Entries tagged with: Buke and Gass
24-year-old singer Mirel Wagner was born in Ethiopia but spent most of her life in Finland. With only spare guitar and her whispery, expressive voice, her songs are delicate and brittle like beautiful little spiderweb. Her debut album came out on Friendly Fire Recordings back in March. You can stream it below via a Spotify player and check out the video for album-opener, "To the Bone," below.
Mirel will be playing her first North American shows next month, including the Hopscotch Festival and a few dates opening for Deerhoof. She's got two shows in NYC: a solo show, as mentioned, at Joe's Pub on September 16 (tickets) and then at Music Hall of Williamsburg with Deerhoof and Buke and Gass on September 17 (tickets).
Opening for Mirel at Joe's Pub is Natureboy who maybe you caught at her Pianos residency back in June. She'll also be opening for the amazing Cate Le Bon at Union Pool on September 22 and tickets are still available. Natureboy also just recorded a Daytrotter session which you can listen to here.
A list of all tour dates, the video, and album streams below...
Frankie Rose @ Township (more by Sarah Frankie Linder)
In addition to the Jens Lekman/Of Montreal show at Williamsburg Park, the Northside Festival (June 14 - 17) just announced a slew of confirmed artists who'll be playing this year, including Future of the Left, the U.S. debut of Iceage-spinoff Vår (formerly War), Frankie Rose (playing the BrooklynVegan showcase at Music Hall of Williamsburg with more TBA), Grass Widow, Cleveland's Gap Dream, Wymond Miles of the Fresh & Onlys, Chain & the Gang, Kool Keith and more.
Other 2012 Northside Festival artists we've already posted about include Olivia Tremor Control, GZA, Neil Hamburger, Eternal Summers, Ceremony and Screaming Females and Royal Headache. Badges are on sale now and the full list of confirmed 2012 Northside artists is below.
by Andrew Sacher
Buke and Gase at Prospect Park in 2011 (more by Toby Tenebaum)
After tonight's show, Father Murphy, who are here from Italy, head out on tour with Xiu Xiu and Dirty Beaches (which hits Bowery Ballroom this Friday 5/4). Their album was mixed by Deerhoof's Greg Saunier who is one third of, but not the drummer of, Les Bonhommes (that also features William Kuehn from Rainer Maria).
Other performances throughout the week include former Parts & Labor noisemaker Dan Friel and Bunnybrains on 5/4; a Tonic reunion featuring Mephista with John Zorn, Steve Bernstein's MTO and more; Extra Life's Charlie Looker, Greg Fox, & Jamie Saft and Glass Ghost on 5/11, gonzo drummer Greg Fox and Hubble on 5/12, a powerhouse grouping of Ryan Sawyer, Colin Stetson, Nate Wooley, C. Spencer Yeh Quartet on 5/13, and Matana Roberts and Ches Smith on 5/15, among others.
Buke & Gase don't actually play any of the shows they curated but they do play the Dessner-curated Crossing Brooklyn Ferry fest on May 4 at BAM.
The second half of May at the Stone is curated by Gyan Riley.
Check out the full schedule below...
Buke and Gase @ Celebrate Brooklyn (more by Toby Tenenbaum)
In their own words:
Your phonetic struggles are over! We know it's been hard on everyone trying to figure out the pronunciation of Buke and Gass. Is it bass like the fish, or bass the unusually funky instrument? Well, now there's no more subtly trailing off as you tell your friend about this great new band you love so much. ("Oh, you should really check out that band Buke and Guh-aa.....yeah, that one.") The band has decided to officially change their name to (insert drum roll here) Buke and Gase. Aron and Arone wrote their own explanation:Want to make your own limerick about the name change? You can do so on Brassland's Facebook page. If they like yours best you win a pair of tickets to their January 12th New York Guitar Festival show. They're performing the score for Buster Keaton's The General with Lee Ranaldo, Kaki King, and Twi The Humble Feather. Thurston Moore, Nels Cline and many others are playing the Guitar Fest too. Most updated lineup HERE.
A limerick announcement addressing the mis-pronunciation of our name:
If there was one thing to replace
It would be the last S in Gass,
There isn't much class
When rhymed with sassafras,
So we changed it to E just in case.
Buke and Gase
So, there you have it. We're busily updating lots of important looking file folders with the new name, and hopefully the internet won't take too long resolving itself to the change. (Bang, you are so damn fast, Mr. Internet.)
But wait, we have yet more announcements about Buke and Gase (née Gass). News flash #1: The band was recently nominated in the Best Art Vinyl 2011 contest, for their Riposte record! You still have time to vote for Aron and Arone, who created the cover themselves, both of their hands & with their hands. Cast a vote right here.
Finally, hopefully you're already aware that Buke and Gase have been tooling around Europe on tour! You have until December 14 to see them live so we suggest you take a look at the updated list of Buke and Gase shows here.
That is, AFTER you cast a vote in for the Best Art Vinyl. We're trying to be thorough here.
photos by Toby Tenenbaum, words by Andrew Sacher
"The highlight had to be Ra Ra Riot coming
on stage to "Raining Blood" \m/" - Debbie Encalada
Ra Ra Riot played a free Celebrate Brooklyn show, the second to last one of the summer, in Prospect Park Friday night (8/5) with support from Buke & Gass and Delicate Steve.
Buke & Gass kicked things off with their unique brand of avant-pop, driven by their self-built instruments and whatever percussion the duo can manage to pull off with their feet. The circumstances definitely weren't the best for the Brooklyn-based band, who were opening a large, sparsely filled out venue for a much poppier act. But given the attention they deserved, Buke & Gass were able to prove that they've got some really interesting material. The duo focus more on rhythm than melody (which are usually far off-kilter) and are able to loop you in to hypnotic patterns, somewhat similarly to tUnE-yArDs, who they have opened for. On top of the attractively unsettling chord progressions, singer Arone Dyer delivers with a surprisingly beautiful voice, unlike the howls of the aforementioned tUnE-yArDs' Merrill Garbus. As I said, the circumstances were not ideal, but I was definitely won over by their set and look forward to hopefully catching them in a smaller venue.
Their set was followed by Delicate Steve, who I first saw when they opened for Yeasayer at Governors Island last summer, and they haven't changed a bit. They played a mainly instrumental set which was sonically more fit for the jam scene, except for the fact that everything felt way too scripted. The band's bland chord progressions and overused jungle drum beats were added to only by uninspired, repetitive guitar solos.
At around 9 PM, the lights completely darkened and Slayer's "Raining Blood" blasted through the PA system as Ra Ra Riot ran out onto the stage. WIthout saying a word, Slayer faded out and Ra Ra Riot went directly into "Too Too Too Fast" off 2008's The Rhumb Line. The band played what they said may have been their longest set ever, which included most of both full lengths, a track off their self titled EP, and two covers. Save for a few exceptions, The Rhumb Line tracks stood out pretty significantly among the rest. The Orchard is a solid album start to finish, but many of the songs lack the urgency of their earlier material, which resonates so strongly in a live setting. When the band powered through classics like "Can You Tell," "Oh La," and "Ghost Under Rocks," the members were having so much fun on stage that you couldn't help but join them. They did hit some highs with the newer material though, notably on the Alexandra Lawn-fronted slow-burner "You And I Know" and when they closed their set with the frantic pop of "Boy." The band opened their two song encore with a cover of Steve Winwood's "Valerie," before diving into another standout, "Dying Is Fine," which saw singer Wes Miles run through the audience.
More pictures, videos, and Ra Ra's setlist from the show below...
Buke & Gass at MHOW in May (more by Amanda Hatfield)
We forgot a show in our recent roundup of Wilco-related happenings.
Jad Abumrad of Radiolab is hosting Radiolab Concerts: Curious Sounds on Saturday (6/18) at the NYU Skirball Center. The event will feature Wilco drummer Glenn Kotche (Wilco), Buke & Gass, and a "special mystery performer" (anyone know who it is?). Abumrad will discuss music and sound with the guests, in addition to a performance by each one. Tickets are on sale now and you can save $5 by using the code "radiolab." Flyer below.
As previously mentioned, John Stirratt and Pat Sansone of Wilco play a show at the Living Room the same day as Glenn's show, and Nels Cline plays a show at Blue Note the night before, late the night before, after midnight actually (so also technically Saturday). That's a lot of Wilco in NYC on Saturday.
For Buke & Gass the NYU show happens right before they leave for a tour of Europe. While over there they'll play at least one show with their Metallica-collaborating friend Lou Reed who plays as part of a free show in Prospect Park tonight (6/16). Buke & Gass play a free show in Prospect Park in August with Ra Ra Riot and Delicate Steve. All of their dates below...
photos by Amanda Hatfield, words by Andrew Frisicano
The "Our Band Could Be Your Life" tribute Sunday night at Bowery Ballroom ran more than four hours with 14 bands playing the music of 13 bands (plus a special encore act that covered Nirvana). Set changes were kept short, and bands generally played about 10-15 minutes (between one and four songs). Unannounced guests included Tim Harrington and Lee Ranaldo singing the Minutemen, Craig Finn playing the role of Minneapolis cop, and Dan Deacon's multimedia barrage and three-piece band. More highlights, lots of pictures, and a bunch of videos (UPDATE: NPR has audio of the show) are below...
photos by Amanda Hatfield
Garbus, who records under the name Tune-Yards (or, as she prefers, tUnE-yArDs), was joined on stage by a bassist and a two-person saxophone section, but the most critical interaction was the one between her right foot and the pedals clustered around her microphone stand.Buke and Gass and tUnE-yArDs played a tour-ending show at Music Hall of Williamsburg on Saturday night, one night before both artists took part in the 'Our Band Could Be Your Life' show at Bowery Ballroom (more on that in a bit). Garbus killed it as usual. Pictures from that show are in this post.
Beating time on her hip with a drumstick, she acted as the conductor of her own personal orchestra, using the pedals to record snatches of song and stray drum hits that magically coalesced in perfect unison.
On "Gangsta," from her second album, w h o k i l l, she began by mimicking the sound of a police siren, adding the distorted thump of a bass drum and the off-beat click of a drumstick on her microphone stand. Her voice took on the gravelly patois of a Jamaican rude boy as she sang, "What's a girl to do if she'll never be a Rasta?"
On "Bizness," Garbus played a staccato melody on a ukulele, evoking the clipped sound of a West African thumb piano. She was steeped in the region's music during years spent in Kenya, and has acknowledged the influence - "Any African music it sounds like I'm stealing, I'm stealing," she told one interviewer - but her one-woman approach shields her from any risk of copying her source material too closely. On "Hatari," she sang in Swahili, but the song's hectic overreach seemed to emanate from a country wholly her own.
Garbus' tourmates Buke and Gass, who joined her for the herky-jerk of "Es-So," share her handmade approach. [Philadelphia Enquirer]
Back on 5/18, tUnE-yArDs appeared on WNYC (listen below). As pointed out in "What's Going on Monday", Merrill will again perform for WNYC but this time live in their Greene Space. The short performance is sold out, but it will be streaming live on thegreenespace.org at 7pm tonight (5/23).
tUnE-yArDs' next proper NYC show is a big free one on Pier 54 this summer. Since the initial announcement, Austra was also added as opener for that July 14th outdoor show (which makes it extra awesome). Meanwhile you can catch Austra at Mercury Lounge TONIGHT (5/23), if you have a ticket (it's sold out). Austra also returns in August as part of a tour with Cold Cave.
More Music Hall pictures, and last week's WNYC appearance stream, below...
The National show in Prospect Park (more by Amanda Hatfield)
We already knew that 'Celebrate Brooklyn' is hosting an impressive lineup of ticketed Prospect Park Bandshell shows this summer: The Decemberists, Animal Collective, Sufjan Stevens, Bon Iver & Cut Copy. And we knew that the 33rd annual series of free shows would start with an Andrew Bird show on June 10th, and that BRIC is also hosting three free 'dance parties' in Brooklyn Bridge Park this summer too.
Now the entire 2011 lineup of "24 free performances, including 20 music concerts, two dance performances, two film screenings with live music, and a family concert" is here! You can check it all out (The Feelies, Real Estate, The Books, Junip, Doveman, Justin Townes Earle, Punch Brothers, Raekwon, Oumou Sangaré, Times New Viking, Ra Ra Riot, Delicate Steve, Buke & Gass and Hal Willner included), below...
NYC's Abrons Arts Center is hosting two Japan benefits on April 8th...
More than a dozen innovative artists at the intersection of indie rock, contemporary jazz, and avant-garde performance will come together at Abrons to present a benefit concert to support recovery efforts in Japan. "The tragedy and devastation is really overwhelming," says John Zorn, who has organized and will host the evening. "I've always felt a strong personal connection to Japan, and I'm just glad to be able to do my part to help. It should be an amazing night."Thurston Moore is listed on the lineup of the early show. Buke & Gass is listed on the lineup of the late show w/ Norah. Tickets at those links - full linueps also listed below.
The lineup includes feature performances by Grammy award winning Norah Jones, Jesse Harris, and the influential Thurston Moore (Sonic Youth). An early and late show will feature two different sets by Ikue Mori and John Zorn, Vinicius Cantuaria, Masada String Trio, Buke and Gass, and many more.
Both the performers and the theater are donating their services, ensuring that 100% of proceeds from ticket sales will go to benefit the victims of the earthquake and tsunami that hit near Sendai on March 11. Funds will be donated to the Japan Society's Earthquake Relief Fund.
And in case there was any doubt, Buke & Gass will in fact be opening for tUnE-yArDs on her upcoming tour that hits Music Hall of Williamsburg on May 21st, one day before Buke & Gass take part in the sold out "Our Band Could Be Your Concert" at Bowery Ballroom. All tour dates below...
photos by Chris Gersbeck
Deerhoof @ Europa
Tickets are still available to tonight's "Deerhoof & Friends" extravaganza at Le Poisson Rouge featuring appearances from Ichi and If By Yes (aka Yuka Honda + Petra Haden). It's "A musical event within Carnegie Hall's 2011 JapanNYC Festival, presented by Wordless Music" and Deerhoof's only current U.S. date.
For If By Yes (Petra Haden, Yuka Honda & more(, tonight's show will be the second date this week (they played Littlefield last night) and one of three in two weeks, as the band will hit Mercury Lounge on March 25th (tickets). They are also headed to SXSW and have a show scheduled in LA. All of the dates are inanticipation of the band's new LP, Salt on Sea Glass, out on March 22nd and available for preorder now.
Nels Cline plays on the new If By Yes album and with them at all the shows, as do other special guests who are all listed below.
Deerhoof played Europa on February 8th with Buke & Gass and Ben Butler & Mousepad, a show that relocated from Ridgewood Masonic. Belated pictures from that show, which took place on the night before Satomi's birthday (there was cake!), are below along with all dates...
Nat Baldwin, David Longstreth and Brian McOmber play Black FlagNo, that's not a list of what happened in a weird dream last night. That is the LINEUP of a NYC show at Bowery Ballroom on May 22nd in celebration of the tenth anniversary of Michael Azerrad's "classic history of the '80s indie underground", Our Band Could Be Your Life (a book everyone reading this site should probably own!)
Delicate Steve plays the Minutemen
Ted Leo plays Minor Threat
Titus Andronicus plays the Replacements
Tune-Yards plays Sonic Youth
Dan Deacon plays the Butthole Surfers
St. Vincent plays Big Black
Wye Oak plays Dinosaur Jr
Buke & Gass plays Fugazi
To quote show co-presenter Tiger Mountain Presents, "some of the best bands in contemporary indie music will play songs by each of the 13 bands in the book."
"For years, all kinds of people -- musicians, people who run labels, concert promoters, journalists, whatever -- have told me that they've been very inspired by Our Band Could Be Your Life and the bands it profiles, which is incredibly gratifying and totally unexpected," says Azerrad. "The tenth anniversary of the book was a great occasion for the current generation of bands to celebrate these pioneers."More bands & guest hosts TBA. Tickets are $25 & go on sale Friday, 3/11 at noon.
Meanwhile the book will also be the topic of a panel discussion at SXSW that Merrill Garbus aka tUnE-yArDs (who is also playing the festival) will speak on.
Delicate Steve and Wye Oak are going to SXSW too. Wye Oak can be found at the BV/KF/Partisan day party at Swan Dive on Friday, 3/18. Wye Oak will also play Bowery Ballroom as part of a tour in April.
St. Vincent plays Big Black. I just felt like saying it again!
photos by David Andrako
February Stone curators Lou Reed and Laurie Anderson played their own show at the venue on 2/15. Buke and Gass opened the night with four songs, and then later joined Lou and Laurie during their set which was mostly Lou at keyboards and Laurie playing violin. Laurie Anderson plays the venue again tonight (2/23), but this time with Fred Frith. More pictures from the Lou & Laurie night, below...
April 19th marks the release of the second album from Merrill Garbus' tUnE-yArDs. Entitled w h o k i l l, the album was recorded shortly after Garbus transplanted herself from Montreal to sunny Oakland, California having extensively toured debut album BiRd-BrAiNs through 2009 and 2010....and there will be a tour that kicks off in San Francisco in April and ends at Music Hall of Williamsburg in Brooklyn on May 21st with Buke & Gass (who just opened for Mission of Burma). Tickets for the NYC show go on sale Friday at noon.
MEANWHILE, Tune-Yards plays Merkin Concert Hall as part of the Ecstatic Music Festival in NYC on 2/19, and the 4AD-signed artist will be at SXSW too.
All tour dates below...
review & photos by Chris Gersbeck
Mission of Burma @ Maxwell's
I don't think I've missed more than a couple of New York City area Mission of Burma shows since I accidentally caught them at the Stillwell Stage at Siren Fest in '04. At that point in the band's history, they were still a somewhat recently reunited group, but clearly devoted to something more than just a few reunion performances. This was a group that was not so much reunited as they were picking up where they left off in 1983, anxious to write and record groundbreaking music yet again. Seven years and three (fantastic) full-length albums later, Mission of Burma have even further embedded their place in music history, a sort of indie music myth for our times.
So it goes without saying that these two shows, at Maxwell's on 1/28 and Bell House on 1/29 (both of which sold out) were met with excitement from the most devoted of Burma's fans. The band has become known for hand picking their opening acts, and in the case of these shows, they did an excellent job with both. New York City's Grandfather (not to be confused with Grandchildren) opened the Maxwell's show on Friday, a threesome with clear inspiration from Mission of Burma's unique timing and song structure. Their songs were dark, but meticulously written, with a heavy emphasis on rhythm. Grandfather's drummer, a highly energetic and precise musician, took on lead vocal duties as their guitarist and bassist flung themselves around on stage throughout their set. In hindsight, it made perfect sense when their guitarist told me before the show that Bob Weston and Steve Albini were behind their debut record. Check this band out (their next show is at Party Expo in Brooklyn 2/7/11).
Though I missed most of Buke & Gass's set at the Bell House on Saturday due to problems at the door, what I heard was great. A male-female duo from Brooklyn, both played seated, the percussion coming from a single kick drum stuffed with tambourines and a set of bells wrapped around the guitarist's ankle. Though highly melodic in contrast to Grandfather's set, you could tell why MoB tapped them to open, and they definitely had their share of fans in the crowd. Their next show is opening for Deerhoof at Europa, and then for Lou Reed and Laurie Anderson at the Stone.
Due to MoB's practice of choosing their setlists by committee just before hitting the stage meant getting two completely different sets between the two nights. The intimate (yet utterly explosive) Maxwell's performance initially consisted of later period Burma songs, opening with the Obliterati's "Donna Sumeria" and eventually hitting the Sound, the Speed, the Light's "1, 2, 3 Party!" and ONoffON's "the Setup". Smattered among the set was a slew of new material too, which is shaping to be yet another great set of songs from the band.
But their encore at Maxwell's is what made the crowd just completely lose themselves. As soon as Roger Miller began strumming the opening chords of "This Is Not A Photograph", the entire front of the stage became a group of pogo-ing lunatics. I don't think I've ever seen crowd surfing at a Burma show, and if you know the small space at Maxwell's you know there isn't much room to surf, but as soon as Clint Conley said, "That's How I Escaped My Certain Fate" a rather enthusiastic fan catapulted from the stage into the crowd and somehow remained elevated for much longer than gravity should have allowed. Following with B-side "Max Ernst" and closing with the anthemic "Academy Fight Song" left everyone wanting more; in fact most people refused to leave until the house lights came on.
Luckily another Burma performance was just around the corner. Their set at the Bell House on Saturday was filled with just as much energy as the night before, but relied more heavily on material from their 1981 EP Signals, Calls & Marches and their only proper full length before their breakup, Vs. Pete Prescott's shouts from behind the drumkit sounded just as aggressive as ever, while Clint Conley's overdriven bass made older songs like "Mica" and "Fame & Fortune" sound even more furious than their studio counterparts. As much as I believe "underrated" describes Mission of Burma on a number of levels, one of the greatest aspects of MoB that goes unnoticed may be Roger Miller's unique slide guitar technique, particularly when soloing on songs like "Spider's Web". Bob Weston on tape loops provided those iconic swirls of noise during and between songs, reminding you that the band's fourth member is just as important to the Burma sound as any of the members on stage. And how great is it that when they launched into their most well known song, "That's When I Reach For My Revolver" during the first encore, I hadn't even considered that it wasn't played in the set yet, or at all the night before. Overwhelming response demanded a second encore, which consisted of the opening track from Vs., "Secrets", and again ending with "Academy Fight Song". Something tells me that if Roger Miller hadn't jokingly said, "Thanks, please go home, now," the crowd would have stuck around for even more.
For more Roger, check out Chris's recent interview and check out Alloy Orchestra in NYC on Wednesday, Thursday and Friday. For more Bob, don't miss Shellac at ATP's I'll Be Your Mirror in Asbury Park. For more Mission of Burma, check out NYC Taper's recording of the Brooklyn show, and the rest of our pictures from both NYC-area shows with setlists, below...
Buke & Gass and Victoire @ Merkin Concert Hall - 1/17/11 (by David Andrako)
For the dozens of artists who participated in the opening marathon concert of the Ecstatic Music Festival at Merkin Concert Hall on Monday, the event was less a defining breakthrough moment than the establishment -- temporary or not -- of an uptown beachhead for a flourishing alliance normally encountered in downtown and Brooklyn spaces like Le Poisson Rouge, Galapagos Art Space, Issue Project Room and Joe's Pub."The Chiara String Quartet and the Music of Nico Muhly & Valgeir Sigurdsson" happened last night (1/19), and the Ecstatic Music Festival continues tonight with a now-sold out Dan Deacon & So Percussion show. Some videos from previous shows below..
The notion of a mission seemed too heavy for the feel of this sprawling showcase, which was meant to run for seven hours and consumed nearly eight. If there was a core statement, it could have been -- to twist slightly the title of a song by Sarah Kirkland Snider, a gifted composer to be featured in a later festival event -- "This is what we're like." [NY Times]
As previously announced, the 2011 Ecstatic Music Festival, presented by New York City's Merkin Concert Hall in association with New Amsterdam Records, is a showcase of imaginative collaborations between more than 150 genre-pushing composers, songwriters and performers who represent a new generation of artists combining diverse influences and techniques to explore the intersection of classical and pop music. All concerts will include premieres. The festival opens with a free seven-hour marathon on January 17, 2011, and continues with 13 additional concerts until March 28, 2011. All concerts will take place at Merkin Concert Hall.The Ecstatic Music Festival 2011 is almost here. Subscriptions and single show tickets are on sale. The full updated schedule (tUnE-yArDs, So Percussion, Dan Deacon, Craig Wedren, ACME, Nadia Sirota, Buke & Gass, Doveman, Owen Pallett, Bang On A Can All-Stars, and more included), and a trailer, below...
photos by David Andrako
DOWNLOAD: Buke & Gass - Your Face Left Before You (MP3)
Buke & Gass @ Mercury Lounge
"It's Buke and Gass' homemade quality that draws you in at first. Dyer plays a modified baritone-ukulele run through effects that squeal with delight, while Sanchez runs his guitar-bass hybrid through two amps (one for the three low-end strings, another for the treble). The junkyard-Shellac set-up is geeky, yes, and might strike a chord of novelty. But ultimately, it's hard not to be sold on the songs." [NPR]Buke & Gass ended a short tour with Talk Normal at Mercury Lounge on Saturday night (12/11). The close-to-sold out NYC crowd included Lou Reed and Laurie Anderson who are sharing a bill with Buke & Gass in February. I wonder if Thurston Moore and Kim Gordon like Buke & Gass too. We know they like Talk Normal.
If you missed the show, Buke & Gass have shows coming up at Silent Barn (with Extra Life), Ridgewood Masonic Temple (with Deerhoof) amd the above-mentioned show at the Stone all before they head to the Netherlands to play some shows with The National, Owen Pallett, Efterklang, and Sharon Von Etten. All dates, an NPR Tiny Desk Concert video, and more pictures from Mercury Lounge, below...
Observer: You've been with Lou Reed for what seems like forever. Any tips for staying together?Laurie Anderson and Lou Reed are no strangers to their friend and collaborator's non-profit, avant-garde, East Village club The Stone, and in February 2011 they will take their turn at being the curators. They will also play the venue right in the middle of that, on 2/15 with an opening set by Buke & Gass. Laurie also plays on 2/23 with Fred Frith. And the rest of the month isn't so bad either. John Zorn, Bill Laswell, Hal Wilner, Ryuichi Sakamoto, Eyvind Kang, Sean Lennon, Rob Burger, Marc Ribot, Rob Wasserman, and many others adorn the schedule so far (it is all listed below).
Laurie Anderson: Take a break from each other. We've been together for 19 years, married for two years. I think everything is about to blow away, and everyone is about to blow away, and it makes me care for them more.
In related news, the dates that Lou/Laurie are curating The Stone overlap with a MoMA exhibit featuring Lou Reed's former manager in The Velvet Underground, Andy Warhol. The exhibition, entitled Andy Warhol: Motion Pictures, will show silent pictures that are professed to be his "most daring and experimental" film work. The show kicks off on December 19th and lasts until March 21, 2011.
And while we're on the subject of film, "And Everything Is Going Fine" is currently playing at the IFC Center. It's a tribute to Spaulding Gray directed by Steven Soderbergh. Laurie soundtracked the Spalding Gray films Swimming to Cambodia and Monster in a Box, and made a promotional appearance related to the movie this past weekend. .
The Stone schedule is below...
Oh Land @ Rebel NYC (more by David Andrako)
You've been following the CMJ adventures of multiple BV contributors for two weeks now, including the day by day reviews from Rachel Kowal. Before too much more time passes, here is the conclusion of Rachel's week (with the end of day four and all of day five), and assorted pictures from four other shows all rolled into one big post. Check it all out, below....
words and photos by Dominick Mastrangelo
The Notman House had the grill up and running and the speakers loud enough I could clearly hear the first band of the day, Edmonton's The Whitsundays, in my room at the Opus Hotel across the street. People lined up for free pulled pork and/or lentil sandwiches, sipped beer, listened to the Edmonton quartet's opening set (a solid, catchy blend of garage rock/pop) or milled about the house. It was an eclectic mix of people with little kids running around with their faces painted and even greeting people as they made their way up the Notman House front steps. It felt like a party which the weather managed to kill off on Thursday and Friday.
Stuck around for a really entertaining set by another Edmonton band, Hot Panda, before catching the bus (free bus pass was a godsend) to catch Think About Life and Diamond Rings at Divan Orange. I walked up to see people hanging out and then caught a glimpse of the sheet of paper stuck to the door. "Sold Out," it read. Or, since it was a free day party 'at capacity' was more apt. So, I hung around in hopes of getting in, not nearly as disappointed as some of those around me who were clearly crushed by that white sheet of paper.
Think About Life played before Diamond Rings, and it cleared out a bit after their set. Diamond Rings is the solo project of John O'Regan of the D'Urbervilles, and he shows a lot of promise. Synths, guitar and processed beats via laptop made for some simple, yet agreeable, dance numbers. Though his own dance moves were cringe-inducing.
The evening part of the program looked to be a long one with Deerhoof announced via Twitter as the 2am Loft Party headliner at Espace Reunion. It started off at Cabaret Mile End and the news that Doveman, who was slotted in between Mary Margaret O'Hara and Little Scream, was unable to make it out of New York and canceled. Instead, Little Scream's short but enchanting opening set complete with string accompaniment gave way to replacement act Becky Foon + Howl which was Little Scream, Becky Foon on cello Jess Robertson on violin and other members. But I opted to dash up Parc to another Cabaret, Playhouse, to see what was happening there. The official Pop Schedule said I was supposed to be catching Secretary City, but instead I found a seven-piece collective, Olenka and The Autumn Lovers, who were supposed to play Thursday but their van broke down on the way in from London, Ontario. The pleasant surprises to this point were few and far between but Olenka and Co. were the biggest. A solid dose of folk, chamber pop and Americana (can you call it that if they're Canadian?) wrapped in Eastern European themes (there's certainly a bit of Beirut in their sound) through Olenka Krakus's memories of Communist Poland.
Mary Margaret O'Hara
Then it was back to Mile End for Mary Margaret O'Hara. In the past 10 years you could probably count her number of public performances on two hands, with fingers left over. Whirling in with her band 20 minutes before they took the stage, everything was left to chance; even the setlist, which was drawn from a hat by O'Hara and audience members. Clearly uncomfortable on stage, O'Hara flittered about, cracked jokes, forgot lyrics and made others up as she went. Her voice was clear and powerful, and despite only releasing one proper record in the late eighties (Miss America), she is still roundly adored. Hers was one of the highlights of the festival, including a beautiful remembrance of Vic Chesnutt that led into "Somewhere Over The Rainbow." (vid below) It was emotional stuff and when Little Scream came out right after to do a free improv piece, she was wiping away tears. "I don't think I can sing," she said, "I'm crying too much."
Reluctantly, I left to make my way up to Espace Reunion and caught the last couple of songs by Buke & Gass and worked my way to the front for Deerhoof who despite going on at 2am were up for it and so was the audience. During the rowdier numbers, and between drummer Greg Saunier's awkward attempts to banter in French, the crowd surfed and repeatedly tumbled on to the stage with even a few people deciding to just sit on the stage in front of the band. When I left at 3am (after devouring some incredibly good tacos) they were still going, but with one day remaining the only thing I could think about was my hotel bed.
More pictures from the whole day, and a few videos, below...
Nat Baldwin @ Bowery Ballroom in January (more by Bao Nguyen)
Nat Baldwin has been busy playing bass with Dirty Projectors, but he's also been working on his own material. To hear some of those double-bass-and-voice songs, check out Nat's set at Issue Project Room on May 22nd, which is streaming and downloadable at Freemusicarchive.org (there are also a bunch of cool instrumental interludes in that set).
Before then, Nat Baldwin plays Zebulon twice, on October 13th with Diane Cluck and Spencer Kingman, and on October 27th with Buke & Gass and Delicate Steve.
Video of Nat covering Arthur Russell's "A Little Lost" at Silent Barn in August is below...
DOWNLOAD: Buke & Gass - Medulla Oblongata (MP3)
Buke & Gass @ High Violet Annex (more by David Andrako)
Efterklang, the Danish collective that came through NYC most recently in March, will be touring with NYC art-pop duo Buke & Gass this September and October. The trip ends with a pair of New York shows: Friday, October 1st at Santos Party House (tickets are on sale) and a Saturday, Oct. 2nd show at Glasslands (tickets TBA). Eferklang's Peter Broderick is back in good health and will be rejoining the band on the tour, where they'll play as a seven piece.
Buke & Gass are Arone Dyer and Aron Sanchez, who drew the band name from their respective instruments, a six-string baritone ukulele and a guitar-bass hybrid (pronounced byook, as in baritone-plus-ukelele, and gace, as in guitar-plus-bass). They're gearing up to release their debut full-length, Riposte, out September 14th on Brassland (the label co-run by the National's Dessner bros).
The pair aren't total newcomers though: Besides their Buke & Gass work over the past three years, both played in punk band Hominid, who broke up in 2004. And Sanchez played in Proton Proton (whose credits include opening for Deerhoof). The first song from Riposte, the jittery, short-breathed post-pop "Medulla Oblongata," is posted above.
Below is a first look at the album cover, which features a pair of ominously grimy, tenderly grasped shears, rendered in black and white.
In addition to their two namesake instruments, the pair utlize a kick drum and a galaxy of pedals and effects to layer and tweak their live sound. Check out the concert setup in a pair of recent videos. Those, all tour dates and album info are below...
by Andrew Frisicano
The annual Bang on a Can Marathon took over the World Financial Center Winter Garden Sunday, June 27th for 13 hours (one over the expected 12).
As evidenced in the pictures below, I only caught the last quarter or so of the night (it the was the same day as Gil Scott-Heron in Central Park). The day was packed with curiosity-provoking sets, like the US premiere of Fausto Romitelli's "Professor Bad Trip," performed by the Talea Ensemble...
Broken into three "lessons," the dense piece vividly communicated a kind of doomed atmosphere, beginning with sighing, deflating sounds pouring out of the winds and violins and pitched percussion nervously skittering, and later growing into thunderous sound from the full chamber orchestra. The highlight came in the second section, with a pained, growling cello solo played with impressive control by Chris Gross.When I arrived, a group of musicians, Slagwerk Den Haag, were scribbling furiously (and rhythmically) on chalk boards.
While Romitelli had his share of devotees, there was a clear sense of relief with the contrast Buke and Gass offered next. Playing their namesake baritone ukelele (buke) and guitar-bass hybrid (it's pronounced "gase"), and a drum with tambourines embedded, their emphatic, quirky brand of rock, enhanced by buke player Arone Dyer's pure folk-singer voice, was exactly what the crowd needed.
[NJ Star Ledger]
A focus toward the end seemed to be video projections, which accompanied the double bass loops of Florent Ghys, guitarist Tim Brady's wall of sound, and the night's final performance by Signal, Shelter, a piece composed by Bang on a Can heads Michael Gordon, David Lang and Julia Wolfe. Burkina Electric provided a late-evening burst of energy with West African dance music (they play Celebrate Brooklyn on July 8th and Central Park on July 25th).
Q2 will be broadcasting music from this year's Marathon in August (as will WNYC's New Sounds), so look out for that.
More pictures are below...
by Andrew Frisicano
Bang on a Can 2009 (photo by Stephanie Berger)
The schedule is up for this year's Bang on a Can Marathon, the free day-long affair hosted at the World Financial Center Winter Garden. This year's 12-hour show takes place on Sunday, June 27th from noon to midnight. It starts with a performance by John Hollenbeck Large Ensemble and closes with sets by Burkina Electric (who also play SummerStage), and new music ensemble Signal doing a piece by BoaC cofounders Michael Gordon, David Lang and Julia Wolfe. The entire thing is posted below. There's also a Youtube playlist of this year's artists to get yourself acquainted.
The Marathon will be recorded for an episode of WNYC's New Sounds in August, but before that the station will be broadcasting and streaming (on Q2) parts of BoaC marathons past (possibly including 2007's 27-hour fest, 2008's 4am Dan Deacon set or parts of last year's thoroughly enjoyable show).
The full schedule and details on the radio programming are below...