Entries tagged with: Brassland Records
by Bill Pearis
Lincoln Center's Sound + Vision film series is back for its second year, happening July 31 - August 6. The weeklong series kicks off on July 31 with a screening of shoegaze documentary Beautiful Noise that was funded by a Kickstarter campaign (trailer below). The series ends on August 6 with a screening of Pulp: a Film about Life, Death & Supermarkets. That screening features a Q&A with director Florian Habicht and a live performance by Dragons of Zynth. In between, there's a screening of Talking Heads' Stop Making Sense on 8/1 with a Q&A with David Byrne ;, as well as documentaries on Rodrigo y Gabriela, Brasslands, Japanese didgeridoo player GOMA (shot in 3-D), and more. Tickets for Sound + Vision go on sale Thursday (7/10) and the full schedule is below with more info about the films here.
The night after the Pulp documentary screens at Lincoln Center, it will be shown as part of Rooftop Films at Industry City in Sunset Park (8/7). Habicht will be there for a pre-screening Q&A as will Pulp frontman Jarvis Cocker which is probably worth the price of admission on its own. Tickets are on sale now.
Conceived by Cocker and directed by Habicht, Pulp: a Film about Life, Death & Supermarkets chronicles the iconic Britpop band's "final" hometown show at Sheffield's Motorpoint Arena in December 2012. (They played the Coachella cruise after.) It's as much about Sheffield as it is Pulp, interviewing fans and locals on the leadup to the concert. You don't have to be familiar with Pulp's music to enjoy this one, but it certainly helps like in scenes where a group of septuagenarians sing Pulp's 1997 single "Help the Aged." It's a terrifically entertaining film and its trailer is below.
The three-night, three-stage-per-night, Dessners-of-the-National-curated Crossing Brooklyn Ferry festival begins at the Brooklyn Academy of Music in Fort Greene tonight (5/3). The three stages are Howard Gilman Opera House (the big names), BAMCAFE (the smaller names) & BAM Rose Cinemas (a mix of film and other music). Things begin early too. The Walkmen headline the big room at 10:45pm tonight, but the music begins with the JACK Quartet in BAMCAFE at 5pm. The full schedule is at their site.
Before the Walkmen is Sharon Van Etten who spent last night covering the Stooges with Mike Watt and members of Dinosaur Jr. Before Sharon is Twin Shadow who may or may not to continue playing new material like they did recently at Glasslands. And before them is Jherek Bischoff who is rumored to be playing with a very special guest or two which is not surprising at all given who showed up to play with him at the Ecstatic Music Festival, and who appears on his new album Composed (out 6/5 on Brassland). This is the album's tracklist:
Introduction (Defeat)Jherek also plays on the new Amanda Palmer record. You can download and listen to the Zac Pennington & Soko track below...
Eyes (Jherek Bischoff & David Byrne)
The Secret of the Machines (w/ Caetano Veloso & Greg Saunier)
The Nest (with Mirah Zeitlyn & Paris Hurley)
Blossom (Jherek Bischoff with Nels Cline)
Your Ghost (with Craig Wedren)
Counting (with Carla Bozulich)
Young & Lovely (with Zac Pennington & Soko)
Insomnia, Death And The Sea (with Dawn McCarthy)
Jherek Bischoff & some of his guests
It wasn't the marathon that opened the inaugural Ecstatic Music Fest in 2011, but this year's opening show on Saturday (2/4) had some of that same collaborative energy, focusing on the compositions and arrangements of Jherek Bischoff, a musician known for his work primarily with The Dead Science, Parenthetical Girls and The Degenerate Art Ensemble. For the show, billed as a preview of Bischoff's forthcoming CD from Brassland ("composed"), the composer got help from the Wordless Music Orchestra and nine guest vocalists.
After a too-brief instrumental opening, David Byrne came out to sing a swaying Afro-Cuban-tinged piece. In what would be a recurring theme, Bischoff's composition wasn't entirely different than the type of song Byrne might sing at one of his own shows. Next up, Charlie Looker intoned through "The Secret Life of Machines" (which you can find an instrumental version of at WNYC) in a style that'd be a close fit to his Extra Life material. Mirah's voice sounded as warm and honeyed as always. Parenthetical Girls's Zac Pennington sang a duet with Sam Mickens, both of them playing up their own strengths, Pennington the animated, Wildean dandy and Mickens the snazzily dressed crooner. The other singers, Craig Wedren from Shudder to Think, Carla Bozulich of Evangelista, and Steven Reker and Jen Goma, were idiosyncratic in their own ways, and Bischoff's string-laden avant-pop tunes bent to their strengths. Deerhoof's Greg Saunier stood out with a few good improvisatory fills but mostly hung back in the ensemble. For his part, Bischoff played ukelele, guitar, bass and sang a song. His young cousin came out to hit a gong at the end of one tune.
The second part of the program, only five songs long, consisted of Bischoff's arrangements of the singers' own material. Craig Wedren, Zac Pennington, Mirah and Carla Bozulich all returned. (In particular, Mirah's vibrant Latin number, "The Country of the Future," was great). For the finale, David Byrne premiered a new song, which he sang with Reker. It took a few verses, but eventually I worked out that "The Fat Man's Comin'" was a song about Santa Claus. As a closer, it was a small gesture where I would have preferred a grand finale, but it seemed to fit with Bischoff's humble collaborator-focused ambitions.
While in town, Mirah plays tonight (Monday) at Glasslands, where she'll be accompanied by cellist Lori Goldston and percussionist Geo Wyeth (Mirah's Facebook says they'll be "performing songs seldom heard from [her] repertoire"). The Ecstatic series continues with three more shows this week. The full schedule is here.
More pictures from Saturday's show at Merkin Concert Hall,below...
As mentioned, the Ecstatic Music Festival kicks off on February 4 at Merkin Concert Hall with Jherek Bischoff, who plays with Parenthetical Girls and The Dead Science. He's teaming up with Wordless Music Orchestra and an incredible list of guest vocalists from his upcoming album, which comes out this February, including David Byrne, Craig Wedren (Shudder To Think), Greg Saunier (Deerhoof), Mirah, and Zac Pennington (Parenthetical Girls. Tickets are still on sale now.
Speaking of Parenthetical Girls, their tour began last night (12/1) at Glasslands with Gauntlet Hair, Dinowalrus, and Eraas. If you missed it, they'll also be in NYC this Friday (12/3) at Santos Party House with YACHT and Midnight Magic (tickets).
As previously mentioned, Brassland Records is celebrating its 10th anniversary as a label and debuted a new/old track every day of November via various methods including Soundcloud. None of those tracks can be heard in the player that's embedded below. Those include "Spinney" by This is the Kit (who are opening for the National at Beacon Theater on 12/17) and "Secret of the Machines (instrumental)" by Jherek Bischoff. The latter also features drums by Greg Saunier (Deerhoof), and will have vocals by Caetano Veloso in its album version.
Justin Bond & Thomas Bartlett (more by Dominick Mastrangelo)
Allen's show, entitled "A Southern Night", is part of "the Joe's Pub New York Voices series" and happens again three times this week. All three are still on sale (11/21, 11/22 & 11/23). The singer, pianist, songwriter, arranger and producer "will feature songs from the album as well as songs that relate to the Toussaint Family." His full list of dates is below.
Performance artist, comedian and singer Justin Bond is also playing more shows, and all with Thomas Bartlett on piano. Tickets are still available for November 27 and December 04.
Thomas Bartlett, aka Doveman, also has his own show coming up, another Burgundy Stain Session. No guests are announced yet but tickets for the December 1st show are on sale. (UPDATE: Loudon Wainwright & Hannah Cohen have been added to the December 1st show)
P.S. Happy 10th anniversary Brassland Records (who are giving away a song a day all this month including ones by Doveman)
photos by David Andrako
The National ended up playing Friday night, Brassland night, at the High Violet Annex, the temporary venue next door to Other Music setup to promote their new record. Before the National were new Brassland signees Buke & Gass who went on around 7:15pm and played for about 20 minutes. Doveman was second and played with the Dessner brothers and Bryan Devendorf for another 20 minute set. The National hit the stage just before 9pm and played eight songs finishing up at 9:45pm. The band hung around and chatted with fans and signed autographs/posed for pictures. Their set list is posted below.
On Saturday, the final night of the High Violet Annex, the first 70 or so people who showed up (at 6PM sharp as advertised) were given a surprise ticket to the BAM show happening that night, and they were in turn bussed there on the "miracle bus". Pictures, video and a full report from BAM
coming shortly HERE.
Tuesday night the High Violet Annex space had DJs. Wednesday night Inlets, Zachary Cale, Helado Negro, Julianna Barwick, The Luyas, Talk Normal, Arlt and Martha Wainwright all played. Thursday had performances by the Antlers, Phosphorescent, Sharon Van Etten and members of the National scoring films. The National also found time to play Letterman that same week.
The band has lots of other shows coming up including Radio City in June and Prospect Park in July.
More pictures from the Annex, the setlist and a video of the band playing "Apartment Story" are below...
Sam Amidon playing in Nico Muhly's last show @ The Kitchen
The other advantage of a deliberate mispronunciation is that it can be subtly dismissive of a topic that you, the Mispronouncer, are somehow ashamed to admit to knowing too much about. One time I have caught myself doing this is with the artist M.I.A., whom everybody had been talking about in, like, 2003. So as not to appear deliberately branché (BRAHN-shay) about her music, I caught myself talking about her like, "Oh, I was just listening to...how do you say it, is it Miyya? Emm Eye Ay?" and of course, it's an asshole move, and it slows the pace of conversation. I heard myself do it, and vowed never to do it again. [Nico Muhly - on his blog]Info on a new Nico Muhly record (coming out on the record label part owned by members of the National) below...