Entries tagged with: Comadre
by Andrew Sacher
Comadre and crowd (photo by Matt Gill)
Thanks to everyone who has ever been involved with something that we did. Our debt of gratitude can never be repaid and we can not be more thankful for the experiences that we had and the friends that we made along the way. We apologize to those who were expecting to see us in Europe and all around the US this summer, but this West Coast tour will be the last tour that we do in the foreseeable future (a final show in the Bay Area will most likely be done afterwards). Thanks again and much love. Sincerely, the same 5 people who started this band.The above statement is the unfortunate news that Comadre posted to their facebook today announcing their break-up. They formed the band in 2004 and released their fourth (and final) album, simply titled Comadre, earlier this year. It's one of the strongest albums I've heard this year so far, and if you haven't given it a listen yet, it's a very deserving record.
I hate to go down the route of comparing an album this unique to other bands, but if you want an idea of how it sounds, picture Neutral Milk Hotel/Arcade Fire-style indie rock but with harshly screamed vocals more akin to Circle Takes the Square, The Blood Brothers, or Trophy Scars. And while clean vocals in post-hardcore can too often veer towards pop, when they do show up in this album (which isn't often), they're sung with a gothic/post-punk baritone.
Comadre will be going on one last farewell tour at the end of this month into April, but unfortunately it only features West Coast dates. The tour flyer with all dates, a Spotify stream of Comadre, and a video below...
by Fred Pessaro // BBG
My best guess is that you'd probably call Bay Area band Comadre's sound an offshoot of screamo, but that dirty word is far from fitting for a band this adventurous. On their fourth and self-titled effort, due via Vitriol Records in January 2013, the band mixes bits of emotional hardcore with post-punk, Murder City Devils-style punk-n-roll, and all manner of rocking to come up with tracks like "Cold Rain", "Summercide" and the latest to slip out of the gate, "King Worm," which makes its debut here. Order yours via the label and stream it below, along with a few other tracks and live video.
Don't forget, Vitriol's Ghostlimb will play one of the last Precious Metal shows ever on January 7 at Lit Lounge, alongside The Year is One, new addition Old Wounds (who last played NYC with Gaza) and myself, Fred Pessaro, on the wheels of steel.
Streams are below...