Entries tagged with: Coachella
backstage @ Coachella 2011
According to Christwire.org..
"Coachella is a concert event for neo hippies, naked beer drinkers and drug addicts. Each year the event grows in numbers and so do its cases of rape, murder and cases of teenage runways. No were else are so many drugs taken, orgies performed and victimaztion of America's young daughters...Phew, I'm happy I'm safe at home, just watching the stream, away from naked ecstasy wizards and whatnot!
....Why Your Children Will Most Likely Die
With the amount of drugs and rape, your daughter or son has a large chance of dying from a drug overdose, alcohol poisoning, sex game gone wrong accident or be murdered by a Ecstasy induced wizard.
Just remember the chance of your baby contracting a STD during Coachella is increased by 86 percent -/+ 1. Also, if you daughter is at the festival already, there is a good chance she has already performed mouth sex acts on atleast 4 people and has shown off her milk sacs to an uncountable number. Now imagine if you could stop that?"
NOTE: the above picture is an actual photo taken backstage at Coachella 2011 by devil-worshiping "darkwave" band Cold Cave. It seems to confirm everything written about Coachella in the article linked above. Be careful in California this weekend sinners! And by the way, if you see your mom this weekend, would you be sure and and tell her SATAN, SATAN, SATAN, SATAN, SATAN....
Coachella 2011 Sahara Tent, Friday Morning (pre-destruction) (via Konfadense)
The 2011 Coachella Music Festival begins today (4/15). Not there? YouTube has the stream. Starting at 4:00 PM PDT, you can watch sets by !!!, The Drums and Morning Benders. After that they'll have Warpaint, Ariel Pink, Interpol, The Black Keys, Gayngs, Titus Andronicus, Pains of Being Pure at Heart, Tame Impala, and many more. Big Audio Dynamite is among the sets streaming Saturday. The National, PJ Harvey and DFA1979 are streaming Sunday. The full schedule is at YouTube.
Meanwhile, a selection of related videos to keep you busy can be watched below...
Coachella starts Friday! Set times are announced. The full, updated lineup is below...
Big Audio Dynamite
According to Bowery Presents, Leftfield's 4/19 post-Coachella NYC show at Webster Hall was cancelled "due to logistical issues. Refunds are available at point of purchase." That means you don't need to decide between that and Big Audio Dynamite at Roseland Ballroom any more (tickets are still on sale for that 4/19 NYC show).
Wanna go to the BAD show for free? We have a pair of tickets you can win. Details below..
UK producer/DJ Peter O'Grady, aka Joy Orbison, made his U.S. debut at Justin Carter & Eamon Harkin's 'Mister Saturday Night' party at 12-Turn-13 in Clinton Hill on Saturday night (4/9). Check out a video from the appearance below.
If you missed it, you have one more shot to catch O'Grady in NYC before he continues on towards Coachella. Joy Orbison plays Deep Space at Cielo with Francois K tonight (4/11). He then flies west for a pre-Coachella show in San Francisco, Coachella, and a post-Cochaella HARD LA event where he shares a bill with Pearson Sound / Ramadanman, Annie Mac, & Flinch on 4/19.
Speaking of HARD, the festival is heading to the high seas in 2012. Much like Jam Cruise (whose people are involved in this), and Bruise Cruise (whose people are not), HARD Cruise 2012 is coming. It sails from Florida in January, and that's about all the details they've released at the moment. Stay tuned for lineups, pricing, etc.
All Joy Orbison dates and stuff below...
Coachella 2009 (more by Darren Kim)
Speaking of tickets being available to sold out shows, the website Gilt City is selling VIP packages to Coachella starting at the low, low price of $975 for a 3-day ticket (and 10 MP3s) (and access to a "House of Hype party"). Spend a bit more to get in a "luxury shuttle."
(Three-day VIP passes via Ticketmater cost $699 before they sold out).
Big Audio Dynamite (1984-1990, 2011-present)Speaking of Roseland Ballroom, assuming the fire isn't too bad, Big Audio Dynamite will play the Manhattan venue on April 19th, not long after they play Coachella and a warm up show in LA. Tickets for the NYC show go on "Live Nation Presale" Thursday at 10am, and then general sale Saturday at noon. More tour dates below...
Mick Jones - vocals and guitar
Don Letts - sound effects and vocals
Dan Donovan - keyboards
Leo Williams - bass
Greg Roberts - drums and background vocals
The production team which brought house music back from the brink of commercial mediocrity, Leftfield made it safe for artistic producers to begin working in a new vein termed progressive house. Paul Daley (a former member of A Man Called Adam and the Brand New Heavies) and programmer Neil Barnes combined the classic soul of early Chicago and New York house with the growing Artificial Intelligence school of album-oriented techno to create classic, intelligent dance music. [After a series of well-recieved singles, Leftfield released] their debut LP, Leftism... in 1995; the long-awaited Rhythm and Stealth followed four years later. With only two albums under their belt, Leftfield decided to split in early 2002 to focus on solo projects. -[Allmusic]Neil Barnes resurrected Leftfield last year, and though founding member Paul Daley is not on board, he has been replaced by original vocalists Djum Djum, Earl 16 and Cheshire Cat plus Adam Wren (keyboards), Kwes Sey (keyboards and computers) Jess Mills (vocals) and Sebastian Beresford on drums. The electronic [now] crew is scheduled to play a few shows in Australia in March and, at the moment, two US dates in April. One is at the sold-out Coachella and the other is right afterwards on April 19th at Webster Hall in NYC. Tickets for that show go on AMEX presale Wednesday, 2/7, at noon, and then general sale starts Friday.
All tour dates (more to be announced?) and some videos below.
Sebastien Grainger @ Mercury Lounge in 2008 (more by Gabi Porter)
FEBRUARY 4TH, 2011The band currently has two shows scheduled. Coachella and May 6th at donaufestival in Krems, Austria.
It's been 5 years since Death From Above 1979 played a show, 10 years since Jesse played me the first demos & 11 years since we sat in his parents basement and played so loud we knocked the china off the shelves upstairs. 11 seems to be a YES number for me. Though I am usually a pretty rational guy, if I have something on my mind and I see an 11 somewhere, I know I'm on the right path. It's one of my last remaining superstitions. 2011 has a nice ring to it & if you're so inclined, it may be the last year ever! So why not say YES? Why not say YES to Coachella? Why not say YES to playing the music we designed to be an undeniable source of power? Why not say YES to stirring up a writhing pit of sweaty humans? YES to riots! YES to heavy music! YES instead of maybe, and YES to make death your adviser and remind yourself always, that this is not a dress rehearsal. This is the big show.
Jesse and I have decided that what we can do together should not be denied.
Together again, as was always the intention, as a collaboration.
The collision of two different worlds.
As this all takes shape, we will reveal it to you.
All of it happening, as it always has, in our own way.
Thank you all for sharing in our excitement!
Coachella sold out in less than a week, but the festival that is going to occupy the same fairgrounds exactly one week later, goes on general sale Friday at 10am (presales happening now), and that is "The Big 4" which will bring together Metallica, Slayer, Megadeth and Anthrax ("together for the first and only time in the US") for one big Indio, California classic metal show on Saturday, April 23rd .
One week after that, Goldenvoice (also responsible for Coachella and The Big 4) will host its annual Stagecoach Festival at Empire Polo Field (same place). "California's Country Music Festival" is being headlined by people you probably don't care about, but will also include sets by names like Wanda Jackson, Loretta Lynn, the Punch Brothers, the Secret Sisters and Phosphorescent who is also playing Coachella. Tickets are on sale.
I unfortunately could not find a ticket link for Brochella. Full lineup (real poster) for Stagecoach, and a Big 4 video trailer, below...
Coachella (April 15th - April 17th in Indio, CA) has released its 2011 lineup. Big names include Arcade Fire, Kanye West, The Strokes, The Black Keys, Animal Collective and Duran Duran. PJ Harvey, and The London Suede are on there too. Big Audio Dynamite and Death From Above 1979 are getting back together. Full lineup (above and) below...
photos by Adam Macchia
Yo Gabba Gabba & party hats @ Brooklyn Bowl
Onsale to General Publicthe above list of dates and times describe when Yo Gabba Gabba tickets go/went on sale for the upcoming shows at Radio City Music Hall and other venues.
Start: Fri, 06/04/10 10:00 AM EDT
Gabba Party Package
Start: Wed, 05/26/10 10:00 AM EDT
End: Thu, 09/02/10 05:00 PM EDT
Start: Wed, 06/02/10 10:00 AM EDT
End: Thu, 06/03/10 10:00 PM EDT
Start: Thu, 05/20/10 10:00 AM EDT
End: Thu, 06/03/10 10:00 PM EDT
American Express® Gabba Party Package
Start: Thu, 05/20/10 10:00 AM EDT
End: Thu, 06/03/10 10:00 PM EDT
Also in this post: more pictures from the kid-filled, invite-only Yo Gabba event held at Brooklyn Bowl last week (sent in by the photographer after he saw I only posted one), and a just-released-to-YouTube official Yo Gabba Coachella recap video recap featuring appearances by Grizzly Bear's Ed Droste, Devo, Yeasayer, Ra Ra Riot, Danny Devito and many more. That video with the rest of the pics, below...
record store day @ Permanent Records in Greenpoint (autovac)
Hi everyone...Mystery of Two were the house band at Permanent Records on that day. The Drums and The Pains of Being Pure at Heart performed sets at Other Music. Billboard reports (via) that "this year's Record Store Day was, again, a success when measured by awareness, turnout and sales."
We at Permanent Records just wanted to take a moment to thank all of you so much for making this year's Record Store Day the unbelievably huge success that it was. You all helped make it the biggest weekend we've ever had, and we sincerely thank all of you for your continued support of our little record store. Hopefully you managed to get most (if not all) of the Record Store Day exclusives you were looking for. If you'd like to see photos from the big day (which, if you were at the front of the line that morning, you are probably in), click here.
We do still have some of the Record Store Day exclusives in stock... so if you haven't made it in to check out some of these limited new releases, it's still not too late! They're on display, right in front of you as you walk into the store.
So, since we're still recovering from the mayhem of this weekend, we're taking a break from our New In Stock / Back In Stock mailer this week. Rest assured, we have plenty of new records available this week, but if you wanna know what they're are, you'll just have to come in and look for them. You know, like old times.
Thanks again everyone. We truly appreciate your business.
-The P-Recs Staff
- Other Music had their best single day in their 14 year history.And those numbers don't even count the RSD records that (some) stores are (allegedly) just throwing right on eBay.
- The Sound Garden had their busiest day in years, outpacing Christmas sales for the past couple of years.
- Vintage Vinyl sold more stuff on RSD than any other day in the stores' history.
- Twist N Shout reported the best sales they've ever had in a single day.
- RSD 2010 was Sonic Boom's single biggest sales day in their 12 year history.
- Silver Platters' sales on RSD 2010 were up 80% from last year (which were up 20% from the year before).
- Exclusive Company's RSD 2010 sales increased 102% from RSD 2009.
- Dimple did twice as much in sales from last year's RSD event.
Record Store Day video interviews and performances and stuff, some taped at Coachella, below...
photos by Rachel Carr
"An aggregate 225,000 people bought tickets to see a [Coachella] roster headlined by Jay-Z, Muse and Gorillaz during the April 16-18 event at the Empire Polo Grounds in Indio.The 2010 edition of Coachella actually began excactly one week ago today, and we already posted full picture sets from: DAY ONE, DAY TWO and DAY THREE. Now here is one last group that contains unposted outtakes from all three...
The previous attendance record was set in 2007, when the headliners included a reunited Rage Against the Machine. Final figures are still being tallied, but AEG Live CEO Randy Phillips said the gross will exceed $20 million.
Phillips said the future looked bleak for AEG Live's nascent All Points West festival, which took place in 2008 and 2009 across the Hudson River from lower Manhattan at Liberty State Park in Jersey City, N.J.
"We're probably going to kill it," said Phillips. "As beautiful as (the site) is, it's very hard to get New Yorkers to cross that river. All Points West is an experiment that just didn't work." [Reuters]
Hot Chip @ Terminal 5 - April 22, 2010 (jkrllz)
Hot Chip headlined their first of two shows at Terminal 5 in NYC last night (4/22). The xx, who could probably headline the venue themselves, opened the show. I don't have more pictures this time, and I wasn't at the show, but I found this amusing letter:
The Whitest Boy Alive @ Coachella
"Are you ready to rock?," Erlend Øye asked the packed Music Hall of Williamsburg last night (4/21). The crowd screamed. "Are you ready to house?" The place went bananas. If you've only ever seen Øye perform with hushed folk duo Kings of Convenience, you might think he's a stick in the mud, but it's clear, to me at least, he has a lot more fun in Whitest Boy Alive.
Along with Hot Chip and LCD Soundsystem, MHoW has played host to the best dance music shows I've seen this year -- hell, any shows -- and Whitest Boy Alive is right up there with both of those. I was kind of blown away. Whitest Boy Alive seem closer to Soulwax in ethos (though not in material) than LCD or Hot Chip, playing club music as a live band to club kids. The audience reflected it, more club kids and Euro-types (more than a few armed with glo-sticks) rather than your typical indie crowd. They were there to dance.
And when "High on the Heels" kicked in with it's CeCe Peniston-esque keybord riff, the place lost it. I felt sure everyone around me was peaking. People were bouncing, hugging, bouncing while hugging and generally freaking out. I had no idea they were so popular. Whitest Boy Alive's two albums -- 2006's indiepop-ish Dreams and last year's more dancefloor oriented Rules -- are polite affairs, a kind of Funk Lite disco that's part Steely Dan, Al Jarreau, New Order and '90s Eurohouse (they covered Robin S.'s "Show Me Love" for the encore). But live it's much more the Erlend Øye Party Machine, thanks in no small part to a super tight band. The night really belonged to keyboardist Daniel Netwig -- who flipped his Crumar at one point for a bit of welcome showboating -- whose lithe, funky playing kept hands in the air all night.
The 90-minute set hit all the highlights of Dreams and Rules, including the aforementioned "High on the Heels," a version of "Golden Cage" that has clearly been influenced by its Fred Falke remix, the Daft Punk-y "1517" (that I hoped would work in "Harder, Better, Faster, Stronger," but no ), and an extended "Islands" where Øye and the band worked the crowd like a DJ in Ibiza. This was The Whitest Boy Alive's second-ever NYC show, the first being the night before at Bowery Ballroom, part of a tour that included Coachella. They got a horn section but I can't imagine the vibe was anywhere near as ecstatic as MHoW. "Last night we finally played New York," Øye told the crowd near the end of the band's set. "It was a good show. But tonight is a great show." I gotta concur.
Hopefully The Whitest Boy Alive will be back sooner than later. In the meantime, Kings of Convenience return in June.
Check out more pictures from the band's Coachella set (we only posted two the other day), plus video from there, along with two shots from MHOW, and video from Bowery Ballroom, below...
"that's odd" (more Coachella pics by Rachel Carr)
Doug and Eric video below...
photos by Rachel Carr, words by Daiana Feuer
The third and final round of the Coachella Music & Arts Festival was funky, and not just because the port-a-potties reeked. Keeping a loose theme every day (see Friday & Saturday), Sunday focused on relentless rhythm and groovy basslines. The absolute golden moment belonged to Yo La Tengo's blistering final song. Rhythm that revels in repetition + guitar that tries to destroy itself = wee mind blown. Sometimes the moodiest things are the most uplifting.
Thom Yorke brought his dancing shoes, his favorite Flea, and Nigel Godrich. His band Atoms For Peace played almost every song off The Eraser, many of which featured strong world rhythm sections. When Yorke didn't have a guitar in hand, he danced, whirled, and punched the air like he was rehearsing a scene from Fame. We wanted a high kick, but it didn't arrive. King Khan & The Shrines, on the other hand, featured legs flying all over the place, DJ Lance Rock and Yo Gabba Gabba characters, burning money, as well as a visit from the police-who crept on stage to snap pictures. Probably the first time Khan runs into cops and doesn't leave wearing cuffs. Sunny Day Real Estate had the audience offering bids to buy property, and Phoenix had people choking on dinner as they tried to dance and eat at the same time.
King Khan Gabba Gabba
Not every Julian Casablancas song captivated, but his band delightfully binged on rhythms. Each musician had a personal backbeat player supporting each fill. The drummer plus his sidekick especially sounded great. Matt & Kim's ebullient smiles inspired chaos in the audience, as usual. Mayer Hawthorne and the County revived Motown soulful brassiness and covered Biz Markie's "Just a Friend." The Big Pink played some new songs from next year's album, reaching out for Depeche Mode with a drummer in a pink bathing suit. Electro sweet popper Little Boots forgot her pants as well, wearing a sparkly shirt and knickers, and played with the lasers on stage. Charlotte Gainsbourg inaugurated her "first tour, first everything" with a feminine "Candy-O" sensibility, sometimes in French. Florence & the Machine rounds out the great lady performances of the day, and brought on Nathan Willett of Cold War Kids.
All clad in white, France's DJ ego-powers Club 75 demonstrated the ability to cooperate together with just a few elbows thrown. Cassius, Justice, Busy P, and DJ Mehdi still use CD's (so old school), and took turns passing on the headphones between them and finishing each other's remix sentences, trading places at each station. Backstage security bobbed along while staying tough. When it was their turn, Rusko turned the Sahara tent into a mechazoid robot battle and Orbital live-produced virtual reality anthems for Satan wearing Matrix miner lights around their heads. Infected Mushroom instructed on the benefits of "Becoming Insane" flanked by two mushrooms with red eyes.
The Middle East should not be confused with The Soft Pack, formerly The Muslims. The former may be from Australia but it sounds like a back porch band from Woodstock, and the latter offers a "Parasite" infestation that's as pure as sunshine and a neat drum set up that packs a giant tom punch. What appears as regular rock on headphones reveals its brilliance when experienced live. One of the strangest live moments of the festival belongs to Sly Stone, who played four hours late and on the wrong stage. He bitched, he slurred, he cursed, lay down, walked off, stopped songs and good grief, made a total mess of himself. But that's rock and roll.
Sly Stone made history look unable to get past its youthful drug phase, but Jonsi, Pavement, and Spoon come from a music scene that did a little bit less cocaine. Jonsi repped the awesomeness of Sigur Rós and great hats. Steve Patterson of White Rabbits joined Britt Daniels and the rest of Spoon to add percussion on "I Turn My Camera On". Spoon's tour-mate Bradford Cox (who played earlier in the day in Deerhunter) also joined Spoon on stage, like he did on their recent Kimmel appearance. Pavement ran through the hits during one of their first U.S. shows since reuniting. "That's the 90's in a nutshell," said Stephen Malkmus after the angsty "Unfair"...
"...Pavement, the iconic slacker band of the '90s, who took the main stage against what turned out to be one of the fest's chief attractions, the finally wildly popular French dance-rock band Phoenix, who wowed possibly the biggest crowd of the entire fest ... while Pavement played to a field half-full of true believers rather than the massive throngs many expected, and thought the band deserved.Virtual Snoop Dogg introduced the Gorillaz set, but Blur's Damon Albarn appeared in the flesh, with a few special guests including Paul Simonon, Mick Jones, De La Soul-who kicked their own old school jams earlier in the day-and Little Dragon's Yukimi. One unique rhythm transcended the next, showing the mutability of hip hop and dance music. And then that was it, suddenly. The festival ended and tens of thousands of people started wondering where they left their car keys...
No matter, though. Pavement still delivered a set that vindicated the group of prior crimes -- namely a Coachella performance near the end of their career so notoriously bad, many in attendance point to it as the moment the band decided to break up.
This night, however, they were tight, they were loud, and they sounded large on that vast field -- an odd statement, given the fact that in their heyday they were far more known for being introspectively small rather than arena-ready..." [The OC Register]
Radiohead Peppers For Peace
Daiana's Weekend Top 10:
1. Yo La Tengo's last song
2. Little Dragon's Yukimi
3. Gossip leading a revolution
4. Thom Yorke dancing to African rhythms
5. PiL giving a history lesson
6. Sly Stone wigging out
7. Bouncing penises + fat people in undies (Die Antwoord + Major Lazer)
8. Devo putting on the hats that ushered in modern pop culture for "Whip It"
9. John Waters corrupting many young minds
10. The Gorrilaz lyric: "Super fast jellyfish going super fast. You can't even see him but you wanna eat him."
Owen Pallett, Local Natives, Miike Snow, and Yann Tiersen also played the fest Sunday. Gary Numan was among those who couldn't. Reviews & pictures from Day One, HERE and Day Two, HERE. Setlists (Thom Yorke and Pavement), pictures, and videos from Day Three, below...
Not to be confused with the infamous tasered wizard of Coachella 2009, watch the NSFW video of the cops taking down a new crazy naked guy at Coachella 2010, below...
LCD Soundsystem @ Coachella 2010 (more by Rachel Carr)
Like they did at MHOW and Webster Hall (and will probably do at Terminal 5 for three nights in a row), LCD Soundsystem played their new song "Drunk Girls" at Coachella over the weekend. The full setlist is below, and read more about it HERE.
Stream the entire new album legally HERE. Check out the official video for "Drunk Girls", below....
The Specials @ Coachella (more by Rachel Carr)
The SPECIALS first concert in Toronto in over 29 years originally scheduled for tomorrow (monday) has been POSTPONED until August 2010 due to an emergency medical ailmentThat message comes from Collective Concerts, the Canadian concert promoters (who I see also have a cancelled Chapterhouse date on May 1st). So many cancellations! They can't blame this one on the volcano. Hopefully everyone in the band is okay.
The NYC shows are still on, and the Toronto show is already re-scheduled for the 4th week of August pending clearing dates/holds at the Sound Academy of which we hope to announce the re-scheduled date this Friday afternoon (4-23)
All original tickets will be honoured for the August 2010 date, and as usual full refunds will be available (starting Monday) at the original point of purchase until the end of June
Please don't e-mail any of us or call looking for more info as there is isn't any to give other than I'm personally emotionally heartbroken over the postponement, and so are all the Specials, who have been here since sat night ready to skank out - but since we've all been waiting 29 years for this re-birth, what's a couple of more months? and besides, anyone looking to hitch a ride with me to NYC Tue or Wed?
Rude Boy - Monkey Man
jc the collective
The Specials have so far played Jimmy Fallon and Coachella. Toronto and the NYC shows were all they had left on this short North American tour. As you can see above though, they will be back in August. That trip includes a NYC show too.
Videos from Coachella (where a rude boy from Yo Gabba Gabba was skanking on the side of the stage), below...
photos by Rachel Carr, words by Daiana Feuer
"Wow. The Sahara is past capacity at Coachella for Die Antwoord. No midget. Waiting for the trainwreck but people dig it." - The Scenestar
"Seeing a shirtless Danny DeVito run across the stage while Faith No More played pretty much made my #coachella weekend." - stovn
Die Antwoord, Faith No More
Flopping phalluses are in this year according to Major Lazer and Die Antwoord. Each presented the intersection of beats, party-hyping, gross humor, and dancing in your underwear. Day 2 of the Coachella Music & Arts Festival had an overall far-out theme. Some with sexually explicit lunacy, others with psychedelic music. South Africa's Die Antwoord introduced zef-rap to the festival, South Africa's version of white trash hip hop-a bold, fearless expression of crazy stick a finger up your bum entertainment.
Before arriving at these culminating moments, the day progressed through a series of psychedelic and/or raunchy expressions. John Waters kicked things off with thoughts on crawling through pig poo, taking poppers, the pleasures of sploshing, and strange things he wants to do before he dies. Gossip's Beth Ditto hoped he was watching her blazing disco soul performance but was afraid to look backstage and see him smiling and waving at her. Gossip put on a set that inspired revelations on reality in the most self-empowering ways.
John Waters & Beth Ditto @ Coachella (this pics via Jermey Scott)
The day's best covers include Faith No More doing "Reunited" (they also covered Michael Jackson's "Ben"), Portugal, The Man's jamming Bowie's "Moonlight Daydream," and Girls' flawless "All I Have To Do Is Dream" by the Everly Brothers. The last was a most appropriate choice for the band with an Ariel Pink sensibility towards '50s ballads. MGMT brought the futuristic 1960s with songs from its new album. Many pointed out that the band didn't play "Kids", but that seems to miss the point that MGMT put on a pretty sophisticated, experimental live performance of the band's signature Indian headdress on Phil Spector Fraggle Rock sound.
The Raveonettes played as a duo and sans drum machine, adorably sharing a mic sometimes. The rest of the band remains trapped under lava in Iceland, figuratively speaking. Camera Obscura also shouted out bands stuck in the UK, dedicating "Let's Get Out Of This Country" to those who could not make it.
It seems almost every DJ this weekend has sampled Major Lazer's "Pon De Floor" except Flying Lotus, who took the stage all on his own (no Thom Yorke cameo included). After warming up the crowd with some first grade experimental hip hop, FlyLo brought out the big guns, sounds combined in layers and pitches that act like quaaludes on the light speed continuum. The Dirty Projectors girls evoked cool electronic birds and the Dezurik Sisters with their harmonizing powers. Beach House cooed the audience romantically as 50% of the band, Alex Scally, rubbed his slide up and down the frets.
Did that sound sexy? It's time to talk about sexy. The xx provided the mellow arousal Blonde Redhead and Portishead have given Coachella the last two years. People like The xx because they want sex that fits this soundtrack. They also want sex as excitingly goofy gross as Die Antwoord and to fall in love with a gal like Sia, all at the same time. Sia's beautiful voice closed the night in the Gobi tent, and though her accent rendered her side comments completely incomprehensible, everyone laughed and agreed with anything she said. On the other hand, as great and sexy as the Dead Weather sounded, I don't know if I want to bed someone who demands I treat her like my mother. Old Crow Medicine Show suggested letting a woman rule your mind leads to troubles during "Minglewood Blues." Instead, let her win your heart with country-fried dinner.
Faith No More's twelve-song set included a cameo by a semi-streaker who happened to be Coachella regular Danny Devito. You can see that happen in one of the videos below. Faith No More's whole setlist is down there too.
Porcupine Tree, Tokyo Police Club, Hot Chip, The Almighty Defenders, Les Claypool, Devo, and Muse were also on the bill Saturday. Our review, pictures and videos from Friday are HERE. Saturday continues below...
photos by Rachel Carr, words by Daiana Feuer
Jay-Z, Beyonce & Johnny Rotten
This year, the Coachella Valley Music & Arts Festival reveals that tattoos are more ubiquitous among social scenes than ever before. A walking museum of quotes and legendary faces from Jesus to Michael Jackson decorates the backs, shoulders, calves and fingers of people fashionably reliving their favorite historical decades at this heat-stroke inducing music marathon.
I thought Wale didn't show up, but later found out that he showed up late. Baroness demonstrated the art of rocking out at least three to five times before each song reached a satisfied climax. Metal can be a real turn on, especially surrounded by sweaty good-looking people. Deer Tick performed an R+B version of "Ashamed" followed by John McCauley caressing his nipples. LA band Iglu and Hartly had enthusiasm, but is this Mickey Avalon without the drugs and prostitutes? Which leaves what? Sleigh Bells began with a booty melting bass line palpable from the VIP section across the field, soon overtaken by hipster hop metal pop for people that like beaches and children. The Avett Brothers made an exciting second Coachella appearance on the Outdoor Stage. Two years ago, the band played Sunday gospel time, all manners and simplicity, but the Bros returned with a full band, and a few thousand people singing every word, stomping to the banjo, and hugging during the sweet parts. The banjo will take over America. Just wait. Country music is infiltrating avant-garde and above ground indie worlds alike.
Standing midway between the big stages, just a few feet from yet another girl with the words "Have u seen my friend Molly?" scrawled on her back, the Avett Brothers' heart-wrenching "January Wedding" got a reggaeton remix from Calle 13 booming on the Main Stage. This Puerto Rican dancefloor marvel used a tea kettle for a mic effect, and taught the audience to say "No me jodas las pelotas" against negativity ("Don't fuck my balls"). Speaking of balls, Yeasayer's crowd went absolutely nuts screaming, but the guys barely seemed aware, transported as they were to some space station cloud. The harmonies rocked like angelic aliens-but, smile, guys. Hockey demonstrated a genuine interest in moving indie rock standards forward, especially attracting the PG-13 festival contingency. M. ward raspy singing "Roll Over Beethoven" during She & Him's set delivered tingly shivers, but Zooey Deschanel's approach to "I Put A Spell On You" did not crumble souls. Her jazzy voice and bouncy energy otherwise made for a good time that elicited repetitive shouts of "I Love You!" from the first row.
Music should be at least marginally weird or infinitely classic, but Tom Morello's band, Street Sweeper Social Club, brings nothing new to either category and so seems a waste of great musicians. Get weird or the future will never arrive. That being said, the musicians Coachella digs up from history often present the most exciting moments. Rock steady ska pioneers The Specials sent a crispy, warm message to Rudy that every witness appreciated immensely, but it was outrageous that barely any photographers showed up for Gil Scott-Heron's smooth, soulful set [editor's note: ours did!]. The man is partly responsible for getting Martin Luther King, Jr. a holiday, godfathered hip hop, and that doesn't merit attention? A large crowd attended his every word, but the photos won't show it. Later on, James Murphy screamed Gil Scott-Heron's name during "Losing My Edge" as if it were the name of God. Glad he gets it. LCD Soundsystem's first single in 2002, "Losing My Edge" is a historical document worth preserving for the ages, an essence that speaks to what Coachella seems bent on capturing and rewriting every year. Echo & The Bunnymen rode the high-hat zealously-as many have copied since-giving chapped lips sugar kisses. Public Image, Ltd., could not take Jay-Z's audience away from him nor unglue Fever Ray fans from Karin Dreijer Andersson's encompassing fog spell, but I'll be damned if PiL wasn't the best show all day. John Lydon's hair stood on edge and he rolled his rrrr's heroically. His gang of old men put the good junk in post-punk.
As this first 12 hour music summary comes to a close, a few acts remain worth giving a hoot about. Grizzly Bear's hypnotic power hardly needs mentioning and Vampire Weekend knows you love "Horchata." New cool La Roux magnetizes with a disco flavor that Anita Ward might approve. As hoped, Little Dragon's gentle fire breathing soul pop fronted by Yukimi's sexy voice and adorable stage presence comes in as Friday's second favorite. The music's weird enough, bent on discovering surprises. One-woman band Imogen Heap, as well, is the queen of surprises. She moves around her instruments, looping this and dubbing that as if casually mixing a magic potion or prepping a sandwich. Jay-Z's "On To The Next One" is an appropriate theme song for the attention span needed to get your money's worth at Coachella. And then Beyonce came out. We all bowed down before her short shorts.
Them Crooked Vultures, Passion Pit, Dillinger Escape Plan, Yo Gabba Gabba, and The Whitest Boy Alive also played sets on Friday. The Cribs were among those who could not. Coachella continues for a second day today/Saturday (Record Store Day). More pictures and videos and stuff from the first day, below...