Entries tagged with: Cloud Nothings
photo: Best Coast at 50 Kent in June (more by Amanda Hatfield)
Best Coast and Wavves announced the co-headlining "Summer Is Forever II" tour for 2016, the sequel to their 2011 "Summer Is Forever" tour. This time they're bringing along Cherry Glazerr as an opener. In addition to the tour, Wavves and Best Coast are releasing a split single as part of Wavves' monthly Ghost Ramp subscription series in January. The series also includes a Wavves x Cloud Nothings single (featuring a new a song and a demo version of "No Life For Me" off their album) and the first-ever vinyl release of Sweet Valley's So Serene.
The tour hits NYC on February 18 at Terminal 5. Tickets are currently on fan presale (no password required), the AmEx presale begins Wednesday (12/9) at noon, and the general sale begins on Friday (12/11) at noon.
Check out the the list of all tour dates below...
We're happy to announce that BrooklynVegan is part of Spotify's "In Residence" series where we'll not only curate a monthly playlist, but premium users can hear us talk about it too. Head to Spotify HERE now and click "follow" to make sure you never miss an episode.
For our first show, BV editors Andrew Sacher, Bill Pearis and Dave sat down to talk about some of our favorite music of 2015 so far, and other digressions. We taped the show in late July, so keep that in mind if any of it sounds slightly dated. (A segment where Bill bets Dave a million dollars that Lush will never ever reform was cut.)
Anyone can listen, though you will need to be a Spotify Premium subscriber to hear our lovely speaking voices.
Other Spotify In Residence shows/hosts include former Sex Pistols guitarist Steve Jones, dance act Jungle, and UK grime artist Big Narstie.
Stay tuned for a brand new BrooklynVegan episode in December. Meanwhile, listen to November's...
by Andrew Sacher
Former Cloud Nothings guitarist Joe Boyer's band Chomp released a 7" this past spring, and this week they'll release a new tape called Bruise Control on Mirror Universe (pre-order). They don't quite have the pop smarts of Cloud Nothings, but if you dig that band's noise punk tendencies you might find something to like here too. The full stream of the tape premieres below.
The band is also playing CMJ. Here's what their schedule is looking like:
10/14 @ The Rock Shop w/ Eternal Summers, Savak, Bird Courage, PinactTheir only other show is a hometown gig in Cleveland before they head to CMJ. Full tour schedule and the tape stream below...
10/16 @ The Grand Victory w/The Membranes, Cinema Cinema, Les Bicyclettes Blanches
10/17 @ Cake Shop (Official Cake Shop CMJ show) w/Gemma, Expert Alterations, Eternal Summers, Solids, Garden of Elks
10/17 @ Aviv (Exploding in Sound/Ipsum CMJ show) w/ Cold Sweats, Doubting Thomas Cruise Control, Playboy Manbaby, Dirty Dishes, Nonsense, Magnet School, Solids, Crosss, Needs
by Andrew Sacher
"Pop punk" was once widely considered a dirty term in most indie rock circles, but over the past few years it's been sneaking into indie rock vernacular. We use it here on BV a lot. Pitchfork has used it when talking about anyone from Cloud Nothings to Upset to Joyce Manor. Stereogum has used it for The Sidekicks, Chumped, and Cayetana. NPR for Wavves, Title Fight and Waxahatchee. The list goes on.
It's easy to see what made "pop punk" such a turnoff as it became progressively more mainstream in the '90s and early '00s. "Punk" is a genre with a code of ethics that punk fans feel should be kept sacred, and "pop" is basically the antithesis of those ethics. So "pop punk" is theoretically the worst thing that could ever happen to punk. Indie rock fans adhere to similar ethics, so when "What's My Age Again?" hit TRL, it's no surprise that Sebadoh fans weren't gluing their eyes to their TVs.
But for a younger generation, some combination of Green Day, The Offspring, Rancid, blink-182 and New Found Glory (or all of the above) was a foundational listening experience, and an entry point into alternative music. Those bands may have made punk more mainstream, but they were also gateways to older and more universally canonized artists. blink-182 directly led to Descendents, Dinosaur Jr and Drive Like Jehu; Green Day to Husker Du; Rancid to Roger Miret and Sham 69; New Found Glory to Lifetime and Gorilla Biscuits; and so on. The people who grew up on those bands are becoming today's indie rock musicians, fans, and critics, so it makes sense that the sounds of pop punk are making their way into indie rock. Not to mention Best Coast, who started as a lo-fi band on Mexican Summer, went on to cover blink-182, collaborate with New Found Glory, and tour with Green Day.
photo: Best Coast opening for Green Day in 2013 (more by Dana Distortion)
Right now, the amount of bands blurring the lines between indie rock and pop punk is pretty astounding. We saw pop punk's influence sneak into indie rock on a handful of our favorite records of last year, and this year we have great records from Colleen Green, Bully, Superheaven, Turnover, All Dogs, Radioactivity, Royal Headache, Titus Andronicus, Worriers, Hop Along and Adventures that all fit the description.
Even with this huge influx of indie rock bands taking influence from pop punk, it's not hard to see why there's still resistance against the "pop punk" tag. The kind of over-produced pop punk that critics cringed at in the early 2000s is still very popular. All Time Low's new album debuted at #2 on Billboard this year and there's nothing "punk" about this. 5 Seconds of Summer may be the biggest band in the world right now that anyone is calling "pop punk," but they also share management with One Direction, have toured with them, and are closer in sound to 1D than to any band who ever signed a contract with Fat Wreck Chords. If 5SOS can be called pop punk, or apparently anyone who plays Warped Tour -- like Front Porch Step, who in addition to his questionable actions, makes cringe-worthy music that has nothing to do with pop punk -- it's understandable why some people want to avoid the term.
There's also a group of bands who frequently play Warped Tour and not only warrant being called pop punk, but pride themselves on it: bands like Man Overboard, The Story So Far, Four Year Strong, Neck Deep and State Champs. Their approach is basically to take the moment pop punk took over the world and recreate it. (The Drive-Thru Records catalog is a big influence here.) They're not shy about their style -- Man Overboard make shirts that say "Defend Pop Punk" and Neck Deep make ones that say "Generic Pop Punk." They don't seem to be after hugely mainstream success and tend to build their fanbases like punk bands do, but to our ears they're usually unoriginal at best and still kinda cheesy at worst.
If you have any place in your heart for early 2000s-era mainstream pop punk though (and if you've read this far, you probably do), there's one band I think is doing a hell of a lot of justice to it: The Wonder Years. Unlike the bands bringing pop punk's influence into indie rock, The Wonder Years are making the kind of pop punk that is in fact pop music, but they also happen to make really fucking good pop music. It's becoming more prevalent for critics and "serious music fans" to discuss great pop music, and this is a good thing because great music can truly come from anywhere. The recent Beyonce and Justin Timberlake albums were steps forward for music in general, whether or not you normally listen to the radio. A lot of fans and critics noted that, but for whatever reason there's still a stigma when it comes to pop punk. You're more likely to see certain critics champion Fifth Harmony, a new teen-pop group formed by Simon Cowell on The X Factor, than even mention the latest Bad Religion or Rancid albums. It's a stigma that hopefully disappears, because The Wonder Years don't deserve to be ignored by any serious music fan.
photo: The Wonder Years at House of Vans in 2011 (more by Andrew St. Clair)
The Wonder Years started out as more of a generic pop punk band, and while in hindsight I respect the people who knew they were great from day one (or at least since their 2010 breakthrough The Upsides), they didn't really catch my ear until 2011's Suburbia I've Given You All and Now I'm Nothing. And it didn't really click until 2013's The Greatest Generation, which might be the greatest true-blue radio-ready pop punk record since Enema of the State. It probably owes more to New Found Glory and The Starting Line than it does to blink-182, but even if those bands have proved to be more influential, they never had this level of songwriting or maturity. Even on New Found Glory's "mature" album, they couldn't escape writing songs about girls who "smell like angels ought to smell." The Greatest Generation grapples with hitting your mid-to-late '20s, seeing your friends and cousins getting married and transitioning into adulthood, and thinking "did I fuck up?" When they do sound like they're singing about high school crushes ("I hadn't felt a heartbreak until now") you quickly realize they're singing about the death of a friend.
It's close to an absolute perfection of its form, and it's hard to say just yet if they've topped it, though they've undoubtedly made another artistic leap on the new No Closer to Heaven. It's the band's most overwhelmingly emotional album yet, and the most musically diverse too. In 45 minutes it touches on double-time pop punk, slower atmospheric songs, heavy rock riffs, and an acoustic song to close things out. It's the kind of record that might piss off some old fans and cause them to say The Wonder Years "aren't pop punk anymore," but it might win over a bunch of new fans in the process. It's pop punk's Sunbather. The thing is though, unlike say Title Fight's trek into atmospheric rock, this is a pop punk album. It pushes the boundaries of the genre about as far as they can go without losing the type of thrill you specifically get from this style of music. Really it shouldn't piss off old fans because it manages to retain the sound they've always had while clearly pushing it forward.
It makes me think a lot of Brand New's The Devil and God Are Raging Inside Me. It doesn't sound like Devil and God, but that was the moment Brand New made a devastating, cathartic album that defied its genre without abandoning it, and that's what TWY do here. They're also similar to Brand New in that each record is a shift from the last, and that people (rightfully) worship these guys. To compare it to an album it does sound like, it's actually a little like The Hotelier's last one, and that may be the most acclaimed album the entire emo revival has given us. But it feels a little unfair to compare those two, because The Hotelier are a young (yet fully-formed) band and No Closer to Heaven is clearly the work of seasoned songwriters.
The Wonder Years are more dynamically diverse here than ever. They know just when to switch from a chorus turned up to 11 to a bridge of clean guitar arpeggios and back again. They know which lyric needs a three-part harmony, which needs frontman Dan "Soupy" Campbell to sing gently and which needs him at the top of his lungs. At least half the songs completely avoid the standard verse-chorus-verse. Recurring lyrics and themes throughout an album aren't new ground for The Wonder Years, but No Closer to Heaven might be the closest they've come to a true concept album. Death, if it wasn't obvious, is that concept here. The lyric we hear over and over is "We're no saviors if we can't save our brothers," and that's only one of the instantly-quotable lines packed into this thing. There's a harsh reality to Soupy's lyrics this time around, and when he brings his voice to a shout it feels more like a reflex than an artistic decision.
Like the last record, his melodies are familiar without being predictable. Thanks in part to the fact that almost every member can sing, they've mastered the kind of multi-part harmonies and overlapping vocals that most of their peers aren't even attempting. (My only complaint about the new album is the guest vocals from the singer of letlive. who come too close to a maligned genre I won't defend, nu-metal.) The production is once again shining with gloss, but nothing sounds artificial -- unlike many of their peers, the band and longtime producer Steve Evetts (who has helmed other pop punk classics like Jersey's Best Dancers and Through Being Cool) have long discussed avoiding auto-tune and sample replacing. The interplay between the band's three guitarists also make this far more detailed than punk's "learn three power chords, form a band" mentality. But The Wonder Years do stay true to the latter half of the phrase "pop punk," and if you've seen them live you know this. They typically fill big rooms these days, but they still play like they came out swinging from a South Philly basement. They might not win over a snobby punk purist, but for the genre-hopping listener who finds emotional depth and musical ambition in both the new Drake and the new Sufjan Stevens, you may find it in the new Wonder Years too.
photo: You Blew It! at Riis Park Beach Bazaar - August, 2015 (more by Mimi Hong)
No Closer to Heaven is out today via Hopeless (order yours) and you can stream the whole thing via Rdio, below.
They'll be on tour this year with another unique pop punk band, Motion City Soundtrack, emo revival darlings You Blew It!, and State Champs. That tour hits NYC for two Webster Hall shows in October, but first TWY play an acoustic in-store at Rough Trade on Wednesday (9/9).
by Andrew Sacher
Countless band reunions, Wet Hot American Summer, and the '90s/early '00s revival continues when Tony Hawk Pro Skater 5 comes out this fall. It's the first THPS game since 2002. As fun as the games were, the soundtracks were equally important and for people of a certain age they probably turned you on to a lot of stuff. Maybe playing those games was the first time you heard Agent Orange's "Bloodstains" or Gang Starr's "Mass Appeal" or Adolescents' "Amoeba."
The soundtrack for the new one has been revealed, and it's got a lot of cool stuff. There are great newer songs that weren't around during THPS' initial run, like Cloud Nothings' "I"m Not Part of Me," Bully's "Milkman," Cold Cave's "A Little Death to Laugh," Death From Above 1979's "Virgins," The Orwells' "Who Needs You" and Temples' "Shelter Song." Plus some more legendary stuff too, like Death's "Keep On Knocking." Check out the full tracklist and a playlist of the whole thing (via Wired) below.
Wavves and Cloud Nothings announced that their collaborative album, No Life For Me, would be out at some point this year, and now we finally know when: Tonight at midnight, as a tweet from Wavves reveals. (If you're in Europe, it's already out). That's the artwork above by Nicholas Gazin, who calls it "one of the only good rock n' roll records made recently." Tracklist below.
The album was co-written by Wavves' Nathan Williams and Cloud Nothings' Dylan Baldi, and co-produced by Nathan and his brother and Sweet Valley/Spirit Club bandmate Joel. It also features Wavves drummer Brian Hill and additional vocals from Nathan's Spirit Club bandmate Andrew Caddick. Despite initial reports that Vampire Weekend's Rostam Batmanglij would appear on the record, his contribution didn't end up making it on.
Album stream below...
photos by Mimi Hong, words by Andrew Sacher
The Gaslight Anthem / The Front Bottoms / Cloud Nothings
After a successful day 1, the 2015 Skate & Surf Festival held its second and final day at the Asbury Park oceanfront on Sunday (5/17). While most of the exciting stuff on Saturday started later on (for me at least -- maybe Chunk! No, Captain Chunk! have fans?), Sunday kicked off in a big way with Modern Baseball taking the opening slot on the main stage (the Gameloud Stage). I had been wondering how a band who's risen as quickly as them could be put so early on the main stage, rather than getting a mid-day or evening slot on a side stage, but once Modern Baseball came on I knew the answer. Their crowd probably wouldn't fit anywhere else. The park was filled with fans who came early to see them, and it wasn't just people there to check out the hype. A majority of the crowd knew every single word.
As great a turnout as Modern Baseball had though, the band who had their crowd going off more than anyone -- even more than headliners The Gaslight Anthem -- hit that same stage a few hours later: The Front Bottoms. They're actually kinda likeminded to Modern Baseball (both bands reminded me of The Weakerthans at first) with their knacks for nasally vocals, super specific lyrics, and music with the drive of punk but cleaner guitars. It's kind of amazing to see stuff like this catch on too. Both bands have pretty indie/DIY approaches, and on a festival which still gets called a "pop punk festival," they're not exactly your typical fare. More importantly though, both bands are a hell of a lot of fun.
Over on the smaller stages, Sunday had a lot of good stuff too. There was Beach Slang, who were on the small East Stage mid-day, but played like they were headlining the festival. Not that it was a surprise. They may only have nine songs out so far, but they've been putting on shows like they're the biggest band in the world since the beginning. We of course got all those usual favorites, as well as "Ride the Wild Haze" (heard earlier this year in Brooklyn) and another new one, both presumably off their upcoming debut LP on Polyvinyl.
Unfortunately, Beach Slang's set was disrupted by a power outage due to a faulty generator which affected the adjacent East and West Stages a few more times throughout the day before they got a new generator hours later. More than one of those times was during the band who immediately followed Beach Slang, Hot Rod Circuit.
Beach Slang and Hot Rod Circuit getting some air
Hot Rod Circuit were back with their Sorry About Tomorrow/If It's Cool With You, It's Cool With Me lineup for this show and their Connecticut show a day earlier (which were their first shows since 2011 and reportedly the only two they're doing), and their set leaned most heavily on that era. They kicked off with the ripping "Radiation Suit," and you really couldn't have asked for a better opener. It's the one where their punk energy and pop hooks come together the strongest, and taking that one right into the fist-pumping "At Nature's Mercy" had the crowd amped enough to sing an entire verse a capella after the power cut out for the first time. The band picked the song back up once the power came back, but it very quickly went out again, at which point Andy Jackson got out his acoustic guitar and played "Camo," the acoustic bonus track on The Underground Is A Dying Breed. It was hard to totally make it out with all the other sounds of the festival -- including Cloud Nothings' set on the World Stage (which I unfortunately missed due to it overlapping with HRC, but we did get pictures of both) -- but a cooler experience than having us just wait around.
Once they came back, we got a few more favorites including "Stateside," "Now Or Never," "Irish Car Bomb" and "The Power of Vitamins." And even though the flow of the set was interrupted, when HRC were on, they were on. Casey Prestwood's lead guitar was flawless, which was even more amazing considering he was either jumping around or rolling on the floor for most of the set. And really the whole band sounded fantastic on every song. It's a bummer they aren't playing more shows.
A couple slots later on that stage was Small Brown Bike, another veteran band who had been silent since 2011, and who played that same CT show with Hot Rod the night earlier. Their 7:05 set was completely delayed until a new generator was brought in, not starting until closer to 8 PM. Delays aside though, when SBB got up there, they sounded great. We got stuff from all four of their albums -- "The Cannons and Tanks"," See You In Hell," "Tragically Ending," "Onward and Overboard" and plenty more. And while you did kinda get the vibe that they would've gone over better in a small venue (I was hoping their set would've looked a little more like it did at Cake Shop in 2010), SBB still gave it their all.
Pianos Become the Teeth
Other highlights that day included the grungy, headbanging Manchester Orchestra, reunited post-hardcore band Poison the Well, headlining home state heroes The Gaslight Anthem, singer/songwriter Kevin Devine and his rocking band (Kevin also joined The Front Bottoms on stage for "Twin Size Mattress"), and a highly intense set from Pianos Become the Teeth. One of the best times I've ever seen them.
Day 1 pictures HERE. Day 2 pictures continue below...
by Bill Pearis
Cleveland quartet Total Babes released their new album, Heydays, today (5/19) via Wichita. If you like classic-style '90s indie rock (think Sebadoh or Wedding Present), Total Babes do it very well, with lots of punky energy and sneery attitude. As you may know, the band includes Jayson Gerycz of Cloud Nothings and that band's frontman, Dylan Baldi, contributes sax to "Circling." You can stream the whole album via Rdio and a few songs via Soundcloud below. Also below, the funny video for Heydays title track (featuring a cameo from Colleen Green).
As mentioned, Total Babes are, in fact, playing shows with Sebadoh. None in NYC, but they've just added a headlining show happening here at Rough Trade on June 19 which comes right after a European tour. Tickets for that show go on sale Wednesday (5/20) at noon.
Updated tour dates are listed, along with streams, below...
by Andrew Sacher
photo: Cloud Nothings at NYU Strawberry Fest last week (more by Mimi Hong)
Asbury Park's Skate & Surf festival returned in 2013 after being inactive for eight years. This weekend (May 16 & 17) it's back for its third consecutive year, and the 2015 lineup is by far the best of the three. This year, there's only a few bands that we wouldn't want to see, so to narrow things down a bit, we made a list of the ten bands we're most excited to see at Skate & Surf 2015. Hopefully this will help you out if looking for some suggestions, or maybe it'll help you decide if you're on the fence about attending.
By the way, we're also giving away tickets. You can enter to win, and check our our list (in alphabetical order), below...
Asbury Park's Skate & Surf festival is this weekend (May 16-17) with a pretty great lineup of punk, pop punk, indie rock, post-hardcore and more. There's a few conflicts (fans of both Hot Rod Circuit and Cloud Nothings have a tough choice to make), but it mostly looks like a pretty convenient schedule. Check out the full thing (including a few recently-added bands) below.
photos by Mimi Hong
Cloud Nothings continued their current tour on Friday (5/8) afternoon at the free annual NYU Strawberry Festival, their second of three NYC-area shows this spring. Like most of their recent shows, they split the set between their last two records with highlights like "Psychic Trauma," "No Future/No Past," "I'm Not Part of Me," "Wasted Days" and more. Also on the bill was local regulars Celestial Shore and LVL UP, and LA/NY's Field Trip. Pictures are in this post.
Cloud Nothings return to the NYC-area this weekend for Asbury Park's Skate & Surf festival. More pictures from Strawberry Fest, and their setlist, below...
Chomp, the band including former Cloud Nothings guitarist Joe Boyer (it used to also include Cloud Nothings/Total Babes drummer Jayson Gerycz and Total Babes' Christopher Brown but no longer does), are releasing a new 7" on June 9 via Future Boy Reordings, and the a-side "The Rational Anthem" premieres below.
Chomp are also playing a few shows the week the 7" comes out, including two in NYC. Those happen June 10 at Palisades with Soaker, Telepathic and Jesus Jim ($5 at door) and June 11 at Cake Shop (more bands and ticket info TBA). All dates are listed below.
In related news, Total Babes are also touring, including a run opening for Sebadoh. It doesn't hit NYC, but all dates (including the nearby CT show) are listed below. Total Babes are also releasing their new album, Heydays, on May 19 via Wichita, and have shared three songs from that so far. Listen to those below too.
photos by Samantha Saturday
Tame Impala / Action Bronson / AC-DC / Azealia Banks / giant catepillar
Scheduled to take the main stage on Friday night immediately before AC/DC, Australian psych-rock outfit Tame Impala were given a festival opportunity that a lot of other bands would kill for. Kevin Parker and co. didn't waste it: unfurling an hour of knee-buckling rock tunes and trippy visuals, Tame Impala made a lot of other guitar-based bands at Coachella look unpolished by comparison. Lonerism gems like "Elephant" and "Feels Like We Only Go Backwards" soared, but it was the new eight-minute jam "Let It Happen" that caused the most flower crowns in the audience to bop up and down. From the sound of their newest tunes, Tame Impala keep getting better -- as a studio act and also as a legitimate festival draw. - [Billboard]Weekend one of Coachella 2015 is in the books, and they're getting ready to do it all again this weekend. Friday's kickoff (4/10) featured a wide variety of acts, including rock greats and headliners AC/DC, plus Tame Impala, Action Bronson, The War on Drugs Lykke Li, Azealia Banks, Sylvan Esso, a self-described "slammin'" set from Steely Dan, reformed shogazers Ride, Ohio indie rockers Cloud Nothings, the US live debut of Todd Terje & the Olsens, and much more. Pictures from all of those acts (except Todd, who we missed) and more are in this post.
photos by Samantha Saturday
Cloud Nothings provided the only shade of relief in an afternoon overloaded with sun-shining lackadaisical grooves and showboating MCs. Exemplifying everything you ever loved about noise rock and art punk, Dylan Baldi and company perfectly played the part of the geeks in the corner whilst tanned tummies and beefy bros went about their silly business elsewhere. [Buzzbands.LA]Cloud Nothings played the first of two Coachellas this past weekend. They played the Friday, giving day 1 a dose of harder, punkier music (most stuff in that realm happened the next two days). We got highlights from their last two records like "Stay Useless," "Pattern Walks," "I'm Not Part of Me," "No Future/No Past," "Wasted Days" and more. Pictures of Cloud Nothings and their setlist are in this post. They do it again this Friday (4/17) for Coachella weekend two.
Cloud Nothings also have other upcoming shows, including a free Brooklyn show at MHOW on 4/22 with Amanda X ("sold" out) and NJ's Skate & Surf fest in May. They have also been announced for the 30th annual NYU Strawberry Festival. This year's happens Friday, May 8 at LaGuardia Place (between W 3rd St. and Washington Square South) from 12:30 - 4:30 PM. LVL UP, Celestial Shore and Field Trip round out the bill, and it's free as always.
Updated Cloud Nothings dates are listed, with the Strawberry Fest flyer and more Coachella pics, below...
photo: Cloud Nothings at SXSW 2015 (more by Tim Griffin)
Cloud Nothings are playing both weekends of Coachella (starting this weekend), and they've got a few other shows happening around then too. One is a free show a few days after weekend two in NYC on April 22 at Music Hall of Williamsburg with Amanda X, presented by Converse Rubber Tracks Live. Though it's free, you do need tickets, which become available Wednesday (4/8) at noon.
All dates are listed, with a video from last year's excellent Here and Nowhere Else, below...
Wavves and Cloud Nothings have been talking about their collaborative album for a while now, and recently said it'd be out this year. Now it's finally been announced. It's called No Life For Me, and that's the album artwork above. Wavves' Nathan Williams and Cloud Nothings' Dylan Baldi co-wrote the whole record together (except one song, "Such A Drag," just written by Nathan), and Nathan's brother Joel (who he plays with in Sweet Valley and Spirit Club) produced the album. Wavves members Stephen Pope and Brian Hill played on it, as did Vampire Weekend's Rostam Batmanglij. Release date TBA, but it's coming out via Ghost Ramp.
photo: TEEN @ Bowery Ballroom, 2014 (more by Amanda Hatfield)
Carpark Records, home of Toro Y Moi, Speedy Ortiz, TEEN, Young Magic, and many more, is celebrating its 16th anniversary this year which means it's old enough to drive. For the occasion, they're releasing a super sweet basketball themed compilation on May 26 featuring 19 bands from their current roster. Most of the songs were recorded specifically for the comp (and are about hoops), including TEEN's "Dylan and Chong Playing Basketball" which makes its premiere in this post. You can stream it, and check out a Toro Y Moi vine, below.
There will also be a few Carpark anniversary shows, including one at Brooklyn's Baby's All Right on March 6 with Lexie Mountain Boys, Greg Davis, Greys, Chandos, Ear Pwr, Safety Scissors, Adventure, Jimmy Whispers, and DJs Young Magic and Montag. Tickets for that show are on sale. There will be one in DC, plus one in Austin during SXSW as well. Details on those are below.
Asbury Park festival Skate & Surf has expanded its lineup once again, and this thing just keeps getting better and better. Cloud Nothings, Iron Chic, Defeater, Defeater alt-country side project Alcoa, Hot Rod Circuit (first show announced for their Sorry About Tomorrow-era lineup reunion), and Thrice (first US reunion date announced) have all been added, joining a lineup of The Gaslight Anthem, American Nightmare, Manchester Orchestra, The Front Bottoms, Modern Baseball, Small Brown Bike, Beach Slang, mewithoutYou, Pianos Become the Teeth and more.
The day-by-day lineups have also been revealed, and you can check those out below. Tickets are still available.
In related news, Alcoa recently announced a tour which hits NYC on March 13 at The Studio at Webster Hall with Choir Vandals, AJ Smith and Owel. Tickets for Webster are on sale now. All dates are listed below. Defeater also play Long Island in March with Title Fight, Pianos Become the Teeth and more (tickets).
Drive Like Jehu in 2014 (photo by Tod Seelie)
Earlier today, we mentioned the a couple Coachella sideshows (Brand New/Built to Spill/Desaparecidos and Desaparecidos/Touche Amore/Joyce Manor), and now the full schedule of sideshows is here. There's also one with the reunited Drive Like Jehu, one with the reunited Ride and Eagulls, one with Interpol and Perfume Genius, one with Belle & Sebastian and Mac DeMarco, one with Swans and Angel Olsen, one with Father John Misty and King Tuff, two Jenny Lewis shows, a Cloud Nothings show, a War On Drugs show, a Panda Bear show, and still plenty more.
More details at Goldenvoice's website. Full schedule on the poster below...
by Andrew Sacher
photo: Wavves at Riot Fest Chicago 2014 (more by James Richards IV)
Nathan Williams is looking like he'll be having a very busy 2015. He said there will be two Wavves records released this summer, one of which will be free. One of those is the long-awaited collaborative album with Cloud Nothings, which Nathan tells Nylon Guys he recorded at his house with CN singer Dylan Baldi and Wavves bassist Stephen Pope. The other is the fifth Wavves album, which "was recorded with a full band in L.A. with legitimate producers and engineers" that they previewed a handful of songs from at their Baby's All Right show this past September. (They sounded great, too.)
On top of that, Nathan and his brother Joel (who make electronic music together as Sweet Valley) and Jeans Wilder (aka Andrew Caddick) also have a debut album coming out as Spirit Club this spring, and just released the first single "Still Life" today. It's the kind of lo-fi punk that sounds more like Wavvves or King of the Beach than what Wavves is doing now, and it's good stuff. Check out the video below.
Coachella 2015 happens April 10-12 and April 17-19 this year in Indio, CA. The lineup was just announced and includes AC/DC, Jack White, Drake, Ride, Drive Like Jehu (!), St. Vincent, Tame Impala, Interpol, Steely Dan, Belle & Sebastian, Brand New, Alabama Shakes, Alt-J, Azealia Banks, Flying Lotus, Bad Religion, SBTRKT, FKA twigs, Father John Misty, The War on Drugs, Ryan Adams, Lykke Li, Caribou, Raekwon & Ghostface Killah, Swans, Todd Terje, Action Bronson, Sylvan Esso, Vic Mensa, Cloud Nothings, Ab-Soul, Run the Jewels, Toro y Moi, Parquet Courts, Antemasque, Perfume Genius, Jenny Lewis, Desaparecidos, Mac Demarco, Built to Spill, Panda Bear, OFF!, Touche Amore, Joyce Manor, Sturgill Simpson, The Cribs, Angel Olsen, Philip Selway, Sloan and many more. Tickets will be sale soon.
Larger poster HERE. Full lineup below...
by Andrew Sacher and Bill Pearis
We love year-end lists -- reading them, making them, arguing about them. BrooklynVegan editors Andrew Sacher and Bill Pearis have once again figured out their favorite albums of the year which you can check out, with commentary, below. Someday we may be able to come to an agreement on an official BV year-end list, but as you'll see there's not a lot of commonality between their two lists. (Specifically, there is zero commonality.) Which is ok! Diff'rent Strokes to rule the world. This year, they've also added their Top 20 favorite songs as well.
Find out what made their lists, below...
Protomartyr's second album, Under Color of Official Right, is one of the year's most acclaimed albums, matching witty if bleak observations to snarling postpunk backing. The band spent most of the year on the road, out on tours with Spray Paint, Whatever Brains and Parquet Courts, making space for both SXSW, CMJ and one of DbA's final shows, too. Which leads to Protomartyr's Top 10 of 2014 list they sent us, which could have only been sent by them. Here's the setup:
As is often the case with touring, all you have is time and it must be killed. Going to see a movie, any movie, is our default band activity. We go to the theater and whatever is showing next is what we see. We'd like to think this is the reason why we saw so much shit, but honestly, seeing something awful became an addiction. Other than that, the only criteria was that the theater had to sell booze. That became an addiction as well.You won't find Boyhood or Birdman or Grand Budapest Hotel on this list, but it's a funny read and works as a travelogue as well. Protomartyr's "Ten Movies We Saw This Year" are listed with commentary below.
In other news, Protomartyr are part of a Joyful Noise Recordings' new subscription record club, the 2015 Flexidisc Series where "some of our favorite artists to release never-before-heard recordings on a fleeting analog format." Other artists contributing to the series include Cloud Nothings, Wye Oak, Deerhoof & Celestial Shore, Sonny & the Sunsets, and King Buzzo.
If you you're going to be in Detroit around Christmas, Protomartyr are playing on December 26 at Jumbos, a place they wrote a song about on their first album. Flyer for that is below as well...
First tracks, then honorable mentions, and now Pitchfork has put out their Top 50 Albums of 2014. There's nothing entirely out of left field, but there's definitely some surprises here. Taylor Swift, whose album was not reviewed at all (I guess it was a pretty obscure one), comes in at #31 with her album, 1989. Sun Kil Moon, which was the only 2014 album in their Top 10 Albums of the Decade So Far this past August (and seemed like a sure bet for #1) dropped down to #7 and was beaten out by his enemies The War on Drugs. TWOD actually came in at #3 themselves, and the two ahead of them are two you may not have seen coming.
We already knew that Pallbearer, the only Best New Music metal album of 2014, was an honorable mention, which unsurprisingly left zero metal albums on this list. No other BNM album got snubbed (save for a Hyperdub compilation and the Beyonce album, but that was probably because it was technically a 2013 release), and there's not really any glaring omissions in terms of what Pitchfork appeared to champion this year.
See the list for yourself below...
intro by Andrew Sacher
There were a lot of great labels in 2014, but one label I think had an exceptionally good year is Tiny Engines. Between the second Beach Slang EP of the year, the Places to Hide EP, Cayetana's debut album, the latest EP from Frontier(s) (ex-Elliott, Mouthpiece), Somos' debut album, The Hotelier's breakthrough album and still others, TE was one of the most consistently great homes for indie rock, punk and emo in 2014. (If you haven't heard any of those releases, strongly recommended!)
Now that the year's coming to a close, Tiny Engines co-founders Will Miller and Chuck Daley (who also both run Beartrap PR) told us about their favorite albums of the year, as did TE bands Cayetana, Runaway Brother (debut LP and BV-presented NYC show coming in 2015), and Matt from Frontier(s)/Mouthpiece.
Find out who made their lists (and read the entertaining intro Chuck wrote for his) below...