Entries tagged with: Cloud Nothings
One of the coolest festivals in the world, Barcelona's Primavera Sound will hold its 2014 edition from May 29 - 31. Arcade Fire, Pixies and Neutral Milk Hotel were announced as headliners a while back but the fest announced it's headliners today via an online short film. They've outdone themselves this year, as the three day event includes a reunited Slowdive (!), Godspeed You! Black Emperor, The National, Television, Slint, Foals, Warpaint, St. Vincent, Majical Cloudz, Kendrick Lamar, The National, Metronomy, Queens of the Stone Age, Disclosure, CHVRCHES, Darkside, Julia Holter, Cloud Nothings , and more.
Full line-up below and tickets are on sale now.
Cloud Nothings recently performed their new album in full at a Brooklyn show, and they've just announced more details on it. It's called Here and Nowhere Else and is due out on April 1 via Carpark and Mom + Pop in the US. John Congleton (also behind the upcoming Swans and St. Vincent albums) produced. They also just revealed its first single, "I'm Not Part of Me," which you can listen to, along with the tracklist, below...
by Bill Pearis
After catching Cate Le Bon at Mercury Lounge last night (1/16), I took the J across the bridge to catch Cloud Nothings at Baby's All Right where the band debuted their forthcoming new album in full. The place was packed to the gills, certainly more people than they would've been able to fit at Rough Trade where the show was originally supposed to happen. Now a trio, the band tore through the still-unnamed album which is the noisiest, most adrenalized thing they've done yet. The crowd took it all in, and saved going mental for the few older songs they pulled out at the end, especially set-closer "Stay Useless."
While we wait for a release date and title, you can listen to a live recording of last night's show (via Consequence of Sound). Stream it below.
Rough Trade NYC (more by Amanda Hatfield)
Though it looked like the new Rough Trade NYC, which put its shows "on hold for a while," would be back this January, it's unfortunately not ready yet, and almost all January shows have been moved.
Against Me!, The Sidekicks and The Shondes, who would have played this Thursday (1/9), now play at the larger Music Hall of Williamsburg, which also means the previously sold-out show is back on sale.
Cloud Nothings (1/16) was moved to Baby's All Right (sold out).
Francis and the Lights (1/17) was moved to Baby's All Right (sold out).
Saintseneca (1/18) was a free in-store performance and will happen as planned.
Royal Bangs and Bad Suns (1/19) was moved to Baby's All Right (tickets).
It's now looking like things will be back for The Ghost of a Sabre Tooth Tiger's show (1/29) (tickets).
by Andrew Sacher
Cloud Nothings at BV-SXSW 2012 (more by Sarah Frankie Linder)
The new Cloud Nothings album is set to drop in 2014, and while we still don't know the title or release date, some exciting news about it has just been announced. You'll get to hear every track on it when the band plays it in full at Brooklyn's new Rough Trade NYC on January 16. From the sounds of the clips in the album trailer, this is something to look forward to, and they're promising old stuff too. Tickets go on sale Friday (12/20) at noon.
In addition to the new album, Cloud Nothings will also be releasing a single as part of Polyvinyl's 7" series which also includes upcoming releases from Mikal Cronin, Matt Pryor (of The Get Up Kids), Into It. Over It., Hospitality, Foxygen side project Diane Coffee, and others.
Album trailer below...
by Andrew Sacher
Cloud Nothings at Terminal 5 in 2012 (more by Luis Ruiz)
Around this time last year, Cloud Nothings mentioned they were planning a "noisier" album for 2013, and though we heard some new songs at their shows, the album didn't come out this year, but it's being promised for 2014. They haven't announced an exact release date or title yet, but they just posted a 43-second album teaser that features a number of Cloud Nothings-sounding riffs and is enough to get us excited for the new record.
Check out the video below...
by Andrew Sacher
Title Fight at Europa in 2012 (more by Rebecca Reed)
"Emo is a style of rock music characterized by melodic musicianship and expressive, often confessional lyrics. It originated in the mid-1980s hardcore punk movement of Washington, D.C., where it was known as "emotional hardcore" or "emocore" and pioneered by bands such as Rites of Spring and Embrace." [Wikipedia]If you've been closely following along with the blogosphere lately, you've probably noticed talk, especially amongst the indie rock community, about an "emo revival." Some sites, like Stereogum and Buzzfeed, have directly written about the "revival," whereas others like Pitchfork -- a site which has previously derided even the most classic albums of the genre -- didn't explicitly call it a revival, but offered a valuable spotlight on the modern emo scene. NPR weighed in, asking, "Is Emo Back?," but still some, like Noisey, claim, "There's no emo revival, you just stopped paying attention." A writer at NYU Local agrees. Meanwhile, bloggers and local papers, like OC Weekly and Baltimore Sun, are running with this.
All of this attention is only doing the genre a service. As Chad Jewett points out on Half Cloth, "How did you find out about Diary, person born in 1988? Because you would have to have been preternaturally cool to have picked up on it in 1994 when it came out." In other words, maybe in 19 years someone will hear Is Survived By, and they'll thank their lucky stars for all these listicles and thinkpieces that pointed out that record and so many other great records. But does the increased attention for these bands (many of which have been around for years) in indie rock circles warrant calling it a revival? Maybe it's that people are realizing these "emo revival" bands have a lot more in common with indie rock bands than a lot of people thought.
For one reason or another (perhaps because kids who grew up on Drive-Thru Records comps are forming bands now), emo has been sneaking its way more and more into accepted indie rock. Nobody was screaming "emo revival" when Japandroids went from a well-liked indie rock band to one of the genre's most beloved with 2012's Celebration Rock, a record full of heart-wrenching lyrics, youthful spirit, and fast, catchy power chords -- all common descriptors of emo. (Not to mention it was released by Polyvinyl Records, home to such emo classics as Frame and Canvas, American Football, Look Now Look Again, and more.) Likewise, no one said it when Cloud Nothings' 2012 LP Attack On Memory got tons of love from indie rock critics upon its release and went on to appear in multiple year-end lists, including Pitchfork, Stereogum, Spin, and more. It's an indie record, but one with a heavy resemblance to early Sunny Day Real Estate and similarly emo lyrical themes ("I miss you 'cause I like damage / I need something I can hurt").
Japandroids at Bonnaroo 2013 (more by Dana (distortion) Yavin)
These records had all too much common with the great emo releases of that year, including Title Fight's Floral Green and Joyce Manor's Of All Things I Will Soon Grow Tired. Both of those albums embraced raw production, honest, innovative music, and were not geared towards a radio-pop fanbase, but yet were largely ignored in indie rock circles. It's essentially what indie rock is, and a far cry from what pop bands tagged as emo like Panic at the Disco, Hawthorne Heights, and Senses Fail were doing. Those pop-emo bands, and countless others, dominated rock radio, MTV, and a major part of the conversation on emo during the mid-2000s, scaring away many indie rock fans and critics from the genre all together. The two weren't always enemies. Emo kids and indie rock kids both hold equal claim to bands like Sunny Day Real Estate, Cursive, Bright Eyes, Death Cab for Cutie, Rilo Kiley, and others. Perhaps part of the split was because it was somehow cooler to look like this than like this.
Title Fight, who didn't appear on Pitchfork until the-year-of-the-revival despite notable album releases in 2011 & 2012, cited many of the same influences as modern indie rock bands for Floral Green, including Sebadoh, Hum, Nirvana, and Sonic Youth. And Joyce Manor did the same, namedropping Guided by Voices and Weezer's Pinkerton in interviews. It makes sense that fans who latched on to Japandroids/Cloud Nothings would gravitate towards Title Fight/Joyce Manor. So what makes them so different? Ian Cohen says in his 2013 Pitchfork review of the new Title Fight EP, "You're more likely to hear electro-pop or major-label bands such as Chvrches or Haim called "indie" more often than Title Fight. How is that? Is it because most of time, genre tags are used to described the perceived fanbase than the music itself?"
The question Ian poses in that review seems to be a huge factor in the need some have to cite an "emo revival." If Japandroids and Cloud Nothings are your kind of indie rock, or punkier indie-approved bands like Titus Andronicus and Fucked Up, or classic bands like Dinosaur Jr, Built To Spill, Superchunk, and Archers of Loaf, chances are you're going to (or already do) find a lot to like in Title Fight, Joyce Manor, Pity Sex (essentially a shoegaze band), Cloakroom (sludgy slowcore), Placeholder (fuzz rock/'90s-style indie/etc), and many more. And as certain people, like Jaded Punk Dan Ozzi in his Noisey article pointed out, these bands didn't come out of nowhere. This comparatively underground scene of emo has been co-existing with the mall-emo scene for years, and perhaps it's getting called a "revival" because of the sudden interest for it from a fanbase who, for the most part, previously ignored anything associated with that three-letter word.
I do think, to some extent, that at one point the "emo revival" tag meant something. Now-defunct bands like Algernon Cadwallader (who have a new band, Dogs On Acid, in the works and whose guitarist Joe Reinhart is now a sometimes-member of Hop Along) and Snowing/Street Smart Cyclist (whose singer John Galm now fronts the excellent garage punk band Slow Warm Death) revived a very specific type of emo in the late 2000s -- the math rock-influenced kind done (perhaps most notably) in the mid-'90s by Cap'n Jazz. That sound, which some people bafflingly call "twinklecore," can be heard in late-2000s bands Castevet, Empire! Empire! (I Was A Lonely Estate), 1994!, and bands who rose more recently, including The World Is A Beautiful Place & I Am No Longer Afraid To Die, Dads, and Prawn. But that's only a small sect of the genre as a whole. I recently said that Brand New's 2006 LP The Devil and God Are Raging Inside Me is my favorite emo album since Diary, and Devil and God only came out two years before Algernon's first, 1994!'s first, and La Dispute's first. Thursday's final record, No Devolucion, came out in 2011 and in my opinion it's one of their best. The genre had a rough period as it entered the mainstream (but so did so many other genres) but it never vanished.
Touche Amore at Riot Fest 2013 (more by Kirstie Shanley)
Why is it all happening now though? Perhaps with "indie rock's tuneful death rattle" and "the decline of guitar rock" in effect, with artists like Haim, Chvrches, Icona Pop, The 1975, and Lorde currently dominating the indie rock discussion, there are still people yearning for raw, scrappy guitar rock with DIY ethics and an alternative mindset. And a lot of us are finding that those cravings are satisfied by this large, thriving group of "emo" bands. In his "indie rock death rattle" piece on Grantland, Steven Hyden welcomed indie turning pop as a natural progression, but did point out some may be seeking something less pleasant, which he finds in Touche Amore's latest LP, Is Survived By.
Touche's record, another getting extra attention now thanks to the "revival," is one of the finest releases of this year, and embodies so many of the key factors of "underground rock." Its aggression is raw and unpolished, but it's melodically and dynamically exploring new ground for rock music. Lyrically, the themes won't be unfamiliar to indie rockers, exploring existential uncertainties ("To swallow mortality is enough of a task / And leaving your mark is just too much to ask") that aren't too different from a band like Titus Andronicus ("Okay, I think by now we've established everything is inherently worthless / And there's nothing in the universe with any kind of objective purpose"). They also happen to be musically and communally connected to post-hardcore bands like Converge and Thursday who have influenced forward-thinking underground rock bands, just as Pavement and the Pixies have.
At The Drive-In at Coachella 2012 (more by Dana (distortion) Yavin)
It's not only newer bands though. Many now broken-up bands have been reuniting, and getting welcomed back very warmly. It's no surprise that the much-loved At the Drive-In caused excitement when they reunited, but in case there was any doubt how large that excitement would be in indie circles: They got huge spots on major indie rock festivals like Lollapalooza and Coachella, and the reunion also got notable coverage on many indie sites, including Pitchfork, who weren't too kind to their classic Relationship of Command LP upon its release but scored it significantly higher upon its April 2013 reissue.
The fact that the idea of "indie rock" is so vague and encompasses so many things, many of which are not "indie" or "rock," is a great thing, but there are still kids who can't settle for Chvrches when a past generation got Fugazi. And luckily those kids won't have to worry. In addition to many of the bands mentioned above, there's Speedy Ortiz, Waxahatchee, Swearin', A Great Big Pile of Leaves, Courtesy Drop, Little Big League, Frameworks, Calculator, Iron Chic, Big Eyes, Single Mothers, Sundials, Aye Nako, Worriers, Caravels, Pianos Become the Teeth and so many more that all satisfy a similar craving, whether or not you call them "emo," "indie," or a "revival."
photos by Tim Griffin
Slayer/Glass Candy/Polyphonic Spree/Slayer surfer @ FFF Fest 2013
Closing Fun Fun Fun Fest, Slayer treated Austin to greatest hits and then some: "Raining Blood," "South of Heaven," "Dead Skin Mask," "Seasons in the Abyss," etc. They also dug out the aforementioned "Die by the Sword," a high point off their 1983 debut LP, Show No Mercy.The eighth Fun Fun Fun Fest happened last weekend (11/8 - 11/10) at Austin's Auditorium Shores, hosting three days of music and fun (fun fun), with such acts as MIA, Deerhunter, Slayer, Television, Thee Oh Sees, Kurt Vile, Cut Copy. Johnny Marr, The Walkmen, Jurassic 5, Killer Mike and loads more. Many of them played again as part of the FFF Nites shows, including shows presented by BrooklynVegan and Invisible Oranges.
After fooling no one with a false ending of "South of Heaven," the third backdrop of the night unfurled at the back of the stage: a parody of the Heineken logo reading "Hanneman" and bearing his life dates. The top read "Angel of Death." Reign in Blood's terrifying opening track - and closing number on Auditorium Shores - now serves as an epitaph for Slayer's fallen co-founder. - [Austin Chronicle]
We were there in the thick of it and, as mentioned above, you can check out pics from Day 1 HERE and HERE, pics from Day 2 pics HERE and HERE; and pics from Day 3 are HERE and HERE. See you again in 2014 Austin.
by Wyatt Marshall
Andrew of Castevet at Lit Lounge, 2010 (more by Samantha Marble)
Extreme sport junkie, Music Academy presenter, sponsor of cool Sound Select shows, magazine publisher and beverage maker Red Bull has put together a list of the 30 best guitarists under 30. In the two-part rundown, the list covers some territory, lumping Pallbearer's Brett Campbell, Liturgy's Hunter Hunt Hendrix, Mac Demarco, Danielle Haim, Ben Greenberg of The Men, Sadie Dupuis of Speedy Ortiz, Marissa Paternoster of Screaming Females and Fun guitarist and Lena Dunham-dater Jack Antonoff onto the list. You can check out the whole list below.
Music of the heavier persuasion was decently represented, and Castevet's Andrew Hock made the cut. You can catch him in action with Castevet at an Invisible Oranges sponsored show on October 25 at Union Pool with Churchburn, Oneirogen and Vorde. Also on the list, as a pair, are Inter Arma riff monsters Trey Dalton and Steven Russell. Inter Arma will be back in NYC soon to play Saint Vitus on October 30 with Black Tusk, Descender and No Way.
Ty Segall, who also made the list, will be here next weekend (but on drums) with his band Fuzz, playing a sold out show at Mercury Lounge on 10/12 with CCR Headcleaner. (There is also a show with "Buzz" and "DDT Shampoo" at Death by Audio on 10/13).
You can catch The Men at MHOW in November.
Speedy Ortiz, among others, will be here for CMJ.
Who'd they leave off the list? Check out the full list of Red Bull's 30 under 30 below...
Jayson Gerycz w/ Cloud Nothings in Chicago (more by Zach Pollack)
NYC's Spy Music Festival is returning next weekend (9/7-8) with
Thurston Moore, Ava Luna, Loren Connors and more, and they've just announced a pre-show happening on Friday, September 6 at Grand Victory with Swindlella and Colin L. Orchestra. Sticky Greg will be your host for the evening, and Shannon Cornett is DJing. Tickets for the pre-show are on sale now, and tickets for the festival are still available too.
UPDATE: Thurston Moore dropped off Spy Fest.
Swindlella is the "brutal noise band" of Cloud Nothings drummer Jayson Gerycz (also of Chomp and Total Babes) and Chris Brown (Jayson's bandmate in the latter two). For this show, Cloud Nothings frontman Dylan Baldi will be joining the band on saxophone.
Meanwhile, Dylan recently debuted an acoustic version of a new song, "Psychic Trauma" (working title), in Vienna. This, and the other new music they've previewed this year, will presumably appear on their upcoming "noisier" album, which is now due out in early 2014.
A video of that new song the flyer for the Swindella show, below...
Cloud Nothings at BV-SXSW 2013 (more by Sarah Frankie Linder)
As discussed, the Jay Z-curated Budweiser Made In America Festival is returning this weekend to Philly's Benjamin Franklin Parkway (8/31-9/1), and the mostly pop/rap/R&B festival just got a little more, um... punk. Aside from the fact that it already included The Gaslight Anthem (who are pretty much a festival regular by now anyway), the lineup now includes Cloud Nothings, Restorations, Balance & Composure, The Front Bottoms, Diarrhea Planet, PUJOL, and more. And you thought it was weird when Jay Z saw Grizzly Bear.
UPDATE: And one more: Wavves was added to the TBA slot on Sunday.
Other non-punk additions that have happened since we last spoke include Rudimental and The Underachievers. The full schedule was also recently announced, and you can check that out below.
Many of the artists playing Made In America also have NYC or NJ shows this weekend (or soon after), including The Front Bottoms, Diarrhea Planet, Rudimental, The Underachievers, Kendrick, Ab Soul & Jay Rock, AlunaGeorge, Haim, and 2 Chainz.
Made In America schedule below...
Fun Fun Fun Fest 2012 (more by Keith Marlowe)
As discussed, Fun Fun Fun Fest is returning to Austin's Auditorium Shores from November 8-10, and now the full lineup was finally announced. It includes Television, Slayer (again!), Quicksand, Descendents, The Dismemberment Plan, Body Count, Jurassic 5, MIA, MGMT, Death Grips, Kurt Vile, Cloud Nothings, Snoop Dogg/Lion, The Locust, Subhumans (performing Cradle to the Grave), The Men, Title Fight, White Lung, Retox, Chromatics, XXYYXX, Mykki Blanco, Cut Copy, Washed Out, Merchandise, Lemuria, and many more.
Tickets for the festival go on sale today (7/10) at 10 AM CST.
Full lineup and flyer below...
photos by Amanda Hatfield
Death at BrooklynVegan SXSW party - 3/15/13
Rediscovered Detroit protopunk legends Death are still around, and as they mentioned at our BrooklynVegan Thursday SXSW party, they've got a new album coming out this year. Though details on that album are still sparse, we'll most likely get a chance to hear some of the material when they play a one-off in NYC on July 1 at Le Poisson Rouge. Tickets for that show are not on sale yet but check LPR's site for updates.
UPDATE: Tickets are on sale now. Rough Francis and The Everymen open the show.
At our SXSW party, Death played our punk-oriented stage which also included sets from Cloud Nothings, METZ, The Spits, Milk Music, Single Mothers, and Rough Francis (whose lineup features sons of the members of Death). A belated set of pictures of Death and all the other bands on that stage is in this post.
More pictures, and a full stream of Death's 1974-recorded, 2009-released For The Whole World To See, below...
by Andrew Sacher
"thanks everyone for the kind words today.
really fun show and festival." - Cloud Nothings
Cloud Nothings at Coachella 2013 (via @kacytwist)
Cloud Nothings played Coachella 2013 yesterday (4/14) as a three-piece (we hope this doesn't mean Joe left the band!) and dished out six tracks from 2012's excellent Attack on Memory, in addition to two new great sounding new songs (also heard at SXSW). Watch a video of their entire set, along with a picture of the setlist, below.
photos by Sarah Frankie Linder
Beach Fossils/The Spits/Parenthetical Girls
The second of our four SXSW day parties at connected Austin venues The Main and The Jr. happened Thursday (3/15). In addition to Cloud Nothings' joyously raucous set, The Main was fairly wild all day. We got reunited Detroit protopunk legends Death, fellow Micheganites The Spits, Pacific Northwest fuzz-freaks Milk Music, highly-excitable Canadians METZ, plus Rough Francis and Single Mothers.
Meanwhile on The Jr. stage, things were a little more indie, with a double shot headlinging sets from two Captured Tracks bands, Widowspeak and Beach Fossils. Not to mention: Dutch artist Jacco Gardner made amazingly precise recreations of late-'60s baroque pysche pop; Scotland's PAWS did raw-throated, seriously catchy yell-alongs; Parenthetical Girls kept Austin strange during their mesmerizing set; Toronto's Moon King gave a dose of shoegaze; plus Japanese singer-songwriter Shugo Tokumaru and the folky sounds of J. Thoven. What a day!
For those reading this in NYC, don't forget Parenthetical Girls play Glasslands on March 25 (tickets) and Bowery Electric on March 26 (tickets); and Jacco Gardner plays Mercury Lounge on March 23 with his Trouble in Mind labelmates Mmoss (tickets)
In addition to the music, Onkyo was there, sampling their new headphones which hit stores next month. mophie, maker of invaluable iPhone chargers, were giving away discount cards good at their pop-up shop which was set up right across the street on Red River.. We were also serving complimentary Jameson, and Zico coconut water, free vegan queso and chips from Food For Lovers, and free vegan breakfast tacos from Pink Avocado. We also had BrooklynVegan t-shirts for the first 50 people in the door, thanks to American Apparel. Also thanks to our other sponsors, Korg, Vox, Blackstar, Creative Recreation, Signazon, Mirrored Media, ASCAP, and Redigi.
Our free Friday day party at The Main and The Jr. just got underway. The Main stage will be crowded for 20-something headliners The Polyphonic Spree, and that side will also have sets from Akron/Family, The Thermals, Shout Out Louds, Diamond Rings, TOY, and Half Moon Run.
The Jr. stage today is curated by out loud brethren at Invisible Oranges, with Today is the Day, Pallbearer, Royal Thunder, Inter Arma Batillus, and Babtists.
Then tonight is the official BrooklynVegan showcase at Maggie Mae's Rooftop with 3421, Brooke Candy, Giraffage, Man Without Country, Mykki Blanco, Pictureplane, The Underachievers, XXYYXX, and Zebra Katz. If you're in Austin, come on down!
More pics from Thursday's day party are below.
photos by Sarah Frankie Linder; words by Andrew Sacher
Cloud Nothings at The Main, Austin, 3/14/2012
Cloud Nothings spent the bulk of 2012 on the road in support of their great Attack on Memory album and we caught them in NYC a bunch of times throughout the year. And not that we'd ever turn down seeing them again, but when they announced that they're working on a new album, it made their set at the BrooklynVegan SXSW day party yesterday (3/14) even more anticipated. And they did preview some material from the new record at the show, and it's sounding really good. The new stuff is hard-hitting but not without the melodies that make Cloud Nothings so catchy. You can watch a video of them playing one of their new songs at their Mohawk show on Tuesday (3/12) below.
Of course, they also played a bunch off Attack on Memory and when they did those songs, they had maybe the wildest crowd at the BV day parties so far. Like they usually do, they changed up those songs a bit live, especially during the jammy parts, and worked in some instrumental interludes between songs too. They also changed the setlist around since the last few times I've seen them (I think it was the first time they didn't play "Separation" before "Wasted Days," and no "Stay Useless"!). The front half of the crowd (if not also the back) knew every word and they were grabbing each other to scream along, starting mini mosh pits, and rushing the stage. Over a year after the release of Attack on Memory, it's great to see random people still coming together and connecting with each other and those songs.
Big thanks to our sponsors Onkyo, mophie, Jameson, Zico, Food For Lovers, American Apparel, Korg, Vox, Blackstar, ReDigi, Signazon, Korg, Pink Avocado, Creative Creation, and Mirrored Media, who we couldn't do the day party without. More pictures of Cloud Nothings from that party and the video of the new song below...
As you know, BrooklynVegan is returning to Austin for SXSW this year and throwing four days of day parties at The Main & The Jr aka 603 Red River Street at the corner of 6th aka the old Emo's location. Those happen Wed (3/13), Thurs, Fri and Saturday (3/16). All shows are 100% FREE with RSVP.
Japandroids at Webster Hall in 2012 (more by Dan Bracaglia)
Japandroids had a great year in 2012 and it doesn't look like they have any plans to stop celebrating rock in 2013. They've already been announced for some spring/summer festivals like NYC's Governors Ball, Quincy, WA's Sasquatch!, Dover, DE's Firefly Music Festival, Manchester, TN's Bonnaroo, Indio, CA's Coachella, and Detroit's Metallica-headlined Orion Music + More; and now they've announced a full international tour surrounding those fests. The dates include a European run with The Gaslight Anthem and a west coast run with Cloud Nothings around the time of Coachella. Most likely because of Governors Ball, there are no other NYC dates to report at the moment.
The band were also recently nominated for the Juno Alternative Album of the Year Award (going up against Hannah Georgas, Metric, Said The Whale, and Stars), and they just stopped by Conan last night (2/25) to perform "The Nights of Wine and Roses." You can watch the video of that performance below.
photos by Greg Cristman, reviews by Nathan Stout
James Murphy, El-P, Jarvis Cocker
The second of two S.S. Coachella cruises set sail off the coast of Jamaica last week (12/19) and returned on Sunday (12/23). (The first set sail from the Bahamas on 12/16.)
Day 1, pictured in this post, was headlined by reunited britpop greats Pulp and also included sets by The Rapture, Cloud Nothings, James Murphy (DJ), El-P, Simian Mobile Disco, and others. We didn't catch Grimes on day 1 but pictures of her set at day 2 are on the way. Killer Mike also played day 1 but unfortunately we missed him. The venues on the cruise were all pretty intimate, which was especially great for Pulp fans who got to see them in a 1,400 capacity theater with great lighting. The other venues had darker lighting but the sound and intimacy made up for any other shortcomings.
Before S.S. Coachella, Pulp played a hometown show in Sheffield where they gave their fans Christmas cards which sent them to this link, which was activated with a download to a new song on Christmas Eve at midnight, according to Pulp fansite Bar Italia. The song was actually a re-recording of an old Pulp demo, "After You," and it was done with fellow S.S. Coachella sailor James Murphy.
Writer Nathan Stout was aboard the cruise as well and he told us a bit about Pulp's set:
A neon sign reading 'PULP' in huge letters swings back and forth on stage as Jarvis Cocker rips off another piece of clothing. He shakes his hips then falls on his back, puts his forearm on his brow, squirms, and thrusts the air...all to the pleasure of hundreds of screaming fans. It is the first night of the S.S. Coachella. We are front and center, proudly wearing our neon hats. Only a few feet separate us from Jarvis and Pulp. We are drunk (but not belligerent or reckless) and living in the moment; every ridiculous moment. We dance. We yell. We exchange glances of excitement and approval. Welcome to music fan heaven. Welcome aboard the S.S. Coachella!He also wrote about the ship itself...
The Celebrity Silhouette is largest and newest of the Celebrity Cruise Lines' fleet. The vessel weighs a whopping 122,400 tons and holds 2886 people. It was obviously built with luxury in mind. There are two large swimming pools on the top deck, four hot tubs, a lawn made of real grass, chairs, hammocks, basketball courts, a theater, restaurants, clubs, food everywhere, drinks everywhere, and as many servants as cruise patrons. Aboard this ship we lived like rock stars for four glorious days.You can stream the Pulp song and check out more pics from day 1 of S.S. Coachella below...
by Andrew Sacher
Today, we finally get the much anticipated list of Pitchfork's Top 20 Albums of 2012. They revealed Nos. 30-50 yesterday and spent the rest of this week posting Honorable Mentions and tracks. None of the albums that made the top 20 are surprising to see there (which doesn't mean they aren't deserving), but the surprises come from the albums that missed the list all together. Passion Pit got ROBBED! Twin Shadow too! And Wild Nothing! If you're looking for Converge or Baroness, you'll have to redirect yourself to Pitchfork's Metal list (though Pallbearer was in the main top 50). And we could've guessed that Nos. 1 and 2 would be Frank Ocean and Kendrick Lamar... but who took the No. 1 spot? Head below to find out and you can check out individual writer's votes too...
by Andrew Sacher
Cloud Nothings at Terminal 5 in October (more by Tracy Allison)
One band we've been seeing on a ton of year-end lists this year is Cloud Nothings for their great album, Attack on Memory, which literally attacked everyone's memory of what the band was prior to this record (and is my personal favorite of the year). Today, we learn the exciting news from a Dylan Baldi interview with MTV Hive (via Consequence of Sound) that Cloud Nothings have not only "written most of" a followup album due out in 2013, but it's going to be "noisier and less straightforward." \m/
"The album is a little less melodic. It's noisier and less straightforward. I think people will be able to handle it." Baldi's looking back further on this LP, taking inspiration from early punk. "There's one track that sounds a lot like early Wire, that I really like. There's not really words yet, I write them super last minute when I'm in the studio."They'll start recording in April and hope to have it out in the fall."I want to do one thing each year or else I'll feel like I'm lazy," Baldi says.
Maybe it will turn out like that great middle section on "Wasted Days"? You can listen to that song below.
by Bill Pearis
Pitchfork just posted their much anticipated list of the top 100 tracks of 2012. The #1 slot went to... Grimes! Whether you thought the whole of her album Visions was good or not, it was hard to deny the charms of "Oblivion." (Having that great video didn't hurt either.) Do you think it deserved to top the list? If not then what song should've?
You can check out P4K's entire hot 100 of 2012 below.
by Bill Pearis
Frank Ocean at Angel Orensanz Center, 9/24/2012 (more by Fred Pessaro // BBG)
One of the saddest losses of 2012 for me was the NYC print edition of The Onion which I always looked forward to picking up on Wednesdays and browsing while on the subway or getting some food on the neighborhood. (I still have my copy of the "CHINA STRONG" issue, easily one of the funniest they've ever done.) I lament of it for the AV Club half as well, as I've long found it to be amongst the best pop culture criticism/journalism out there. While NYC can no longer get physical copies, you can still read it online where the AV Club has really flourished.
It's Year-End season there too and have just published their Top 25 LPs of 2012 list, which was tallied by a complicated system that led to a lot of ties, including three albums claiming the #18 spot. There was no doubt who was getting the top slot, though, as Frank Ocean's Channel Orange got the most votes by a wide margin. There's no stopping that album on year end polls. Elsewhere on the list, you'll find more than a few records that cater to the late-'30s indie rock fan crowd (The Walkmen, Bob Mould, Field Music) and even Rush's Clockwork of Angels. You can look at individual writers' ballots as well. Check out the whole list below.
Alt-J at Glasslands, 8/7/2012 (more by Toby Tenenbaum)
Rami Haykal and Jake Rosenthal started Popgun Booking back in 2008 and in a very short amount of time became prominent tastemakers, with their homebase of Glasslands becoming one of the first stops for any new hyped band (Django Django, Savages, Palma Violets to names some recent UK ones). They also have (and in some cases still do) book shows at Cameo, Irving Plaza, Santos, Knitting Factory and more. Jake and Rami gave us a collaborative list of Popgun's favorite LPs of 2012. Check it out below.