Entries tagged with: Celebrate Brooklyn
Purity Ring @ SXSW 2012 (photo by SRGN)
Purity Ring, currently finishing a post-SXSW tour with Neon Indian in NC tonight, will open for Dirty Projectors at Celebrate Brooklyn on 7/10, as with Wye Oak. UPDATE: I'm told these openers are "not 100% confirmed". Tickets are still on sale. The Prospect Park show is still Dirty Projectors' only announced date.
If you're in DC, catch Purity Ring on Thursday at Red Palace with Ava Luna. Ava Luna's next currently scheduled Brooklyn show is at BAM for the National's "Crossing Brooklyn Ferry" fest on 5/4 (single day tickets recently went on sale).
Wye Oak's only other announced show at the moment is the National's ATP in the UK in December.
All tour dates for these bands are listed below...
Tickets for many of the just-announced Hot Chip shows are on pre-sale now including the July 18th Brooklyn show in Prospect Park which Gang Gang Dance is opening. Tickets ($35 advance / $40 day of show) go on general sale Friday at noon.
Gang Gang Dance is also playing the Symbiosis Gathering in Nevada in May, during a solar eclipse, with James Blake, Little Dragon, and many more.
As predicated, Hot Chip have scheduled a few more U.S. dates around their appearance at the Pitchfork Music Festival this summer, and those dates included July 18th in Brooklyn at the Prospect Park Bandshell. The band also posted a new song from their fortchoming album to YouTube. Watch/listen with all dates below...
Laura Marling at the McKittrick Hotel in 2011 (more by Chris La Putt)
Laura Marling will be coming to the US in April to support Andrew Bird on a short tour surrounding both musicians' appearances at Coachella. She'll be playing solo like she did on her last North American tour which brought her to NYC in December.
The April tour includes no east coast dates, but she'll be returning to North America in June for a full band tour which kicks off with Bonnaroo and hits NYC for a free show on June 14 for Celebrate Brooklyn at Prospect Park. It's the second free Celebrate Brooklyn show announced so far (Jimmy Cliff was the first) and third overall, including the not free Dirty Projectors show.
All dates and Laura's video for "I Was Just A Card" below...
Dirty Projectors @ Lollapalooza 2010 (more by Josh Darr)
Jimmy Cliff will be playing the first free Celebrate Brooklyn show at the Prospect Park Bandshell this summer. Dirty Projectors will play the first-announced pay show on July 10th. Tickets go on AmEx presale Wednesday at noon. General sale begins Friday.
Celebrate Brooklyn, aka the mostly-free concerts at the Prospect Park bandshell, announce:
JIMMY CLIFF TO KICK OFF 34th ANNUALStay tuned for more lineup announcements.
CELEBRATE BROOKLYN! PERFORMING ARTS FESTIVAL
WITH FREE OPENING NIGHT CONCERT ON TUESDAY, JUNE 5
Evening Begins with Opening Night Gala Benefiting Free Summer Performing Arts Festival
Brooklyn | February 27, 2012 - BRIC Arts | Media | Bklyn is pleased to announce that reggae legend Jimmy Cliff will open the 2012 Celebrate Brooklyn! Performing Arts Festival on Tuesday, June 5 in a free performance at the Prospect Park Bandshell. Throughout the past 50 years, Cliff has helped shape modern music with his influential and socially conscious work. This year marks the 40th anniversary of his landmark hits, "You Can Get It If You Really Want" and "The Harder They Come," which helped to make reggae mainstream throughout the world. He is the only living musician to hold Jamaica's Order of Merit, the highest honor granted for achievement in the arts and sciences. This year also marks the 50th anniversary of Jamaican independence and Cliff's performance will pay tribute, not only to his origins, but to the great Jamaican population of Brooklyn.
The free concert by Cliff starts at 8:00 P.M. It will kick off the 34th season of free Celebrate Brooklyn! performances presented by BRIC in Prospect Park. Announcement of other performers at the Festival will come later this spring.
He's also playing Coachellas this year.
A set of European tour dates is listed below...
photos by Ryan Muir
Jose G on stage w/ The Books
One of the best concerts of summer 2011 was probably the one by The Books in Prospect Park (maybe you saw Beirut that night instead). One of the highlights of that show was when Jose Gonzalez, whose band Junip opened, joined the headliners on stage to perform "Cello Song" which is a collaboration the two artists released as part of the "Dark Was the Night" compilation. I just realized we had these unposted pictures, so here they are...
photos by Jessica Amaya
"Cut copy in prospect park was AMAZING! So good in fact that I woke up with a fever today and my head feels like it may explode. OUCH" - Jackie
"Perfect night for a little cut copy in prospect park.
They're killing it! #celebratebrooklyn" - Ana Maria Lopez
"So much love for Brooklyn. A show we will never forget! Thanks for spending the night in the park with us. X" - Cut Copy
Cut Copy headlined a sold out Celebrate Brooklyn show at Prospect Park on Thursday (8/11) with Midnight Magic and Foster the People (who have TWO SOLD OUT Terminal 5 shows coming up with Reptar). Cut Copy focused mainly on stuff off their two most recent albums, opening up strong with favorites "Feel the Love" and "Take Me Over."
More pictures from the Brooklyn show below...
photos by Amanda M. Hatfield, words by Andrew Sacher
Justin Vernon walked onto the dimly lit stage at the sold out Celebrate Brooklyn show in Prospect Park last night (8/10) with his 9-piece Bon Iver, picked up his guitar, and quietly began playing the guitar riff of album opener "Perth." The band slowly began building the song into its borderline-heavy metal ending, letting us know immediately that Bon Iver are not a 9-piece band for no reason. Justin's obviously a guy who has been part of a lot of collaborations (though he needs a break from all of that), but this new lineup is far more than another collab for the record books. I mean these guys sound huge. What started out as a folk-leaning, acoustic guitar based project with sparse accompaniment from other instruments, is almost entirely the opposite now. The band that was once backed mainly by a bass drum now has two drummers behind fully structured kits and an auxiliary percussionist. Fluttering horn lines that are often indiscernible on their own, come together to create deftly beautiful atmospheres throughout the songs. Justin also now has the freedom to make as much noise as he wants on his guitar, and he definitely uses it.
On the album's second track, "Minnesota, WI," Justin was joined by the crowd on the "never gonna break" refrains, before taking the song into the funk-edged middle section driven by Colin Stetson's bass sax and pounding drums from Matt McCaughan and Sean Carey. Skipping "Holocene," the band continued to play straight through the album for a couple more songs, touching on the country-tinged "Towers" and the eye-watering beauty of "Michicant." Justin and band then took a break from the new material to dive into some older stuff. They fleshed out the older songs to fit in with the new setup, adding textures and dynamics not heard on the original recording, and managed to not lose any of its delicacy. Lead by band member Reginald Pace on trombone, the band delivered a soulful soft-rock interpretation of For Emma, Forever Ago's "Creature Fear." By the song's building second chorus, when it would normally fade into the companion track "Team," they took the song in an entirely different direction with explosive post-rock crescendos and layers of noise guitar from Justin and Mike Noyce. The band amped the older material up even more later on when they went into "Blood Bank" off the 2009 EP of the same name. The members were soaked in red light as they propelled into a heavy distortion-ridden rendition of the track. They kicked things up even harder at the end when they took the song into a double time rock bit with more noise guitar from Justin.
After "Blood Bank," they calmed things down with the much-anticipated "Holocene" that was skipped earlier on. The audience piped in on, "And at once I knew I was not magnificent," and "I could see for miles, miles, miles." Then the entire band except Justin left the stage, and with no more than an electric guitar he played the For Emma, Forever Ago closing track, "re: stacks." As a musician whose romanticized backstory is centered around lonesomeness, taking relief from the now-large band to perform with the vulnerability that his first album was written with made as large of an impact as the orchestrations of the rest of the set did. After the song, Justin was again joined by his band for "Flume" and "Calgary" before an audible count-in lead into the new album's closing track "Beth/Rest." Say what you will about this song and its '80s lite.fm-leaning tendencies, the performance was absolutely beautiful. The band played with far too much confidence to call it "ironic" and too much genuine emotion to call it "cheesy." About halfway through, Justin stretched the song a bit with some reverb-laden vocal scat before going into the guitar/sax solos that take up the ending. He then thanked the crowd, took a bow with the band and left the stage.
The stage crew wasted no time preparing the set for 9-piece Bon Iver's rendering of "Skinny Love." Once that preparation was complete, the guys walked back out on stage to tremendous applause, Justin sat down with his resonator guitar, Matt McCaughan and Sean Carey sat behind their drum kits, and the other six members took to microphones for backup vocals, stomps and claps. The song comes off as something the band knows they can just have a ton of fun with, and that's totally fine, because with an hour and a half of really heady melancholic music, nothing is wrong with three minutes of fun. The band members then all returned to their instruments and covered Bjork's "Who Is It," like they'd been doing on tour. Reginald Pace handled the blips and clicks with some pretty impressive beat-boxing and the horn and string players interpreted Bjork's electronic textures, as Justin strongly delivered Bjork's vocal parts. The band ended the encore with the crowd sing-along "The Wolves (Act I and II)" and again bowed and left the stage. Though the "Skinny Love" setup assured us of the first encore, much to my surprise, the band returned for a second encore to play one last song -- "For Emma." The song, which is already the fullest of all the For Emma, Forever Ago tracks, fit so perfectly with the new material, that it would have convincingly been a b-side to the new album if the song had never been heard before.
The show began with a great opening set by The Rosebuds. They were joined by Justin Vernon on guitar and backup vocals for the song "Leaves Do Fall" off 2005's Birds Make Good Neighbors. Justin's bandmate Mike Noyce also came out towards the end of the song to help out with more backing vocals. Bon Iver bassist Mike Lewis also joined the band later on for a song. Their set wasn't too long, but every song was solid and the guest appearances were the perfect way to warm the crowd up for Bon Iver's headlining set.
More pictures and the setlist from the show below...
photos by Toby Tenenbaum, words by Andrew Sacher
"The highlight had to be Ra Ra Riot coming
on stage to "Raining Blood" \m/" - Debbie Encalada
Ra Ra Riot played a free Celebrate Brooklyn show, the second to last one of the summer, in Prospect Park Friday night (8/5) with support from Buke & Gass and Delicate Steve.
Buke & Gass kicked things off with their unique brand of avant-pop, driven by their self-built instruments and whatever percussion the duo can manage to pull off with their feet. The circumstances definitely weren't the best for the Brooklyn-based band, who were opening a large, sparsely filled out venue for a much poppier act. But given the attention they deserved, Buke & Gass were able to prove that they've got some really interesting material. The duo focus more on rhythm than melody (which are usually far off-kilter) and are able to loop you in to hypnotic patterns, somewhat similarly to tUnE-yArDs, who they have opened for. On top of the attractively unsettling chord progressions, singer Arone Dyer delivers with a surprisingly beautiful voice, unlike the howls of the aforementioned tUnE-yArDs' Merrill Garbus. As I said, the circumstances were not ideal, but I was definitely won over by their set and look forward to hopefully catching them in a smaller venue.
Their set was followed by Delicate Steve, who I first saw when they opened for Yeasayer at Governors Island last summer, and they haven't changed a bit. They played a mainly instrumental set which was sonically more fit for the jam scene, except for the fact that everything felt way too scripted. The band's bland chord progressions and overused jungle drum beats were added to only by uninspired, repetitive guitar solos.
At around 9 PM, the lights completely darkened and Slayer's "Raining Blood" blasted through the PA system as Ra Ra Riot ran out onto the stage. WIthout saying a word, Slayer faded out and Ra Ra Riot went directly into "Too Too Too Fast" off 2008's The Rhumb Line. The band played what they said may have been their longest set ever, which included most of both full lengths, a track off their self titled EP, and two covers. Save for a few exceptions, The Rhumb Line tracks stood out pretty significantly among the rest. The Orchard is a solid album start to finish, but many of the songs lack the urgency of their earlier material, which resonates so strongly in a live setting. When the band powered through classics like "Can You Tell," "Oh La," and "Ghost Under Rocks," the members were having so much fun on stage that you couldn't help but join them. They did hit some highs with the newer material though, notably on the Alexandra Lawn-fronted slow-burner "You And I Know" and when they closed their set with the frantic pop of "Boy." The band opened their two song encore with a cover of Steve Winwood's "Valerie," before diving into another standout, "Dying Is Fine," which saw singer Wes Miles run through the audience.
More pictures, videos, and Ra Ra's setlist from the show below...
There's no question. The Age of Adz, Sufjan Stevens' bombastic game-changer-of-an-album is hugely divisive among fans and critics alike. Many balked at its sheer absurdity and accompanying oddball aesthetic. When I first heard the new album, I admit I was one of the skeptics. It was the gentle beauty of Michigan and quirky magnificence of Seven Swans that initially drew me in, but after seeing his performance at Beacon Theatre last fall, I was a convert. I drank the neon-colored, glow-in-the-dark Kool-aid, and I do not regret it.
Before Sufjan and his 14+ band mates claimed the Prospect Park Bandshell stage last night (8/3), the one-man glam artist Diamond Rings (John O'Regan) took his turn. Like Sufjan, O'Regan's show is just as much about his attitude and aesthetic as it is about his music. Dressed in a glittering silver crown and eye make-up reminiscent of Ziggy Stardust, O'Reagan helped pump up the crowd with his upbeat synthesis of samples, drum machine beats, and live guitar/keys.
Though the rain ceased a bit during Diamond Ring's set, by the time Sufjan and his band began to play, it had begun to steadily fall once again. But in a movement of crowd solidarity, umbrellas disappeared one by one as people traded in comfort for better sightlines.
As if in an effort to ease old fans into the post-apocalyptic landscape of glow-in-the-dark electrical tape, Sufjan Stevens kicked off his second Celebrate Brooklyn show not with a new song, but with "Seven Swans" (as he did the night before). Of course, it wasn't long before the nine-minute song began to get raucous.
And in what was just the first of many times throughout the evening, Sufjan slipped into the role of spiritual guide, sage, and motivational speaker. "Oh you are fierce warriors," he said, surveying the sopping magnitude before him, "You have the patience and fortitude and strength."
Sufjan followed the more mellow opening number with a string of songs from The Age of Adz, breaking up the new material only slightly with "Enchanting Ghosts" from last year's over-shadowed but excellent All Delighted People EP. Like last fall's show at Beacon Theatre, the scene was ridiculous. Psychedelic projections, wild costumes (including massive white wings for "Seven Swans"), and the carefully choreographed moves of Jessica Dessner (the sister of Bryce and Aaron of The National) provided abundant visual stimulation.
"I'd like to apologize for being so melodramatic, but I knew you had the heart and strength and soul to take it," Sufjan said as if anticipating a backlash. "So if you're feeling a little bit wet and disenchanted, I encourage you to move your butt."
At times Stevens comes across as a parody of himself and a bit of a megalomaniac, teetering on the edge of sanity... and maybe he is, or maybe he's just channeling the eccentricities of others.
Toward the middle of his set, Stevens explained that the inspiration behind both the fantastical scene on stage and much of the music was an "amazing outsider artist" from Louisiana that he had started studying a few years ago named Royal Robertson. "I decided to use him as my muse [...] and I just really wanted to capture in the frenetic sense the sound of the universe. I wanted to sound my barbaric yawp above the rooftops. And so I threw away the acoustic guitar, and I threw away the banjo, and I decided to surround myself with noise. And then through Royal Robertson I was able to contextualize all this mess into a sort of beautiful pop pageant."
Sure, The Age of Adz is an indulgent, schizophrenic mess, but it's a marvelous mess--especially in a live setting. The neon colors, the flashing lights, the trilling flutes, and dancing girls--it all just works... if you open yourself up to it, that is. Luckily, with the steady rain and steep ticket price (which benefits the Celebrate Brooklyn series), this was no place for haters.
"Tonight we celebrate Brooklyn. We celebrate rain. We celebrate ourselves. We sing the body electric. Am I quoting too much Whitman? I celebrate myself. I sing myself [...] every atom belonging to me as good belongs to you. These are your songs this is your show. Thanks for being here." And with that, he launched into "Impossible Soul."
By turns life affirming and heartbreaking, his sprawling opus was clearly the grand finale of the set. Stevens and friends pulled out all the stops--especially DM Stith (on backing vox and keys) and Cat Martino. Though she provided backing vocals for much of the show, Martino (who also sings with Sharon Van Etten) left her post at the back of the stage for a spirited, soulful duet with Stevens, proving that she is more than capable of being the leading lady. (Look for Martino's second solo album, Yr Not Alone this fall.)
After donning an elaborate golden headdress for the auto-tune portion of the song, Stevens re-emerged wearing a crazy balloon costume that would even be a bit much for George Clinton. Then out of nowhere, inflatable dancing men--the kind typically found in side-of-the-road displays--popped up, sending cheers throughout the soaked but ecstatic crowd. As if the scene on stage were not enough, large, clear beach balls began to circulate the crowd.
Stevens concluded the show with a three-song encore of older songs, including the simple, quiet love song "The Dress Looks Nice On You" and of course, "Chicago."
One thing's for sure. As Stevens sings himself in "I Want To Be Well," he's "not fucking around."
More pictures and setlist from the Wednesday show below...
photos by Amanda Hatfield, words by Andrew Sacher
Sufjan Stevens and his elaborate band walked out onto a dark stage at Prospect Park last night (8/2), masked by a black transparent screen. They slowly began the delicate "Seven Swans" as dim light patterns swelled on the screen. Where soft piano and drums usually enter the song, Sufjan's entire band erupted into a heap of crashing chords as the black screen rose and revealed the neon-coated collective of musicians, backup singers, dancers, and Sufjan Stevens flapping a pair of massive bird wings. Sufjan and his band then proceeded to play a set of mostly Age of Adz material. Last night's and tonight's Celebrate Brooklyn shows are the last of the Adz tour.
They launched into the glitchy pop of "Too Much" and "Age of Adz" complete with a frenzy of futuristic visuals and carefully choreographed moves from Sufjan and his dancers/backup singers. After about 15 minutes of the orchestral glitchy awesomeness, Sufjan gave the crowd some "folk relief." He told us that he's still a folk musician at heart and played "Heirloom" off the All Delighted People EP, which was released shortly before Age of Adz last year. He took a moment to tell us about the inspiration for the album and all of the corresponding visuals, outfits, and dancing. He told us that he discovered the work of folk artist/self-proclaimed prophet Royal Robertson, and was influenced by his material. He described Royal's work as the portrayal of visions he had throughout his life, and mentioned that he also faced many struggles within himself, as all of us do. Sufjan said that much of the album was a tribute to Royal, his artwork, and his ideas, and explores themes like inner space, outer space, and the body.
As Sufjan and his band were nearing the end of the set, they delivered the one-two punch of "Vesuvius" and "I Want To Be Well," and after quieting down with album opener "Futile Devices," they sent the show into the most epic part of the night with the 25-minute album closer "Impossible Soul." The song opened with Sufjan accompanied by his piano and voice and slowly built into a layered piece that evolved into the portion sung by Shara Worden of My Brightest Diamond.
Although Shara was there (because she opened the show), I'm pretty sure it was one of Sufjan's backup singers who handled her part, though it was hard to tell because they were wearing a mask covered in light bulbs. As she sang, the black screen dropped once again, swirling light patterns drenched the stage and a light tunnel zeroed in on the singer and her light-up mask. After that mesmerizing section drifted off into ambiance and the stage went black once again, Sufjan appeared front and center in a large silver mask with a diamond shaped backdrop behind him and delivered the exaggerated auto-tuned vocals of the song's third section. As glitch hop beats entered the song and the robotic Sufjan left the stage, lights sprung up again and Sufjan's backup dancers, now in neon green t-shirts, neon pink shorts, leggings, and sideways pink hats, appeared at the front of the stage singing lead vocals to the song's epic refrain. After hitting the first round of "it's not so impossible"s, an indecipherable Sufan returned, running onto the stage covered in balloons and feathers and joined in on lead vocals. As the stage became a balloon-covered sing-along dance party, clear beach balls were propelled into the audience as long inflatable creatures shot up in front of the stage, turning the entire prospect park into into a huge party. Once the party died down and the song arrangements fizzled out, Sufjan returned to the front of the stage with only an acoustic guitar and sang the wispy ending of the song, where he plays off the refrain's lyrics to create what could be a stand-alone song in Sufjan's style of folk.
After making such a mess, Sufjan thanked the crowd and he and his band left the stage. He shortly returned for a three-song encore of Illinoise material. It's really hard to follow the end of that set with anything, but it's also pretty hard to turn down Sufjan Stevens playing "UFO," "Casmir Pulaski Day," and "Chicago."
My Brightest Diamond (aka Shara Worden) opened the show with a strong set of mostly songs off her upcoming album All Things Will Unwind, quirky dancing, and also an awesome outfit. She wore a bright green dress and a headdress of something resembling peacock feathers. She switched between guitar, ukulele, keyboard, autoharp, and other instruments as she and her band delivered one great song after another, including the recently released single "Reaching Through to the Other Side." Shara told a story during her set of seeing a Laurie Anderson show about the death of her mother, being extremely touched by it, and wondering if she'd ever learn to love. She told us that she eventually talked to Laurie and asked her if she'd ever learn to love. Laurie told her that it takes a lifetime to learn to love, which Shara then wrote a song about. She played it for us. It aptly opens with the line, "It takes a lifetime to learn how to love." Shara and her band also played a cover of "Tainted Love," which she recorded for the Guilt by Association Vol. 2 compilation, before her band left the stage and she ended the set with another new song solo with guitar and vocals.
More pictures, videos, and setlist from the first show below...
by Andrew Frisicano
Seun Kuti @ Prospect Park (by maiga_69)
A sizable crowd braved the 100 degree heat Friday night for Seun Kuti and Egypt 80's Celebrate Brooklyn show. Faaji Agba, a collective of Nigerian musicians, opened the night with a set of laid-back traditional tunes. By comparison, the Egypt 80 set was anything but laid back. Steamy music for a sweaty evening in Prospect Park.
The band first took the stage without their frontman for a warm-up song to set the mood. Though it was Seun's name on the bill, Fela's presence was felt throughout the evening. Egypt 80 used to be Fela's backing band, and in the introduction, the bandleader referred to Seun as "the last son of our hero, Fela Anikulapo Kuti." From there, another Fela tribute followed: a 10-plus minute version of "Zombie," probably Fela's best known song. Seun played the opening lick and took a moment to glance at the audience for a hint of recognition, which came in cheers and applause. The song was an early highlight, and an example of Seun's highly theatrical performance style.
During "Zombie," the singer moved in circles, pantomiming the lyrics of the chorus by marching across the stage, saluting, etc. Later on, he took care to water the stage aka his weed garden on "The Good Leaf," and sprint from side-to-side on "You Can Run." His active presence made for good viewing, though his moves often put his back to the crowd.
While Seun was the visual focus, the band's sonics centered on the Afrobeat rhythm. In addition to the kit drummer, the group's percussionists included musicians on shekere (that's a dried gourd with beads on the outside), wood block and congas (or a set of similar drums). Those three performers stood up front, at times blocking out the other band members (like the backup singers, stuck way in the back).
After the opening Fela tune, it was all Seun originals, mostly off the new From Africa with Fury: Rise: "African Rulers," "Giant of Africa," "Rise," "Mr. Big Thief," and the finale, "You Can Run." The ending--no encore because of park curfew--seemed abrupt, with the last song's soaring horns and charging rhythms marking the show's peak to that point.
The band should get more time to stretch out at their more intimate show at SOB's tonight (Wednesday, July 27th). Tickets are still on sale. More tour dates and info HERE. Video of "Zombie" from the Brooklyn show below...
photos by Tamara Porras
"Times New Viking and The Feelies were really really great at Prospect Park last night. Real Estate also played." - Kris Liakos
The Feelies @ the Prospect Park Bandshell
The Feelies braved the heat to play a free Celebrate Brooklyn show in Prospect Park on Saturday (7/23) with Times New Viking and Real Estate. Like Seun Kuti in the same space the night before, the band was definitely competing with people's air conditioning on Saturday night.
The Feelies rewarded those in attendance with two encores. The first was three songs and they covered Bob Dylan, The Rolling Stones, and The Stooges. They then left and returned once more for a second encore which was the Crazy Rhythms single "Fa Ce-La."
Check out a video of The Feelies' Stooges cover, some backstage audio with Times New Viking and Real Estate, the partial setlist and more pictures from the show below...
Diamond Rings at Europa in June (more by Diana Wong)
As mentioned, My Brightest Diamond opens the first (8/2) of two Sufjan Steven shows at Prospect Park in August. Historically, this is an excellent match-up and her set should suit the show perfectly. Unfortunately, it is sold out. Sufjan's second show (8/3) now has an opener too though, and the addition suits Sufjan's new neon coated electronica (and diamond fetish) pretty well. It's Diamond Rings. Tickets for that show are still available, and we have a pair you can win. Details below.
The website "After Elton" asked Diamond Rings aka John O to describe his fanbase. This is what he said:
"It's really diverse. Short of bugging your own friends to come out and see you, after that it's out of my hands by and large who comes to my show. I can only make the music I want to make, and present the image that I feel represents me and hope that the right people get it. Not that there's wrong people. People who come to my shows are all over the place. Kids in high school, 20 something downtown folks like me, people my parents' age, which is really cool. It's all over the place. I'm trying to reach as many people as I can. I want to try and make the music and put on the kind of show that allows anyone to feel like they can come and express themselves and be themselves and be safe and have fun. I would be really worried if I had a demographic niche and everyone were the same that comes to my show."Diamond Rings will return in October during their tour with Twin Shadow. Updated dates, contest details, and the song "Give It Up" which features vocals by Austra's Katie Stelmanis, below...
photos by Vincent Cornelli, words by BV Collective
"Animal Collective killing it in Prospect Park right now! Check out that stage set, we helped make it!" - Prince Rama
"Animal collective at prospect park =
slighty "edgy" version of a frat haus bitchen kegger" - Frankie Rose
"unbelievable set by animal collective
at Prospect Park! @mindblown" - Wild International
"Every other late comer in this crowd is a hater, but this is best Animal Collective set I've seen in 8 years. #nextlevel" - Max Burke
Animal Collective, Deakin included, played Celebrate Brooklyn in Prospect Park last night (7/12) with Black Dice and Beta & Hatch (DJ). Looking over a few recent setlists could tip you off that AnCo have been filling the majority of their sets with new songs, and the Prospect Park show was no exception.
Save for "Did You See the Words," "Summertime Clothes," "Brothersport," and "Taste," every track the guys played has yet to be released. This was to the disappointment of some. Village Voice overheard a young woman say, "I thought those guys sang 'My Girls'?" and Vaughn Schoonmaker writes, "What is this song?" I heard mumbled from several fans in their late teens/early 20s. "When are they going to play [insert any one of their earlier song titles here]?" However, many others thought the set was incredible, us and the many clapping and cheering on the top of their lungs included. Yes, they should probably get over themselves and play more hits for those willing to spend $40 a ticket to see them play, but what they did play still sounded great and I guess that makes them pretty punk for not giving a shit (and consistent since it seems to be the same story after every one of their shows).
I wouldn't be surprised if the end result of these new songs is similar to the mixed reactions to Panda Bear's new songs at P4K Fest 2010, which are now on the beloved Tomboy LP. Though unlike the new Panda Bear LP, what we heard in Prospect Park last night was primarly fronted by the voice of Avey Tare.
Speaking of Animal Collective not giving a shit what people think, Black Dice opened for them again. I missed their opening set, but as tweeted, "Twitter makes you think nobody likes Black Dice but they just got huge cheers when Animal Collective thanked them before encore start." What did you think?
Beta ended up being music writer Andy Beta who also DJ'd the Animal Collective afterparty at the Bell House in 2009. More pictures from the whole colorful show and a video below...
Anyone who has spent any significant amount of time in Washington, DC is familiar with the rhythmic conga/bongo cadence of the regional music phenomenon called Go-Go. One of the godfathers of the Go-Go movement is Chuck Brown.
Brown's musical career began in the 1960s playing guitar with Jerry Butler and The Earls of Rhythm, joining Los Latinos in 1965. He still performs music today and is commonly known in the Washington, DC area. Brown's early hits include "I Need Some Money" and "Bustin' Loose"... [the latter of which was] interpolated by Nelly for his 2002 number one hit "Hot in Herre." Brown also recorded go-go covers of early jazz and blues songs, such as "Go-Go Swing" Duke Ellington's "It Don't Mean a Thing If Ain't Got That Swing", "Moody's Mood for Love", Johnny Mercer's "Midnight Sun", Louis Jordan's "Run Joe", and T-Bone Walker's "Stormy Monday"..For some of you beatheads/sample nerds, you may also recognize Chuck Brown's work from the highly sampled "Ashley's Roachclip" from the Soul Searchers' Salt of the Earth LP, which was sampled by everyone from Duran Duran to Eric B & Rakim (audio below, head to 3:30).
He has influenced other go-go bands such as Big G and The Backyard Band, Rare Essence, Experience Unlimited (EU) [yes, the E.U. responsible for doin' "Da Butt"], Little Benny and the Masters, and Trouble Funk. ..Brown is considered a local legend in Washington, D.C., and has appeared in television advertisements for the Washington Post and other area companies. -[Wiki]
Chuck Brown has a few upcoming shows scheduled and makes a stop in NYC to play two gigs on July 30th, a free Celebrate Brooklyn show in Prospect Park with Dr. John and the Lower 911 & Red Baraat, and a later show at SOB's. SOB's tickets are on sale.
All tour dates and some video below.
The 2011 Latin Alternative Music Conference will be a part of NYC from July 6th-9th. Tonight (Wednesday, 7/6) is a big free show at Central Park Summerstage with "Spanish music icons Jarabe De Palo, Mexican songstress Ely Guerra, Afro-Peruvian electronica folk artist Novalima and Miami's DJ extraordinaire Mr. Pauer." Alternatively Mercury Lounge has a show too. Thursday, after the panels at the Roosevelt Hotel, are shows at SOB's (badge-holders only) and Bowery Ballroom. Friday, after more panels, is a big free Celebrate Brooklyn show at Prospect Park with Los Lobos and "Mexican indie rock sensation Hello Seahorse!, New York City's dreamy rock act Zigmat." Saturday is another big free show at Central Park Summerstage with "Afro-Colombian hip hop act ChocQuibTown, Dominican electro merengue act Rita Indiana, Brooklyn's funky multi-instrumentalist Ursula 1000 and New York City's dynamic DJ duo Uproot Andy and Geko Jones (of Que Bajo?!)." It all ends later that night at D'Antigua in Queens with "up and coming homegrown talent featuring Mexican Dubwiser, Elastic Bond, One Chot, Estados Alterados and Una Via" (or at the unofficial closing party back at SOB's).
Leave your recommendations in the comments.
photos by David Andrako
"justin townes earle was good,
but the punch brothers are a hard act to follow." - Peter Cauvel
"Justin townes earle is doing a replacements cover.
It is quite excellent. He is terrific." - Sara Ivry
JTE in Prospect Park
Prospect Park was taken over by country and bluegrass-leaning folkies on Thursday night (6/28) when Justin Townes Earle and The Punch Brothers played a free show at the outdoor Brooklyn venue. The Hackensaw Boys opened the show. Celebrate Brooklyn continues its 2011 season tonight (7/1) with reggae by Steel Pulse and Natural Expression Rhythm Band.
The Punch Brothers also have a show coming up at the Bell House in July and other dates too.
Justin Townes Earle (son of Steve Earle whose KEXP videos we just posted) recently made a music video for his song "Slippin' and Slidin.' Check that out along with some live video and more pictures from the Prospect Park show, and many more tour dates, below...
photos by David Andrako
Prospect Park Bandshell Saturday night
The Heavy, The London Souls and Superhuman Happiness played the free Celebrate Brooklyn show at Prospect Park on Saturday night (6/25). Pictures are in this post.
How many neo-soul fans were able to catch both the earlier Fitz & the Tantrums/Lee Fields show in Central Park and this one later all the way in Park Slope? How many afrobeat fans caught Superhuman Happiness in Prospect Park on Saturday and are continuing the weekend with Zongo Junction and Turkuaz @ Brooklyn Bowl tonight?
A set of pictures from Prospect Park show continues below...
DOWNLOAD: Sufjan Stevens - Get Real, Get Right (MP3)
Sufjan Stevens' Age of Adz show @ Beacon Theater (more by David Andrako)
As previously mentioned, the two Sufjan Stevens Prospect Park shows will be your last chance to experience the AGE OF ADZ tour in all its neon glory. The August 2nd show is still sold out, but tickets are still available for the show on August 3rd. We also have a pair you can win to the second show. Details on how, and a trailer that the Asthmatic Kitty team created for the shows (in which you are encouraged to bring neon, gaff tape and your dancing shoes), below...
photos by David Andrako
Hal Wilner's Freedom Riders show graced Prospect Park on June 16. The Celebrate Brooklyn show saw performances by Lou Reed, Rosanne Cash, Toshi Reagon, Tao Seeger, Todd Rundgren, and many others. The show celebrated the 50th anniversary of civil rights activists known as the Freedom Riders, and began with a pre-performance discussion with the artists. The full performer lineup is listed at the end of the pictures, below...
photos by Jessica Amaya, words by Andrew Sacher
I arrived a little late to Prospect Park last night (6/14) for the first Celebrate Brookln benefit show of the 2011 season and only caught the second half of Best Coast's 30 minute set. They handled the large venue well though, and I regret not being able to get there sooner. Not long after I entered the venue, it started raining and by the end of Best Coast's set, the audience was almost entirely covered by umbrellas.
It was still raining when The Decemberists took the stage for the sold out show. Jenny Conlee was unfortunately absent, but Colin Meloy dedicated a song to her and mentioned that Team Jenny merchandise was available, and that she is going to recover. The band was joined on stage by Sara Watkins (Nickel Creek) on fiddle and vocals, like they were at Bonnaroo. Their fairly consistent set was pretty heavy on The King Is Dead material and a few older, yet equally accessible ones which made for a seemingly quick show. However, the band were able to sneak in a couple of the more explorative songs, including the borderline-sludge "Won't Want For Love" and the progressive-leaning "The Bagman's Gambit, without dragging the set.
About halfway through the show, the rain completely stopped and Prospect Park's roof of umbrellas came down, revealing how packed the venue really was. Despite playing to such a huge crowd, Colin Meloy was as quirky as someone playing a backyard show (he did note that Eugene Mirman told him Prospect Park was literally his backyard). Colin prefaced "We Both Go Down Together" by telling us that they'd like to go into their joint-suicide material, made tons of whimsical jokes about the rain, and even choreographed an audience-wide school-choir styled hand dance. And even while performing much of the lighter Neil Young-meets-R.E.M. alt-country of the new album, he made it clear that he's still a rocker at heart (not unlike Neil Young, I mean, they don't call many folk singers the "godfather of grunge"). After getting our permission to go to a 'darker place,' Meloy asked that the stage be 'bathed in red,' and the band went into the dark intensity of "The Rake's Song." Chris Funk and Sara Watkins abandoned their usual instruments to drum along, forcing the song to hit even harder than it does on record.
The Decemberists ended their 15-song set with a King is Dead standout, "This is Why We Fight," and left momentarily before Colin and John Moen returned to the stage for the first encore to perform "Raincoat Song" together, but not before telling a story about John not being able to identify a Pink Floyd song playing in a Park Slope coffee shop earlier that day. It's unclear what coffee shop it was, but the story hilariously included a snotty barista and a reminder that John previously played Prospect Park with Stephen Malkmus and the Jicks (who announced a tour earlier that day).
John, who sang harmonies on the song ("Raincoat Song"), messed up a few lines but quickly covered it up by adding in lighthearted dialogue with Colin. After the song ended, John returned to his drums and the two were joined by the rest of the band for a cover of Fruit Bats' "When U Love Somebody." The encore ended with an elongated version of "The Chimbley Sweep," complete with the usual playfully dissonant "guitar duel" (as Colin referred to it) between him and Chris Funk, a Sara Watkins fiddle solo, and some slightly awkward crowd surfing on Colin's part (video below). The band contrasted the oddly epic end of their first encore by returning to the stage for the soft alluring "June Hymn". The almost-full moon in the sky, as Colin pointed out, added to the beauty of the surroundings.
Side note: Celebrate Brooklyn is now providing concessions with the help of The Farm on Adderley, rather than Two Boots, who have done it in the past. The new menu has four categories of food including food on a stick, on a bun, in a cup, and vegetable fry. Check out the full menu. (editor's note: I miss the corn and watermelon! And the food lines seem much longer now. Two Boots seemed to know how to move people along better. Maybe it will get better.)
More pictures from the show, the setlist and a video of Colin Meloy in the crowd below...
Sufjan Stevens @ Beacon Theater in 2010 (more by David Andrako)
Tickets are now on etix/artist presale (password = heirloom) for the just-added Sufjan Stevens show in Prospect Park. The Venue/AEG presale starts on Ticketmaster on Thursday at 10am. Sufjan's label Asthmatic Kitty says, "This will be your last chance to see the Adz tour in all its bright, balloony glory!"
Sufjan Stevens at Beacon Theater (more by David Andrako)
Tickets for Sufjan Steven's August 2nd's appearance at the Prospect Park Bandshell have flown away. Luckily, the notorious S.O.O.F. will bless the park with a second date on the following night: August 3rd at Prospect Park Bandshell. Tickets for the new Brooklyn show go on AEG/venue presale at 10AM on Thursday (6/17) and noon on Friday (6/17). No word on openers (though we think My Brightest Diamond is opening the first night). We'll keep you posted.
In other SOOF related news, IFC is currently streaming a clip from the film Make:
Directors Scott Ogden and Malcolm Hearn's documentary, "MAKE," is about four artists on the furthest fringes of our society. Isolated by their disabilities, they find a voice and try to make sense of a world that shuns them, through incredible works of art. These are the characters that inspired Sufjan Stevens' album, "The Age of Adz." Stevens, who called the film "a beautiful and insightful look at the sublime task of making art when nothing will else do," based his album's narrative specifically on the life and apocalyptic work of the schizophrenic artist, Prophet Royal Robertson featured in "MAKE."The film's screening and release party will happen at the American Folk Art Museum on June 17th (RSVP info at the link). Screenings happen at 1:00, 3:00, 4:30 & 5:45 pm in the auditorium (lower level 1). The reception is 5:30-8:30 pm in the atrium, with live music by Takka Takka.
..."MAKE" includes a soundtrack with original compositions from Sufjan Stevens and Marc Bianchi (Her Space Holiday), along with music by Jim Guthrie, Oneida, Tommy Guerrero, and Au Revoir Simone.
Check out the 17 minute clip below....