphy even handed his microphone to audience members who proceeded to ask him questions. When a woman asked how it felt to reunite with Bauhaus recently, Murphy said, "Bauhaus are very nice chaps but they are exhausting!"
Later in the evening, a man in the crowd shouted, "We fucking love you, Peter!"
"I'm sure you just want to enter my body," quipped Murphy in response, "which is not love." [NME]
If Murphy's gigs this summer are anything like his SXSW set, the music will be mainly focused on material from his upcoming album. Speculation about that album...
[Peter Murphy's forthcoming] album may feature production from Trent Reznor of NIN and feature Peter's version of the track "Warm Leatherette," which they have been performing live together... [Wikipedia]Murphy sang with Reznor on the NIN song "Reptile" in Atlantic City last year. The pair are no strangers to collaboration. In 2006, while on the road together with their respective bands, Reznor and Murphy recorded live, in-studio versions of a number of tracks, including "Warm Leatherette" and "Reptile." Videos of those, videos from Peter Murphy's SXSW set, the Chase Bank commercial featuring Myrphy's voice and all known tour dates, below...
Photos by Zach Dilgard
"The surprise of the night was when Peter Murphy from Bauhaus added some extra spookiness to "Reptile". It reminded me of how disappointed I am that Bauhaus broke up again. The lighthearted moment of the evening was when Trent Reznor (Vocals/Guitars) lamented how he had apparently messed up the lyrics in the breakdown of "Closer". Luckily, a fan helped Trent out by repeating the correct lyrics when he was tossed the microphone. Trent would later incorporate the lyrics into "Discipline" to the delight of the audience." [Amateur Chemist]More pictures and the setlist below...
photos by Zach Dilgard
DOWNLOAD: Love & Rockets live @ Lolla (MP3s captured from video stream) (MEGAUPLOAD link)
Frontman Daniel Ash -- dressed in a Keith Richards pirate motif -- cooed and moaned lyrics about obsession over hot slabs of roaring bass riffs ("No Big Deal") and pulsating goth rock ("Haunted When the Minutes Drag"). They even made some room for some heavy metal theatrics. It was a nice nod to Lollapalooza's past, as Love and Rockets are the sort of band that its founder wanted to spread to the masses with his festival in the first place. [Rolling Stone]Video of Perry Farrell introducing the band, more pics, and the setlist below....
photos by Lori Baily
Murphy's current Retrospective tour culls from both his solo work and Bauhaus's songs, particularly those on its spring-released "Go Away White," a surprisingly fine recording after the quartet's 15-year recording hiatus. But, with Bauhaus, arguably the band who invented the Goth rock movement in 1979, once again disbanded, and this time with a sense of finality, Murphy is airing the new songs with a three-piece backing band, which includes drummer-for-hire Nick Lucero (Queens of the Stone Age). "They might've played with other people, but they're mine now," said Murphy with vampirish relish. A new solo album was completed, he also assured. [Boston.com]Lori went to see Peter Murphy, but left a big fan of opener Ali Eskandrian (June 26, 2008). The rest of the tour dates, and more pictures from the Blender/Gramercy Theater show, below....
Bauhaus have a new album out.