Entries tagged with: Blackfire Percussion
The Walkmen @ BAM
BAM's Bryce and Aaron Dessner-curated Crossing Brooklyn Ferry series/festival had its first night Thursday. It continues tonight/Friday with a lineup headlined by St. Vincent and The Antlers (and Saturday with Beirut and Atlas Sound).
Music kicked off at 5pm with early slots filled by indie-classical acts like yMusic and JACK Quartet. Composer-uke-player Jherek Bischoff started things out inside the Howard Gilman Opera House at 7pm, and his set featured guest spots from David Byrne and Amanda Palmer. Check out the pictures below.
The first band I saw was Twin Shadow, an act that always sounds a lot better to me on record than live (something about George Lewis Jr.'s voice and the intricacies of the production don't translate exactly on stage). A welcome special guest, the Blackfire Percussion, added drum corp percussion on a few of the songs.
Sharon Van Etten powered through a set that highlighted how much she's evolved since her early acoustic days. She offered a throwback to her Because I Was In Love debut with a solo version of "I Fold" dedicated to her parents. Aaron Dessner, who produced Tramp, played guitar on a few of the tracks. And Sharon tapped "Serpents" for the triumphant, soaring closer.
Sharon Van Etten @ BAM
The Walkmen navigated a set of new tunes and classics: in addition to putting out their sixth LP, Heaven, in June, this year marks the 10th-anniversary of their debut, Everyone Who Pretended to Like Me Is Gone. Among the songs played were "Angela Surf City," "In the New Year," "Blue As Your Blood" and new tracks "Heaven," "Heartbreaker" and "Southern Heart." Hamilton, as always, stretched the limits of his voice to good effect, especially on the haunting A Hundred Miles Off track "All Hands and the Cook." The band closed with an encore of "We've Been Had," which they noted was the first song they wrote as a band.
Between those last two I ventured to the BAM Cafe to see Zs, playing as a duo and sounding completed different than the last time I saw them in July. Guitarist Ben Greenberg describes the change as "The old stuff was like an old Soviet tank driving down Main Street; the new stuff is like a spaceship landing on City Hall." The shift from angular guitar and skronking saxophone to whatever they do now was pretty evident in the small snippet that I caught. Greenberg's guitar laid dubby rhythms lines while Sam Hilmer's sax played melodies and riffs off in the distance. Hopefully they'll line up more shows soon. (As Hubble, Greenberg makes the NYC debut of that project's "quadraphonic Hubble Superposition set" tonight.)
After that I caught a few songs by Yellowbirds, hidden up in Cinema 3 and playing to a crowd of about 20 people (including Conrad Doucette). The Jonathan Richman-esque two-piece was a nice surprise to find soaked in the smell of movie-theater popcorn.
(People Get Ready and Heather Broderick played, and a program of short films screened, but I arrived too late to see them. And I only caught a snippet of Callers by skipping the end of Twin Shadow.)
One bummer about the schedule is that, with the exception of the extremely early classical sets, it's impossible to see more than a few minutes of the smaller bands without skipping the headlining acts. That scheduling, and the vague, unnecessary "Brooklyn" theme, are a bit puzzling, but all in all the fest is a good chance to see bands like the Walkmen and Sharon Van Etten in the gorgeous Howard Gilman Opera House, a space that's surprisingly intimate and cozy for its size (and having the first few rows of seats removed for the crowd to stand was a nice touch).
More pictures from Thursday below...