Entries tagged with: Captured Tracks
by Bill Pearis
Frankie Rose is mainly known as a drummer, having played in Vivian Girls, Crystal Stilts, and Dum Dum Girls, but she's also a songwriter (she wrote VG's "Where Do You Run To?") and will be releasing her debut single, "Thee Only One," on Slumberland Records on October 27. She's also got a new band, Frankie and the Outs, who will make their live debut November 7th at The Woodser which will be the first show in a longtime for that South Williamsburg spot. Grass Widow is also on that bill.
With the new band, Frankie is sadly no longer drumming for Crystal Stilts. The split was amicable, guitarist JB plays guitar on her single. I'm told Crystal Stilts have a new drummer already, and the new Stilts lineup will even share a bill with Frankie and the Outs at two east coast Slumberland 20th Anniversary parties -- November 13th at the Black Cat and November 14 at the Bell House. (More on those further down the post.)
The Outs are a five piece, all girls, with whom Frankie will move from the drum kit to guitar (and vocals). The single's A-side is a two-and-a-half minute wall-of-sound pop that is what you might expect from someone who spent time in Vivian Girls and Crystal Stilts. (It could be the sister of CS's "Love is a Wave.") The B-side, "Hollow Life," is more unexpected -- organ-driven, harmony-laden, dreamy and drum-free, owing a lot to Spacemen 3.
Neither the A-side or the B-side of Frankie Rose's single has made it onto her MySpace page, but you can listen to her demo of "Where Do You Run To," a track the Vivian Girls only played once live. However, Frankie says it will be part of the The Outs live repertoire.
Frankie will be behind the drum kit, though, for the Dum Dum Girls upcoming CMJ shows. This will be an all-girl line-up, apparently, unlike DDG's live debut at the Woodsist/Captured Tracks Festival this summer that included Crocodiles' Brandon Welchez on guitar and Captured Tracks major domo Mike Sniper on bass. But that's only for these shows.
As mentioned above, Frankie and the Outs will play the two Slumberland Records 20th Anniversary shows at the Bell House and Black Cat. The full line-up for both shows is : Crystal Stilts, Brown Recluse, Pants Yell!, Frankie and the Outs; plus some reunions of classic Slumberland bands The Ropers, Nord Express, and Lorelei. It will be the first Ropers and Nord Express shows in ten years. Additionally, the Bell House show features a "special guest headliner." And as D.C. was the original home of the label, I wouldn't be surprised if some different special guests played that one too.
I think that is enough for one post. Tour dates and some videos below...
Dum Dum Girls @ Woodsist Fest (more by Tim Griffin)
Dum Dum Girls have officially signed to Sub Pop. That all happened so fast. Look for their Sub Pop debut to come out in early 2010. In the meantime there's the Captured Tracks EP, a 7" on Hozac, and EP on Zoo Music. Check eBay for some of it.
photos by Tim Griffin, words by Andrew Frisicano
The Woodsist/Captured Tracks Festival's Day One (7/3) was moved inside the Market Hotel. Thankfully, the weather held out for its second, 4th of July lineup, which went off as planned in the grassy, rock-filled lot of 979 Broadway Backyard.
I arrived just as Real Estate was going on, and the New Jersey band nearly stole the show with dreamy rock that seemed to be made for a sunny afternoon. The Beets held down their set with a casualness befitting a park lodge show (kind of what the fest was on a slightly bigger scale). The guys gave new meaning to the word "ramshackle" as things seemed to be toppling over continually onstage.
German Measles played a set before I got there. Bill caught them and said they "aren't actually that bad... But they're also not very good. And that kind of seems to be the point. Shambolic is an understatement, like 'why rehearse when we can just play shows?"
The Great Excape did a set of Jersey-style pop-punk that included their own theme song, several politically-themed tunes (a nice touch) and a cover of "Summertime Blues." Ganglians brought one of the day's only keyboards, and burst with a flurry of reverb and overdrive.
Brilliant Colors started out with straight-ahead noise punk, with a bit of a melody void left by their super-reverbed vocals (maybe a theme of the night) and washed-out guitar. When the bass stepped up its riffs a few songs in, the band immediately sounded twice as catchy. The Fresh and Onlys took that bass-forward momentum and went with it. Their bassist pounded the notes in between and then some. As a result, the group had one of the most complete sounds of the night (with a tambourine and three-part harmonies rounding it out). They dedicated their last song to the member of Tyvek in the hospital (the reason for that band's cancellation). Hopefully their situation turns out better.
Dum Dum Girls had to be one of the night's cleanest sounding groups. The band relied heavily on singer Dee Dee's vocals, which harmonized with drummer Frankie Rose on their songs' many hooks.
The atmospheric rock of Woods definitely got jammier as it progressed. As Bill Pearis pointed out, the group's fourth member, who sat on the floor twiddling effects and singing into a microphone strapped to his face, was a bit strange considering the rest of the guys were dressed proper enough for church. Whatever you have to do to make it sound good I suppose.
Kurt Vile & the Violators roared into the night as the sun finally went down. Vile and Vivian Girls (who, as one commenter pointed out, "played with a great intensity") more than warmed up the crowd for Thee Oh Sees, who capped the night (for some) with an unstoppable set. Frontman John Dwyer was literally foaming at the mouth as a streak of white drool smeared across his face for part of the set. Thee Oh Sees' strange, repetition-laced anthems are amazing for shaking and rattling, as the crowd proved. The band even got talked into playing an encore before sending everyone into the night.
The rest of the pictures from Day Two, with a bunch of videos, below...
photos by Tim Griffin, words by Andrew Frisicano
Kurt Vile & the Violators played without a doubt one of the best sets at the July 4th Woodsist Festival. Having heard only his fragile sounding acoustic material beforehand, the bluesy screeches and wails that came throught the speakers were a welcome surprise. With the Violators behind him, Vile comes armed with a wall of riffing guitars (in addition to his own) that provide all the layers and energy you could hope for in a live show. Pictures from his set are in this post. Vivian Girls played the same day, as did a bunch of other bands (whose pictures are HERE). Pictures from Day One of the fest (which took place in Market Hotel due to rain) HERE.
They'll be back though.
After Blues Control's August 1st CD release show (for Local Flavor, out now) at Cinders Gallery, the acts team up again, this time with Vile solo. They'll play two NYC shows at the Cake Shop and Silen Barn on August 14th and 15th, respectively, and an August 16th show in Vile's hometown of Philly.
In fact, if you feel like getting out of NYC for a night, Vile has a slew of Philly gigs only a bus-ride away. Those are all posted below. At the end of August, he'll be on the West Coast touring into September.
Kurt Vile's big Matador debut, Childish Prodigy, recorded by "philly-genius engineer" Jeff Zeigler, will be out this fall on the label.
More Woodsist Fest pictures and all tour dates are below...
photos by Tim Griffin
The Mayfair Set
"Festival is a very misleading term to describe this showcase because this wasn't really a festival. There were a lot of bands playing which is a prerequisite for a festival, but beyond that there wasn't a whole hell of a lot that qualified this as a festival. It was basically just a really kick-ass show that lasted for two days. There was rain on Friday, and the show was moved indoors. I discovered this after circling the block several times. I could hear the music, and I could tell something was definitely going on but for the life of me I could not find the fucking place. Finally, I stopped two people who looked like they would definitely know where the show was and when I asked them "Do you know where the show is?" they responded by saying "Show? What show?" and then I tried again, this time clearing my throat before speaking, "I am looking for the Woodsist/Captured Tracks Fest-i-val. Would you happen to know where it is located?" and then the bro gave me an approving nod and explained to me that the show was going on above a grocery store called Mr. Kiwi's and that the way to get there is to slip through the door on the side. Many thanks to that dude because I found what I was looking for shortly there after." [no gift for the gab]Considering all the rain we've been having, it's amazing how nice it ended up being over Fourth of July weekend. Saturday's show in Battery Park, as well as the 2nd day of the Woodsist/Captured Tracks Fest at 979 Broadway Backyard had beautiful weather. Friday's show at South Street Seaport was completely dry and breezy as well. Unfortunately though, there was some rain earlier on Friday (6/3), and so the Woodsist Fest organizers were forced to make a decision, and that decision was to move the day's festivities to Market Hotel... the very, very hot Market Hotel.
Bands on the bill for that first day were Blank Dogs, Psychedelic Horseshit, caUSE co-MOTION!, the Mayfair Set, Gary War, Little Girls, Kid Romance, Beachniks, and the Gutsies. What were the highlights?
As Bill pointed out, the Mayfair Set is "a collaboration with Blank Dogs (and Captured Tracks domo) Mike Sniper" and Dee Dee from Dum Dum Girls, who, as I just pointed out, is actually Kristin Gundred from Grand Ole Party. Live it was Kristin, Mike, JB from Crystal Stilts, Jeremy from Woods, and Jarvis Taveniere from Woods, Meneguar & other bands. For Mike and Kristin, it was the first of two bands they debuted at the fest over the weekend. On Saturday it was Dum Dum Girls. Both new bands were filled out by members of other bands (Dum Dum Girls had a Crystal Stilt and a Crocodile).
More pictures from Day One (minus the first three bands), below...
Dum Dum Girls @ Woodsist Fest - July 4, 2009 (bajapuntos)
The two-day Woodsist & Captured Tracks Festival happened in Brooklyn on Friday (7/3) and Saturday (7/4). Both days were supposed to take place at 979 Broadway Backyard, but Friday was moved to the very hot Market Hotel due to the threat of rain. Pictures of both days coming soon, but first here is video Bill took on Saturday during the first-ever performance by Dum Dum Girls.
Dum Dum Girls is really just one person - Dee Dee.... aka Kristin Gundred from Grand Ole Party who is married to Brandon Welchez of Crocodiles who she released a duet with (video below) and who was one of the members of the Dum Dum Girls band at Woodsist. The other two members of the band were Mike Sniper of Blank Dogs and Frankie Rose of Crystal Stilts (and a former Vivian Girl)...
by Bill Pearis
It used to be Independence Day weekend was dead in NYC, the city emptying out, leaving only tourists and those unfortunate enough not to have some sort of beach hookup. There was nothing to do but barbeque with fellow left-behinds and see whatever Will Smith movie had just been released. (Actually, I like it when the city is empty.) And the only show would be whatever was at Battery Park on the 4th. Not this year.
The Woodsist/Captured Tracks Festival is two days of just about every band on the two label's roster and also manages to be one of the best collections of reverb-lovin' lo-fi/pych/garage bands you're likely to see, including many names you may recognize if you read this column on a regular basis. You can buy a two-day pass for $25 or buy individual $15 tickets for Friday or Saturday.
As both Woodsist and Captured Tracks are Brooklyn labels, a lot of the bands are local and chances are if you're into this kind of music at all you've probably managed to already see some of these bands, probably more than once: Crystal Stilts, Vivian Girls, Blank Dogs, The Beets, caUSE co-MOTION, Kurt Vile, and Woods.
The Fresh & Onlys @ SXSW 2009
But there's also a bunch of great West Coast bands who have yet to hit NYC, which is what makes it most exciting for me. First and foremost are San Francisco's Fresh & Onlys who I caught at the Todd P/Woodsist party during SxSW and have become one of my favorite new bands. They play the Saturday (7/4) which is definitely the more essential line-up of the two days. The band features members of Skygreen Leopards and Black Fiction, and have also spent time recently backing up Rodriguez and Ty Segall (though not on the East Coast.)
The band's first album of 2009 came out in April on John Dwyer's Castle Face label, with a sound not that far off from what you might expect from cohorts of The Oh Sees (who headline the Saturday show), though The Fresh & Onlys are definitely more pop and less psychedelic freakout. Their second album of 2009, Grey-Eyed Girls, is out in August and they've also got 7"'s out or out soon on Chuffed, Dirty Knobby, Hozac and Captured Tracks. If you like 13th Floor Elevators, The Chocolate Watchband and other Nuggets era bands, I think you're going to dig them. I interviewed bassist Shayde Sartin a couple months ago on my blog if you'd like to know more.
If you can't make the daytime show, The Fresh & Onlys also play a post midnight show that same day at Market Hotel that also features Babies (members of Woods, Vivian Girls and Bossy) (does anyone know which members?) and Pink Reason, and
maybe a solo performance from Crystal Stilts drummer Frankie Rose. And The Fresh & Onlys will be here again in October when they'll be on tour with fellow San Franciscans Thee Oh Sees.
Thee Oh Sees are also playing Siren in July, and playing maybe the best of the Woodsist fest's offshoot shows on Thursday night (7/2) at Glasslands. They're headlining the Glasslands show and Saturday night of the fest, and are definitely worth seeing twice, or even thrice. Also playing Glasslands: Golden Triangle who are working on their debut album for Sub Pop offshoot Hardly Art; The Beets who, the last two times I've seen them, have had Crystal Stilts' JB Townsend filling in on drums for an absent Jacob Warstler; and German Measels which features half of caUSE co-MOTION wearing fake moustaches.
A little earlier at Woodsist Fest on Saturday (3:45 if they keep to the posted schedule) are Sacramento's Ganglians, who just released an EP and an album on Woodsist. Not all that far off from The Fresh & Onlys, Ganglians have equal worship for solid songwriting and trippy arrangements/production. I think both records are worth picking up: the self-titled EP shows off more of their rocking side (which they favored when I saw them at SxSW), like the surfy, Kiwi-esque "Hair" of which there's an MP3 at the top of this post. The album, Monster Head Room, is more acoustic and owes a lot to Brian Wilson. If you can't make the July 4th show, they'll be playing the next night (7/5) at Monster Island basement with Psychedelic Horseshit.
In between Ganglians and Fresh & Onlys on Saturday (4:30PM) are San Francisco's Brilliant Colors, an all-girl trio who play short, scratchy pop with a definitely New Zealand vibe. They also play the late show that night at Market Hotel, and will be on WNYU on July 8.
Dum Dum Girls, who play after the Fresh & Onlys at 6PM, are from L.A. and owe much to the C-86 scene that has been an influence on Pains of Being Pure at Heart and Vivian Girls. Actually, Dum Dum Girls is just one girl, Dee Dee, who may or may not have a band with her when she plays. Dee Dee is also in The Mayfair Set, a collaboration with Blank Dogs (and Captured Tracks domo) Mike Sniper, who will make their live debut (I think) Friday (7/3) at 6:30.
I've got MP3s for most every band playing the Fest over at my blog.
A couple non-Woodsist/Captrax Fest recommendation for the Fourth weekend. New Zealand's Bachelorette is back in town, playing the kickoff show of this year's Seaport Music Festival, opening for Here We Go Magic. I saw Bachelorette at Cake Shop a couple weeks back and was so smitten I bought everything at the merch table. There was a fair amount of laptopping going on, but Annabel Alpers' breathy, fragile voice was definitely live and the three-piece oozed unassuming charm. Bachelorette also play the sold-out Rooftop Films Fourth of July party Saturday night which happens on the roof of the Chelsea Art Museum.
And Thursday (7/2) starts The Feelies' three-night run at Maxwell's. Friday's show (7/3) is sold out but you can still get tickets for Thursday and for Saturday (7/4). Bring comfortable shoes -- they're doing two sets each night. The excitement of their reformation may have faded a bit since this time last year, but their great songs -- and still-awesome guitar interplay -- have not.
Full Woodsist/Captured Tracks Festival schedule and other tour dates after the jump...
Thee Oh Sees @ Mercury Lounge (more by Tim Griffin)
The Fresh & Onlys are also playing a late show at Market Hotel after Woodsist Fest on July 4th. More details on that below.
Both bands are also playing Goner Fest in Memphis, Tennessee on September 25th. From there they'll tour together until they reach NYC where they'll play two more shows: October 8th at the Mercury Lounge and October 9th at the Bell House. (The same two venues The Oh Sees played in early April on their spring tour.) No ticket info for either of those yet.
Bill has much more on both bands, the Woodsist Fest, and this week's other shows. All tour dates below...
DOWNLOAD: Woods - To Clean (MP3)
"...it has been damn near impossible to keep up with [Blank Dog] Mike Sniper's Captured Tracks label, who have hit the ground running with eight releases since the start of the year and many more slated for the near future. Captured Tracks is, to put it plainly, an outlet for Mr. Sniper to release records by bands he loves. In his mind it is "not a boutique label, " and by that he means that the releases are not meant to become instant eBay collectables, and will remain in print as long as there are people buying them. Some will have limited edition versions with alternate artwork or bonuses, but even these editions are easily and widely available. Affordable, available and well made, Captured Tracks is the populist record label. " [Agit Reader]The previously announced Brooklyn Festival got much, much more interesting...
Broadway Backyard (more by Tim Griffin)