Entries tagged with: Bradford Cox
photos by Rachel Carr, words by Daiana Feuer
The third and final round of the Coachella Music & Arts Festival was funky, and not just because the port-a-potties reeked. Keeping a loose theme every day (see Friday & Saturday), Sunday focused on relentless rhythm and groovy basslines. The absolute golden moment belonged to Yo La Tengo's blistering final song. Rhythm that revels in repetition + guitar that tries to destroy itself = wee mind blown. Sometimes the moodiest things are the most uplifting.
Thom Yorke brought his dancing shoes, his favorite Flea, and Nigel Godrich. His band Atoms For Peace played almost every song off The Eraser, many of which featured strong world rhythm sections. When Yorke didn't have a guitar in hand, he danced, whirled, and punched the air like he was rehearsing a scene from Fame. We wanted a high kick, but it didn't arrive. King Khan & The Shrines, on the other hand, featured legs flying all over the place, DJ Lance Rock and Yo Gabba Gabba characters, burning money, as well as a visit from the police-who crept on stage to snap pictures. Probably the first time Khan runs into cops and doesn't leave wearing cuffs. Sunny Day Real Estate had the audience offering bids to buy property, and Phoenix had people choking on dinner as they tried to dance and eat at the same time.
King Khan Gabba Gabba
Not every Julian Casablancas song captivated, but his band delightfully binged on rhythms. Each musician had a personal backbeat player supporting each fill. The drummer plus his sidekick especially sounded great. Matt & Kim's ebullient smiles inspired chaos in the audience, as usual. Mayer Hawthorne and the County revived Motown soulful brassiness and covered Biz Markie's "Just a Friend." The Big Pink played some new songs from next year's album, reaching out for Depeche Mode with a drummer in a pink bathing suit. Electro sweet popper Little Boots forgot her pants as well, wearing a sparkly shirt and knickers, and played with the lasers on stage. Charlotte Gainsbourg inaugurated her "first tour, first everything" with a feminine "Candy-O" sensibility, sometimes in French. Florence & the Machine rounds out the great lady performances of the day, and brought on Nathan Willett of Cold War Kids.
All clad in white, France's DJ ego-powers Club 75 demonstrated the ability to cooperate together with just a few elbows thrown. Cassius, Justice, Busy P, and DJ Mehdi still use CD's (so old school), and took turns passing on the headphones between them and finishing each other's remix sentences, trading places at each station. Backstage security bobbed along while staying tough. When it was their turn, Rusko turned the Sahara tent into a mechazoid robot battle and Orbital live-produced virtual reality anthems for Satan wearing Matrix miner lights around their heads. Infected Mushroom instructed on the benefits of "Becoming Insane" flanked by two mushrooms with red eyes.
The Middle East should not be confused with The Soft Pack, formerly The Muslims. The former may be from Australia but it sounds like a back porch band from Woodstock, and the latter offers a "Parasite" infestation that's as pure as sunshine and a neat drum set up that packs a giant tom punch. What appears as regular rock on headphones reveals its brilliance when experienced live. One of the strangest live moments of the festival belongs to Sly Stone, who played four hours late and on the wrong stage. He bitched, he slurred, he cursed, lay down, walked off, stopped songs and good grief, made a total mess of himself. But that's rock and roll.
Sly Stone made history look unable to get past its youthful drug phase, but Jonsi, Pavement, and Spoon come from a music scene that did a little bit less cocaine. Jonsi repped the awesomeness of Sigur Rós and great hats. Steve Patterson of White Rabbits joined Britt Daniels and the rest of Spoon to add percussion on "I Turn My Camera On". Spoon's tour-mate Bradford Cox (who played earlier in the day in Deerhunter) also joined Spoon on stage, like he did on their recent Kimmel appearance. Pavement ran through the hits during one of their first U.S. shows since reuniting. "That's the 90's in a nutshell," said Stephen Malkmus after the angsty "Unfair"...
"...Pavement, the iconic slacker band of the '90s, who took the main stage against what turned out to be one of the fest's chief attractions, the finally wildly popular French dance-rock band Phoenix, who wowed possibly the biggest crowd of the entire fest ... while Pavement played to a field half-full of true believers rather than the massive throngs many expected, and thought the band deserved.Virtual Snoop Dogg introduced the Gorillaz set, but Blur's Damon Albarn appeared in the flesh, with a few special guests including Paul Simonon, Mick Jones, De La Soul-who kicked their own old school jams earlier in the day-and Little Dragon's Yukimi. One unique rhythm transcended the next, showing the mutability of hip hop and dance music. And then that was it, suddenly. The festival ended and tens of thousands of people started wondering where they left their car keys...
No matter, though. Pavement still delivered a set that vindicated the group of prior crimes -- namely a Coachella performance near the end of their career so notoriously bad, many in attendance point to it as the moment the band decided to break up.
This night, however, they were tight, they were loud, and they sounded large on that vast field -- an odd statement, given the fact that in their heyday they were far more known for being introspectively small rather than arena-ready..." [The OC Register]
Radiohead Peppers For Peace
Daiana's Weekend Top 10:
1. Yo La Tengo's last song
2. Little Dragon's Yukimi
3. Gossip leading a revolution
4. Thom Yorke dancing to African rhythms
5. PiL giving a history lesson
6. Sly Stone wigging out
7. Bouncing penises + fat people in undies (Die Antwoord + Major Lazer)
8. Devo putting on the hats that ushered in modern pop culture for "Whip It"
9. John Waters corrupting many young minds
10. The Gorrilaz lyric: "Super fast jellyfish going super fast. You can't even see him but you wanna eat him."
Owen Pallett, Local Natives, Miike Snow, and Yann Tiersen also played the fest Sunday. Gary Numan was among those who couldn't. Reviews & pictures from Day One, HERE and Day Two, HERE. Setlists (Thom Yorke and Pavement), pictures, and videos from Day Three, below...
by Benjamin Lozovsky
Spoon has made a long and fruitful career out of simultaneously fulfilling and denying the expectations of fans, critics and record labels. On Friday night (3/26), the band greatly exceeded its own expectations by headlining a sold-out Radio City Music Hall.
It was a big deal for a band that's taken small but inquisitive steps over 16 years and 7 records. This show came in support of their latest effort, Transference, a moody yet powerful record of micro-experimentation that ultimately saw the band reinvigorating their inner scruffiness (they celebrated the release of that record by playing a much smaller NYC venue in January). But unlike some recent tour dates which saw Transference heavy setlists, on this night Spoon played a well curated sampling of many of their past gems; it felt like a therapeutic nod to history for a band eager to revisit the moments that brought them this far.
But it wasn't just looking back for the fuzzy feeling of nostalgia. Britt Daniel and co. breathed new sophisticated life into songs like "I Summon You" and "Someone Something." The latter was sung as a duet with Eleanor Friedberger of the Fiery Furnaces, one of several guests (Dan Boeckner of Wolf Parade and Stephen Patterson of White Rabbits) who appeared during the show. Dan and Eleanor performed one of their own songs with the group as well as assisting on Spoon numbers, as the headliner graciously and generously dolloped the trademark Spoon appliqué onto numbers like "Waiting To Know You" and "Modern World."
Radio City Music Hall is often a tough sell for rock fans, and Friday was no exception. It wasn't until midway through Spoon's first set, when the band was augmented by a seven piece horn section for numbers like "Don't You Evah" from their brass heavy 2007 album Ga Ga Ga Ga Ga, that the crowd finally took notice of the scorching effort brought forth by the band members and joined in on the revelry of this potential poster child for indie rock perseverance affixing its name to such an illustrious marquee.
Attempting to warm up the crowd were lively but somewhat underdeveloped The Strange Boys (sans new member Jenna Thornhill-DeWitt) and Deerhunter. Many attendants preferred to mingle in the gold-plated lobby of Radio City rather than check out the openers, but neither band did everything they could to completely win over the crowd either. Deerhunter didn't outright disappoint, but they didn't sound as impactful as normal. For the majority of their performance, the powerful streams of noise normally associated with the band were muted in the large hall. Instead the bare trappings of their songwriting were exposed, which might have been an interesting contrast for a frequent listener, but to the uninitiated came across as listless and at times sluggish. When Bradford Cox and his bandmates played to their more expansive and propulsive leanings though, things improved. They finally turned up the volume and intensity in the finale which was topped off with a long cacophonously exciting outro. Then they seemed to be having fun as eccentric noise makers in such a staid arena.
Still neither of the younger bands could match the passion of the older Spoon, who now might be considered elder statesmen of the genre they often like to eschew connections with. Daniel has an ageless croon, even if it faltered occasionally Friday. One couldn't help but feel Spoon could go on forever taking small steps at musical progression and growth. As a performance though, this was one giant leap.
More tour dates HERE. The full Radio City setlist with more pictures and some videos, below...
words & photos by Dominick Mastrangelo
"I had this all planned out," said Atlas Sound's Bradford Cox, "This was going to be a mind-blowing second song." Cox battled technical issues with one of his loop machines throughout his sold out show at the Bell House in Brooklyn, dropping it on the stage several times to get it to work.
Through it all, the Deerhunter frontman handled the technical difficulties with grace, humor and self-deprecating wit. Once he was up and running (almost making it through that second song, "Te Amo" before the drum track cut out again) his eight-song set was a sprawling reworking of many tracks off last year's, Logos.
The two standout tracks from that record, "Walkabout" and "Shelia" went back to back. Excellent on the record, but live both songs were lacking those key elements that make them so winning - the infectious piano melody on "Walkabout" and the shuffling drums on "Shelia." But those were minor complaints when songs like main set closer "Attic Lights" were so stunning with building echoing vocals and feedback that filled the venue.
The title track was one of three songs performed during the encore. Before he left the stage Cox charmed the audience even further explaining how much he appreciates playing in New York.
Opening were NJ-based, dance-rock outfit Memory Tapes (Dayve Hawk). Atlas Sound plays a 2nd NYC show, this time with Neon Indian, tonight (2/4) at NYU. More pictures from the Brooklyn show below...
DOWNLOAD: Liars - Scissor (MP3)
Liars announce details of an expanded edition of their eagerly awaited fifth studio album, Sisterworld, out on March 9th 2010.You can download "Scissor" for free above. Liars' North American tour is happening in April and includes shows at Bowery Ballroom (4/15) and Music Hall of Williamsburg (4/18). The main album's tracklist and all dates below...
This version comes with a second CD of remixes and reinterpretations of all 11 tracks on Sisterworld from artists including Thom Yorke, Tunde Adebimpe (TV On The Radio), Bradford Cox (Deerhunter / Atlas Sound), Melvins, Alan Vega (Suicide), Chris & Cosey (Throbbing Gristle) and Blonde Redhead. Full tracklisting to follow in the coming weeks.
Says Angus Andrew, "On this project we wanted to help develop and expand the role of the remix, particularly to engage artists less acknowledged for their work in the field. They were asked to 're-interpret' the song by any means necessary and the result is definitely the most exciting collaborative effort we've been involved in."
Liars also announce a string of North American tour dates in support of Sisterworld. The tour sees fellow LA band Fol Chen supporting Liars on all dates. The first single from Sisterworld, Scissor will be released as a digital single February 16th, 2010.
DOWNLOAD: Deerhunter - Carve Your Initials Into the Walls of the Night (mediafire)
Atlas Sound @ MHOW in October (more by Toby Tenenbaum)
It's one of two dates currently booked for the group. The other is a February 26th show in San Francisco.
Over the weekend (12/12), Bradford posted a 2005 Deerhunter CD-R, Carve Your Initials Into the Walls of the Night, as a free download on his blog. He writes: "It features only me and Moses and is very experimental in nature. This was during our "tape phase" when we would often play shows as a duo (or as a trio with colin) playing only tape machines and vocal loops." The recording is linked above. Its tracklist, more info, Bradford's favorite albums of 2009, and tour dates below...
words by Black Bubblegum, photos by Ryan Muir
some of the stars of ATP NY 2009
What's almost the exact opposite of a soothing set of Seven Swans performed by one of the most delicate singers in indie rock? Try nine drummers (including Hisham Bharoocha, Zach Hill, and Kid Millions among other notables) bashing your fucking skull for so long that the stage manager has to come out to unplug their gear and remove toms from underneath them! That's how I started my ATP Day 3... with the Boredoms blowing my mind.
Starting off with sparse chords on the monstrous multi-neck guitar/percussive device, Eye set a calm and reflective mood... and then the cymbals. And then the toms. And then eight drummers pummeled away led by Yoshimi P-We. And then the synced rimshots that recalled an Animal Collective beat. All of this happened before a ninth drummer was carried into the show like an emperor while doing a call and response with the other eight.
Within about 10 minutes, I knew that Boredoms would take the prize as best show at Kutsher's that weekend. The sheer power of the coordinated drums, along with pregnant pauses and killer synth effects performed via keys, CD-DJ tables, and broomsticks (!) were beyond jaw dropping.
Following Boredoms, I poked my head into Oneida's Ocropolis for the first of many times. For 10+ hours, Oneida basically had the small and very decorated room all to themselves for a long jam session with their friends. Reportedly, the band had tape rolling the whole time (Ocropolis is the name of their Brooklyn recording studio) and had visuals provided by the Mighty Robot AV Squad. With local standbys like BJ Warshaw of Parts & Labor/Shooting Spires fame, Chris Weingarten (ex P&L), Todd P, and many others spotted in the Sportsman's Bar, it seemed like Brooklyn in the Catskills. Unfortunately, I missed every single special guest appearance (word is, and in part according to a sign on the door, Soft Circle, Yoshimi, Aaron from Tall Firs, Zach Hill, Steven Drozd and many others all popped in) but the band was very interesting to watch, alternating between songs, and droney ambient jams.
Caribou was next in the main room and the 16-piece(!) band including Sun Ra Arkestra member Marshall Allen, Koushik, Kieran Hebden (Fourtet) and many others. I had no expectations heading into the set and was pleasantly surprised, although I found the mix to have waaay too much low end.
I ducked out of Caribou early to catch the last twenty minutes of Hopewell who was billed to be playing "The Desperation Suite," "complete with a female choir and avant-garde saxophonist Mark Marinoff". From what little I saw, the three person "choir" did little but coo, ooh, ahh, and coordinate a dance, but the band did close with a rousing cover of Jane's Addiction's classic "Of Course".
words by Black Bubblegum, photos by Ryan Muir
Steve Albini in Shellac
"We're taking a bath, but I don't care," Barry Hogan told [Sasha Frere-Jones]. We were standing in the makeshift production office for the All Tomorrow's Parties festival, at Kutsher's, a resort in the Catskills."My name is Sufjan Stevens and I am going to play all of my Seven Swans album. That should be a good early afternoon hangover sort of thing"
Kutsher's, where Muhammad Ali trained and a thousand schticks were born, was once the jewel of the Borscht Belt. The main venue at Kutsher's, the Stardust Ballroom, has a capacity of 2,800. But Hogan seemed largely unbothered that only 1,800 tickets to ATP had sold. It is 2009, after all.
Considering the bad coffee situation and the fun that I had the day before, Sufjan was spot on. Clad in tie-dye that the band had purchased at the general store at Kutsher's, the five piece were delicate, light and lilting. Sufjan's bright banjo strums and songs, like the sunny "Sister", resonated so well in the Stardust Ballroom. The Seven Swans album was an excellent choice for a wake-up set on the second day of the three day upstate NY festival (Saturday, September 12, 2009).
After Sufjan, I wandered over to catch a crew of young Aussies named Bridezilla. Though their name is a touch offputting, guitarist/vocalist Holiday Sidewinder has a sexy and breathy coo that recalled PJ Harvey and their her cocktail-dress-ed crew were a surprise and a delight.
Grouper were next, and as a fan of 2008's Dragging a Dead Deer Up a Hill, I was eager to check out Liz Harris's ambient soundscapes. Playing to a projection of an ocean at night, the stage show wasn't much visually but the tides of noise was otherworldly.
Conversely, Black Dice in the same room was a psychedelic mindfuck. Blasts of tribal noise beats nodded heads and shook them in equal measure.
As a fan of Bradford Cox, it was great to see him pull a doubleheader on Saturday, beginning with Atlas Sound. Rolling solo with guitar, harmonica, and some backing tracks, Cox was engaging both in song and with between song banter. I would regrettably end up missing Deerhunter's set a few hours later. Drowned in Sound was there though:
Bradford Cox is a picture of serenity as he swaps his shirt for a more tasteful number and leads Deerhunter into their Saturday night set. He announces that this will be their last performance for some time, causing the band to roll out the hits in quick-fast fashion. They gallop through 'Cryptograms' and 'Nothing Ever Happened', the positively herculean double guitar sound feeling unstoppable and a sense of jubilation ricocheting between the walls as people succumb to these great big shining pop songs. The closing 'Calvary Scars' is a slab of beautiful kraut-pop, with Lockett Pundt's metallic Tim Gane-esque strum leading the way, face-painted kids jerking their bodies back and forth, and Cox looking genuinely sad that this will be the last time these songs will be wrung from his fingers and throat for a while.Anti-Pop Consortium was my next venture, the first time I had ever seen the crew though I was a long time fan. On the Stardust Ballroom system, APC's distorted and creative beats sounded amazing but save for Beans energetic movement, I was less than impressed with their live show. Live hip hop is hard to pull off, and those who try should heed the great Rakim who said "to me MC means move the crowd". If you want to give them a chance, they're at Santos Party House on September 29th.
Sleepy Sun were line checking when I got back to the second stage, with vocalist Rachael Williams checking her levels in the monitor
"Check. Check. I. Hi. Me. You. All of you. Us. Getting nervous."
If they had nerves, the band channeled them into positive energy. Sleepy Sun's influences fit right in with their hometown, San Francisco, as the band dabble in a psychedelic California sound with some krautrock-y elements. I was most struck by their fantastic drummer Brian Tice as well as vocalist Williams, who ripped out a solo that had the crowd shouting and applauding. Wayne Coyne watched the band from stage left, clearly impressed.
After an elongated line check, El-P came on and with a four-piece band (Chin Chin) and hypeman (Mighty Quinn) to the sound of "Tasmanian Space Coaster". I have a soft spot for El-Producto's Blade Runner beats and post-apocalyptic rhyme styles, and it was great to see a Hip Hop artist who actually puts an emphasis on his live show. As a matter of fact, El-P put a little too much of himself out there, almost falling off the stage after pogo-ing around during "Smithereens". Careful dude... we need a follow-up to I'll Sleep When You're Dead.
I hadn't seen Akron/Family since the then more acoustic-centric band played Tonic many years ago (with Hamid Drake?) and it was refreshing to see their energy were still in place. Against a backdrop of a tie-dyed American flag, the band played a rousing and ripping set. It's good to see that the loss of Ryan Vanderhoof to a Buddhist center hasn't slowed them a bit.
Autolux had the discordant riffs, feedback squalls, and a 90s alt punk sound to hit all of the right influences (Joy Division, Sonic Youth, etc), but unfortunately didn't really distinguish themselves from their influences. Autolux isn't offensive by any means, just not compelling or distinctive, and I find it a touch disappointing that guitarist Greg Edwards was a member of Failure (a band that I dug).
Dead Meadow and their fuzzy freakout psych blues were riffing on Stage Two towards the end of the Autolux set, but by half way in, the crowd had diminished considerably due to Shallac on the main. For shame, as the trio played a ripping set!
Deerhoof @ the Sasquatch Festival in May (more by Chris Graham)
tonight in NYC
* David Cross @ UCB
* Imelda May @ Pianos
* Olof Arnalds @ Sycamore
* Ladyhawke @ the Apple Store
* KRS-One, Buckshot @ S.O.B.'s
* The Roots @ Highline Ballroom
* The Zeros, Jemina Pearl @ Southpaw
* Box Elders, Oh Wow, Uzi Rash @ Cake Shop
* Busdriver, Abstract Rude @ Santos Party House
* Endless Boogie, Skint @ Studio at Webster Hall
* Miike Snow, Jack Penate, The Kickdrums @ Mercury Lounge
* Fountains of Wayne (acoustic), Jon Auer @ The Bell House
* Autolux, Sleepy Sun, Mini Mansions @ Music Hall of Williamsburg
* Oran Canfield memoir release party w/ Dynasty Handbag @ Bruar Falls
* ESP-Live w/ Calvin Johnson, Arrington de Dionyso @ Bowey Poetry Club
* Helado Negro, Julianna Barwick, Jason Ajemian @ Knitting Factory Brooklyn
* Deerhoof, Wildbirds & Peacedrums, Serengeti & Polyphonic @ (Le) Poisson Rouge
* Loud Objects, Twisty Cat, Random Cutting, Mega Calderos, Aftermath @ DBA
* Loudon Wainwright III, Rufus, Martha & The Roches @ Highline Ballroom
Olof Arnalds, appearing with Davíð Þór Jónsson at three NYC shows this week, plays at Sycamore. If you only go to one, Wednesday night at Rockwood Music Hall will be extra special because at that one Olof will be accompanied by a grand pianist.
The Roots play with guests at Highline Ballroom.
Jemina Pearl opens for The Zeros at Southpaw, in one of several upcoming shows for the former Be Your Own Pet singer. The Zeroes played Maxwell's last night.
ESP-Live presents K Recs' Calvin Johnson and Arrington de Dionyso at Bowey Poetry Club. Calvin and Arrington were among those who played Death By Audio's Maze last night.
Miike Snow and Jack Penate play two nights at Mercury Lounge with The Kickdrums.
Fountains of Wayne play an acoustic show at the Bell House . Jon Auer (of Posies and Big Star) opens - he plays with Big Star in November. Tomorrow he plays with John Wesley Harding's Cabinet of Wonders.
Autolux and Sleepy Sun, coming off their ATP NY sets (and Bowery Ballroom last night with Bridezilla), play Music Hall of Williamsburg with Mini Mansions.
Lots of Wainwrights - Loudon Wainwright III, Rufus Wainwright, The Roches and Martha Wainwright - play Highline Ballroom tonight. Martha and Rufus were also just announced as part of the lineup of an insane benefit show taking place at Carnegie Hall in October.
Ryan Adams released a digital single on his website last week, as well a series of videos, which are posted below.
Video of Bradford Cox performing with Bob Mould and No Age at ATP NY, below...
photos by Ryan Muir
"I'm going to remember ATP 2009 as the festival of bass, though, and fondly, because this event takes sound seriously. Somebody in the organization is aware that the small, judicious audience for something like this--including many fans flying over from England to see it--wants to feel music physically. In just about every show at the two principal stages, all weekend, the sound was loud and broad and clear; it got inside your bones.Bass or not, I disagree. The No Age/Mould show, Sunday night's second to last performance of the upstate NY festival (and one of the few that I saw from start to finish), was a personal highlight for me in a day that also included great sets by the Boredoms, Oneida, Super Furry Animals, Boris and of course the day closer/curator The Flaming Lips (pics & further review coming).
But this may be why the Bob Mould and No Age collaboration didn't quite get off the ground. Mr. Mould, once of Hüsker Dü, and No Age, the young punk duo from Los Angeles, apparently admire each other. They came up with a good and relatively easy idea: working as a trio for one night only, playing songs from both acts. The set included all eras of Husker Du ("Something I Learned Today," "Makes No Sense At All," "In A Free Land," "I Apologize," "Could You Be the One?" and "New Day Rising"); it also ran through No Age's "Eraser" and "Boy Void," as well as a cover of the Heartbreakers' "Chinese Rocks," with Bradford Cox of Deerhunter joining in. But there was no bass player, and it felt light in the wrong way."
Bradford performed with his own band Deerhunter, and solo as Atlas Sound, on the Saturday of the festival. Atlas Sound tours with Broadcast in October.
Bob Mould tours with his own band in October too.
More pictures of No Age/Mould/Cox @ ATP, below...
Karen O @ Lollapalooza 2009 (more by Paul Birman)
"DGC/ INTERSCOPE TO RELEASE WHERE THE WILD THINGS ARE MOTION PICTURE SOUNDTRACK: ORIGINAL SONGS BY KAREN O AND THE KIDS. ALBUM OUT SEPTEMBER 29! LEAD SINGLE "ALL IS LOVE" OUT DIGITALLY AUGUST 25! MOTION PICTURE IN THEATERS OCTOBER 16!As the press release says above, the song "All is Love" is out today. You can listen to it at MySpace.
Inside Karen O is a Wild Thing - as singer for the Grammy-nominated Yeah Yeah Yeahs, her wild thing is in your face, vulnerable, obnoxious, tender, exciting... a self-proclaimed "spazoid." However, to Oscar-nominated Where the Wild Things Are director Spike Jonze, Karen O and her music possess a child-like innocence, a guileless charm that put her exactly on the right emotional wavelength to sonically capture the highly-anticipated film.
To compose music for the film, O enlisted friends and fellow musicians she believed had the musical intuition that would bolster her intent to marry sound to vision. Dubbed Karen O and the Kids, the kids include Tristan Bechet (Services), Tom Biller (co-producer with Karen O and member of Afternoons), Bradford Cox (Deerhunter), Brian Chase (YYY), Dean Fertita (The Dead Weather), Aaron Hemphill (Liars), Greg Kurstin (The Bird and the Bee), Jack Lawrence (The Dead Weather), Oscar Michel (Gris Gris), Imaad Wasif (New Folk Implosion), Nick Zinner, (YYY) and an untrained children's choir." [Where the Wild Things Press Release]
In related news, the Yeah Yeah Yeahs are playing Music Hall of Williamsburg in Brooklyn on September 29th. That's six days after their much larger Manhattan show at Radio City Music Hall which sold out, I am told, in less than a day (UPDATE: There are a few random single tickets still available for Radio City at the moment, so not completely sold out yet)... I'm sure the MHOW show will sell out in less than a minute when tickets go on sale Friday at noon (2-ticket limit, will call only, opener TBA).
Some related videos below...
This fall, Atlanta's Atlas Sound and Birmingham, England's Broadcast are teaming up for an extensive North American tour. Both groups have new material surfacing this year - an EP from Broadcast, to be released on Warp in conjunction with the tour in October, and a new Atlas Sound album to be released this fall on Kranky.The previously announced Brooklyn show (10/21) is now on AmEx presale. The show happening one night earlier at Le Poisson Rouge in Manhattan is also on sale.
This will be Broadcast's first tour in North American since 2005, and their sets will be a stripped down, 'duet' of sorts, with Trish Keenan and James Cargill performing new work as well as Broadcast classics. Speaking about the new material, Trish had the following to say: "Okay people...Broadcast and The Focus Group have joined hands to create a new ep of seancing songs and witch cult rumbles"
The co-headlined tour will see both bands trading off set times, with The Selmanaires taking the opening slot each night.
The tour ends at Fun Fun Fun Fest in Austin on November 8th. All dates below...
Atlas Sound @ Irving Plaza in October 2008 (more by Ryan Muir)
September 12 - Deerhunter & Atlas Sound @ ATP NY
October 21 - Atlas Sound, Broadcast & The Selmanaires @ Music Hall of Williamsburg (CMJ).
Last October Atlas Sound was here with Stereolab. This October it'll be with Broadcast. On October 20th (one day before the MHOW show), Atlas Sound will release their new album "Logos". Full press release about that, with a message from Bradford Cox (Mr. Atlas Sound), below...
Dan Deacon @ Broadway Backyard in May (more by Tim Griffin)
"When we talked with No Age's Randy Randall recently, he explained that his band's forthcoming tour with Dan Deacon and Deerhunter wouldn't simply be a round robin, with each band taking turns. Instead, all three bands will collaborate on a seamless piece of music, with everyone helping out with everyone else's songs: "We're looking to really kind of meld together the ideas that currently exist in one band's song, and then augment them, either by having other members play together or adding something new to the song that'll transition to another song. So you'll still hear Deerhunter and Dan Deacon and No Age songs, but they'll be boosted in a way by having other members play in them as well." [Pitchfork]A total of seven of these collaborative dates have been announced, and one is in Pennsylvania, one is in New Jersey, and one is in Brooklyn, NY.
The Brooklyn show is Sunday, August 2nd at "Jelly Space 2009". That of course means it will be a free show at the Williamsburg Waterfront! The NJ show is one night earlier, and... HERE! Maybe there will be Pool Parties again this summer afterall..
Flying W Airport & Pool in Medford, NJ
Pitchfork also notes that, "Unless otherwise noted, Dan Deacon will do all the [other] shows below with his ensemble, which means there's going to be a ton of dudes onstage at these shows.". All dates for all three bands below...
photos by Lori Baily
Many predicted that Deerhunter would get Pitchfork's #1 album of 2008, but in fact they gave it to Fleet Foxes. Bradford Cox should still be happy with both Deerhunter at #5 and Atlas Sound at #26 though. Speaking of Bradford Cox, he blogged this...
Just got of the phone with Brian Weitz [Geologist of Animal Collective]. This was sent out via the bands email earlier this morning:Previously there was whole Web Sheriff / Grizzly Bear thing. It was also announed that the album is coming out early on vinyl. It better be good!
"it has come to my attention that 2 full length tracks off of our upcoming album, merriweather post pavilion have surfaced online. david, noah, and I please ask that someone assist us and leak all of the remaining tracks on the album.
the album is intended to be heard as a whole, and nothing bothers us more than individual tracks leaking and ruining the the overall album experience
Total Bullshit. Someone actually had the nerve to hack into their e-mail account and send this out. The truth is that AC do not want their album to leak and are trying very hard to avoid the drama around said album that has risen to a fever pitch.
I am not trying to involve myself in AC's business, I am just voicing my own independent opinion.
Back in the 90's when I was first starting to make 4-track tapes I had a game where I would make a fake version of an album I was anticipating. If Pavement's Brighten the Corners were coming out soon, I had to wait till release day to hear it. I would record a set of songs that I would want the Pavement album to sound like. Some of those songs ended up becoming Atlas Sound and Deerhunter songs years later.
My advice to those who are so desperate for AC's album to leak is to pick up instruments and make your own version of what you would want it to sound like. Respect the BANDS wishes and wait till release day. Then you can compare your new songs with theirs. Who knows. Maybe your album will be the one people are wanting to leak next year. -Bradford
The pictures in this post were taken at the Stereogum Gummy Awards at Music Hall of Williamsburg earlier this month. More of them below...
photos by Gabi Porter
"A deer hunter from the Twin Cities got lost Sunday in the Beltrami State Forest in Roseau County, but was quickly found, according to the Roseau County Sheriff's Office.True story.
The man, from New Brighton, Minn., a Twin Cities suburb, called 911 about 12:44 p.m. Sunday saying he had been lost for about two hours." [Grand Forks Herald, North Dakota]
The Deerhunter & Times New Viking tour hit Brooklyn on Friday night (11/7). We had a real review planned, but the dog ate it, so how was the show??? Gabi said Deerhunter just keeps getting better and better. Lori approved equally of the show at Bowery Ballroom the next day. More Brooklyn pictures, opener Knyfe Hyts included, below...
today in NYC
* Cordero @ BAM Cafe
* John Doe @ Zankel Hall
* Joe Jackson @ Manhattan Center
* The Dwarves, Sister Anne @ Europa
* Smashing Pumpkins @ United Palace Theatre
* Dredg, Telescreen & Judgement Day @ Highline Ballroom
* The Girls, Invisible Hand, & The Nice Jenkins @ Pianos
* Drive By Truckers & The Hold Steady @ Terminal 5
* Health, Videohippos & Angel Deradoorian @ Knitting Factory
* Holly Golightly & The Broke-Offs @ Mercury Lounge
* Deerhunter, Times New Viking & Knyfe Hyts @ Music Hall of Williamsburg
* Neckbeard Telecaster, Mia Riddle, Andrew Thompson @ The Bell House
* C. Spencer Yeh, Carlos Giffoni, Thurston Moore, Zeena Parkins @ Glasslands
Joni Mitchell was born today in 1943.
Deer Tick plays Southpaw tomorrow.
Fun Fun Fun Fest happens in Austin this weekend.
photos by Ryan Muir
Meghan McCain favorite Stereolab played their first of three shows at the Fillmore at Irving Plaza in NYC last night (October 2). Atlas Sound, in the form of Bradford Cox completely solo, was one of two openers. Bradford also returned to the stage later in the night to join Stereolab for one song.The other opener was Van Allen Belt.
Friday the openers are Anti-Pop Consortium and Hospitality, and Saturday has Monade and Le Loup. More pictures and the setlist from Thursday below...
by BrooklynVegan Mike
"For me the most depressing, the worse thing, that has happened with Wolf Parade, is how the media pit me and Spencer against each other."
Dan Boeckner (Wolf Parade) @ Terminal 5 (more by Kyle Reinford)
We first spoke with Dan Boeckner from Wolf Parade two years ago. He had just had a rough set and a kerfuffle with a mid-90s college act. Last year we caught up with him again - that time with Alexei Perry and we talked Handsome Furs. Another year has passed and the ever prolific Boeckner (and the rest of Wolf Parade) are back with a new record called At Mount Zoomer. We spoke with Dan AGAIN - this time after Wolf Parade's biggest Montreal (August 3rd) show to date (a show that was still smaller than the two NYC shows they played a few days earlier). We talked about the NYC shows, the record, the upcoming Furs record, Fine Young Cannibals, and those persistent Dan/Spencer rivalry questions.
Before we talk Wolf Parade, I just read online that there is already a title for the new Handsome Furs record?
half of the photos by Leia Jospe
I was all ready to see the Black Lips when I heard the band begin. That's when I noticed Bradford Cox on the stage and realized that it was Deerhunter playing, and that Black Lips were going to be the headliner of the day. Maybe Black Lips are bigger now, maybe it was because the Black Lips had just come in from Lollapalooza, or maybe it was just good planning on their part. The higher energy Black Lips set was a much more fitting end of the McCarren Pool day. Deerhunter could have even played before King Khan & The Shrines for that reason.
Anyway, I thought that listening to/watching Deerhunter was going to be a semi-boring way to stand out in the sun on a Sunday afternoon, but my mood changed a few songs in. At that point I really got into it and wasn't really thinking about my surroundings anymore. Moving closer and closer helped. That way it got louder and louder. They played a new song that "hasn't even leaked yet" and there was a guest appearance by Cole of the Black Lips (who also plays with Bradford as Ghetto Cross), and various onstage cameos by King Khan. The guests really helped the energy too.
King Khan (a true ham) then ended up creating the most (unfortunately) memorable part of the show. Right as Deerhunter were playing their final notes - right after Bradford and gang were making their dramtic-guiars-pushed-against-the-amps-and-over-our-heads-and-we-all-fall-down exit, King Khan pulls down his pants and slowly meanders across the stage with a flower stuck in his crack for all to see and photograph and photograph.... More pics (NSFW, NSFLUNCH, NSATALLREALLY) below...
According to this message board...
K-Holes are a new local collection of Atlanta expats featuring current and former members of Black Lips, Wet Dreams, Golden Triangle, and McNasty himself (who ain't actually from Atlanta but married into it)!It looks like the K-Holes show at Glasslands last night was a good time. More of Leia Jospe's photos from yesterday's King Khan show at McCarren Pool HERE.
photos by Leia Jospe
In a way, Sunday's free King Khan & the Shrines / Deerhunter (they didn't headline) / Black Lips show was also a King Khan show in three parts. Part one was the very entertaining performance by King Khan & The Shrines. Part two was King Khan on stage with Deerhunter whose final notes were overshadowed by King Khan's bare ass with a flower stuck in it. Part three was King Khan on stage with Black Lips which included a one-song guest appearance by The King Khan & BBQ Show (who are playing Santos Monday night) and a grand finale with the entire Atlanta crew on stage throwing toilet paper, ripping apart pillows and just generally being silly. The photos in this most are basically limited to act one...
Atlas Sound @ South Street Seaport - July 25, 2008 (by Tear-n Tan)
One might not think South Street Seaport's outdoor Mall food court vibe would be the best place to see an Atlas Sound show. Truth is Bradford Cox's loopy lo-fi psych-pop is probably better suited for a black light lite basement, or on headphones in your bedroom high on Nyquil. However, somehow, Bradford was able to translate the warmth of Let The Blind Lead Those Who Can See But Cannot Feel for a crowd of screwed up kids, post-work partiers, middle aged couples, khaki clad tourists, and, yep, a few hipsters. [Chocolate Bobka]Bradford then played a set of songs with Avey Tare of Animal Collective at Bowery Ballroom the next night (July 26, 2008). They called themselves Harmony Club. I don't have a picture of that, but I do have one of Bradford & Geologist on stage together at this summer's Primavera Sound festival:
Bradford Cox & Geologist @ Primavera Sound 2008 (Kate Pedatella)
Bradford's next NYC show is this Sunday, August 3rd at McCarren Pool. He'll be a member of Deerhunter at that show. King Khan & The Shrines and Black Lips (and Sic Alps?? and/or Tall Firs??) are also on that bill. Atlas Sound's next NYC show is October 2nd at Irving Plaza with Stereolab who Atlas Sound are also playing a bunch of other shows with. Exact dates, and a Seaport video, below...
Bradford Cox & King Khan @ P4K Fest - July 20, 2008 (dde)
Stars Like Fleas and "Harmony Club (Featuring Bradford Cox of Deerhunter + Other Special Guests)" are listed as the openers for the Gang Gang Dance happening at Bowery Ballroom on Saturday. A fake name to allow Atlas Sound to play a second show while they're in town to play South Street Seaport? Tickets are still on sale (thx anon).
And speaking of that Seaport Show, Crystal Stilts have taken El Guincho's place. That's this Friday, July 25th @ 7pm, and it's free.
And speaking of Gang Gang Dance, they'll be helping out the Boredoms with some drumming on August 8th.
by Nick Masi
Jay Reatard's limited edition, 7" extravaganza just got more interesting. Making it likely more difficult to get a 7" this time around, the fourth part of six in the series finds Jay joining forces with none other than Deerhunter. Not only that, but they did covers of each other's songs. Jay covered Deerhunter's "Fluorescent Grey," while Deerhunter did Jay's "Oh, It's Such A Shame" (which was previously available on Bradford's blog as an Atlas Sound cover). The split 7" will be released on July 22 and Matador will release all of the 7"s as an LP in the fall. If you haven't been keeping up with the releases thus far, this is what it looks like:
--- A / BThe artwork for the first three releases has been great and the newest one continues that trend. No, it doesn't have a silkscreen print on the b-side like the "Always Wanting More" 7"...
#1, See/Saw / Screaming Hand -- April 8
#2, Painted Shut / An Ugly Death -- May 20
#3, Always Wanting More / You Mean Nothing To Me -- June 24
#4, Flourescent Grey (Jay Reatard) / Oh, It's Such A Shame (Deerhunter) -- July 22
as a thank you to our fans for your continued support, we are giving away the new nine inch nails album one hundred percent free, exclusively via nin.com.Unlike the last surprise album ("Ghosts I-IV"), you don't even have the option of paying for this one.
the music is available in a variety of formats including high-quality MP3, FLAC or M4A lossless at CD quality and even higher-than-CD quality 24/96 WAVE. your link will include all options - all free. all downloads include a PDF with artwork and credits.
for those of you interested in physical products, fear not. we plan to make a version of this release available on CD and vinyl in july. details coming soon.
White Williams, Crystal Castles, Deerhunter, A Place to Bury Strangers and Does It Offend You, Yeah? are the bands that will be opening various upcoming NIN shows. NJ gets Does It Offend You, Yeah? which actually does kind of offend me given the choices. The NJ presale starts Wednesday. Regular sale begins Saturday. All dates with openers and presale info, below....