Entries tagged with: Beat Connection
Agalloch at MHOW in 2012 (more by Wyatt Marshall)
You can browse our full NYC show calendar for all of tonight's shows, but here are some highlights...
Agalloch, Jex Thoth @ Irving Plaza
Portland, OR atmospheric metal greats Agalloch returned with their fifth album this year, The Serpent & the Sphere, another gem and a heavier and more metallic effort than its predecessor. Doom traditionalists Jex Thoth open this Invisible Oranges-presented show, and their set should not be missed.
Beck @ Hammerstein Ballroom
Beck put out his twelfth album this year, Morning Phase, which is his first in six years and he considers it the "companion piece" to 2002's Sea Change. His tour in support of it hits NYC for his first of two shows this week, tonight.
Radioactivity, Bad Sports, Nancy @ Baby's All Right
The Marked Men were here not long ago for some rare shows of their killer garage punk. It remains to be seen when they'll return, but related band Radioactivity (or, The Novice) keep up their style pretty well. Their tourmates Bad Sports (fronted by OBN IIIs singer Orville Neely) are not to miss either.
King Gizzard and The Lizard Wizard, Alix Brown (DJ Set) @ Baby's All Right
Travel back to 1967 with Australian psych band King Gizzard and the Lizard Wizard who squeeze in this one last NYC show (they've already played about 349053954) before they head home. Don't fret too much about them leaving though, they're already scheduled to return in October.
The Disfunction, Born Cages, Video Video, The Green Seed, Not Tonight Josephine @ Pianos
For folks who think the '90s was Golden Age of hip hop, Birmingham, Alabama group The Green Seed recalls the days of De La Soul, Tribe Called Quest, Black Star and more. Check out their video for "Jude Law" below.
Beat Connection, Zella Day, Tomboy, The TonTons @ Brooklyn Bowl
Now on Mondays, the It's a School Night series brings Pacific Northwest dance duo Beat Connection and Houston's The TonTons in (which a couple other bands as well) for a night of free music -- with RSVP of course.
Tilts, States & Kingdoms, The Brought Low @ Cake Shop
It's a great night for "members of" bands at Cake Shop tonight with the Torche-related Tilts (who are not far removed from Torche's stoner pop) and Thursday/Rival Schools-related State & Kingdoms.
Counting Crows, Toad the Wet Sprocket, Daniel and the Lion @ Central Park Summerstage
'90s nostalgia is all the rage, and you can get yours on tonight with Counting Crows and Toad the Wet Sprocket at Central Park Summerstage.
Cult of Fire, Sargeist, Icon of Phobos, Witchblood, Sein Und Zelt @ Saint Vitus
Martyrdoom III, the third annual five-day metal festival at Brooklyn's Saint Vitus, is on day 4 with excellent international black metal from Cult of Fire and Sargeist, and more.
Donovan Wolfington, Infinity Girl, Pope, Washer @ Shea Stadium
Donovan Wolfington make scrappy punk/indie with shoutalong parts ready-made for college basement shows. While Shea isn't exactly that, the all-ages DIY space is still the kind of room you'll want to see this band in.
Movement @ The Westway
Australia's Movement are another group tackling the whole "indie-R&B" thing, and appropriately they've worked with Weeknd collaborator Illangelo on their EP which is out now. Tonight's their second of two NYC shows on their current US tour.
Night Train with guest Seaton Smith @ Littlefield
Wyatt Cenac's weekly Night Train comedy show continues tonight with guest host Seaton Smith. Among tonight's guests is the very funny and also musically inclined Dave Hill, as well as Mike Lawrence, Michelle Buteau, Nate Fernald and Chris Thayer.
For all of tonight's shows, and tomorrow's, check out our NYC concert calendar.
For laughs, check out the NYC Comedy calendar too.
Follow BrooklynVegan on instagram.
The Austin City Limits Festival returns to Austin's Zilker Park for two weekends, October 3-5 & October 10-12. The lineup was just announced and includes Eminem, Pearl Jam, Outkast, Beck, The Replacements, Spoon, Belle & Sebastian, Interpol, Broken Bells, St. Vincent, Jimmy Cliff, The Gaslight Anthem, Jenny Lewis, The Rosebuds, Sam Smith, Real Estate, tUnE-yArDs, Jagwar Ma, Mac DeMarco, Polica, My Brightest Diamond and many more.
Tickets go on sale today (4/22) at 10 AM CDT. Full lineup below...
A$AP Rocky in Austin in 2013 (more by Tim Griffin)
Seattle's Capitol Hill Block Party is returning this year from July 25-27, and the initial lineup has been announced. It includes A$AP Rocky, A$AP Ferg, Spoon, The War on Drugs, XXYYXX, Angel Olsen, Chromeo, Matt & Kim and more. 3-day passes are on sale now.
Full initial lineup below...
Portland festival MusicFestNW is returning this year to multiple Portland venues from September 3-8 with a ton of bands including Animal Collective, Godspeed You! Black Emperor, Superchunk, Deerhunter, Charles Bradley, Shuggie Otis, Joey Bada$$, Bonnie Prince Billy, Chromatics, Glass Candy, Flume, Youth Lagoon, Washed Out, The Thermals, TItus Andronicus, Bob Mould, Baroness, Austra, Ty Segall, The Bronx, The Men, Mount Eerie, White Lung, and many more. Ticket info is coming soon.
Initial lineup below...
by Bill Pearis
Seattle's Beat Connection are back with a new album, The Palace Garden, which will be out June 19 on Moshi Moshi/That Tender Age. Still dancing in the balaeric realm, the new album is a little less hazy than it's predecessor -- you can stream two tracks below as well as check out the LP's cover art and full track list.
The group, who have expanded from a duo to a four-piece, are going on tour to support the new album, stopping in NYC on July 5 at Knitting Factory with White Arrows, Teen Daze and Rioux. Tickets for that show are on sale. All upcoming dates are listed below.
"Following last year's 10th anniversary, which crushed previous attendance records and set a new mark for the speed with which tickets sold out, the Sasquatch! Music Festival unveils its 2012 lineup which once again features 4 days of music. The festival, hailed as "a model of well-paced programming...in a four-day schedule as efficient and natural feeling as an expertly built algorithm" by NPR Music while Wired notes, "leave the landscape out of it and Sasquatch! has a lineup to kill for," runs May 25-28 (Memorial Day Weekend) at The Gorge, the internationally acclaimed concert venue carved in the basalt cliffs high above the Columbia River Gorge in Quincy, WA."The Sasquatch! Music Festival takes place, as usual, at the Gorge Amphitheatre in George, Washington over Memorial Day weekend (May 25-28). And this year's lineup is:
by Bill Pearis
Thursday, we're in the thick of it now and maybe some of us are already frazzled. Which might explain why this picks post is shorter than yesterday's. Also, we're starting to see a lot of the same bands, so see this as a reminder as to what's happening where. This isn't comprehensive, just what I personally recommend. I've tried to include set times at the bottom of this post for all parties mentioned.
Hopefully you're going to stop by the BV Day Party at Kniting Factory which has Yellow Ostrich, Still Corners, Hundred Visions, Forest Fire, BOBBY, Main Attrakionz and the just added We Were Promised Jetpacks. Yellow Ostrich kicks things off at 12:30, hope you can make it down. There's free PBR & HobNob Wine too for those over 21.
You can make a day of it in Williamsburg, and we wouldn't grudge you for venue hopping. Public Assembly's got the Pop Montreal party today, with Miracle Fortress, Pat Jordache, Teen Daze, Tops, Tonstartssbandht, and Touchy Mob... plus food courtesy Mile End. Maybe some Montreal-style bagels?
Over at Bruar Falls it's the Camper's Rule Records party, with Radical Dads (if you're from out of town, one of my favorite new local bands), plus Fort Lean, Backords, Beat People, Easter Vomit, Yanqui, and Moonmen On the Moon, Man. Plus, you're running out of chances to hang out at Bruar Falls... it closes at the end of the month.
And at The Woods, there's a cool afternoon/early-evening party being thrown by the folks at all-girl-drummer zine Tom Tom, with a great line-up of bands that, yes, all feature ladies behind the kit. There's Baybee Teeth, Coasting, TEEN, The Suzan, Pearl & the Beard, Brute Heart and Satellite Sky. $5 cover for this one. Let's hope the sound has improved from last year's CMJ-week shows, which was a joke.
Of course it's hard to deny the allure of the Lower East Side, what with five or so clubs all within a block or two of each other, making for very easy show-hopping. The two best are on the same Ludlow Block. At Cake Shop, NYC Taper has indie rawkers Mr. Dream, the widescreen pop of Savoir Adore, the dreamy/dusty sounds of Widowspeak, superior psych group White Fence, the dark anthemecism of Hoop Dreams, plus Prussia and Teletextile.
And at Pianos,I Guess I'm Floating and Tell All Your Friends PR have two floors of fun, with a few Canadians (Grimes, Parlovr, Doldrums), one Australian (Little Red), dance music (Beat Connection, Body Language) and lots more. Full schedule is below.
Okay, those are my daytime choices of choice. Flyers and set times, some for shows not mentioned above, are below.
by Bill Pearis
DOWNLOAD: Hospitality - Friends of Friends (MP3)
DOWNLOAD: Dive - Sometime (MP3)
DOWNLOAD: Heaven's Gate - Salome (MP3)
DOWNLOAD: Unknown Mortal Orchestra - How Can U Luv Me (MP3)
DOWNLOAD: Beat Connection - In the Water (MP3)
DOWNLOAD: Ski Lodge - I Would Die to Be (MP3)
After a couple weeks with not a whole lot going on, we're back to jam-packed week of shows (at least in the TWII-verse). So let's get into it.
Portland trio Blouse are in town for two shows: Thursday (9/15) at Glasslands and then Friday (9/16) at Shea Stadium. After singles on Sub Pop and Captured Tracks, the band's debut is due out in November. You can stream the song "Videotapes" from it at the bottom of this post. The track has a nice melty quality to it that if I was listening on cassette I might think it was time to buy a new Walkman. I've liked everything I've heard from Blouse so far, as it hits my '80s sweet spot: icy synths, moody basslines, big choruses. I'm anxious to hear the whole record, and looking forward to seeing them play.
Unknown Mortal Orchestra
Both Blouse shows are appealing bills. The Glasslands show is headlined by Unknown Mortal Orchestra who are currently on tour with Toro Y Moi, a tour that hits NYC tonight (10/14) at Webster Hall. In addition to the Glasslands show tomorrow, UMO are also playing that Vice party tomorrow that is sure to be a scene. After that, UMO are basically on tour for the rest of the year with a pretty brutal schedule, daring America not to see them.
Also playing the Glasslands show are Hospitality (subbing for Woven Bones who had to bow out) who, you may have read, have signed with Merge. The label will be putting out their debut album in early 2012 and you can get an early taste at the top of this post -- the horn-filled "Friends of Friends." (The whole record is great.) I'm a big fan of this band and couldn't be more pleased to see them sign to a label I love.
Blouse is headlining the Shea Stadium show on Friday that is a pretty exciting lineup too, especially if you want to see a lot of new local bands. Dive is the new band from Beach Fossils guitarist/drummer Cole Smith (he was also in Darwin Deez) and the group's debut single, "Dive," is out soon on Captured Tracks and you can download it at the top of this post. It sounds a lot like Beach Fossils but it's catchy nonetheless.
Also playing are Heaven's Gate which is the new band from a couple of the guys in the now defunct Sweet Bulbs. Like that band, Heaven's Gate are definitely on the shoegaze tip and also remind me a little of Bettie Serveert. Mind you, I've only heard two songs but both are quite good. (I was a big Sweet Bulbs fan too.) Download one of them, "Salome," at the top of this post.
Sloan are in town. Did anyone go see them last night at The Bell House? They play Bowery Ballroom on Thursday (9/15) and Maxwell's on Friday (9/16). I've probably written enough about Sloan this year already, but needless to say these shows are highly recommended. And if you haven't grabbed the free Select Singles - 1992 - 2011 compilation yet, the download widget is at the bottom of this post.
STRFKR (not to be confused with SBTRKT) are rolling though town this week, playing Knitting Factory on Friday (9/16). Despite the whole name-changing debacle (Starfucker --> Pyramid --> Starfucker --> STRFKR), the band's new album, Reptillians, isn't bad at all in a Flaming Lips/MGMT sort of way.
I'm a bigger fan of the opening act Beat Connection. This duo is from Seattle though listening to their debut, Surf Noir, from last year you might think they were Swedish -- Lo Fi FNK and, especially, Studio come to mind when you hear the Baeleric Beat influence that's all over the record. You can download single "In the Water" at the top of this post. I caught them at SXSW and thought they were pretty good though they could use a couple auxiliary members live.
Friday night (9/16) at Cake Shop is Ski Lodge which is the new band from Andrew Marr who used to be in the Clementines. There's an EP coming out on Dovecote Records and you can download a track from it, "I Would Die to Be," at the top of this post. There's a Beach Fossils approach to the arrangement of this song, but melodically it's more from the Smiths lineage of indiepop. The whole EP is good. I've never seen them live, but maybe Friday.
A few more picks not mentioned above, by day, below...
WEDNESDAY, SEPTEMBER 14
Japandroids are at Mercury Lounge tonight, road testing new material for their second album. Bass Drum of Death open. Sold out, but we're giving away a pair of tickets.
Grave Babies play with K Holes and Pop. 1280 at Cake Shop.
Here is the initial lineup for Willamette Week's MusicfestNW, scheduled for Sept. 7-11, 2011 in Portland, Oregon, and it's pretty great. The multi-venue fest includes big outdoor performances by Band of Horses (Sunday, Sept. 11), Explosions in the Sky (Saturday, Sept. 10), and Iron & Wine (Friday, Sept. 9), in addition to shows with everyone from Archers of Loaf to Big Freedia to Butthole Surfers to Neurosis. Tickets go on sale Friday, June 3rd. Check out the full list below...
by Bill Pearis
"It is what it is." I must've heard that phrase 30 times during SXSW -- be it in reference to alloted set times, equipment, sound or the free food at whatever day party I was at. You have to, as Diamond Dave once said, roll with the punches to get to what's real. Or at least have a good time.
So this year for this year's fest in Austin, I attempted to be as stress free as possible. I mostly avoided anything that would be a pain to get into, be it the hyper-hyped (James Blake, Odd Future), already popular (Strokes, Kanye), or overly hip (Fader Fort, PureVolume House). Which is probably why this was probably the most fun SXSW I've attended yet, with almost no dud bands seen.
I flew into San Antonio this year, where friends picked me up and we then drove down to Austin with a pit stop on the way for lunch, which got us to the Convention Center around 2pm to pick up our badges. First stop: The Palm Door to catch Austin locals Ringo Deathstarr whose album Colour Trip is one of my favorites of 2011 so far. I call a lot of things shoegaze, but these three have the classic '90s sound -- including Kevin Shields' glide guitar style -- down pat. Some seriously catchy songwriting keeps it out of pastiche territory. They are good and loud on the Palm Door patio, my first of many Lone Star tallboys of the week in hand, and it's a great start to the fest.
From there I headed over to Emo's for the first of BrooklynVegan's many day parties. Got there just in time to see the tail end of Mr Heavenly's set. I stuck around for Surfer Blood who I expected to play a bunch of new material but instead gave us an enjoyable hits-packed set from their first album.
Guides and sched.org were scrutinized over dinner, as the evening was planned out. First stop was to Beauty Bar for the Moshi Moshi party, specifically to see electronic duo Beat Connection who sound like they're from Sweden but are actually from Seattle. Not a lot of stage presence (two dudes behind keyboards, one of whom looks like John Daly from Freaks & Geeks) but they sound great and it's already a dance party in Beauty Bar at 8PM.
We next stopped by the Oklahoma showcase happening at Friends. Stillwater's Colourmusic lay down some awesome Can-style prog, made extra heavy with two bassists. Flaming Lips, early-'90s psych influence casts a shadow on them too. Some crazed (drunk) superfan from their hometown jumps on stage, takes off his shirt and joins the band on the mic, making for the best picture I took all week. Easily one of my favorite performances of SXSW 2011. Their album, My ____ is Pink, is out next month on Memphis Industries and is very good.
While there, a woman comes up to me and asks if I was at SXSW the previous year. I answered yes, to which she then says "Remember me? I was dressed as a hippie rooster and danced all around you." Nope, sorry lady, don't remember that. And I think I would.
Leaving my friends, I hit Maggie Mae's to catch Glaswegian electronic outfit Errors, part of the Creative Scotland showcase. I was a big fan of their first album and had been wanting to see them ever since. Kinda like the Scottish version of Ratatat, their instrumental electro-rock translates well to the stage. Worth the wait. You can see Errors all over the U.S next month on tour with Mogwai (whose label, Rock Action, they're signed to.) Tour dates, two nights at Webster Hall included, are at the bottom of this post.
Looking back over things, Wednesday was maybe the best day for me overall. Next was London's Mazes who make superior '90s style indie rock. (Not to be confused with 1900s offshoot Mazes who have since changed their name I think.) The obvious comparison is Yuck, but it's less GBV/Sebadoh and more Pavement/Number One Cup. Also like Yuck, they're not the most energetic band I've ever seen but they sound great.
I close out the night at Red Eyed Fly. Sky Larkin have been telling me to go see fellow Leeds band Pulled Apart by Horses for nearly three years, warning me I might not want to get too close. I now understand why... they are an explosion on stage, bouncing off the walls, bounding into the crowd, climbing trellises, singing on the bar and other wild behavior. No puking, thankfully, which I hear has happened on occasion. Kinetic and spastic as they are, Pulled Apart by Horses' music -- thrashy, mathy, riffy, shouty -- is not really my cup of tea.
Pete & the Pirates were supposed to be on at 1AM but things were running very late. I'd been up since 3:30AM -- my flight had left at 5:45am -- so when it hit 1:30, I opted for a much-needed full night of sleep. Slightly disappointed but I'd see P&P later in the week anyhow...it is what it is.
A few more pictures, video of Colourmusic's performance, and those Errors tourdates (with Mogwai) are below.