Entries tagged with: Best Coast
RIP Nick Alexander. It was a pleasure to share laughs + tour with you 💕 If you feel inclined to donate, please do: https://t.co/dPjFsQ2QWs— Best Coast (@BestCoast) November 14, 2015
Nick Alexander was one of the many senselessly murdered at the Eagles of Death Metal show at Bataclan in Paris Friday night. He was their merch manager. He also worked with Best Coast, The Black Keys, MGMT and many other bands. A memorial fund, which has already raised over $35,000 in 10 hours, has been set up in his honor. Rest in Peace, Nick.
A message from the fund's creator Miguel Benavides can be read below...
by Rob Sperry-Fromm
Vulture recently talked to a bunch of musicians who compiled a list comprised of their favorite music memoirs. Many of the musicians, like Questlove, Paul Stanley, and Nikki Sixx interviewed have written memoirs themselves.
It's a varied list that covers a fair amount of ground and provides some interesting nuggets about what the different musicians like in their music writing. Anthrax's Scott Ian likes Gregg Allman's memoir because "From the murder of his father to his brother trying to hang him from a tree when they were kids to the insane levels of rock-and-roll excess, this book has it all." Bethany Cosentino is a fan of Storms: My Life With Lindsey Buckingham and Fleetwood Mac because "There is also an intense amount of emotional shit you go through while you're touring and living your life in the public eye. I think this book does a really good job of reminding people of that."
Speedy Ortiz's Sadie Dupuis recommends Will Hermes' Love Goes To Buildings On Fire, which is not a memoir in any way but is still a pretty great music book. And Questlove directs us towards Carrie Brownstein's new book Hunger Makes Me A Modern Girl, which we just talked to her about. That was an easy one for Questlove, as he just talked to her about the book at at Saint Vitus.
Books that got multiple mentions: Jewel and Aerosmith's Joe Perry like Bob Dylan's Chronicles; Def Leppard's Phil Collen and The Zombies' Colin Blunstone both rep Keith Richards' Life, and Michael Stipe and Garbage's Shirley Manson both recommend Patti Smith's Just Kids (not a surprise, Michael).
There's been a deluge of music memoirs lately, from Carrie's book to new tomes by Chrissie Hynde, Kim Gordon, Grace Jones, John Fogerty, Elvis Costello and Travis Barker. And there's more exciting stuff on the way from Tom Petty, Laura Jane Grace, John Doe and Carly Simon, just to name a few.
Check out the whole list at Vulture.
by Bill Pearis
As mentioned, Dumb Numbers have a box set of split-10"s, one of which is with David Lynch. Dumb Numbers' side pays homage to Lynch's cult hit Twin Peaks (which is coming back, like that gum you liked). The title, "I Dreamed I Saw Jack Nance Last Night," is a tip of the hat to the actor who played Pete on the series (and was the star of Lynch's Eraserhead), the bassline is basically the same as the Twin Peaks theme, and then there's its general dream-like atmosphere. It more evokes than steals, though. The song features Warpaint's Jenny Lee Lindberg on bass, Best Coast's Bobb Bruno on mellotron, and Melvins' Dale Crover on drums. Have a listen below.
The Split Series is out now digitally, and the vinyl will be out October 31.
by Andrew Sacher
"Pop punk" was once widely considered a dirty term in most indie rock circles, but over the past few years it's been sneaking into indie rock vernacular. We use it here on BV a lot. Pitchfork has used it when talking about anyone from Cloud Nothings to Upset to Joyce Manor. Stereogum has used it for The Sidekicks, Chumped, and Cayetana. NPR for Wavves, Title Fight and Waxahatchee. The list goes on.
It's easy to see what made "pop punk" such a turnoff as it became progressively more mainstream in the '90s and early '00s. "Punk" is a genre with a code of ethics that punk fans feel should be kept sacred, and "pop" is basically the antithesis of those ethics. So "pop punk" is theoretically the worst thing that could ever happen to punk. Indie rock fans adhere to similar ethics, so when "What's My Age Again?" hit TRL, it's no surprise that Sebadoh fans weren't gluing their eyes to their TVs.
But for a younger generation, some combination of Green Day, The Offspring, Rancid, blink-182 and New Found Glory (or all of the above) was a foundational listening experience, and an entry point into alternative music. Those bands may have made punk more mainstream, but they were also gateways to older and more universally canonized artists. blink-182 directly led to Descendents, Dinosaur Jr and Drive Like Jehu; Green Day to Husker Du; Rancid to Roger Miret and Sham 69; New Found Glory to Lifetime and Gorilla Biscuits; and so on. The people who grew up on those bands are becoming today's indie rock musicians, fans, and critics, so it makes sense that the sounds of pop punk are making their way into indie rock. Not to mention Best Coast, who started as a lo-fi band on Mexican Summer, went on to cover blink-182, collaborate with New Found Glory, and tour with Green Day.
photo: Best Coast opening for Green Day in 2013 (more by Dana Distortion)
Right now, the amount of bands blurring the lines between indie rock and pop punk is pretty astounding. We saw pop punk's influence sneak into indie rock on a handful of our favorite records of last year, and this year we have great records from Colleen Green, Bully, Superheaven, Turnover, All Dogs, Radioactivity, Royal Headache, Titus Andronicus, Worriers, Hop Along and Adventures that all fit the description.
Even with this huge influx of indie rock bands taking influence from pop punk, it's not hard to see why there's still resistance against the "pop punk" tag. The kind of over-produced pop punk that critics cringed at in the early 2000s is still very popular. All Time Low's new album debuted at #2 on Billboard this year and there's nothing "punk" about this. 5 Seconds of Summer may be the biggest band in the world right now that anyone is calling "pop punk," but they also share management with One Direction, have toured with them, and are closer in sound to 1D than to any band who ever signed a contract with Fat Wreck Chords. If 5SOS can be called pop punk, or apparently anyone who plays Warped Tour -- like Front Porch Step, who in addition to his questionable actions, makes cringe-worthy music that has nothing to do with pop punk -- it's understandable why some people want to avoid the term.
There's also a group of bands who frequently play Warped Tour and not only warrant being called pop punk, but pride themselves on it: bands like Man Overboard, The Story So Far, Four Year Strong, Neck Deep and State Champs. Their approach is basically to take the moment pop punk took over the world and recreate it. (The Drive-Thru Records catalog is a big influence here.) They're not shy about their style -- Man Overboard make shirts that say "Defend Pop Punk" and Neck Deep make ones that say "Generic Pop Punk." They don't seem to be after hugely mainstream success and tend to build their fanbases like punk bands do, but to our ears they're usually unoriginal at best and still kinda cheesy at worst.
If you have any place in your heart for early 2000s-era mainstream pop punk though (and if you've read this far, you probably do), there's one band I think is doing a hell of a lot of justice to it: The Wonder Years. Unlike the bands bringing pop punk's influence into indie rock, The Wonder Years are making the kind of pop punk that is in fact pop music, but they also happen to make really fucking good pop music. It's becoming more prevalent for critics and "serious music fans" to discuss great pop music, and this is a good thing because great music can truly come from anywhere. The recent Beyonce and Justin Timberlake albums were steps forward for music in general, whether or not you normally listen to the radio. A lot of fans and critics noted that, but for whatever reason there's still a stigma when it comes to pop punk. You're more likely to see certain critics champion Fifth Harmony, a new teen-pop group formed by Simon Cowell on The X Factor, than even mention the latest Bad Religion or Rancid albums. It's a stigma that hopefully disappears, because The Wonder Years don't deserve to be ignored by any serious music fan.
photo: The Wonder Years at House of Vans in 2011 (more by Andrew St. Clair)
The Wonder Years started out as more of a generic pop punk band, and while in hindsight I respect the people who knew they were great from day one (or at least since their 2010 breakthrough The Upsides), they didn't really catch my ear until 2011's Suburbia I've Given You All and Now I'm Nothing. And it didn't really click until 2013's The Greatest Generation, which might be the greatest true-blue radio-ready pop punk record since Enema of the State. It probably owes more to New Found Glory and The Starting Line than it does to blink-182, but even if those bands have proved to be more influential, they never had this level of songwriting or maturity. Even on New Found Glory's "mature" album, they couldn't escape writing songs about girls who "smell like angels ought to smell." The Greatest Generation grapples with hitting your mid-to-late '20s, seeing your friends and cousins getting married and transitioning into adulthood, and thinking "did I fuck up?" When they do sound like they're singing about high school crushes ("I hadn't felt a heartbreak until now") you quickly realize they're singing about the death of a friend.
It's close to an absolute perfection of its form, and it's hard to say just yet if they've topped it, though they've undoubtedly made another artistic leap on the new No Closer to Heaven. It's the band's most overwhelmingly emotional album yet, and the most musically diverse too. In 45 minutes it touches on double-time pop punk, slower atmospheric songs, heavy rock riffs, and an acoustic song to close things out. It's the kind of record that might piss off some old fans and cause them to say The Wonder Years "aren't pop punk anymore," but it might win over a bunch of new fans in the process. It's pop punk's Sunbather. The thing is though, unlike say Title Fight's trek into atmospheric rock, this is a pop punk album. It pushes the boundaries of the genre about as far as they can go without losing the type of thrill you specifically get from this style of music. Really it shouldn't piss off old fans because it manages to retain the sound they've always had while clearly pushing it forward.
It makes me think a lot of Brand New's The Devil and God Are Raging Inside Me. It doesn't sound like Devil and God, but that was the moment Brand New made a devastating, cathartic album that defied its genre without abandoning it, and that's what TWY do here. They're also similar to Brand New in that each record is a shift from the last, and that people (rightfully) worship these guys. To compare it to an album it does sound like, it's actually a little like The Hotelier's last one, and that may be the most acclaimed album the entire emo revival has given us. But it feels a little unfair to compare those two, because The Hotelier are a young (yet fully-formed) band and No Closer to Heaven is clearly the work of seasoned songwriters.
The Wonder Years are more dynamically diverse here than ever. They know just when to switch from a chorus turned up to 11 to a bridge of clean guitar arpeggios and back again. They know which lyric needs a three-part harmony, which needs frontman Dan "Soupy" Campbell to sing gently and which needs him at the top of his lungs. At least half the songs completely avoid the standard verse-chorus-verse. Recurring lyrics and themes throughout an album aren't new ground for The Wonder Years, but No Closer to Heaven might be the closest they've come to a true concept album. Death, if it wasn't obvious, is that concept here. The lyric we hear over and over is "We're no saviors if we can't save our brothers," and that's only one of the instantly-quotable lines packed into this thing. There's a harsh reality to Soupy's lyrics this time around, and when he brings his voice to a shout it feels more like a reflex than an artistic decision.
Like the last record, his melodies are familiar without being predictable. Thanks in part to the fact that almost every member can sing, they've mastered the kind of multi-part harmonies and overlapping vocals that most of their peers aren't even attempting. (My only complaint about the new album is the guest vocals from the singer of letlive. who come too close to a maligned genre I won't defend, nu-metal.) The production is once again shining with gloss, but nothing sounds artificial -- unlike many of their peers, the band and longtime producer Steve Evetts (who has helmed other pop punk classics like Jersey's Best Dancers and Through Being Cool) have long discussed avoiding auto-tune and sample replacing. The interplay between the band's three guitarists also make this far more detailed than punk's "learn three power chords, form a band" mentality. But The Wonder Years do stay true to the latter half of the phrase "pop punk," and if you've seen them live you know this. They typically fill big rooms these days, but they still play like they came out swinging from a South Philly basement. They might not win over a snobby punk purist, but for the genre-hopping listener who finds emotional depth and musical ambition in both the new Drake and the new Sufjan Stevens, you may find it in the new Wonder Years too.
photo: You Blew It! at Riis Park Beach Bazaar - August, 2015 (more by Mimi Hong)
No Closer to Heaven is out today via Hopeless (order yours) and you can stream the whole thing via Rdio, below.
They'll be on tour this year with another unique pop punk band, Motion City Soundtrack, emo revival darlings You Blew It!, and State Champs. That tour hits NYC for two Webster Hall shows in October, but first TWY play an acoustic in-store at Rough Trade on Wednesday (9/9).
photos by P Squared Photography
Best Coast / Alvvays / Bully
The new dates include another NYC show happening at Music Hall of Williamsburg on September 28, the day after their set at Boston Calling. Tickets for MHOW go on sale Friday (6/19) at noon with an AmEx presale starting Wednesday (6/17) at noon. Updated dates are listed below.
Bully's debut album, Feels Like, comes out next week (6/23) via Columbia, and it's now streaming in full. It's a catchy record indebted to '90s radio rock, and you can listen via NPR below.
One of Bully's shows this past weekend was the big Northside Fest show at 50 Kent with Best Coast, Built to Spill and Alvvays. We already posted one set of pictures from that show, and we've got another set of Best Coast, Alvvays and Bully pics in this post. More Built to Spill pics are on the way soon, too.
Pictures continue, with the list of tour dates and album stream, below...
photos by Amanda Hatfield; words by Bill Pearis
Best Coast / Built to Spill / Alvvays @ 50 Kent 6/13/2015
Northside Festival was in full swing on Saturday (6/13) with shows happening all over Williamsburg, Greenpoint and Bushwick all day and through the night. The big outdoor stage at 50 Kent had an appealing triple bill featuring Nashville rockers Bully, charming Canadians Alvvays, indie rock greats Built to Spill, and breezy headliners Best Coast making for good vibes all night. Pictures from that show are in this post.
The most anticipated performance for me was Built to Spill, who I hadn't seen since the 2009 Siren Festival. Their Northside set was pretty fan-friendly, dropping Keep it Like a Secret's "You Were Right" and "Carry the Zero," and "Dystopian Dream Girl" from Perfect from Now on pretty much right out of the gate. This year's very good Untethered Moon was represented to with two songs, as well. Setlist is below.
Alvvays, who have been touring constantly since their album came out last year, have become a much more confident band and singer Molly Rankin was cracking jokes with the crowd in-between songs. It was definitely the best I'd seen them. Best Coast, who now have a third guitarist in their ranks, kept the crowd entertained with a set full of sing-a-longs, closing the night with "Boyfriend," the song that "everyone's waiting for," according to vocalist/guitarist Bethany Cosentino.
Our photographer, Amanda, missed Bully at this show but did catch them at their UO Live Stage show earlier that day. They're hanging around NYC for a free 7 PM set at Rough Trade tonight (6/15). All ages, no wristband required.
Pictures of Bully's UO Live Stage set, plus more of the other three bands at 50 Kent, below...
photos by Amanda Hatfield
Kero Kero Bonito / Chastity Belt @ Hype Hotel, SXSW 2015
London trio Kero Kero Bonito seem as much influenced by Blue's Clues as they are by Sleigh Bells and Cibo Matto, so it's no surprise that they were more illustrative with their costumes and sets than any other artist we saw this week. Songs about graduation came with cap and gown, songs about birthdays came with wraparound cone hats, and songs with mid-song telephone conversations came with an actual rotary phone to ring and be answered. If single "Picture This" gets as big as it deserves to be, the group could do more to revitalize the Polaroid than anyone since André 3000. - [SPIN]The Hype Machine's Hype Hotel presented by Feed the Beat has been a fixture at SXSW for a few years now, and in 2015 occupied its biggest space yet, offering up shows curated by music blogs from around the world.
We stopped by on Thursday night (3/19) for Gorilla Vs Bear's showcase, catching sets from Chastity Belt (who also played one of our day parties), ramshackle Spanish garage rockers Hinds, and UK trio Kero Kero Bonito who employed a variety of props and costumes to flesh out their live show. Pictures from all three are in this post. We left before Autre Ne Veut, Leon Bridges, and Yumi Zouma (who we caught earlier that day at our own show).
There was free Taco Bell at Hype Hotel again, but this year they also had a Mazda car made into a playable instrument with Mogees technology. Best Coast, in addition to playing Hype Hotel, got a chance to try playing the Mazda. You can watch that, and a full recap video of Hype Hotel along with more pictures, below.
Hinds @ Hype Hotel, SXSW 2015
Kero Kero Bonito are not playing NYC (at least not any time soon) but do have a very catchy new single about taking cameraphone pictures.
More Hype Hotel pictures and videos, below...
photo: Bully at BV-CMJ 2014 (more by Amanda Hatfield)
Nashville rockers Bully, who were in Austin for SXSW, are currently on a tour with JEFF the Brotherhood which wraps up mid-April. There's no NYC date on that tour, but Bully will stop here next month on the way to the airport for their first UK tour, playing April 29 at Baby's All Right. Tickets for that show go on sale Friday (3/27) at noon.
After their UK tour, Bully will be back in NYC for the Northside Festival, playing the big 50 Kent show on June 13 with Best Coast, Built to Spill and Alvvays. Tickets are still available. They've got a few other shows with Best Coast and will play Pitchfork Fest in Chicago in July. All dates are listed, along with a video of Bully performing "Brainfreeze," below...
photo: Best Coast @ Burger A-Go-Go, 2014 (more by Debi Del Grande)
The Northside Festival announced their initial 2015 lineup earlier this week, which included shows with Best Coast, Built to Spill, Run the Jewels, Neko Case and more. Those artists will all be headlining shows at outdoor space 50 Kent and details for those have been announced:
FRIDAY, JUNE 12: Neko Case with Rhye, and Majical Cloudz. Tickets go on sale today at noon.
SATURDAY, JUNE 13: Best Coast + Built to Spill (co-headliners), with Alvvays and Bully. Tickets go on sale at noon.
SUNDAY, JUNE 14: Run the Jewels, with Vince Staples + Special Guests. Tickets go on sale at noon.
You can also buy Northside badges which are currently on early bird discount.
photo: Spoon at ACLTV taping in 2014 (more by Tim Griffin)
Once again, Hype Machine returns to SXSW for five days of Hype Hotel presented by Feed the Beat. It runs from March 17-21 at 1100 East 5th Street, Austin, TX. As usual, they've got some pretty big and exciting names with many of the lineups curated by different blogs like Gorilla vs Bear and Consequence of Sound.
The lineup includes Spoon, Best Coast, Twin Shadow, Autre Ne Veut, Earl Sweatshirt, Rae Sremmurd, iLoveMakonnen, Hudson Mohawke, Hundred Waters, Alvvays, Sophie, King Tuff, Twerps, Viet Cong, Yumi Zouma and more, plus a few DJs including DJ Carles.buzz. The exact schedule will be announced soon,, but meanwhile you can RSVP.
This year's Hype Hotel also celebrates Hype Machine's 10th birthday, and is co-sponsored by Mazda, Taco Bell, Tito's Vodka, and Miller Lite.
Full lineup below...
(photo: RTJ at Lollapalooza 2014 more by James Richards IV)
As mentioned before, the music portion of the 2015 Northside Festival happens June 11 - 14 at venues all over north Brooklyn. We already knew Viet Cong, Lower Dens and Ex Hex were playing and the fest has now official announced them in their initial lineup. Also in that list: Run the Jewels, Best Coast, Vince Staples, Rhye, Built to Spill, Neko Case, ALVVAYS, Against Me!, Jacco Gardner, Majical Cloudz, The Business and more. Badges are on sale now (and currently 20% off) and you can check out all announced 2015 artists, below.
Best Coast also have a new album.
The 2015 edition of Toronto's NXNE Festival happens June 17 - 21 at venues all over the Ontario capital. The initial lineup has just been announced and includes Action Bronson, The New Pornographers, Angel Olsen, Zola Jesus, Om, Rae Sremmurd, Deafheaven, Best Coast, Blonde Redhead, Iceage, Real Estate, Lower Dens, A Place To Bury Strangers, Pentagram, White Lung and more. You can check out the full list of initial NXNE showcasing artists below...
Best Coast have signed to Harvest Records who will release their new album, California Nights, on May 5. You can hear a bit of the title track in an album trailer below. They'll also be playing a few California shows this week, starting at Los Angeles' The Echo on Thursday (2/19). All dates are listed below.
We're officially in Music Festival Announcement Season, and the latest one is Atlanta's annual Shaky Knees Festival, happening May 8-10. This year includes The Strokes, The Avett Brothers, Wilco, Pixies, Social Distortion, Ryan Adams, Noel Gallagher's High Flying Birds, Tame Impala, Brand New, Mastodon, Neutral Milk Hotel (supposedly one of your last chances to see them for a while), Interpol, Flogging Molly, TV on the Radio, Manchester Orchestra, James Blake, Death from Above 1979, Dr. Dog, Spiritualized, Panda Bear, American Football, Clutch, Black Lips, The Mountain Goats, Best Coast, Real Estate, Wavves, Built to Spill, The Both, Mac DeMarco, Minus the Bear, Old 97's, FIDLAR, METZ, THe Bronx, Speedy Ortiz, Palma Violets, VIet Cong, Strand of Oaks and more. Tickets are on sale now.
Full initial lineup (even more TBA) below...
photo:::Palma Violets @ Treasure Island Fest (more by Autumn Andel)
SXSW, which happens March 17-22 in Austin, TX, has announced its third round of 2015 showcasing artists. (Here's round 1 and round 2.) It's a big update, with over 500 new additions, including Amason, Frog Eyes, Palma Violets, Girl Band, Pity Sex, Sheer Mag, Kate Tempest, THEESatisfaction, Viet Cong, Matthew E. White, Best Coast, Dej Loaf, Jorma Kaukonen (Hot Tuna/Jefferson Airplane) and loads more.
Full round 3 list below...
photos by Ilya S. Savenok, Bryan Derballa & Luis Ruiz
SPOON, Dev Hynes & Danny Brown
On Tuesday (9/30), Spoon stopped by to present the world premiere of a collaborative video and audio installation between Spoon and artist JD Walsh. In the installation, Walsh deconstructs and abstracts sounds from the track 'Outliers' off Spoon's new album They Want My Soul. FADER presented a Best Coast performance there the same day, and then Dev Hynes and Brooklyn's The Principals unveiled "Ancient Chaos" which was "inspired by the freedom of SONOS speakers to travel anywhere and impact space with sound.... free floating kinetic units embedded with SONOS speakers....A floating landscape that physically expands and contracts in connection with light and sound." The New Yorker's Sasha Frere-Jones hosted a Q&A with the artists afterwards. Dev also played a set.
On Wednesday, (10/1), Aloe Blacc talked about stuff ("Imagine if all the politicians around the world were raised listening to Bob Marley--could be a different place"). The Skins, Flight Facilities and and Mikky Ekko all also played that day.
Thursday brought the rowdiest moment when Danny Brown played a set to the crowd lucky to see the rapper in a venue MUCH smaller than Webster Hall where he played later that night, and much smaller than House of Vans where he plays tonight (10/3).
Today they continue the party with Arcade Fire's Richard Reed Parry and Party Supplies, "very special surprise guests", and more. You can see the remaining schedule (it ends Sunday) at the Sonos Studio NYC RSVP page. More pictures of some of the action so far, below...
Weezer at Firefly 2014 (more by Dana (distortion) Yavin)
The story of Weezer's Rivers Cuomo extended break from being a famous rock frontman to attend Harvard University is now getting turned into a sitcom on Fox. Deadline reports:
Psych creator Steve Franks has teamed with rock musician Rivers Cuomo for DeTour, a single-camera comedy inspired by the Weezer frontman's real-life experiences. The project, from 20th Century Fox TV, has landed at Fox with a put pilot commitment. DeTour centers on a thirtysomething rock star who, unable to rationalize his success and worried that he may not have the tools to repeat it, walks away from the spotlight at the height of his fame in an effort to rediscover the parts of his life he missed while he was busy becoming a massive success.I guess maybe it's better than a Broadway musical? Maybe?
...The series would mirror and embellish Cuomo's journey with a fictional character and the small band of misfit friends that make it possible for one another to get through these formative years.
In other news, Weezer's new Ric Ocasek-produced album, Everything Will Be Alright in the End (due 10/7 via Repulbic), will feature Best Coast singer Bethany Cosentino on the track "Go Away." A clip of that was recently revealed and can be streamed below...
"There was a certain amount of science to it. An entire week of work experience students left the office thinking that cutting-edge music journalism in 2014 mostly involves calculating which bands have been mentioned most in NME in the past two years, then hunting out references to the bands that influenced those acts online and finally adding up the number of times each influence came up. This gave us a rough list which our editorial team - heads swimming with all of the bands that Wolf Alice (or whoever) have raved on about over 4am ciders - then took to the pub, tore into shreds, fought and shouted about and finally reconstructed in the rundown of 100 you see in the mag today. The Beatles didn't make it. Sorry." [NME[NME went ahead and listed who they think the 100 most influential musicians and bands are (their latest cover story). Radiohead topped the list. Read the rest with justifications at NME, or just look at their full list below...
photos by Debi Del Grande
The Muffs / Best Coast / La Sera
Song by song, band by band they came. Peach Kelli Pop, the catchy, girl-group suggestive punk band fronted by Allie Hanlon, delivered verse-chorus-verse songs about love and heartbreak. The primal Coathangers, from Atlanta, offered a more menacing set, highlighting tracks from their new album, "Suck My Shirt." Featuring swapped vocals from Julia Kugel (a.k.a. Crook Kid Coathanger) and drummer Stephanie Luke (Rusty Coathanger), the band delivered the most dangerous and aggressive set of the night -- and one of the best.Burger Records presented Burger A-Go-Go on Saturday (8/2) at The Observatory in Santa Ana, CA featuring an all-girl-group (or at least female-fronted) lineup, including Best Coast, Dum Dum Girls, The Muffs, Shannon & the Clams, La Sera, The Coathangers, Peach Kelli Pop, Death Valley Girls, and a whole lot more. Pictures from Burger A-Go-Go are in this post.
Scene figureheads the Muffs, led by rocket-fueled singer-guitarist Kim Shattuck, recently reconvened to release a new album on Burger, and the band performed selections of it and its much-loved '90s back catalog to fans who knew every word, and younger others first hearing the bridge that connects older acts with new headliners like the Dum Dum Girls and Best Coast. - [LA Times]
For those of us who don't live in the OC, you can get a taste of Burger's spirit on the upcoming Burger Caravan of Stars tour, featuring The Coathangers, Cherry Glazerr (who was in NYC this past weekend), together PANGEA and more. The NYC stop at Bowery Ballroom is October 30 and tickets are still available. Shannon & the Clams will be here soon too.
More pics from Burger A-Go-Go below...
Shannon & the Clams will be visiting NYC in September, where they'll play three shows: Union Pool on 9/9 with Las Rosas, then Death by Audio on 9/11 (openers TBA), and Palisades on 9/12 with Las Rosas again and more TBA. Tickets for both Union Pool and Palisades are on sale now.
Before that, Shannon & the Clams will be playing the Burger A-Go-Go festival in Santa Ana, CA with Best Coast, Dum Dum Girls, Bleached, The Muffs, Peach Kelli Pop, The Coathangers and lots more. Tickets are on sale. Burger sure does love to throw big shows, like the Burger Boogaloo in Oakland, CA last week. Video of Shannon & the Clams playing that, plus the current line-up for the Burger A-Go-Go, and the list of all of Shannon's dates, below.
Vampire Weekend @ Roseland in April (more by Robert Altman)
The Monday after Thanksgiving Weekend is looking to be Official Year-End List Day, as we've already got SPIN, and Paste, (plus ones from UK mags Q and Mojo) and now here's the one from elder rock statesman Rolling Stone, who have Vampire Weekend's Modern Vampires of the City in the top spot, with Kanye West's Yeezus at #2. RS' Top 10 also makes room for John Fogerty, Paul McCartney, Lorde and more. Haim are at #31 for those keeping score. You can check out their entire Top 50 LPs of 2013 list (which includes a couple EPs) below...
by Bill Pearis
My Bloody Valentine wrap up the North American leg of their 2013 tour next month, with the last two shows here in NYC at Hammerstein Ballroom on November 11 & 12. Tickets are still available. (PS look for an interview with MBV's Kevin Shields on this site soon.) While it hasn't been listed on Hammerstein's site, opening the 11/11 show -- and a few others on these dates -- are Dumb Numbers. The band is more or less Australian musician Adam Harding who has previously played on Lou Barlow's last two solo albums. His own stuff -- and voice -- is not so far from Lou's style, but mostly played in a super-sludgy style that occasionally lumbers into doom territory.
Dumb Numbers put out their debut album earlier this year via Joyful Noise and helping Harding out on the album is an impressive cast, including Barlow, plus Dinosaur Jr. drummer Murph, David Yow (Jesus Lizard), Dale Crover (Melvins), Bobb Bruno (Best Coast), and more. Oh, and David Lynch shot the album cover (Yow did the design/layout). You can stream stream the whole album below, along with the Yow-directed video for "Redrum."
As to who exactly is playing in Dumb Numbers on these dates is not 100% clear. Murph is definitely on drums. And the band is "not sure about" whether they're opening on the second MBV Hammerstein date (11/12), so stay tuned. Their confirmed tour dates are listed, along with the album stream and video, below....
Best Coast @ Pier 26 in September (more by Luis Ruiz)
Best Coast, who were in NYC last month opening for Passion Pit, will release a new mini-LP, Fade Away, next week (10/22). It's maybe a little less slick than last year's The Only Place, and you can stream the whole thing below.
The band will be on tour with Pixies next year, though none of their shows together hit NYC. (Pixies will be in the NY-area in January with FIDLAR opening.) All Best Coast dates are listed, along with the mini-LP stream, below.
photos by Cory Dewald
The Replacements / Pixies
For a band that thrived on an anything-goes approach to performing, the Riot Fest show ran with relative precision, with barely a pause between songs. Despite tossing the clock, [Paul] Westerberg and the boys finished precisely at 10:30 p.m. Everything on the set list was at least 23 years old. But the 25-song, 75-minute performance brimmed with energy and heart. Nostalgia it was, but there was nothing formulaic or phoned-in about it.Chicago's Riot Fest (the second of three Riot Fests happening this year) wrapped up this past Sunday (9/15) with sets from The Replacements, Pixies, Rocket From the Crypt, Bob Mould, Mission of Burma, Quicksand, Touche Amore, Peelander-Z, Brand New, Best Coast and more. One set of pictures from that day is in this post, and a second set with more bands
Looking like thrift-shop dandies with their splashy mismatched clothes and spiky hair, Westerberg and Stinson cracked jokes, blew a few lyrics, and laughed like they were just banging out tunes in their garage. They stayed loose but kept the pace brisk, with plenty of help from Freese's dynamic drumming and the bow-tied Minehan's concise lead guitar.
Westerberg's voice sounded appropriately rough and gritty on the opening "Takin' a Ride," the first song on the first Replacements album, "Sorry Ma, Forgot to Take out the Trash" (1981), and the sneering "Tommy Gets His Tonsils Out." But he also found the tenderness in a song ("Androgynous") that rhymes "kewpie dolls" with "urine stalls." [Chicago Tribune]
photos by Luis Ruiz
Passion Pit / Best Coast
After performing Live on Letterman last Wednesday (9/4), Passion Pit brought their ongoing tour to Pier 26 for two sold-out shows with Best Coast (Friday, 9/6 and Saturday, 9/7). The band are still on tour in support of 2012's Gossamer, the awesome, lyrical followup to their huge 2009 debut, LP Manners. Their set on Friday was split pretty evenly between those two albums, and it also included Gossamer bonus tracks, their song from the Twilight soundtrack, and one from the Chunk of Change EP. Pictures and the setlists of both bands from Friday's show are in this post.
They continue below...