Entries tagged with: Colin Stetson
by Andrew Frisicano
Laurie w/ the dogs in Australia (more by Roberta W.B.)
Some in the audience howled with glee, others stood on trembling legs and a few drooled in delight as famed performance artist Laurie Anderson debuted her original "Music for Dogs" composition outside the Sydney Opera House on Saturday [June 5th].Laurie Anderson, queen of this year's Mermaid Parade, performed her piece "Music for Dogs" at Sydney's Opera House on June 5th accompanied by Eyvind Kang, Skúli Sverrisson, and Colin Stetson. The event was part of the two-week Vivid Live Festival, which is being curated by Laurie and Lou Reed (king of this year's Mermaid Parade).
Hundreds of dogs and their owners bounced around as Anderson entertained them with 20 minutes of thumping beats, whale calls, whistles and a few high-pitched electronic sounds imperceptible to human ears.
"Let's hear it from the medium dogs!" Anderson called out from the stage, as a few dogs yipped in return. "You can do better than that -- come on mediums! Whoo! WHOOOOOO!"
The concert was originally billed as a performance for dogs' ears only, and was going to be largely limited to electronic noises played at a frequency too high for human ears. But Anderson changed things up when she decided she wanted people to have some fun, too.
"We didn't want to do something that humans couldn't hear," she said. "We brought the octaves down into our hearing range so we could all have the experience." [AP]
Laurie Anderson will be performing her new work Delusion this fall at BAM as part of the Next Wave Festival. That show will go on tour as well.
Before then, Laurie's new record, Homeland, comes out June 22nd on Nonesuch. It's streaming in full at NPR (up till the release date) - check it out. She'll play songs from that album on a very short tour this July. Stops include on-air sets at World Cafe Live and Late Show with David Letterman, and a Tuesday, July 13th show at (Le) Poisson Rouge. Tickets are on sale.
The album has some alright guests (including Laurie's male alter-ego Fenway Bergamot)...
On Homeland, Anderson is joined by a diversity of collaborators, from the Tuvan throat singers and igil players of Chirgilchin to New York experimental jazz and rock players including Rob Burger (keyboards), Omar Hakim (drums), Kieran Hebden of Four Tet (keyboards), Shahzad Ismaily (percussion) Eyvind Kang (viola), Peter Scherer (keyboards), Skuli Sverrisson (bass), Ben Witman (percussion and drums) and John Zorn (saxophone). Antony Hegarty contributes additional vocals.Beyond those projects, "Anderson is also preparing a major retrospective of her visual work that will open in Sao Paolo in August 2010 and a book of her stories that will be published in 2011."
Videos from the "Music for Dogs" performance and tour dates are below...
photos by Paul Birman
"Thanks to everyone who came to the BV Haiti benefit last night. You made it really special." - St. Vincent
"St. Vincent and Justin Vernon performing together was easily one of the most beautiful things I have ever seen/heard." - Steph Lo
Wyatt Cenac was funny. Then came Britt Daniel (of Spoon) with White Rabbits frontman Stephen Patterson. They had such a good time on stage together, you can tell they were buds. Janeane Garofalo came next - she has the smartest humor and is a strong rooted New Yorker. Made a ton of jokes about the L train and hipsters which the crowd took very warmly to. Gosh she's tiny. St Vincent went on and sounded like the lovely thing she is. Someone yelled while she was setting up 'show us your bush'????', In which she replied, 'that is the strangest thing someone has ever said to me...on or off stage'. Adorable. Following her was Zach Galifianakis who everyone was undeniably waiting for. It really looked like he just rolled out of bed, picked up some papers from a table and walked on stage totally winging his whole act...hilarious. Alas came Justin Vernon (aka Bon Iver). His voice sounded just as amazing it does on record. The room was at its most quiet during "Flume". Unreal. He was the last act but did say something about a special guest - I heard it was Megafaun/My Brightest Diamond (had to leave early), which I imagine rounded out the benefit nicely. Really awesome that these guys all came together"...Thanks for that partial recap S&S. You should have gotten there earlier and stayed later though!
[Stadiums & Shrines]
The night opened with a great debut set by singer-songwriter John Shade (previously Dave Godowsky) who brought out Justin Vernon on drums for two songs. Before and after John, and between every set of the night, came comedy by our two able hosts: Bobby Tisdale and Leo Allen. St Vincent's set included a National and a Nico cover. Justin covered John Prine. Britt Daniel did three songs, which was one less than he played at Sound Fix a few hours earlier.
And yep, the special guest after/during Justin's set was in fact Shara Worden (My Brightest Diamond) who (after headlining Bowery Ballroom one night earlier) played two jaw dropping numbers - one with Colin Stetson on his most-insane giant saxophone, and a cover of Prince's "How Come U Don't Call Me Anymore".
But it didn't end there. A supergroup called Songer Singwriter featuring Annie, Justin, drummer, and Brad from Megafaun came back to close the night off right with a set of four more covers. Neil Young's "Harvest Moon", Tom Petty's "Face in the Crowd" (with Brad on lead), Dolly Parton's "Jolene", and Annie Lennox's "Why". Each of those final covers was better than the next. To quote one of my tweets, "To quote my friend, 'Sounds like sonic youth playing a dolly parton song. Sick!' and now Annie Lennox Why! Full room Bon Iver singalong".
We ran almost non-stop for 3.5 hours straight (8-11:30), and raised over $20,000. I'm still waiting for an exact number. More pictures (one of two sets we have) and some videos from the show, below....
by Andrew Frisicano
DOWNLOAD: Aaron Dessner - We Were Born (from the Long Count) (MP3)
DOWNLOAD: The Long Count - Bull Run (feat. Kelley Deal) (MP3)
Twins! (the Dessners & the Deals)
The Long Count kicks off its three show engagement at BAM's Gilman Opera House tonight (10/28). Tickets are still available for the show, as well as for the Friday (10/30) and Saturday (10/31) performances.
The 70-minute music and multimedia piece, commissioned by BAM Next Wave Festival, is the work of Bryce and Aaron Dessner of the National and visual artist Matthew Ritchie. But they haven't been working alone. At every step of composing and arranging the Long Count over the past year, the brothers have tapped into their crew of skilled collaborators. The 12-piece orchestra that will be joining them on stage counts talents like NYC violist Nadia Sirota (who played last month's Archipelago series show), sax/bass clarinet player Colin Stetson, and Antony & the Johnsons' guitarist/violinist/conductor Rob Moose (who in particular assisted with some of the arranging duties).
As previously mentioned, the Breeders' Kim and Kelley Deal (twins) collaborated with the Dessners (also twins) on much of the music - they sing for nearly half of the show. Other vocal turns will be taken by the Nationals' Matt Berninger and My Brightest Diamond's Shara Worden.
All four singers play roles in the narrative of the Long Count, which takes its story from the Mayan creation myth of Popol Vuh. In that, multiple sets of twins (in the story and on stage) experience repeated cycles of life and death until giving birth to the world as we know it. The original tale ties in strongly with a ballgame played by its main characters - an element which the Dessners have woven in with their love of baseball, particularly Cincinnati Reds and the Big Red Machine.
Musically, the Long Count sections posted above, both from the show's work-in-progress performance at University of Illinois at Urbana-Champaign on September 11th, showcase the piece's diversity. The first, "We Were Born," highlights the minimalist pedigree of the show, while "Bull Run" layers those elements with fearsome orchestral lines and extremely creepy vocals by Kelley Deal.
Paired with the spooky nature of Mathew Ritchie's animation (which you can preview here) the show looks to be a good Halloween night warm-up as any. In fact, the early Saturday night show has the most tickets available, and it follows a pre-show Q&A (ticketed separately) led by Brandon Stosuy (who's curating the Mount Eerie + metal show at Market Hotel later in the night).
Bryce generously answered some of our questions over the phone while in the last week of rehearsal (and in the hectic center of CMJ week). More photos from the production, and that interview, where he reveals the existence of an unreleased Christmas album he made with Sufjan, details on the new National record and more, below...
by Andrew Frisicano
DOWNLOAD: Colin Stetson - Letter to HST (MP3)
DOWNLOAD: Colin Stetson - Time Is Advancing With Fitful Irregularity (MP3)
DOWNLOAD: Erik Friedlander - May It Please Heaven (MP3)
As previously mentioned, Saxophone player Colin Stetson and cellist Erik Friedlander get together for a night of music Friday, June 5th (tonight) at Abrons Art Space Recital Hall (466 Grand Street, NYC). Tickets are on sale.
The show is being put on by the Manhattan New Music Project, which works to connect new-music artists and the community "by reaching out to adult audiences through performance and recording, and to children through residencies in New York City public schools."
Credits for Friedlander include collaborating with John Zorn, Mountain Goats, Sting, Yoko Ono (on her new EP) and others. Stetson has played with the Arcade Fire, Antibalas and Bell Orchestre, and opened on tour for The National.
At the gig, Friedlander will be playing selections from his Zorn disc Volac, Book of Angels, Masada Book II. Speaking of Zorn, Erik will also be playing The Stone (where Zorn is artistic director) on Sunday, June 14th.
Live solo videos of both performers, below...
Like Tonic did, The Stone frequently brings on guest curators (not coincidentally Stone founder John Zorn was one of Tonic's most regular hosts and played at Tonic's final show). Now, with guitarist Grey Gersten's monthlong May curatorial run ending Sunday, May 31st, former Tonic co-owner Melissa Caruso Scott comes out of booking retirement to take the reigns in programing the first two weeks of June at The Stone.
Speaking about her choices Scott said, "These artists played some of my favorite Tonic shows and I can't wait to see them again." Her picks include Japanese musician Yuka Honda, who's also playing a Summerstage show with Mike Watt, guitarist Charlie Hunter, Elysian Fields, Vernon Reid, Joan as Polcewoman, cellist Erik Friedlander, and more. Her full schedule is posted below.
Speaking of Friendlander, he plays on Yoko Ono's new DON'T STOP ME! EP (out June 9th Via iTunes Exclusive Digital Download), and you can also catch him live on June 5th along with saxophone player Colin Stetson at the Abrons Art Space Recital Hall. The show is presented by The Manhattan New Music Project, and tickets are on sale.
Before the time of both Tonic and The Stone, the original Knitting Factory on Houston Street featured an ecclectic mix of avant and experimental music (frequently with Zorn and others). The co-founder of that venue, show promoter and current owner of City Winery Michael Dorf, will curate the second half of the June at The Stone.
Acts on his schedule include Shilpa Ray & Her Happy Hookers (who have completed their Pianos residency and are also playing Citysol), Ethan Iverson (of the Bad Plus) with saxist Tim Berne, and Marc Ribot, the guitarist who's had considerable presence at each of the aforementioned venues -- gigging regularly at the Knit on Houston St, getting arrested for protesting the closure of Tonic, and hosting several nights of his 55th-birthday retrospective at The Stone in mid-May.
Check out the full June schedule for The Stone, below...
by Andrew Frisicano
Bell Orchestre @ BAM (more by Kyle Dean Reinford)
Starting in April, Bell Orchestre (featuring members of Arcade Fire) will tour its native Canada, followed by US dates that include a NYC show at Le Poisson Rouge on April 30th with The Havels and Colin Stetson. Tickets are on sale now.
Bell Orchestre just released its sophomore full-length, As Seen Through Windows, on March 10th on Arts & Crafts...
As on their previous album, Bell Orchestre's music is essentially cinematic. Though it has features of minimalism and occasionally seems completely rootless, the group's too impatient, too modern to spin meaning out of extended repetition. Their music's evocative and romantic, casually taking advantage of modern tools in the service of the creation of their potent soundscapes. So As Seen Through Windows will likely continue to solidify Bell Orchestre's reputation for making interesting and occasionally challenging instrumental music that not enough people have heard. It shouldn't be too hard to change the last part. [PopMatters]All tour dates and a band-made European tour video featuring new song "Water/Light/Shifts", below...