Entries tagged with: Brooklyn Youth Chorus
Hospitality at Glasslands in October (more by Dominick Mastrangelo)
The annual Ecstatic Music Festival is returning to its usual location, the Merkin Concert Hall (except for the kickoff show at The Green Space, and one show happening at Carnegie Hall) in 2014 from January 31 to March 29.
Like in previous years, the shows will include multiple indie/classical collaborations including Hospitality with Face the Music; Saul Williams with Mivos Quartet; Mirah with Susie Ibarra; The Bang on a Can All Stars with Richard Reed Parry (Arcade Fire), Alvin Lucier and Daniel Wohl; Colin Stetson with Brooklyn Youth Chorus; So Percussion with Buke & Gase; Man Forever with William Basinski; and more.
Full schedule, along with a trailer video, below...
Solange at Bowery Ballroom in 2012 (more by Amanda Hatfield)
As noted, Crossing Brooklyn Ferry festival will return to BAM from April 25 - 27 and is again curated by The National's Bryce Dessner and Aaron Dessner. A partial list of 2013 performers has been announced and includes headliners The Roots, Solange and TV on the Radio, as well as Brooklyn Youth Chorus, Julia Holter and Here We Go Magic. Full list of announced performers is below.
Ecstatic Music Festival 2012 (more by David Andrako)
As discussed, the indie/classical Ecstatic Music Festival is returning to the Merkin Concert Hall at Kaufman Center this year and it begins Friday (1/25) with a show from My Brightest Diamond's Shara Worden and the Brooklyn Youth Chorus. The festival also includes shows with Clogs, Laurel Halo and Julia Holter, Deerhoof, Megafaun, and more. The full schedule is below and tickets for select shows are still available.
However, you've also got a chance to attend for free because we're giving away a pair of tickets to a show of your choice. Contest details and the Ecstatic Music Festival schedule, below...
Julia Holter at Bowery Ballroom in August (more by Amanda Hatfield)
The Ecstatic Music Festival is returning to the Merkin Concert Hall at Kaufman Center in 2013 from January 25 to March 21, where it's happened in past years. Over the course of the approximately two month-long period, the festival will be presenting eleven shows, with multiple collaborations between artists that blur the lines between indie and modern classical. The collaborations include Shara Worden (My Brightest Diamond) with the Brooklyn Youth Chorus; Sarah Kirkland Snider with vocalists DM Stith, Padma Newsome (of Clogs), and Shara Worden; DJ / rupture and Zs; Deerhoof with Dal Niente and Marcos Balter; Laurel Halo and Julia Holter with Daniel Wohl; Arnold Dreyblatt with Megafaun; Simone Dinnerstein with Tift Merritt; a Bang on a Can concert, and more.
Full schedule is below.
photos by David Andrako
The inaugural, Dessner-curated Crossing Brooklyn Ferry festival concluded on Saturday night (May 5) with performances from Beirut, Atlas Sound, My Brightest Diamond, Caveman and more.
There were whispers there'd be an unannounced set from The National, but the secret guest Phi Slamma Jamma was actually Arcade Fire's Will Butler, Jeremy Gara, Tim Kingsbury, and Richard Reed Parry who performed a bunch of covers (Ramones, R.E.M., Devo, Beatles and the Stones, among others) to cap out the Fest.
Night Two pictures HERE. Night one HERE. Lots of pictures from all of Saturday night's performers (including Sufjan), plus video of Atlas Sound (who also kept busy in others ways while in town), Caveman, Beirut and Phi Slamma Jamma performing a song each, below...
Remember that Dessner brother-curated festival, "Crossing Brooklyn Ferry," which is happening at BAM from May 3-5? And remember how when we posted the National-curated ATP lineup we suggested (for obvious reasons) that it might hint at the BAM lineup? Well, the lineup is out now, and there are definitely some similarities to that, and also not surprisingly, to the ongoing Ecstatic Music Festival which is great at highlighting the growing mix between indie rock and indie classical that the Dessners are huge fans of and participants in.
The three day Brooklyn Academy of Music festival includes The Antlers, My Brightest Diamond (w/ yMusic), Sharon Van Etten, and Buke and Gase who are all playing ATP, in addition to The Walkmen, St. VIncent, Beirut, Atlas Sound, Tyondai Braxton (formerly of Battles), Oneohtrix Point Never, Caveman, Sinkane, Twin Shadow, Jherek Bischoff, Pat Mahoney and Nancy Whang (DFA DJ set), Ava Luna, and others which are all listed below. As mentioned, the fest also includes the Brooklyn Youth Chorus and the NOW Ensemble.
3-Day Festival Passes go on sale Monday (3/5) to friends of BAM and Tuesday (3/6) to the general public. More details and schedule at the Crossing Brooklyn Ferry website.
Full lineup below...
Speaking of "Crossing Brooklyn Ferry", the Dessner brother-curated festival coming to the Brooklyn Academy of Music in May (May 3-5 to be exact), I have the names of a few people who will be part of it.
The Brooklyn Youth Chorus, who worked with the Dessners in 2011 (for a show at St. Ann's and an Ecstatic one at Merkin Concert Hall), will sing a major new work written for them by Bryce Dessner. The NOW Ensemble will perform Sarah Kirkland Snider's "Pale As Centuries", a work they premiered in October at the Miller Theatre as part of the SONiC Festival. That happens on May 5, 2012. The Brooklyn Youth Chorus date is TBD, but it will happen sometime within the fesival's three days in one of the "various venues in the Peter Jay Sharp Building."
Stay tuned for more lineup additions (including probably a bunch of indie rock ones). Tickets go on sale in March.
Tickets are on sale now for the National-curated ATP Fest happening in the UK in December. As previously mentioned, Sharon Van Etten, My Brightest Diamond, Wye Oak, Megafaun, The Antlers, Buke and Gase (FKA Buke and Gass), Lower Dens, Owen Pallett, Boris, Tim Hecker, Kronos Quartet, Suuns, and Dark Dark Dark are all playing that.
Meanwhile, NOW Ensemble plays with Dan Deacon in March as part of the 2012 Ecstatic Music Festival which begins this week. Listen to/watch a festival preview at the Greene Space even sooner.
Many of the weekend's 9/11 memorials chose to mark the anniversary with music. The official commemoration at Ground Zero included performances by Paul Simon (who performed "The Sound of Silence"), James Taylor (who played "You Can Close Your Eyes"), the Brooklyn Youth Chorus and cellist Yo-Yo Ma. Video of those tributes are below.
At the Metropolitan Museum of Art, the Wordless Music Orchestra commemorated the anniversary with three pieces of music for string quartet--Ingram Marshall's "Fog Tropes II," Osvaldo Golijov's "Tenebrae" and Alfred Schnittke's "Collected Songs Where Every Verse Is Filled with Grief"--and the debut of an orchestrated version of William Basinski's "The Disintegration Loops dpl 1.1." The musicians played seated at the center of the Temple of Dendur (where St. Vincent recently performed) while the audience faced them and the looming sandstone structures.
The afternoon's second half was dedicated to Basinski's piece, which has served as a 9/11 elegy since its creation. That relationship will continue: before the start of the program, it was announced that the work would be a permanent fixture at the 9/11 Memorial Museum. The full room listened in reverential silence to Maxim Moston's live arrangement, which unfolded over a reflective 40 minutes. After the last note died out, conductor Ryan McAdams paused for a several-minutes-long moment of silence, before giving way to a round of applause, which both composer and arranger were in attendance to receive.
Videos are below...
"This fall, the Next Wave Festival returns for its 29th season, presenting an array of contemporary performance, artist talks, storytelling, visual art, and film that showcases work by emerging artists and innovative modern masters."BAM's 2011 'Next Wave Festival' encompasses a series of events taking place from September through December. The schedule includes John Malkovich in The Infernal Comedy: Confessions of a serial killer and Kronos Quartet's Awakening featuring the Brooklyn Youth Chorus. Single tickets to all of it went on sale to the general public this morning.
photos by David Andrako
"Sufjan did not disappoint us. He came, he played banjo and sang We Were Here, acting in his self-effacing way just any other hired musician. It was a wonderful moment and a delightful surprise. But I don't want to sell Clogs short. The concert was delightful even before Sufjan arrived onstage.More pictures from the Saturday show, and the full setlist, below...
Clogs put on a beautiful show as part of the excellent Ecstatic Music Festival. Wonderfully quirky vocalist Shara Worden, in an extremely colorful ensemble, joined Clogs to sing and play some guitar on several tunes from the latest Clogs album, The Creatures in the Garden of Lady Walton, on which she appears. The band also did some older tunes and a new song cycle, called Unattended Shadow, by the band's violist, Padma Newsome. (Clogs' lineup is rounded out by Rachael Elliott on bassoon and Thomas Kozumplik on percussion.)
One of the real treats of the evening, though, was the band's interaction with the fabulous Brooklyn Youth Chorus. They performed guitarist Bryce Dessner's new Tour Eiffel, which was premiered at the Nico Muhly Tell the Way show at St. Ann's Warehouse early in February."
[Will You Miss Me When I'm Gone]
Shara, Sufjan & Bryce @ the Bell House (more by David Andrako)
Tickets are still on sale for Saturday's Clogs/Brooklyn Youth Chorus Ecstatic Music Festival show that Shara Worden (and Sufjan Stevens) is also playing. "The set list includes works from recent Clogs albums as well as a new piece from Bryce Dessner (The National) and a world premiere by Padma Newsome."
photos by Richard Termine, words by Andrew Frisicano
At Friday's performance, Nico Muhly warned early on that Tell the Way--a loosely tied together collection of 11 songs--would be a "casual sort of thing." He was right, for the most part; its compositions skirted around the unifying theme of travel in a range of styles: Sam Amidon's traditional folk songs; Bishi's eclectic, musical-theater-inspired chansons; the ever-busy Bryce Dessner's slow-building "Tour Eiffel," with dramatic vocal swoops that mimicked its subject; and Nico's unifying arrangements and short compositions. The voices of the Brooklyn Youth Chorus brought the works together in a brief 65-minute program, which moved quickly and offered small treats along the way (the three-night run at St. Ann's Warehouse finishes tonight, and a few tickets are still on sale).
More than any thematic thread, the Brooklyn Youth Chorus gave the evening consistency, as did ACME, who performed as a string quartet with a trombonist and a percussionist attached. The two groups had fun with the material, especially Muhly's pieces, which he composed with inspiration from historical texts (The Book of Common Prayer, and the travel writings of Sir John Mandeville) and commissioned texts (like the humorous, bite-sized "A Korean Girl," by writer Mary HK Choi, which inspired giggles at the appropriate moments).
Each composer brought what was basically their signature dish, with the wild card being Bishi, a British singer who I knew nothing about before the show, other than that she played the sitar. The sitar was the least of her contributions, the foremost of which was sheer stage presence. Her compositions--and her entrances, first in a coat of white fur (fake we hope) with hair done up like a Cinnabon, then in a black-and-white corset and skin-tight pants--added some danger and surprise to the program.
Bishi's singing was similarly attention-grabbing: a cabaret-style coo that blended with and added depth to the chorus (where someone like Sam Amidon sounded distinct and other). The theatricality of a musical pulsed through the songs, with Bishi as the preening lead. "Look the Other Way," her second number, progressed with a martial beat before delivering a string of awesomely WTF moments: a synthesized disco beat, then a man in white-tie formal-wear adding Vincent Price-esque narration, and finally a heavy metal breakdown with crushing drums and Bryce Dessner shredding away. Of course, it was also delivered with a wink. "That's probably the most metal guitar Bryce has played since high school," said Nico, of the best part of the evening.
A few more pictures from the show are below...
DOWNLOAD: Clogs - On the Edge (MP3)
The National @ the Studio (more by David Andrako)
Not only did Bryce play a live MTV taping with the National last night, he's playing a fashion week party tonight (Wednesday) and three shows this weekend at St. Ann's Warehouse (Thursday-Saturday), AND he has an Ecstatic Music Festival show on Thursday night too...
Composer/Guitarist Bryce Dessner of The National is excited to premiere two separate compositions in New York City on Thursday, February 10. The first commission was awarded to Bryce by Bang on a Can All Stars' People's Commissioning Fund. The piece will be performed at Merkin Hall by Bang on a Can All-Stars (details HERE).AND, the Bang on a Can show is one of at least two Ecstatic Music Festival shows Bryce is part of, and the St. Ann's show is one of two gigs Bryce has scheduled with the BYC kids. Bryce's other band Clogs teams up with the Brooklyn Youth Chorus and Shara Worden for a show at Merkin Concert Hall on May 12th. Shara Worden also plays Merkin Concert Hall four days later with Sarah Kirkland Snider (I think Shara was kept off the bills until after her recent Lincoln Center show). Tickets for those and other Ecstatic Music Fest shows are on sale.
Bryce will be performing his second piece, "Tour Eiffel" at St. Ann's alongside Nico Muhly, Sam Amidon and the Brooklyn Youth Chorus Feb 10th-12th.
More National tour dates HERE. Clogs dates below...
photos by Bao Nguyen
Tell The Way is a newly commissioned collaborative work created for the Brooklyn Youth Chorus (Dianne Berkun, Artistic Director) by the ubiquitous Nico Muhly. Loosely based on medieval and colonial English travel narratives, the work draws from American folk sources, prayers for the Royal Navy, early colonial diaries, Mandeville, Herodotus and Marco Polo. Nico Muhly's music is propulsive travel-music, but at the heart of Tell The Way are three meditative collaborations between Muhly and Bishi, Muhly and Bryce Dessner and Muhly and Sam Amidon. An ensemble of strings, percussion, piano, and flute augment the voices of the Brooklyn Youth Chorus, Bryce's guitar, Sam's banjo and fiddle, and Bishi's sitar.Tell The Way premieres at St. Ann's Warehouse in Brooklyn this weekend. You have three chances to see it: February 10th, and 11th and 12th. Tickets are not only still on sale, but you can get a discount if you use the coupon code "NICO" at checkout.
Bao stopped by their rehearsal the other day, at Brooklyn Youth Chorus's headquarters on Pacific Street in Brooklyn, and more of his pictures, with some video previews of the show are below...
words by Rachel Kowal
On Friday and Saturday night, singer Sam Amidon has hosted a series of sold-out shows at The Kitchen, an arts space in Manhattan that boasts an impressive Board of Directors that includes the likes of Philip Glass, Nico Muhly and Bryce Dessner to name a few.
With its austere, DIY theatre vibe, the setting was a bit unconventional, but then again, so was the performance. Much more than simply an evening of folk songs, ballads, and hymns, Amidon projected random video clips and odd, hand-drawn cartoons onto the large screen lining the back wall.
There were two clusters of instruments and laptops on stage - one for Amidon and the other for one of his regular collaborators, Shahzad Ismaily. Due to Amidon's mesmerizing presence, it's easy to overlook Ismaily on percussion, but only because his contribution is effortlessly subtle and effective.
Amidon began his multimedia show with a series of video clips, including one of himself in a rowboat, narrating the tragic tale of "a young child of indiscriminate gender, wearing a green raincoat who ran away from home at the age of 10." With such a vivid and candid performer like Amidon, it's often hard to tell if it's all an act or if he's a bit crazy, but that's part of the appeal.
As was quickly evidenced by both his home videos and his live performance, Amidon can hardly contain his odd stories and asides. With Amidon, it's about the journey - however winding or disjointed it may be. And with a fair amount of sing-a-longs thrown in to keep the audience engaged, it's hard not to feel that we're all weary travelers on the same odyssey.
Of course, the bulk of Amidon's show comprised songs from his last two albums, but he also played a quick succession of short folk songs. And yes, besides the more conventional aspects of the performance, he displayed everything from 'liturgical dancing' and chaotic vocal exercises to a book review (Peter Biskind's "Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'N' Roll Generation Saved Hollywood" - apparently terrible), a conversation between a piece of broccoli and a jar of maple syrup (naturally, about love and depression), and an R. Kelly cover ("Relief").
It may not have been the most coherent experience, but Sam Amidon's grab bag performances never cease to entertain and enliven.
Both Sam Amidon and Shahzad Ismaily also play in Thomas Bartlett's Doveman, so maybe they'll be there in March when Doveman goes on a very short tour with Nadia Sirota in March. That very short tour includes two shows in Minneapolis and that one taking place at Merkin Concert Hall on March 9th with Owen Pallett.
Nadia Sirota and Sam Amidon, along with The National's Bryce Dessner and Bishi, will also participate in Tell The Way at St. Ann's Warehouse on February 10th, 11th and 12th...
Tell The Way is a newly commissioned collaborative work created for the Brooklyn Youth Chorus (Dianne Berkun, Artistic Director) by the ubiquitous Nico Muhly. Loosely based on medieval and colonial English travel narratives, the work draws from American folk sources, prayers for the Royal Navy, early colonial diaries, Mandeville, Herodotus and Marco Polo. Nico Muhly's music is propulsive travel-music, but at the heart of Tell The Way are three meditative collaborations between Muhly and Bishi, Muhly and Bryce Dessner and Muhly and Sam Amidon. An ensemble of strings, percussion, piano, and flute augment the voices of the Brooklyn Youth Chorus, Bryce's guitar, Sam's banjo and fiddle, and Bishi's sitar.Tickets for all three shows are on sale.
All tour dates and Sam's Kitchen setlist, below...
photos by Chris La Putt
"Awesome Apples in Stereo show with Brooklyn Phil & Youth Chorus at South St. Seaport, and fireworks too!" - Steven Wright-Mark
The Brooklyn Youth Chorus with members of the Brooklyn Philharmonic performed Saturday at South Street Seaport and then joined headliner Apples in Stereo on stage for their final song, "Energy". And then there were fireworks. The full setlist with lots more pictures from the free show, below...
South Street Seaport (more by Chris La Putt)
South Street Seaport, NYC (part of the River to River Festival)
July 02 - TBA
July 09 - Bear in Heaven &
TBA Zola Jesus
July 16 - Thee Oh Sees & Golden Triangle
July 23 - Free Energy & Best Coast & Loose Limbs
July 30 - Avi Buffalo &
TBA Chad VanGaalen
Aug 06 - YACHT & TBA
Also, "The annual Children's Day at the Seaport culminates with the spectacular Target Fireworks, featuring a special performance by The Apples in Stereo accompanied by the Brooklyn Youth Chorus. During the day, families can enjoy performances by Gordon from Sesame Street, Angelina Ballerina, and more, while meeting their favorite storybook characters like Clifford the Big Red Dog, Curious George, and Madeline. (June 26) "
And, there will be a July 4th show with the Old 97's.