Entries tagged with: Chelsea Wolfe
Russian Circles at Bowery Ballroom (more by BBG)
After that, the Chicago post-rock/hardcore/metal hybrid will team up with Chelsea Wolfe and Marriages for a string of dates out East, hitting Highline Ballroom on August 18th. Ticketing info is forthcoming.
For the unfamiliar, Marriages is Greg Burns and Emma Ruth Rundle of Red Sparowes, and they've lassoed in drummer Dave Turncrantz of Russian Circles to sit behind the kit during this set of dates. The band released their Kitsune EP earlier this year, and you can stream that in full below.
Russian Circles will team up with Deafheaven on a few of those dates on the West side, and Deafheaven will be in NYC on Friday to play the Show No Mercy/WIERD Northside Fest showcase at Saint Vitus.
A listing of all tour dates, streams and video are below.
Converge at MHoW (more by Johnathan McPhail)
Converge frontman Jacob Bannon has announced plans to release a split under the moniker Wear Your Wounds with Revelator (Ben Chisholm of Chelsea Wolfe's backing band) on the other side.
We've already mentioned how Converge has been added to a monumental show with Rorschach and Xaddax (who are throwing a record release show on Tuesday at DBA).
It might be cause of today's status as an unofficial holiday of sorts, but there are a hefty amount of shows going on in the next few days... one bigger show that has seemingly flown under the radar is sweep-picking death-metal lunatics Origin with Cattle Decapitation, Decrepit Birth, Aborted, Rings of Saturn, Battlecross, Face of Ruin at Europa on April 24th. Tickets are still available, OR you can try and win a pair. Details are below. The show is part of a larger tour for the band and dates are also below.
On their way to Chaos in Tejas, The Mob (UK) will stop into Brooklyn to play Death By Audio on May 29th. The UK anarcho-punk band will be joined by Sickoids, Nomad, and Anasazi at the venue, and it'll set you back $10 at the door.
Speaking of release parties, Levil Uniform, the skater/extreme music zine, will be throwing a shownext friday at the Grand Victory for their fifteenth issue with local crew Syphilitic Lust and others playing through out the night. That same night, the great Hank Wood & The Hammerheads will bless Don Pedro's.. details are below.
Obnoxiously fun punk band Beer & Cable will officially christen the recently relaunched Acheron on May 5th as part of a show with The Regressives, Agitator, ZTs and Trepanning.
Some interesting additions to some May shows also happened this week. Meek Is Murder was tacked onto the coming Tournament show at Acheron on 5/4, while the supporting bill for the previously discussed Power Trip bill was fleshed out to include Crushed and Brain Slug.
More suggested shows, a stream of the new Rwake 7" (which only be available at their merch booth for Maryland Deathfest X, don't forget about their NYC show), a Code Orange Kids video, Homewrecker featuring Dylan Walker from Full of Hell, and a Black Breath video from their latest LP is below (don't forget about their NYC show). What did I miss?
Frankie Rose & band @ Hotel Vegan (by Amanda Hatfield)
"...it offered the perfect setting for seeing multiple bands within an intimate setting in a short amount of time. Sure it was a long walk down Sixth Street to get there, and it may not have been the most well kempt venue (I'll be honest, it was a shit-hole), but the three stage set-up provided for prime SXSW day party viewing. I had the pleasure of seeing Chelsea Wolfe, Japandroids, Frankie Rose, Deaf Heaven, and Japandroids all within the span of a couple hours. All of these bands were on my list of bands I wanted to see, and thanks to this venue, I was able to cross more bands off my list than past years"One of the stages on Wednesday was dedicated to Chicago bands courtesy of BV Chicago, and one was put together by BBG. It was on the latter that we hosted an afternoon set by Deafheaven who created NY Mag's Nitsuh Abebe's favorite moment of SXSW 2012.
Deafheaven @ Hotel Vegan (by Amanda Hatfield)
More pictures from the entire SXSW Wednesday at Hotel Vegan, below....
As you know, BrooklynVegan is taking over ALL THREE STAGES at connecting Austin venues Hotel Vegas & Volstead for FOUR DAYS STRAIGHT this week, and it's all 100% FREE (no RSVP or badges either). There's a big outdoor stage, and smaller stages inside Hotel Vegas & Volstead. Collectively we're calling the four day long party "Hotel Vegan" (located at 1500 E. 6th St, Austin, TX).
Stage 1 (Hotel Vegas Outside)This is a rare opportunity to see Frankie Rose perform songs from her great new album at SXSW. She made a very last minute decision to come to Austin. Everyone on the third stage is from Chicago! (including The-Drum who is not to be confused with the Drums who we have Thursday.) Come early. Stay all day.
12:00 PM - Devin
12:45 PM - Big Deal
1:30 PM - Pujol
2:15 PM - We are Augustines
2:50 PM - Sun Araw Band (live) + Matthewdavid (DJ Set)
3:45 PM - Frankie Rose
4:30 PM - Japandroids
5:15 PM - Bear in Heaven
Stage 2 (Hotel Vegas Inside) (BBG Stage)
12:10 PM - Freshkills
12:50 PM - White Ring
1:35 PM - The Coathangers
2:20 PM - Razika
3:05 PM - Chelsea Wolfe
3:50 PM - Deafheaven
4:35 PM - Bleached
5:20 PM - Future Of The Left
Stage 3 (Volstead) (BV Chicago stage)
12:00 PM - Minor Characters
12:35 PM - Gypsyblood
01:15 PM - FIELDED
02:00 PM - White Mystery
02:45 PM - Maps & Atlases
03:30 PM - The-Drum
04:15 PM - Flosstradamus
05:00 PM - JC Brooks & the Uptown Sound
And in addition to the completely free lineup of 24 bands playing on THREE stages, we will also have complimentary drinks courtesy of Brooklyn Brewery (while supplies laset) and HobNob Wines, the official wine parter of our entire week of FREE PARTIES at Hotel Vegan (check out HobNob's Facebook page for free music downloads), and a hosted bar courtesy of Sailor Jerry
Special thanks to all of our partners and sponsors for making this party possible - including Vox, Blackstar and Korg, our official backline partners. And special thanks to Tim Griffin for making our Hotel Vegan flyer.
I hate writing year-end lists, as might be obvious to many long-time BrooklynVegan readers. That said, I also like them. They help organize things, which is related to my problem though. I'm too unorganized and hectic to ever get around to making one! But this year a few of us (BrooklynVegan contributors) got together and decided to come up with a collective list of albums that we loved that we think most represented 2011 in BrooklynVegan land. Our indie rock-centric list purposely does not include metal (that's HERE) or hip hop (we should make a separate list). With that in mind, our top 26 albums of 2011, in alphabetical order, are listed (with some commentary and a list of honorable mentions too) below...
During our CMJ parties this past October, we partnered with Sony Bloggie to film a video series ("Green Room Sessions") of exclusive performances by artists, many of whom also played at our CMJ events. All of the videos were shot on nothing but Bloggies. We've been slowly revealing some of the videos from the series, but the most of them are finally here and can be watched below.
Chelsea Wolfe performed a new/non-album track called "Feral Love," accompanied only by brooding synths and beats from band member Ben Chisholm, making for a more similar performance to Chelsea's "solo" NYC debut than the full band set she delivered at our Friday party (10/21).
Members of Datarock, sitting on a ladder, played an acoustic guitar/saxophone and red-suit-less rendition of their song "True Stories," which they said they have to play when they're in NYC, as it is their tribute to Talking Heads, with every lyric in the song being a Talking Heads song title.
Laura Stevenson and her Don Giovanni labelmates Shellshag both played songs for us. Laura played a solo acoustic version of "Barnacles" from the Laura Stevenson and the Cans' album Sit Resist on the staircase to the green room at Public Assembly, whereas Shellshag took us out to the waterfront for a stripped down performance of "Face to Face."
Ólöf Arnalds played a new song called "Sudden Elevation" and a cover of Neil Diamond's "Solitary Man" which is one of the covers on her new mini album.
Peelander-Z took us outside on North 6th Street, shortly after playing our day party in Public Assembly. With no instruments except their voices, they wrote us a theme song.
Similarly to Chelsea Wolfe, Channy Caselle of Polica performed with just a microphone and samples playing through a guitar amp, as opposed to the massive dual drum rumbling set Polica played at our Saturday party (10/22). She performed "Happy Be Fine" off their upcoming debut LP, Give You the Ghost.
New Zealand band Street Chant, who played our Saturday party, played two songs for us after their set, "Stoned Again" and "You Do the Maths." For both songs, frontwoman Emily Littler played guitar and sang as the rest of her band and members of The Suzan provided claps and backup vocals.
Dave Quon of We Barbarians, who were also on the Saturday party, played an acoustic version of "Chambray" off the band's Headspace EP backstage after their set.
We Were Promised Jetbacks, who were announced on our Thursday (10/20) party at the last minute, played as a three piece because one of their members hadn't arrived to NYC yet at that point. Then, to size their lineup down even more, frontman Adam Thompson performed two songs on his own for us with his acoustic guitar (filmed on the same day they headlined Webster Hall).
A few more are coming, but meanwhile watch all of our completed videos below...
DOWNLOAD: Perfume Genius - "All Waters" (MP3)
Sam Mickens at Silent Barn in 2010 (more by Amanda Dandaneu)
Sam Mickens of The Dead Science and who also plays as a member of Parenthetical Girls released his solo debut LP, Slay & Slake, in late November. He's following that release with a split 7" with Voice on Tape, which will be out "winter 2011/2012" on Silencio Records. Sam's contribution, which is making its premiere in this post, is a track called "Dark Christmas," and it features a duet with Zac Pennington, who fronts Parenthetical Girls and also sang on Slay & Shake. The song is led by floaty atmospheres, some soft acoustic guitar, and the haunting refrain, "You're gonna love me better when I'm gone." Check it out below. Voice on Tape's contribution to the 7" is a track that features Chelsea Wolfe (who has a new video you can also watch below).
"Dark Christmas" is not to be confused with Sam Mickens' Christmas EP, A Christmas Gift to You, Zac Pennington, which came out yesterday (12/13) and is available to download (for free or as much as you want to give) and stream on bandcamp...
Sam Mickens' newly-out-of-the-vault EP "A Christmas Gift To You, Zac Pennington" was recorded and mixed in one night in Dec. 2010 in the spirit of purest friendship, a private record made for one friend by another. Wrapping up(nearly!) a very prolific year for Mickens, which has seen the release of the Sinistra Secco EP, two singles with his Brooklyn massive the Ecstatic Showband & Revue, and his debut full-length Slay & Slake, this Christmas EP sets down our flight in a nestling snow bank. Have at ye merry gentlemen!----
Perfume Genius - Put Your Back N 2 It
In related news, fellow Xiu Xiu collaborator Perfume Genius, whose confessional art pop is not so far removed from Sam Mickens, will release the followup to his great 2010 debut, Learning, early next year. The new album, titled Put Your Back N 2 It, comes out on February 21 via Matador. Grab the lead track, "All Waters," at the top of this post and stream it below, along with the artwork and tracklist. The album is available for a 15% off pre-order with a free poster at the Matador webstore on CD/LP.
Song streams, artwork and tracklist below...
photos by Chris La Putt
We Barbarians @ Public Assembly -- BVCMJ
CMJ is less than two weeks behind us and SXSW has alrady announced the first round of artists playing the March 2012 fest in Austin. The list includes Against Me!, Grace Potter, Cloud Nothings, Com Truise, The Ettes, FEAR, The Men, Mind Spiders, Parlovr, Thee Oh Sees, We Barbarians, Young Magic, The Wedding Present, Chelsea Wolfe and many others. The full list is below.
Chelsea Wolfe and We Barbarians (and Yount Magic) played BV Day Parties at Public Assembly during CMJ, though on separate days (on 10/21 and 10/22 respectively). Some more pictures from their appearances are in this post along with video from The Men's appearance at Shea Stadium over the weekend with Pop. 1280. All that with the entire SXSW list below...
words by Andrew Sacher, photos by Amanda Hatfield, video by (((unartig)))
"I think I finally fell in love with NY.. I miss it already !" - Chelsea Wolfe
Chelsea Wolfe made her NYC debut this past August, but she was unable to bring her band along with her and was forced to accommodate using only her guitar, beats and samples. She returned to NYC this past week for a few CMJ shows, including Europa, Cake Shop, and the BV day party on Friday (10/21) at Public Assembly which is pictured in this post. This time, with her band in tow, Chelsea was able to perform her songs more similarly to the recorded versions, and it was even more mesmerizing than her solo show. As always, her eerie vocals remain the unobstructed focal point of the performance, but while her solo show focuses on dense atmospheres, her band provides intricate subtleties like the guitar interplay and galloping drums of "Mer" and the Sonic Youth-y guitar grit of "Demons." Though every song in the set was great, Chelsea was at her most intense during the mortal desperation of "Moses."
Rachel also talked a bit about the BV day party where she went on after A Place to Bury Strangers and before J Mascis.
A video for "Mer" recently premiered online. You can watch that along with a video from the BV party, more pictures and tour dates too, below...
words & photos by BBG
What Cheer? Brigade @ Public Assembly
My Thursday night (10/20) during CMJ was mostly spent at the Ballistic Missle/Anchor Brain show at Public Assembly, with a stop at the Life or Death PR showcase at Cake Shop to catch an early set from the always enchanting Chelsea Wolfe. Pictures from Chelsea Wolfe's appearance that night (one of several, including Europa and our day party the next day), as well as pictures of noise-rock greats Vaz, ear-shredding spazz-noisers Doomsday Student (3/4 of Arab on Radar), marching band mayhem from What Cheer? Brigade (with Joey in tow), XDS, and the punishing 400 Blows are below.
Casiokids @ Public Assembly
Well, another CMJ week has come and gone. How did you fare?
Though Northside summoned a number of my favorite artists to town, the CMJ line-up was rather thin by comparison, so I made it my goal to catch as many new acts as possible this year. With help from BV's tightly scheduled day parties, I managed to squeeze in 46 bands. While it's all still fresh in my mind (ie, before I spend the next week hibernating), here's a recap of my week, complete with my favorite finds...
I kicked things off with trance-inducing, one-man knob twittler Sun Glitters. Figuring out how to bring life to headphone-friendly, sample-heavy music in a live audience setting can be a challenge, but the few I saw this week (Million Young, Chad Valley and Luxembourg's Sun Glitters included) were decent.
If last year was the age of the one-man laptop act, 2011 was rife with lo-fi, synth/guitar-heavy (mostly) male groups cloaked in reverb. Each band had its strengths: Sunglasses (great energy on stage), Gauntlet Hair, Guards (perfectly summed up the sound of the moment), 1,2,3, Balkans (nice balance of in-your-face guitars and sunnily-swaggering vox), Tiny Victories. But after a while, I confess they all started to blend together--especially since a good chunk of these bands came early in the week for me.
What did stand out for me in this category was San Diego's garage-psych outfit Tropical Popsicle. Instead of falling flat, the deadpan vocal delivery of Tim Hines pulled me in and kept my attention, making me forget about my plans to leave midset. Another pleasant surprise for me was Dive, the side project of Beach Fossils guitarist Zachary Cole Smith.
But after a rather slow start to the week when schedule issues and cancellations made me abandon my original plans, things definitely picked up midweek. I spent Wednesday evening shuffling around in the rain to some seven venues. From the synth-driven pop music of Norway's Casiokids (whom I managed to sneak in on my lunch hour) to the decent public radio-friendly folk-pop of The Lighthouse and The Whaler and Lissy Trullie's alluringly husky vocals, the day was full of pleasant surprises--not the least of which was John Maus, easily one of the highlights of my week.
As I walked through the door at 285 Kent, I immediately felt as if I had gone back in time. Thick music pumped from the DIY graffiti-covered space, through clouds of cigarette smoke. On stage, Maus shook with intensity as he addressed the mass of dancing, sweaty revelers. Beneath the shambling chaos of the quick synth riffs and simple drum lines is an unhinged but triumphant quality that is intoxicating. I had heard whispered stories of Maus shows before, but I never really understood the fervor until I saw it for myself.
Thursday was also packed with a number of good finds. I somehow found myself in the 7th floor of a swanky hotel for an "acoustic" (as in not electric; not unplugged) Dum Dum Girls set (though only 2/4 band members were present). Other highlights included the seriously talented and take-your-breath-away-beautiful dreamy folk-pop of Gem Club (who just released their debut album on Hardly Art), and Brooklyn's own, Headless Horseman who make fun, glitchy, hook-laden music with inventive beats (Their song "Wavlngth" was seriously one of my favorites all week.)
Friday, my band-count escalated rapidly, thanks to the BV day showcase at Public Assembly, which essentially had two bands playing each hour. I knocked out a few of the hyped bands in this fashion, including Chelsea Wolfe and Gauntlet Hair. (I also stepped over to Cameo briefly to catch a few adrenaline-packed songs from the Brooklyn duo Hunters.) With her beautifully haunting (but not annoying operatic) vocals Chelsea Wolfe was certainly one of the more memorable acts of the week. Would she be getting as much buzz if she didn't dress like "a medival [sic] reinactment [sic] person from Medival [sic] Times" (to quote an anonymous BV commenter)? Hard to say, but I have to give the woman credit--I couldn't take my eyes off her, and she was one of the few artists I caught twice. But my surprise favorite of the day show was Young Magic. Hip-hop and dark electro-pop may be unlikely bedfellows, but they sure make for quite an interesting pair. These guys are a force.
Other highlights of the day included the eye-catching electro-pop duo Purity Ring (love the name) and one of my favorite SXSW finds from earlier this year, Sea of Bees. At Webster Hall, Purity Ring's bass was so powerful at times that I almost forgot to breathe. Though the band relies on a lot of samples to craft their sound, they are far more interesting to watch due to their onstage chemistry and mysterious gold-piped instrument. Though nothing alike, my other favorite artist of the evening was Sea of Bees. Singer/songwriter Julie Baeziger's genuinely sweet demeanor and earnest acoustic performance are always a pleasant change of pace from the more aloof, laptop-driven artists that seem to sprout with the speed and frequency of mushrooms.
The week concluded not with a bang (I was turned away at the door of Brooklyn Bowl for Unknown Mortal Orchestra, whom I had hoped to end on), but with more of a slow fade-out. Forced to change my schedule at the last minute, I caught a few acts nearby, including Delicate Steve (how those five people were working from the same set list was a mystery at times given the haphazard nature of their sound, but it was fun to watch them put it all together), Races (pleasant and charming), Bleached, and about four minutes of the Kopecky Family Band (fun!) before hopping on the L and calling it a week.
So how does this year's CMJ stack up? Most people I spoke with seemed unimpressed. No doubt, the growth of SXSW--especially over the past few years--seems to have sucked some of the life out of CMJ. (It's hard to compete with free tacos, 76-degree days, and the compact nature of downtown Austin.) But like a hipster chick desperately scouring the racks at Beacon's Closet, I like the challenge of the frenzied search. There's good stuff in there hiding among the dross. You just have to look a bit harder.
Pictures in this post are from day parties at Pianos (We Listen for You) and Public Assembly (Under the Radar) on Wednesday. More of them below...
photos by Samantha Marble, words by BBG
Though Chelsea Wolfe had to cancel her Tuesday night show at Glasslands last minute, she played what ended up being her first CMJ appearance at Europa on Wednesday night (10/19), teaming with Religious To Damn, Hunters, and The Love Butchers, with DJ sets from Pendu and Electric Lady. Unlike her first NYC appearance at St Vitus in August, Chelsea is here this time with her full band. I saw her 2nd CMJ show last night (10/20) at Cake Shop (the show Trash Talk went on to play after 2am today) (GZA didn't play), and it was seriously great. Here are some pictures from the Europa show.
Chelsea plays again today (10/21) at the FREE BV Day Party with J.Mascis, A Place To Bury Strangers, Gauntlet Hair, Hospitality, Xeno & Oaklander, and many others. Here's a reminder on set times:
STAGE 1 (front room)More pictures from Europa (Chelsea and RTD) are below.
12:00 Races (new Frenchkiss signing)
12:45 Bleached (ex Mika Miko)
02:15 Young Magic
03:15 A Place To Bury Strangers
04:15 Chelsea Wolfe
05:00 J Mascis (solo)
STAGE 2 (back room)
12:30 Cold Specks (1st-ever US show)
01:15 Lord Huron
02:00 Emmy the Great
02:45 Silver Swans
03:30 Xeno & Oaklander
05:15 Gauntlet Hair
STAGE 1 (front room)Stay tuned for the missing set times and full lineup, but you can see most of the bands on the flyer above! Also stay tuned for the linuep of our Saturday party happening in the same venue at the same times.
12:00 Races (new Frenchkiss signing)
12:45 Bleached (ex Mika Miko)
02:15 Young Magic
03:15 A Place To Bury Strangers
04:15 Chelsea Wolfe
05:00 J Mascis (solo)
STAGE 2 (back room)
12:30 Cold Specks (1st-ever US show)
01:15 Lord Huron
02:00 Emmy the Great
02:45 Silver Swans
03:30 Xeno & Oaklander
05:15 Gauntlet Hair
In addition to free music, here are some more reason to stop by Friday. We will have FREE SNACKS courtesy of popchips and Raw Revolution and FREE DRINKS courtesy of Sailor Jerry and our official CMJ wine partner HobNob Wines. Check out HobNob's Facebook page for free music downloads and go to Sailor Jerry's website to read more about all of their CMJ events.
We'll also have FREE BrooklynVegan t-shirts for the first 25 people in the door (not many of these exist - we sold them for charity at CMJ last year).
As mentioned in our Thursday Day Party announcement, we've also partnered with Spotify who are offering 48 hour free Premium trials (playlist for this party coming soon) and Sony Bloggie (stay tuned for our post-CMJ video series) for all BV CMJ/not-CMJ events including this one.
Thanks to Zach Jaeger (Tonally Dude) for the flyer you see above.
DOWNLOAD: Chelsea Wolfe - "I Let Love In" (Nick Cave Cover) (MP3)
Chelsea Wolfe at Saint Vitus in August (more by Amanda Hatfield)
Stereogum and PopGun are co-presenting a CMJ showcase with Titus Andronicus, Delicate Steve, Chelsea Wolfe, Cuckoo Chaos, Mr. Dream, and Hollerado at Glasslands on October 18. Tickets are $15 with RSVP.
PopGun are also co-presenting the True Panther showcase at Glasslands, the Weird Vibes showcase at Cameo on October 20 with Weekend (who also play the BV CMJ showcase @ MHOW), Headless Horseman, Pat Jordache and others, and the Yours Truly showcase at Glasslands on October 21 with Active Child (who also play the BV CMJ showcase @ MHOW), Born Gold, The Stepkids, Memoryhouse, Caveman, Inc., and Ava Luna. PopGun also do their own showcase at Cameo on October 22 with Teen Daze, Art Vs. Science, and others. RSVP is open for all of the showcases.
Speaking of Chelsea Wolfe, she's got other CMJ shows scheduled including Europa on October 19, the Life or Death CMJ showcase at Cake Shop on October 20, a Pendu/Impose showcase at 285 Kent on October 22, and more TBA. She also recently recorded a cover of Nick Cave & the Bad Seeds' "I Let Love In." You can download that cover at the top of this post. Chelsea and her band also recently performed for an I-N Session. Check out a video of that performance below. In December, she'll go on a North American tour with The Black Heart Procession, though that tour unfortunately does not include any East Coast dates.
All dates and video below...
Archy Marshall, who previously operated under the Zoo Kid moniker, now records as King Krule. He'll release a self titled EP under the name on November 8 via True Panther. That's the album art above. You can check out the EP's last track, "The Noose of Jah City," along with the tracklist below.
King Krule has a few international dates coming up including some CMJ shows, which will also act as his US debut. He's scheduled to play the True Panther showcase at Glasslands on October 19 with Tanlines, Trash Talk, Lemonade, Teengirl Fantasy, and Little Red. He'll also play a Fader Fort CMJ Party on October 21 and a secret True Panther warehouse party on October 22. Stay tuned for more details on those.
Trash Talk also have other CMJ shows including a late one at Cake Shop on Thursday, October 20:
LIFE or DEATH PR CMJ SHOWCASELife or Death PR also rep Odd Future and GZA, so that 3am special guest should be interesting. Trash talk ALSO play Santos on Saturday, October 22 with Kylesa and others (details TBA soon).
THE CAKE SHOP
Doors at 7PM - 4AM., $12.00
FREE BEER FROM LONG TRAIL. DASSS WASSUP
DJ sets from NNA TAPES & Todd Pendu / ElectricLady
9PM Chelsea Wolfe
10PM Psychic Ills
11:15PM Chrome Sparks
12AM Wise Blood
1AM Main Attrakionz
2 AM Trash Talk
3 AM SPECIAL GUESTS
Trash Talk have a new video for "Burn Alive" off their upcoming Awake EP, which comes out next week (10/11) via True Panther. Check out that video and one for the EP's title track below.
All dates, videos, song stream, and other stuff below...
Chelsea Wolfe @ St Vitus (more by Amanda Hatfield)
Well, technically it's not a CMJ show, but it's during CMJ. Chelsea Wolfe (and her full band) plays Europa on Wednesday, October 19th. Tickets are on sale. Stay tuned for more dates and Brooklyn show details TBA.
photos by Amanda Hatfield, words by BBG & Andrew Sacher
Chelsea Wolfe @ St Vitus
Cult of Youth (who headlined), Chelsea Wolfe, and one-man show Planning for Burial (who opened) played Saint Vitus in Brooklyn on Wednesday (8/17). The packed out BrooklynVegan-presented show also featured opening and between set DJing from Robin of Tri Angle Records.
Though unfortunately without her band, who she prefers to play live with, Chelsea Wolfe still made a strong NYC debut. Conjuring up images of the demons she sings about, Chelsea stood veiled in a sea of fog before a backdrop of blood red visuals, as Ben Chisolm casted beats and atmospheres into the mix. Her set was way too short, but I enjoyed every second of it. She played some standouts off the upcoming Apokalypsis, which comes out this Tuesday, and some reworked material off the self-recorded The Grime and the Glow. Chelsea removed her veil for the last song, revealing a hypnotizing stare that never wavered for the entire song.
Cult of Youth started no later than 10 minutes after Chelsea's Set came to a close, with the band blazing through a heavy folk set indebted to gothic greats like Death in June, Angels of Light, Current 93, and others. Violinist Christiana Keys punctuated vocalist/guitarist Sean Ragon's fire-and-brimstone delivery (sidenote, how does he not break a string every song?) with similarly passionate string touches and texture, while the galloping rhythm section moved things along with a healthy thump. Despite the lack of a distortion pedal and even a guitar amp, it is clear that Cult of Youth is definitely a punk band.
More pictures and videos from the show, below...
DOWNLOAD: Chelsea Wolfe - "The Modern Age" (Strokes cover) (MP3)
Chelsea Wolfe in an old schoolhouse in Gothenburg
Like her fellow vaguely gothic femme fatales in Zola Jesus and Fielded, Chelsea Wolfe embraces the otherworldly lushness stemming from Kate Bush and Portishead's Beth Gibbons. But on Apokalypsis, Wolfe digs into the earth and finds something darker and more sinister.You still have time to get aquainted with the album before Chelsea makes her NYC debut on Wednesday (8/17) at the BV-presented Saint Vitus show with Cult of Youth and Planning for Burial. The NYC show is the last show of a solo tour which otherwise only included European dates (including the Gothenburg show which was pretty DIY and took place in an old schoolhouse with a Love Is All sideproject opening).
I have a full band that I prefer to play live shows with, but, for example, on this current tour, I couldn't afford to fly the whole band over so I decided on a simple setup with just Ben (who plays synths in my band) and I, with backing beats, midi keyboard, and my guitar. Having the band onstage with me makes more sense for my sound and vision right now.. We can create an energy and atmosphere together that is so different to sing with than pre-recorded sounds. I'm doing my best with this minimal setup though. I have a show in New York next week on my way home from Europe and I hope that will be my last "solo" show for a while.She says "last solo show for a while". I say "rare solo show"! Tickets are still on sale. And by the way, the venue sells vegan buns! Check out the tour & show fliers (NSFW) below.
Chelsea recently contributed a cover of "The Modern Age" to Stereogum's Is This It tribute album STROKED. The song is nothing like the original, and pretty much sounds like a Chelsea Wolfe song (which of course isn't a bad thing). Here's what Chelsea had to say about the contribution:
I didn't know this song well before I was given it to cover, so I listened to it a few times in a row and then started just focusing on the words. This song has great lyrics. I decided to pretend it was an old folk song. When I recorded my cover I was really sick and had taken lots of heavy cough syrup. I sat down with my classical guitar and just played it out, then my bandmate Ben (Chisholm) and I added layers of vocals, drums and juno until it felt slow and heavy like the medicine.Download an MP3 of her cover of "The Modern Age" above. Other stuff below...
post written with the assistance of Andrew Sacher
Chelsea Wolfe is currently on a tour in support of her upcoming LP Apokalypsis. As mentioned, Chelsea and her band play a non-Way Out West show tonight (8/10) in Gothenburg, Sweden, the same city the festival takes place in this week. It's in just a few hours and, especially since I've been listening to the new record non-stop, I'm super excited that I'll be there (I'm in Sweden).
Tonight's show is being opened by Gothenburg based Glenn and Glenn who will reportedly be playing their first show ever, though the band members are no newbies. Their lineup includes Gabo Camnitzer of Gabo and the Wartels, drummer Markus Gorsch of Love Is All, and a member of The Aislers Set who is probably Wyatt Cusick since his other credits include being a Love Is All producer and being the husband of Love Is All frontwoman Josephine Olausson. Listen to some Glenn and Glenn tracks below.
You can follow Chelsea's tour and check out pics on their tour blog, which is run by Ben Chisolm, a full time member of her live band. When Ben isn't touring with Chelsea, he also operates as a producer/engineer under the moniker White Horse (not to be confused with Whitehorse). Ben's got a number of releases at his bandcamp available for stream and purchase, including a remix of Chelsea Wolfe's "Moses" and a three-volume series (so far at least) of EPs called The Revenant Gospels. The EPs credit all vocals to "those whom are no longer with us" and are tagged as "occult" and "voices of the dead." The most recent release, The Revenant Gospels Volume III, which came out this past May, sees the vocals of the late Freddie Mercury transformed into a dank witchy brew of clicks and bass on "Bohemian Guilt." It puts an entirely different spin on "Mama, just killed a man" than the one you're used to. The whole EP is available for $3.33 on bandcamp and he also offers a mediafire link for the album.
Ben also recently posted a mixtape to the White Horse soundcloud which includes material from Gatekeeper, Death Grips, Nas, White Ring, Ol Dirty Bastard and Tri Angle artists oOoOO and Water Borders, among others. You can stream the whole tape below.
Speaking of Tri Angle (and Chelsea Wolfe), Robin C of Tri Angle will DJ when Chelsea Wolfe makes her NYC debut at the BV-presented 8/17 Saint Vitus show with Cult of Youth and Planning for Burial. Tickets for that show are still available.
oOoOO and Water Borders also play two NYC shows this week as part of a Tri Angle tour. The NYC shows happen, sans Holy Other, on August 11 at Mercury Lounge and August 13 at PS1. Erika Spring (of Au Revoir Simone) is also on the Mercury show, which tickets are still available for. The PS1 show also has Clams Casino, Ayshay, Black Dice, and His Name Is Alive (DJ).
Streams and dates below...
photos by Philip Cosores, words by BBG
DOWNLOAD: Chelsea Wolfe - "Movie Screen" (MP3)
Chelsea Wolfe at recent LA show
Chelsea Wolfe is preparing to release her debut LP Apokalypsis via Pendu Sound on August 23rd, the follow-up to her impressive The Grime & The Glow which dropped last year. Stream "Mer" from said release below.
After a string of dates overseas, Chelsea Wolfe will make her NYC debut on August 17th at Saint Vitus (1120 Manhattan Ave in Brooklyn). Brooklynvegan is proud to present this rare East Coast show, with Cult of Youth and Planning for Burial also on the bill. Robin C of Tri Angle Records will DJ. $8 will get you in the door. Tickets are on sale.
Planning for Burial will hit the West Coast in September, bringing along with them a demo cassette entitled Late Twenties Blues. Pick up a copy at Saint Vitus, and look for a full-length in the months ahead.
Chelsea recently played some West Coast dates with Liturgy. A few pictures from her LA show at The Echo are in this post. More of those, all tour dates and a teaser video for Apokalypsis , below...
by Andrew Sacher
New album STROKED: A Tribute to Is This It, as the title hints, is a tribute to The Strokes' massively influential debut Is This It. The album was released for free on Stereogum today (7/26). They write:
Is This It was recorded in NYC at Transporterraum with Gordon Raphael. When it was finally released in the States in the Fall of 2001, a decade after Nevermind, it helped not only put contemporary New York City in the forefront of music lovers' minds, it offered an easy reference for people to dig backwards into the Big Apple's rock 'n' roll past. For certain younger fans, it was maybe the first time they carefully considered Television (the late '70s), the Velvet Underground (mid '60s to early '70s), and other lesser known garage and rock and whatever bands that inhabited a dirtier, grubbier Manhattan. The title's pure Richard Hell. The original sexy album cover a minimalist echo of New York Dolls (via Roxy Music). It's no coincidence that 2001 NYC -- eventually, especially Brooklyn -- ended up being known for its post-punk revival. (See, for instance, the Yeah Yeah Yeahs, Liars, Black Dice, Vice Records' No New York nodding collection Yes New York, etc.) Is This It was a history lesson, but one with enough new ideas to also offer a roadmap.Chelsea Wolfe, Austra, Owen Pallet, The Morning Benders, Real Estate, Peter Bjorn & John and others offer their takes on album tracks as well. Full tracklist below.
Wise Blood contributed "Someday" to "Stroked". He and fellow weirdo rapper Cities Aviv share a bill on September 1 at Glasslands in Brooklyn. The show is one of many scheduled around the world for Wise Blood, but is Cities Aviv's only date we see scheduled at the moment. Tickets for the Brooklyn show are on sale now.
Cities Aviv, the self-proclaimed "Post-Death" rapper, is also on the Glasslands bill with Wise Blood. The Memphis native released his debut full length Digital Lows on May 2. The album's production credits go to a number of virtually unknown producers, Muted Drone, RPLD GHOSTS, Danny Dee, Upgrayde, and Royal'T. The beats are dreamy, reverb-soaked headknockers that sound about as woozy as that album art (below) looks. Cities Aviv takes the beats, which on their own would make up a pretty solid chillwave album, and spits biting lines with a classic southern drawl. Fille Catatonique provides sung vocals which blend quite nicely with the album's vibes. The final track, "Float On," features Cities Aviv rapping over chillwaver Blackbird Blackbird's cover of the Modest Mouse song, that he recorded for 2010's Happy High EP. It's a fun way to end the album, and is far better than Lupe Fiasco's "The Show Must Go On," which sampled the Modest Mouse song earlier this year.
Cities Aviv isn't exactly the only rapper crossing into lo-fi/indie-approved territory lately, but he's certainly approaching the crossover from a unique angle. Digital Lows isn't nearly as blown out as, say, Shabazz Palaces, but he's still got way more experimentation going on than guys like Wiz Khalifa or Theophilus London. Grab the album for free at his bandcamp and check out some songs below.
All tour dates, videos, album art and tracklist below...
The infamous actress and pornstar (ex-pornstar?) Sasha Grey is also known for making music, her own music even. Her group aTelecine is signed to Pendu Sound who are now releasing a limited trilogy of gatefold LPs. Pendu writes:
So what does aTelecine sound like? aTelecine take an experimental approach to making music in the form of sound collages which bring to mind artists such as Nurse With Wound and Coil branching out into a world of dark ambient and death-dub. Their music is ever evolving and mutating and it's only with each new album that they release that we are able to glimpse where they are heading.The albums, The Falcon and the Pod, Sounds that Gods Fear, and Are you Attracted to Wounded Animals come as a box set which comes with a bonus 7" that features "a special guest/goth legend" (not sure who the legend is). The trilogy is limited to 300 pressings (so act quick) and can only be purchased directly through Pendu Sound now. Here's how it works:
You will receive the first two records separately. "The Falcon and The Pod" will come out first on August 9, followed by "Sounds That Gods Fear" October 11. The Third LP, "Are you Attracted to Wounded Animals", will come out December 6 and will arrive in the Special Box that will also contain the bonus 7". You will then be able to place all LPs and 7" in this Box completing the subscription. Note: No refunds for subscriptions.Check out the song "4AM" off The Falcon and The Pod below.
Chelsea Wolfe, America Young and Sasha Grey (via Sasha's Twitter)
As previously mentioned, Pendu also releases Chelsea Wolfe's great sophomore LP in August. Stay tuned for a related NYC show announcement, and check out the above picture that Sasha Tweeted yesterday of her and her labelmate and America Young. I'm not sure what the picture is for, but Sasha wrote "Sneak peak from last weekend's shoot." (get your minds out of the gutter!)
Tonight (6/24) at Public Assembly, Pendu, also known for their parties, are celebrating their 50th Pendu Disco Party with appearances by Jokers of the Scene (Fool's Gold), Follower, White Ring (DJ set), and Pendu Disco DJs. You can save $1 at the door by RSVPing to the facebook event.
Pendu Disco also hits Secret Project Robot on July 2 & July 7. July 2nd is LICKER LICENSE, A touring Girl-On-Girl Video & Performance Event, and July 7th will feature appearances by Teams, Zombelle, Myrrh Ka Ba, Mascara, Disaro, and Pendu Disco DJs.
Flyers for all three and the aTelecine song below...
by Andrew Sacher
DOWNLOAD: Chelsea Wolfe - "Movie Screen" (MP3)
Chelsea Wolfe will release her sophomore LP Apokalypsis on August 23 via Pendu Sound. The album, pictured above, is the followup to her 2010 debut The Grime and the Glow, a self-recorded gem which successfully blends dark folk, noise and Grouper-esque ethereality. It was a limited release. According to a press release, with Apokalypsis, Chelsea ditches the rough sounds she attained on her mobile 8-track in favor of a proper studio. The result is a fuller and more instantly accessible affair, yet equally if not more haunting than her debut. Grab the track "Movie Screen" above and
stream the whole album on soundcloud (stream removed).
Chelsea has some shows scheduled in July with Liturgy, who she played with at SXSW (and who Chris Grigg of Woe thinks are rude). There are no NYC dates included on the short run of dates, but she plays a solo show in NYC on either August 16 or 17 (her own website says 8/17). Venue and more details TBA.
All tour dates and album tracklist below...