Entries tagged with: Brilliant Colors
photos by Amanda Hatfield, words by Bill Pearis
Veronica Falls @ Music Hall of Williamsburg

The last time Veronica Falls were in town, singer Roxanne Clifford was under-the-weather, making for somewhat subdued performances. Thursday (2/9), though, the band were in fine health and form, the best I've seen since Popfest 2010. (Best-sounding too.) Clifford and James Hoare attacked their guitars in a furious jangle -- The Wedding Present by way of New Zealand -- when not producing minor key harmonies, while the rhythm section of drummer Patrick Doyle and bassist Marion Herbain kept the pedal to the medal. There's nothing twee about this sound, loud and fierce, assured and pretty. In addition to most of their debut album -- plus their awesome cover of Roky Erickson's "Starry Eyes" -- we got four new songs, including the Primitives-esque "My Heart Beats" which was the real standout.
Veronica Falls' tour and labelmates Brilliant Colors also played, bashing out scratchy C-86 style indiepop and were fun despite equipment problems. I missed local openers Grooms, as I was seeing Cate Le Bon at Mercury Lounge (sorry guys) but photographer Amanda Hatfield was there for the whole night and you can click through for lots of pics from all three bands.
Veronica Falls tour with Brilliant Colors continues, with Bleached joining as well starting in Minneapolis on 2/17. All tour dates at the bottom of the pictures...
by Bill Pearis
DOWNLOAD: Cate Le Bon - Puts Me to Work (MP3)
DOWNLOAD: Ed Vallance - Crystaline (MP3)
DOWNLOAD: Old Monk - Warm Moustache (MP3)
Veronica Falls

Veronica Falls are back for what is, by far, their biggest NYC show to date: they play Music Hall of Williamsburg on Thursday. The band's debut was my #2 Album of 2011:
"Found Love in a Graveyard" made my Favorite Tracks of 2009 list and have been waiting a full-length ever since. The band does not disappoint. There's not a dud in Veronica Falls' 36 minute running time. New songs are equals to early singles which appear here in newly recorded versions that might actually improve on the originals. This is haunted pop, a brisk October breeze that calls for a nice cardigan.Veronica Falls just released a new track, "My Heart Beats," to coincide with their North American tour and you can stream it at the bottom of this post. The song is sunnier than what they normally do but still fits within their sound. Sounds like a single to me. The band are touring with Slumberland labelmates Brilliant Colors (in from San Francisco) and local noisemakers Grooms are also on the bill. Tickets are still available. Veronica Falls look timid in their press photos, but they whip up a storm live. Go see 'em.
Bleached at BV CMJ 2012 (more by Chris La Putt)

After the MHoW show, Bleached will also be part of the Veronica Falls/Brilliant Colors tour. (Dates at the bottom of this post.) The band are currently on the road with The Black Belles, a tour that rolls into town onSaturday (2/11) at Knitting Factory that also has Bleeding Rainbow (formerly Reading Rainbow) and Habibi on the bill. I caught Bleached at the BrooklynVegan day party during CMJ last year and thought they were a lot of fun in a Runaways kind of way. Good snarly attitude and big hooks. Maybe you caught them last week opening for Smith Westerns at Webster Hall?
Habibi

It's worth showing up early for Habibi, whose debut single (streamable below) is a cool, understated take on '60s girl group sounds. You can stream it below.
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Cate Le Bon

As excited as I am to see Veronica Falls on Thursday (2/9) , I might be slightly more pumped to catch Cate Le Bon's early set at Mercury Lounge that same night. (She also plays Maxwell's on Friday [2/10] as part of her tour) I've been pretty enamoured with the Welsh singer's new album, Cyrk, that came out a few weeks ago. The spare, detached vibe is a little like the Velvet Underground or Electrelane or Stereolab, but there's a hint of pastoral psychedelia in there too. (Shades of Welsh indie royalty Gorky's Zygotic Mynci). The record is loaded with wonderful little touches that reveal themselves with repeated listens. It's a fantastic album.
You can download single "Puts Me to Work" at the top of this post and stream Cyrk at Spotify. Cate has played New York a few times, usually solo, but for this tour she's got her band with her which should be pretty special. Both shows are with local band Pigeons.
Ed Vallance - 'Volcano'

What else is going on? London born, Brooklyn-based singer Ed Vallance released his second album, Volcano, this week and plays a record release show tonight (2/8) at Pianos. The record is dramatic turn from the indie folk of his debut. I bet he still writes his songs on acoustic guitar, but the approach to the arrangements and production are definitely have definitely taken a pop approach this time. While this sort of stuff isn't in vogue so much these days (it's got a distinct early '00s post-Radiohead vibe) it's quite lovely nonetheless. You can download the single "Crystaline" at the top of this post and stream the album at Spotify.
In addition to tonight's show at Pianos, an early show with Pursesnatchersopening, Ed's doing a month-long residency at the Ace Hotel, playing every Sunday in February.
Jeremy Jay

And finally, K Records artist Jeremy Jay is in town this week, playing Glasslands tonight (2/8) and Cake Shop tomorrow (2/9). Jeremy's most recent album is Dream Diary, which came out about a year ago. Like most of his work, it's minimal folk rock with a strong '80s influence. He's an engaging live performer, and tonight's Glasslands show is a stacked bill with Boston psych-folk band Quilt, quality locals Slowdance and Backwords. The Cake Shop show is with Sapphire Mansions and a couple TBDs. (Cake Shop's website isn't especially updated these days.) Jeremy lives in London these days, so go see him while he's here -- all tour dates are at the bottom of this post.
That's the big stuff this week. Some more day by day picks, of things not already covered, are below.
Old Monk

WEDNESDAY, FEBRUARY 8
The second week of Old Monk's Cake Shop residency is tonight. These guys are good! Tonight's with Haybaby, elctro-rockers Year of the Tiger and Code Name Viper.
continued below...
Bleached at BV CMJ (more by Chris La Putt)

As mentioned, Bleached will be touring the US and Canada in early 2012. That tour includes the previously mentioned Webster Hall show (1/31) with Smith Westerns and Porcelain Raft (tickets), and now includes another NYC show at Knitting Factory on February 11 with the Black Belles who you might remember are the band Jack White brought on Colbert. Tickets are not on sale yet but check ticketfly for updates. All dates are listed below.
A number of their dates are also with Veronica Falls, who headline MHOW on 2/9. When we first mentioned that show, no opener had been announced, but it's since been revealed that Brilliant Colors will open. Tickets are still available.
Bleached released the "Searching Through the Past" 7" on December 6 via Suicide Squeeze. You can download that song HERE, and stream the b-side, "Electric Chair," at Bleached's tumblr.
All dates below...
Continue reading "Bleached released a 7", announced dates w/ the Black Belles"
by Bill Pearis
DOWNLOAD: Brilliant Colors - How Much Younger (MP3)

Among the many bands visiting NYC for the Northside Festival are San Francisco trio Brilliant Colors, who play Glasslands on Friday (6/17) with Slumberland labelmate Frankie Rose, as well as Sherlock's Daughter and Regal Degal. They'll also play a non-Northside show earlier that same night at Bushwick spot Cedar Mansion. Apart from a tour kickoff show in Brooklyn last week, the band haven't been on the East Coast since the Woodsist/Captured Tracks festival two summers ago, when I wrote:
As all-girl, C-'86-influenced trios go, San Francisco's Brilliant Colors might just be the best of the bunch, writing songs that rival Vivian Girls' catchiest, and keeping it tight like Sweden's Liechtenstein with more attitude than either. (Check out "I'm Sixteen" for serious snarl.) They might lack a little in stage presence but playing in the heat of the sun can drain even the most charming performers. But these ladies are quality, one of the day's best.We haven't had a record from Brilliant Colors in almost as long, but their new long-player, Again and Again, comes out on Slumberland on July 19. It's more messy jingle jangle pop that this trio do exceedingly well. Check out the record's "How Much Younger" at the top of this post.
Brilliant Colors play a few East Coast shows before and after Northside, and all dates are below.
Continue reading "Brilliant Colors on tour, releasing an LP (MP3 & dates)"
by Bill Pearis
DOWNLOAD: Golden Triangle - Jinx (MP3)
DOWNLOAD: Golden Triangle - Neon Noose (MP3)
DOWNLOAD: The Sandwitches - Back to the Sea (MP3)
DOWNLOAD: Title Tracks - Every Little Bit Hurts (MP3)
DOWNLOAD: Pretty & Nice - Tora Tora Tora (MP3)
DOWNLOAD: Pretty & Nice - Tora Tora Tora (MP3)
DOWNLOAD: Summer Cats - Hey You (MP3)
DOWNLOAD: Summer Cats - Super (MP3)
DOWNLOAD: Summer Cats - Let's Go (MP3)
DOWNLOAD: Summer Cats - TV Guide (MP3)

March is consistently one of the most insane months for shows, due to nearly every band being on tour thanks to SXSW. The flood doesn't really kick in till next week, so view this weekend as the relative calm before the storm. Also, before we get into my recommendations, I'd like to mention that New York Noise, the NYC-TV show that has been documenting the local indie scene for eight seasons, is in danger of cancellation. Given it's new Tuesdays at 5AM slot (and its showpage on the website now gone), it almost might as well be off the air -- a worse fate than 120 Minutes ever saw. There are so few outlets to watch music videos on actual television anymore, let alone ones from semi-obscure indie rock bands, and even less done in such consistently clever, funny, fresh ways. (Breakfast at Sulimays was not the first to interview old people about indie rock.)
Music is a huge part of New York City culture and surely the only show on the air about it deserves to continue. If you feel the same way I urge you to sign the Bring Back New York Noise petition. You can read more about it and what's going on with the show over at the Village Voice. And there are some highlights from the show at the bottom of this post.
The Sandwitches

Ok, back to the music. San Francisco's The Sandwitches are visiting this weekend for three shows before heading off on a tour that will lead them to Austin for SXSW where they'll play more than a few parties including the BrooklynVegan Thursday day party.
They play the Rockstar Bar tonight (3/5) and then Monster Island on Saturday (3/6) with Golden Triangle. Singers Heidi and Grace both spent time in The Fresh & Onlys and drummer Roxy used to be in Brilliant Colors. Like Donnie & Marie, they're a little bit country and a little bit rock and roll. In a San Francisco indie sort of way, which means a fair amount of reverb.
Kelley Stoltz says of the Sandwitches: "Imagine a 60's Girl-group is on tour and their van breaks down near a gothic castle high on the hill, Dario Argento invites them in to perform a concert for his tweaked actors in a big dark red room inside and, if the dream is right, it's the Sandwiches - they'd fit right in with those misfits and speak the same language. I'd like to be there to dance." I'm not sure I can top that description. I like their album, How to Make Ambient Sadcake, quite a bit and you can download opening track "Back to the Sea" at the top of this post.
After SXSW they'll play Todd P's MtyMx festival and then tour back to San Francisco with Thee Oh Sees and The Baths.
Golden Triangle

That Monster Island show on Saturday is the official record release party for Golden Triangle's debut, Double Jointer, which came out this week on Hardly Art. You can check out two songs from the album at the top of this post. I think you either like this sort of fuzzed out, reverb-soaked garage rock or you don't, but this record is a lot of fun -- a psychedelic art school party band that's part B-52's, part paisley underground, part Cavestomp.
Saturday should be a fun one, with an almost all-girl lineup. In addition to the Sandwitches, there's Girls at Dawn and Coasting, all of whom I like. Golden Triangle are also playing a lot of shows during SXSW including the same Thursday BV show as Sandwitches. All dates are at the bottom of this post.
Title Tracks

Playing together two nights this weekend are Washington D.C.'s Title Tracks and Boston's Pretty & Nice. They play Saturday (3/6) at Union Hall and then Sunday (3/8) at Cake Shop.
As mentioned before, Title Tracks is the new band from John Davis, previously of much-loved Q and Not U, and the great but unfortunately shortlived Georgie James. That said, Title Tracks' just-released debut, It Was Easy, is pretty great, full of guitar-centric power pop in a late '70s style that might bring to mind Rockpile, Marshall Crenshaw or the dB's... or more recently Sloan and the New Pornographers. Two songs are at the top of this post. Davis is a fantastic songwriter (and performer) and while we may miss his previous bands, be glad he's still cranking out great tunes.
Pretty & Nice

Pretty & Nice's music tips just the other side of 1980, with slightly nervier pop (XTC and Chris Stamey's songs with the dB's being obvious influences) but just as catchy and their 2008 album, Get Young, didn't get enough attention I don't think. Hopefully they've got a new album out sometime soon and we'll hear songs from it at one of the shows. They're fun live.
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And last but in no way least are Australian band Summer Cats who make their NYC debut tonight (3/5) as part of the Mondo! party at Don Hills. They also play Sunday at Bruar Falls. Super-pumped to see these guys live tonight. I wrote loads about them earlier in the week so go read that, won't you? The Bruar Falls show also features local power-poppers Onward Chariots who sound pretty good on their Myspace. I'll be at an Oscar party (I'm bringing Hummus: Based on the Novel Precious by Sapphire) but those who don't care about the Academy Awards should show your support to these Cats. Like most of the bands in this post, they'll be in Austin for SXSW too. And elsewhere. Go see 'em.
That's it for this week. Videos and tour dates are below....
by Bill Pearis
DOWNLOAD: Summer Cats - Hey You (MP3)
DOWNLOAD: Summer Cats - Super (MP3)
DOWNLOAD: Summer Cats - Let's Go (MP3)
DOWNLOAD: Summer Cats - TV Guide (MP3)
DOWNLOAD: Black Tambourine - For Ex-Lovers Only (MP3)
Summer Cats

As previously reported, Australia is invading America (and NYC) this month -- musically speaking -- and another battalion has been added to their ranks: Melbourne's Summer Cats. The band are making the most of their trip with a quick East Coast / Midwest tour -- including Mondo! at Don Hill's on Friday (3/5) and then Bruar Falls in Brooklyn on Sunday (3/7) -- then down to Austin for SXSW, then to California for the West Coast editions of Slumberland's 20th Anniversary concerts.
Summer Cats are an almost quintessentially Slumberland-sounding band: sunny male/female vocals, jangly guitars that sometimes get very very noisy, and vintage organ. The band kind of is vintage Slumberland too -- singer Scott Stevens spent a good portion of the '90s fronting shoegazers The Earthmen, whose "Cool Chick #59" was one of the label's early singles. After a string of 7"s on labels like Popboomerang and Cloudberry, Summer Cats became labelmates of Pains of Being Pure at Heart and Crystal Stilts and released their debut album, Songs for Tuesdays, last year.
There's a brand new single out from the band, "Your Timetable," that definitely dips into the band's distortion-loving side. You can download it's poppier flipside, "TV Guide," at the top of this post. There are three other Summer Cats tunes to download too, do check them out -- good stuff.
As for the West Coast Slumberland 20 shows are happening March 27 in San Francisco (sold out) at the Rickshaw Stop, and then the next night (3/28) at the Echo in Los Angeles. As much as I enjoyed the SL20 show at Bell House back in November, I'm more than a little jealous of the California line-ups, especially the San Francisco one. Both shows are headlined by UK indiepop stalwarts Boyracer who are currently claiming these will be their last-ever shows, plus Henry's Dress (original lineup!!!), Go Sailor (Rose Melberg of Tiger Trap/Softies and Amy Linton of Henry's Dress/Aisler's Set, their first show in 14 years!), and more recent Slumberland acts Brown Recluse, Devon Williams, Neverever (ex Royal We and Bricolage), and third-ever (and fourth-ever) live performances of Sic Alps side project, The How. The Rickshaw Stop show also has local Slumberland act Brilliant Colors. And Summer Cats, of course. Holy crap!
Summer Cats also play the Cake Shop/Slumberland showcase at SXSW (3/19 at the Mohawk) that also features The Pains of Being Pure at Heart, Frankie & the Outs, Grass Widow, Reading Rainbow and Standard Fare (who we just posted about).
Black Tambourine

While on the subject of Slumberland Records, and to make this post as tangential (and Brooklyn Vegan-esque) as possible, as part of the label's 20th anniversary they're putting out a new compilation of one of their earliest bands: the short-lived but highly influential Black Tambourine. The group was made up of Pam Berry (also of Glo-Worm and co-founder of zine chickfactor), Velocity Girl's Archie Moore, Brian Nelson and Mike Schulman who runs Slumberland to this day. This replaces the label's previous Black Tambourine comp, offering up six previously unheard tracks. Two of those tracks are demos and the other four are brand new -- two originals, plus covers of Buddy Holly and Suicide. Out March 30, Black Tambourine will be available on CD and a gatefold double LP. Despite the new recordings, the band aren't getting back together or touring... so don't get too excited (editor's note: though I heard there is a chance of a UK show). There is a new video for their song "For Ex-Lovers Only," which you can watch below (and download an MP3 above).
After the jump there are Summer Cats videos and tour dates, and that Black Tambourine music video, album art and tracklist...
by BBG
Rorschach at The Charleston (more by Ryan Muir)

Last year's jaw-dropping lineup at Chaos In Tejas was sick, and 2010 is proving to be no different. For four days across four different Austin venues, May 27th to the 30th at Emo's, Mohawk, Red 7 and Beerland, the festival will offer some of the most impressive names in the independent/underground scene including the indestructible Rorschach, the first ever US appearance from Australian punk greats X, a one-time reunion of Japanese crust-core band Bastard, the quirky cutesy indie pop-punk of Grass Widow, Gehenna (who just played A389), Subhumans, Bastard Noise (who have a new record), Bone Awl, BV faves Jeff The Brotherhood, The Spits, Psychedelic Horseshit, Ty Segall, The Ponys, Iron Lung (who recently played Cake Shop), Poison Idea, Inquisition, and many many many others.
In addition to the obvious mayhem that will ensue over the four days, Chaos in Tejas will also showcase art from some of the scene's most interesting names including Tim Kerr (of Big Boys), Winston Smith (responsible for tons of collage work, including the Dead Kennedys best album art), and Bryan Ray Turcotte (best known for his book Fucked Up and Photocopied).
The full (and intimidating) list is below...
photos by Tim Griffin, words by Andrew Frisicano

The Woodsist/Captured Tracks Festival's Day One (7/3) was moved inside the Market Hotel. Thankfully, the weather held out for its second, 4th of July lineup, which went off as planned in the grassy, rock-filled lot of 979 Broadway Backyard.
I arrived just as Real Estate was going on, and the New Jersey band nearly stole the show with dreamy rock that seemed to be made for a sunny afternoon. The Beets held down their set with a casualness befitting a park lodge show (kind of what the fest was on a slightly bigger scale). The guys gave new meaning to the word "ramshackle" as things seemed to be toppling over continually onstage.
German Measles played a set before I got there. Bill caught them and said they "aren't actually that bad... But they're also not very good. And that kind of seems to be the point. Shambolic is an understatement, like 'why rehearse when we can just play shows?"
The Great Excape did a set of Jersey-style pop-punk that included their own theme song, several politically-themed tunes (a nice touch) and a cover of "Summertime Blues." Ganglians brought one of the day's only keyboards, and burst with a flurry of reverb and overdrive.
Brilliant Colors started out with straight-ahead noise punk, with a bit of a melody void left by their super-reverbed vocals (maybe a theme of the night) and washed-out guitar. When the bass stepped up its riffs a few songs in, the band immediately sounded twice as catchy. The Fresh and Onlys took that bass-forward momentum and went with it. Their bassist pounded the notes in between and then some. As a result, the group had one of the most complete sounds of the night (with a tambourine and three-part harmonies rounding it out). They dedicated their last song to the member of Tyvek in the hospital (the reason for that band's cancellation). Hopefully their situation turns out better.

Dum Dum Girls had to be one of the night's cleanest sounding groups. The band relied heavily on singer Dee Dee's vocals, which harmonized with drummer Frankie Rose on their songs' many hooks.
The atmospheric rock of Woods definitely got jammier as it progressed. As Bill Pearis pointed out, the group's fourth member, who sat on the floor twiddling effects and singing into a microphone strapped to his face, was a bit strange considering the rest of the guys were dressed proper enough for church. Whatever you have to do to make it sound good I suppose.

Kurt Vile & the Violators roared into the night as the sun finally went down. Vile and Vivian Girls (who, as one commenter pointed out, "played with a great intensity") more than warmed up the crowd for Thee Oh Sees, who capped the night (for some) with an unstoppable set. Frontman John Dwyer was literally foaming at the mouth as a streak of white drool smeared across his face for part of the set. Thee Oh Sees' strange, repetition-laced anthems are amazing for shaking and rattling, as the crowd proved. The band even got talked into playing an encore before sending everyone into the night.
The rest of the pictures from Day Two, with a bunch of videos, below...
by Bill Pearis
DOWNLOAD: The Fresh & Onlys - Fog Machine (MP3)
DOWNLOAD: The Fresh & Onlys - Love & Kindness (MP3)
DOWNLOAD: Ganglians - Hair (MP3)
DOWNLOAD: Bachelorette - Mindwarp (MP3)

It used to be Independence Day weekend was dead in NYC, the city emptying out, leaving only tourists and those unfortunate enough not to have some sort of beach hookup. There was nothing to do but barbeque with fellow left-behinds and see whatever Will Smith movie had just been released. (Actually, I like it when the city is empty.) And the only show would be whatever was at Battery Park on the 4th. Not this year.
The Woodsist/Captured Tracks Festival is two days of just about every band on the two label's roster and also manages to be one of the best collections of reverb-lovin' lo-fi/pych/garage bands you're likely to see, including many names you may recognize if you read this column on a regular basis. You can buy a two-day pass for $25 or buy individual $15 tickets for Friday or Saturday.
As both Woodsist and Captured Tracks are Brooklyn labels, a lot of the bands are local and chances are if you're into this kind of music at all you've probably managed to already see some of these bands, probably more than once: Crystal Stilts, Vivian Girls, Blank Dogs, The Beets, caUSE co-MOTION, Kurt Vile, and Woods.
The Fresh & Onlys @ SXSW 2009

But there's also a bunch of great West Coast bands who have yet to hit NYC, which is what makes it most exciting for me. First and foremost are San Francisco's Fresh & Onlys who I caught at the Todd P/Woodsist party during SxSW and have become one of my favorite new bands. They play the Saturday (7/4) which is definitely the more essential line-up of the two days. The band features members of Skygreen Leopards and Black Fiction, and have also spent time recently backing up Rodriguez and Ty Segall (though not on the East Coast.)
The band's first album of 2009 came out in April on John Dwyer's Castle Face label, with a sound not that far off from what you might expect from cohorts of The Oh Sees (who headline the Saturday show), though The Fresh & Onlys are definitely more pop and less psychedelic freakout. Their second album of 2009, Grey-Eyed Girls, is out in August and they've also got 7"'s out or out soon on Chuffed, Dirty Knobby, Hozac and Captured Tracks. If you like 13th Floor Elevators, The Chocolate Watchband and other Nuggets era bands, I think you're going to dig them. I interviewed bassist Shayde Sartin a couple months ago on my blog if you'd like to know more.
If you can't make the daytime show, The Fresh & Onlys also play a post midnight show that same day at Market Hotel that also features Babies (members of Woods, Vivian Girls and Bossy) (does anyone know which members?) and Pink Reason, and maybe a solo performance from Crystal Stilts drummer Frankie Rose. And The Fresh & Onlys will be here again in October when they'll be on tour with fellow San Franciscans Thee Oh Sees.
Thee Oh Sees are also playing Siren in July, and playing maybe the best of the Woodsist fest's offshoot shows on Thursday night (7/2) at Glasslands. They're headlining the Glasslands show and Saturday night of the fest, and are definitely worth seeing twice, or even thrice. Also playing Glasslands: Golden Triangle who are working on their debut album for Sub Pop offshoot Hardly Art; The Beets who, the last two times I've seen them, have had Crystal Stilts' JB Townsend filling in on drums for an absent Jacob Warstler; and German Measels which features half of caUSE co-MOTION wearing fake moustaches.
Ganglians

A little earlier at Woodsist Fest on Saturday (3:45 if they keep to the posted schedule) are Sacramento's Ganglians, who just released an EP and an album on Woodsist. Not all that far off from The Fresh & Onlys, Ganglians have equal worship for solid songwriting and trippy arrangements/production. I think both records are worth picking up: the self-titled EP shows off more of their rocking side (which they favored when I saw them at SxSW), like the surfy, Kiwi-esque "Hair" of which there's an MP3 at the top of this post. The album, Monster Head Room, is more acoustic and owes a lot to Brian Wilson. If you can't make the July 4th show, they'll be playing the next night (7/5) at Monster Island basement with Psychedelic Horseshit.
In between Ganglians and Fresh & Onlys on Saturday (4:30PM) are San Francisco's Brilliant Colors, an all-girl trio who play short, scratchy pop with a definitely New Zealand vibe. They also play the late show that night at Market Hotel, and will be on WNYU on July 8.
Dum Dum Girls, who play after the Fresh & Onlys at 6PM, are from L.A. and owe much to the C-86 scene that has been an influence on Pains of Being Pure at Heart and Vivian Girls. Actually, Dum Dum Girls is just one girl, Dee Dee, who may or may not have a band with her when she plays. Dee Dee is also in The Mayfair Set, a collaboration with Blank Dogs (and Captured Tracks domo) Mike Sniper, who will make their live debut (I think) Friday (7/3) at 6:30.
I've got MP3s for most every band playing the Fest over at my blog.
Brilliant Colors

A couple non-Woodsist/Captrax Fest recommendation for the Fourth weekend. New Zealand's Bachelorette is back in town, playing the kickoff show of this year's Seaport Music Festival, opening for Here We Go Magic. I saw Bachelorette at Cake Shop a couple weeks back and was so smitten I bought everything at the merch table. There was a fair amount of laptopping going on, but Annabel Alpers' breathy, fragile voice was definitely live and the three-piece oozed unassuming charm. Bachelorette also play the sold-out Rooftop Films Fourth of July party Saturday night which happens on the roof of the Chelsea Art Museum.
And Thursday (7/2) starts The Feelies' three-night run at Maxwell's. Friday's show (7/3) is sold out but you can still get tickets for Thursday and for Saturday (7/4). Bring comfortable shoes -- they're doing two sets each night. The excitement of their reformation may have faded a bit since this time last year, but their great songs -- and still-awesome guitar interplay -- have not.
Full Woodsist/Captured Tracks Festival schedule and other tour dates after the jump...
DOWNLOAD: Woods - To Clean (MP3)

"...it has been damn near impossible to keep up with [Blank Dog] Mike Sniper's Captured Tracks label, who have hit the ground running with eight releases since the start of the year and many more slated for the near future. Captured Tracks is, to put it plainly, an outlet for Mr. Sniper to release records by bands he loves. In his mind it is "not a boutique label, " and by that he means that the releases are not meant to become instant eBay collectables, and will remain in print as long as there are people buying them. Some will have limited edition versions with alternate artwork or bonuses, but even these editions are easily and widely available. Affordable, available and well made, Captured Tracks is the populist record label. " [Agit Reader]The previously announced Brooklyn Festival got much, much more interesting...
Continue reading "Woodsist/CT Festival - final 2-day lineup, set times, tickets "
Broadway Backyard (more by Tim Griffin)

Woodsist and Captured Tracks have joined forces with Todd P to present a two-day festival of bands at Broadway Backyard in Brooklyn this July 3rd and 4th. More info and full lineup (so far) below....
Continue reading "Woodsist & Captured Tracks throwing a festival in Brooklyn"