Entries tagged with: Cotton Candy
by Bill Pearis
DOWNLOAD: The Wake - Oh Pamela (MP3)
DOWNLOAD: Neverever - Blue Jeans (MP3)
DOWNLOAD: Neverever - Young and Dumb (MP3)
DOWNLOAD: Tender Trap - Girls with Guns (MP3)
DOWNLOAD: Allo Darlin - Dreaming (MP3)
DOWNLOAD: Allo Darlin' - My Heart is a Drummer (MP3)
DOWNLOAD: Veronica Falls - Found Love in a Graveyard (MP3)
DOWNLOAD: Moustache of Insanity - Amazon Wishlist (MP3)
DOWNLOAD: Horowitz - Winona (MP3)
DOWNLOAD: The Embassy - It Pays to Belong (MP3)
DOWNLOAD: Leaving Mornington Crescent - Corners (MP3)
DOWNLOAD: Very Truly Yours - I'd Write You a Song (MP3)
DOWNLOAD: Pants Yell! - Cold Hands (MP3)
DOWNLOAD: Brown Recluse - Night Train (MP3)
DOWNLOAD: BOAT - We've Been Friends Since 1989 (MP3)
DOWNLOAD: Bunnygrunt - Hometown Rockstar (MP3)
DOWNLOAD: Bears - Wait and See (MP3)
DOWNLOAD: Gold-Bears - Tally (MP3)
DOWNLOAD: The Sea Lions - I Wish I Was Lou Reed (MP3)
DOWNLOAD: One Happy Island - Temporary Tattoo (MP3)
DOWNLOAD: The Young Friends - Make Out Point (MP3)
DOWNLOAD: Apple Orchard - Half Steps to Bright Smiles (MP3)
DOWNLOAD: Dream Diary - Bird in My Garden (MP3)
DOWNLOAD: World Atlas - Winter Stories (MP3)
DOWNLOAD: My Teenage Stride - Creep Academy (MP3)
DOWNLOAD: Cotton Candy - Fantastic & Spectacular (MP3)
NYC Popfest 2010 starts on Thursday with four days of cheery tunes and good vibes. And with temperatures that are supposed to climb into the '80s, we may finally answer the question, "When is it too hot to wear a vintage cardigan?" In years past, Popfest has played host to the likes of Pains of Being Pure at Heart ('07 & '08), Cats on Fire ('08 & '09), The Radio Dept ('09), BMX Bandits ('07), The Drums ('09), and lots more.
This year's line-up is pop-solid and we're giving away a Festival Pass that will get one person into all four nights. Just send an email to BVCONTESTS@HOTMAIL.COM with the subject line "POPFEST" and we'll pick a winner at random and notify them Wednesday night (tonight). Please note, some of these Popfest shows are 21+.
Festival passes are otherwise sold out, but there are currently still tickets available for all four shows, though I think you might want to act quick on the Cake Shop (5/20) and Don Hills (5/21) shows as they're at small venues. Here's an overview of what's going on, complete with MP3s for almost every band playing (above).
Popfest organizers scored a coup getting Scottish indiepop legends The Wake (not the American goth band of the same name) to play the big Saturday (5/22) show at the Bell House. While they the attention their Factory Records labelmates New Order and Happy Mondays (or even A Certain Ratio) received, their catalog is well-regarded, especially 1985's Here Comes Everybody which is a bona fide indie classic. Check out "O Pamela" at the top of this post. The band's hazy, reverb-laden sound has parallels to current bands like The Radio Dept or Wild Nothing, or any of the chillwave groups out there. The Wake are working on a new album due out this year. This is their only U.S. show. Stick around after The Wake's show for a DJ set from Victoria Bergsman.
Bunnygrunt date back to the early '90s cuddlecore scene (a genre which now sounds like some kind of porn for Furries) and were contemporaries of bands like Tiger Trap and Tullycraft. Reformed since 2004, these Saint Louis indie legends are pretty much patron saints to Popfest bands.
At the all-day Sunday (5/23) show at The Littlefield show features the first and only U.S. performance by enigmatic Swedish duo The Embassy who's music is somewhere between indiepop and Balearic disco. I liked 2005's Tacking which came out on the Service label, home of Jens Lekman, Studio and The Tough Alliance. Check out "It Pays to Belong" at the top of this post. but the band have been rather quiet since. Maybe we'll find out what's going on with them at the show.
Then there's Veronica Falls play the 5/20 show at Cake Shop. Maybe you saw them this past weekend when they played Glasslands on Saturday and Bruar Falls on Sunday. Their Glasslands performance was great, and they were surprisingly rockin', given the gentle nature of some of their recordings. Singer/guitarist James Hoare is a student of the David Gedge school of manic strumming, especially on their "Found Love in a Graveyard" single that becomes almost like an extended VU jam onstage.
Singer Roxanne Clifford and drummer Patrick Doyle were both in Glasgow's The Royal We, whose singer Jihae is now in Neverever who will play the Littlefield show on Sunday. The band also features her n0w-husband Wallace Meek who was in fellow Glaswegian band Bricolage but they now call Los Angeles their home. The band's debut, Angelic Swells, is out next week on Slumberland and is fairly indebted to '60s girl groups. Check out "Blue Genes" at the top of this post. I'll admit that part of me hopes we'll get a Veronica Falls/Neverever supergroup to play Royal We's awesome single "All the Rage" (the band never played America) but I'm not holding my breath.
Tender Trap play the Friday (5/21) show at Don Hill's which is also the bi-weekly Mondo! party. Not to be confused with anthemic Australian band The Temper Trap, The Tender Trap features Amelia Fletcher and Rob Pursey who were both in iconic indiepop bands Tallulah Gosh, Heavenly and Marine Research. I was a big fan of their last album, 2006's 6 Billion People, Their new album, Dansette Dansette, is out June 22 on Slumberland Records and you can download "Girls with Guns" from it at the top of this post.
Recently added to Tender Trap's lineup is Elizabeth Darling of Allo Darlin who also play the Don Hills/Mondo! show. Their debut album is out June 7 (in the UK at least, not sure if anyone's grabbed it up stateside) and is full of bouncy and charming guitar pop not too far removed from Belle & Sebastian. Their single "The Polaroid Song" is one of my favorite tracks of 2009 and you can watch the Breakfast Club homage video for it at the bottom of this post. And you can download a couple tracks from the album at the top of this post. Allo Darlin are also making the most of their trip, playing a short East Coast tour. Dates are at the bottom of this post.
Moustache of Insanity
Allo Darlin's Will Harrison also plays in Moustache of Insanity who are playing the free daytime show on Saturday at Spike Hill. Sometimes compared to Moldy Peaches, the band should provide some levity (and cheap keyboards) to the proceedings. Check out "Amazon Wishlist" at the top of this post for an idea of what you're in for, and if you want to hear more, you can download a zip of their new EP here and there are loads of downloads via their website.
Leaving Mornington Crescent
And it wouldn't be a Popfest without some Swedish bands. In addition to The Embassy, there's Leaving Mornington Crescent who play Cake Shop on Thursday, and A Smile and a Whisper at Littlefield on Sunday.
The Don Hill's show on Friday will be the last-ever NYC show for Boston's Pants Yell! who are splitting up after playing a farewell show in their hometown next week.
One of the many highlights of The Bell House show is Seattle's BOAT who will play some non-popfest shows too.
One Happy Island
This will be the second year in a row at Popfest for Chicago's Very Truly Yours, who are playing the e debut LP was just released this spring. You can download at track from it at the top of this post. Recommended if you like winsome, Camera Obscura style. pop. Also back from last year are Vermont's Smittens (5/21 Don Hill's), and it will be the second Popfest for Boston's One Happy Island who last played it in 2008 and play this year at the Saturday afternoon free show at Spike Hill. Check out "Temporary Tattoo" at the top of this post.
There's a few animal bands (in addition to Bunnygrunt): Cleveland, OH's Bears, who play the Bell House show (5/22), are lush and lovely with gorgeous harmonies. Check out "Wait and See" at the top of this post, whereas Gold Bears (Spike Hill, free day show 5/22) from Atlanta, are more in the shambly tradition of The Shop Assistants and Boyracer. Then there's local duo Elephant Parade (Cake Shop on 5/20) who play laptoppy folk, and the Sea Lions (Oxnard, CA playing the Sunday show at Littlefield) evoke comparisons to the Pastels and The Clean.
More out-of-town American bands: Sweater Girls are from Los Angeles and feature Allan Kingdom of C-86-era UK group The Siddelys; and Santa Monica Swim & Dive Club are actually from Michigan and play super-twee acoustic pop; The Young Friends are from Arizona but sound like Scotland 1980; and Apple Orchard hail from Richmond, California and make dreamy, Field Mice-ish pop (lots of free MP3s on their website).
Florida's For Ex-Lovers Only named themselves after a Black Tamborine song and kind of sound like that too. They play Littlefield on Saturday.
Opening the Don Hills show on Friday are Cotton Candy, which is Mark Robinson's current band that also features his wife. There's more a capella covers of old commercial jingles than you might expect from the former frontman of Unrest (who are reforming briefly).
And of course NYC is well represented. In addition to previously mentioned Elephant Parade, indiepop stalwarts My Teenage Stride, who are the only band to have played all for NYC Popfests, will play the big Bell House show on Saturday, as do World Atlas (NYC's answer to Belle & Sebastian); Dream Diary (NYC's answer to The Pastels/Field Mice) play Cake Shop on Thursday, and the shoegazy Corita play the free Saturday afternoon show at Spike Hill. And The Secret History make their third appearance at the Fest at Littlefield on Sunday.
Ok, I think I got everybody in there. Day-by-day Popfest schedule, plus some other tour dates and videos after the jump.
by Bill Pearis
Teen Beat Records is celebrating its 26th year of existence and in celebration, label founder Mark Robinson is getting the old band back together -- Unrest -- for a reunion tour, their first in 15 years.* The trio, including Bridget Cross and Phil Krauth, will play six East Coast shows, including two in the NYC area: July 7 at Maxwell's (tickets), and July 9 at the Bell House (tickets).
Robinson has had a number of bands since -- Air Miami, Flin Flon, Grenadine and, most recently Cotton Candy -- but Unrest is probably the band that people hold a special affection for. Formed while Robinson was still in high school, Unrest had its foundations in the DC hardcore scene but by the time Cross joined on bass/vocals in 1990, the band seemed to draw most of its influences from Factory Records and the C-86 scene. The band's finest moment, 1992's Imperial F.F.R.R., was tuneful, smart, funny, sexy and self-aware. You can download "Cherry Cream On" from it at the top of this post. The album's getting reissued on vinyl for this 26th Anniversary. Unrest broke up in 1994 and have only played once since -- at the Teen Beat 20th Anniversary show in 2005, though both Robinson and Krauth played on Cross' 2008 solo endeavor, Maybe It's Reno.
In addition to Unrest, the Teen Beat 26th Anniversary shows all have other bands from the label's history playing. Maxwell's will get The Ropers (who played last year's Slumberland anniversary shows) and former Aden guitarist Kevin Barker who now records as Curritruck Co.
The Bell House show is kind of a Teen Beat wet dream, with Versus (whose new album is due out on Merge sometime this year) also on the bill. Additionally we get a reformed, original line-up Rondelles, the criminally underrated late '90s band who played punky new wave in their teens in Albequerque, NM before moving to DC -- they had records out on Smells Like and K as well.
There's also a rare border crossing (and rare performance in general) from Vancouver, Canada's mercurial pop whiz Bossanova, whose 2006 debut on Teen Beat is kind of a lost gem. (Check out "Calvary" at the top of this post.) Robinson will perform double duty, also playing with Cotton Candy, the duo he formed with wife, Evelyn Hurley, who are an amusing mix of indie rock, performance art and late '70s commercial jingles.
Other shows on the tour will feature other Teen Beat acts, and the July 10 show at the Black Cat in DC will feature mini-sets from two seperate early Unrest line-ups. All tour dates and line-ups for each show, plus flyers and video are after the jump.
by Bill Pearis
The line-up for the fourth annual NYC Popfest has just been announced, which will happen May 20 - 23 at a variety of venues in Manhattan and Brooklyn. Thirty-two bands from around the world will be playing, and I think it's a pretty strong bunch of bands. Highlights for me include Veronica Falls (pictured above) which features ex-members of The Royal We and Sexy Kids; newly-reformed Glasgow/Factory Records legends The Wake who'll have a new album out this year; London all-girl trio The Tender Trap (not to be confused with The Temper Trap); winsome Allo Darlin' who are also from London and will be at SXSW this year; L.A.'s Neverever (until recently known as the Champagne Socialists); and Seattle's awesome BOAT.
A few MP3s to whet your Popfest appetite. Ticket info hasn't been announced yet, but you can follow the Popfest blog or Twitter for updates. You can check out the full NYC Popfest line-up after the jump.
by Bill Pearis
DOWNLOAD: The Cribs - We Were Aborted (MP3)
DOWNLOAD: BOAT - Prince of Tacoma (MP3)
DOWNLOAD: BOAT - We've Been Friends Since 1989 (MP3)
DOWNLOAD: BOAT - Lately (MP3)
DOWNLOAD: BOAT - I'm a Donkey for Your Love (MP3)
DOWNLOAD: BOAT - Last Cans of Paint (MP3)
DOWNLOAD: Pants Yell! - Cold Hands (MP3)
DOWNLOAD: Frankie Rose - Thee Only One (MP3)
DOWNLOAD: Brown Recluse - Night Train (MP3)
DOWNLOAD: Brown Recluse - Contour and Context (MP3)
DOWNLOAD: The Ropers - Revolver (MP3)
DOWNLOAD: Nord Express - The Natural (MP3)
DOWNLOAD: Lorelei - Stale Houses (MP3)
DOWNLOAD: Max Tundra - Which Song (MP3)
DOWNLOAD: Deastro - Reaction To Substance M (MP3)
Tonight (11/11) and tomorrow are the last two shows of The Answering Machine's extended NYC visit, playing Bruar Falls tonight (with Dinnosaur Feathers and Zambri) and Cake Shop tomorrow (11/12, with Sholi). As I've said before, this Manchester band make superior Brit Indie and like their debut album, Another City, Another Sorry, quite a bit. You can get the whole thing at their bandcamp.com page.
Speaking of superior Brit Indie, The Cribs fourth album, Ignore the Ignorant, was released this week, just in time for their shows at Bowery Ballroom on Thursday (11/12, still tickets available) and Friday (11/13, sold out). As you may know, The Cribs are now a four-piece, having added Johnny Marr to their otherwise all-Jarman lineup for the writing and recording of the new album which actually does sound like what you might expect it to. You've still got the big choruses and raw energy The Cribs are known for, but now with the flourishes and panache the onetime Smith is known for. I'd even say Ignore the Ignorant finds Johnny Marr sounding like Johhny Marr for the first time since his days in The The. It's a really strong record. But The Cribs are almost always better live than on record. I will be curious to see how Marr will affect the usual antics of Gary, Ryan, Ross. Will brothers still act like brothers when there's a legend nearly twice their age on stage?
The shows I'm most looking forward to this weekend are from Seattle's BOAT, a truly fun live band whose new album, Setting the Paces, is just terrific, loaded with irresistible indie pop, as much as you can fit on tangerine-colored vinyl. We're talking giant hooks, lyrics that are funny without being novelty (and have just enough of the crying-on-the-inside clown thing going on too), and production that is neither slick nor low fi. This is how it's done, and I've no doubt this will find its way into my Best of 2009 list.
BOAT play Union Hall on Friday (11/13) and Bruar Falls on Saturday (11/14) and you really should do yourself a favor and go see one of these shows. They don't make it East very often. Their live shows are fairly interactive -- they pass out bags of confetti and homemade shakers, and often work with signs and props -- but it never feels forced. They just want you to have a good time. The Union Hall show on Friday is with How I Became the Bomb; Saturday's Bruar Falls show is with Miniboone and Shark?
I feel a little bad that BOAT's show on Saturday is competing with the Slumberland 20th Anniversary show at The Bell House for the indie pop consumer's dollar. As someone who spent his college years going on road trips to Washington DC to see shows and go record shopping, Slumberland is intertwined with my musical upbringing, be it thumbing through Velocity Girl, Henry's Dress and Aislers Set 7"s at Arlington's Go Records, or hearing Stereolab's Switched On for the first time at Smash on M Street.
It's kind of amazing that, after a few years of dormancy, Slumberland has come back stronger than ever in the last year with records that have achieved a national level of attention that seemed impossible in the '90s. I'm still stunned at how popular Pains of Being Pure at Heart have gotten. It's a label that continues to be a labor of love for owner Mike Schulman. Maybe the listening public (now with the wide-reaching abilities of the internet) has come around to his way of thinking.
Anyway, Saturday's eight-band spectacular is a hard-t0-pass-up bill for any indie fan, featuring label heavy hitters The Pains of Being Pure at Heart (previously unannounced) and Crystal Stilts. There's also Boston's Pants Yell!, whose new album Received Pronunciation was just released and is what I'd call a textbook "grower," one whose many pleasures don't reveal themselves till maybe the third listen. The band are also swearing it's their last, and plan to break up next year (Check out an MP3 of "Cold Hands" above). Additionally, the show has Philadelphia's baroque-ish Brown Recluse from the label's current roster, and what is likely to be most people's first time seeing Frankie & the Outs, who were really good opening for Grass Widow at the Woodser a week ago.
There's also sets from three bands from Slumberland's dreamy '90s era: Lorelei, who have been back together since 2003, and The Ropers, and Nord Express who I'm pretty sure are playing their first shows since disbanding. While I know some Slumberland fanatics were hoping, wishing, crossing their fingers Schulman and Bell House booker Skippy might pull a rabbit out of their hat with more classic Slumberland bands (The Aislers Set, Black Tambourine, Velocity Girl or Rocketship), it's hard to argue with this lineup. It's gonna be a great night.
While on the subject of '90s indie rock, Versus are playing at Knitting Factory on Friday (11/13). Now augmented with a violinist (at least at their fantastic Seaport set this summer), they're sounding as good as they did in the '90s. Maybe even better. I'm told there's a new Versus album in the can and they're just trying to work out the whens and wheres of its release. The whole line-up at the Knit is TeenBeat related actually, with label head (and former Unrest frontman) Mark Robinson's new band Cotton Candy; Plus Minus which features Versus' James Balyut and ex-member Patrick Ramos and who are equally popular in their own right; The Solitary Cyclist which includes John Lindaman of True Love Always, Plus Minus drummer Chris Deaner, and food blogger (and friend of mine) Ganda Suthivarakom who has also performed with Miho Hatori, as well as in David Byrne's Imelda Marcos opera, Here Lies Love. Which leads us to the other band on the bill: Filipino indiepop band Ciudad. They've been playing shows here for the last month or so but this looks to be the final one before they head back to the Philippines.
A couple other quick shows of interest. If you ever wondered what became of Einar, the other vocalist in the Sugarcubes (the one who shouted things like "I really don't like lobster!"), his current gig is GhostDigital which matches weird electronics to his particular style of vocals. They play tonight (11/11) at Monkeytown with fellow homemade diode musician Caspar Electronics.
An evening-length concert of original scores and newly commissioned compositions for the intonarumori, or "noise-intoners" As part of its celebration of the 100th anniversary of Italian Futurism, the Performa 09 biennial, in collaboration with the Experimental Media and Performing Arts Center (EMPAC) and SFMOMA, has invited Luciano Chessa to direct a reconstruction project to produce accurate replicas the legendary instruments (8 noise families of 1-3 instruments each, in various registers) that Russolo built in Milan in the summer of 1913. As the first instruments capable of creating and manipulating noises through entirely mechanical processes, the intonarumori can be considered to be the original analog synthesizer, and the ancestors to the latest electronic synthesizers used today.The night also features Blixa Bargeld, John Butcher, Luciano Chessa, Joan La Barbara, Nick Hallett, Pauline Oliveros, Mike Patton, Anat Pick, Elliott Sharp, Ulrich Krieger, Jennifer Walshe with Tony Conrad, Ghostigital with Skuli Sverrison, Finboggi Petursson, and Casper Electronics.
Sounds pretty cool. Aside: I used to fantasize that Einar formed a band with Fred Schneider. The most annoying band ever created.
OK that's it for this week. Videos and tour dates follow....