Entries tagged with: DDMMYYYY
by Bill Pearis
Absolutely Free, the new group featuring most of Montreal's defunct DD/MM/YYY, make their U.S debut at Death by Audio Saturday night (2/25), playing with Cleveland's Mystery of Two and Athens, GA band Bambara.
I caught Absolutely Free's first-ever show at M for Montreal last year and wrote:
After two songs of sweating onstage, the drummer for Absolutely Free -- who made their live debut last night at Mile End venue La Salla Rossa -- peeled off his flannel shirt to reveal a Neu! t-shirt underneath. But by that point we already got it, though a Can shirt might have been more to the point.You can watch a couple live videos of Absolutely Free in action at the bottom of this post. The band are in the midst of recording their debut album which should be out later this year.
Featuring four fifths of DD/MM/YYYY, as Absolutely Free they still make complex, time signature-shifting music, but this was less manic, less skronky with decidedly groovier rhythms. (For me, that's a definitely an "Oh Yeah.") With no recorded music to hear yet and a short 20-minute set, I don't think we've got a full picture of what these guys are capable of, but it was a very promising first show.
photos by Dana (distortion) Yavin
STEREOGUM: What appealed to you about getting involved with All Tomorrow's Parties?Before Chuck D joined fest co-curators Portishead on stage during their Sunday I'll Be Your Mirror set in Asbury Park, Public Enemy played their own set, as did reunited hip hop group Company Flow (who will play again this month as part of the Creators Project). Ultramagnetic MCs played on Saturday, as did Swans.
GEOFF BARROW: I just like that, for the most part, you wouldn't want to be there if you aren't actually into the music. It's not like Coachella where there are loads of girls walking around in bikinis and stuff like that. It's basically people enjoying what is often some really indulgent music. For us, it's like a Charlie in the Chocolate Factory moment. You win the golden ticket and you get to see how the candy is made. You get to choose the bands that play with you, which is just ... amazing. It's like, wow, yes, please.
STEREOGUM: Who in particular are you most excited about seeing?
GEOFF BARROW: We've been really lucky over the years. We've done three of these ATP festivals and it's always such a good experience. I'm always, always, always very into watching Public Enemy. Also, Ultramagnetic MCs because they are just mental and so important to hip hop. I'll also be watching Swans ... with earplugs. I want to watch everything. I want to watch as much as I possibly can.
Jeff Mangum played his second of three Asbury Park sets on Sunday (10/2), though like his Friday show, we don't have pictures of his set (he doesn't like pictures). We do have pictures of a lot of other sets from Sunday though, and they continue, along with shots of the general Asbury Park scenery (the conclusion of our ATP NJ 2011 coverage), below...
DD/MM/YYYY - 2.45pm-3.45pmThe missing band is Mogwai.
Deerhoof - 4.15pm-5.15pm
Company Flow - 5.45pm-6.45pm
Public Enemy - 7.15pm-9.15pm
Portishead - 10.00pm-11.30pm
DD/MM/YYYY also plays in NYC tonight.
by Bill Pearis
DOWNLOAD: Anika - Yang Yang (MP3)
DOWNLOAD: Anika - Terry (MP3)
DOWNLOAD: The Soft Moon - "Total Decay" (MP3)
DOWNLOAD: The Soft Moon - Breath the Fire (MP3)
DOWNLOAD: Mikal Cronin - Get Along (MP3)
DOWNLOAD: Mikal Cronin - Apathy (MP3)
DOWNLOAD: Howler - I Told You Once (MP3)
Hello and welcome to the ATP Runoff edition of This Week in Indie. (Aka ATPTWII.) Yes the big news is the Portishead-curated All Tomorrow's Parties which is happening this year in Asbury Park, NJ which looks to be super cool. (I would like to see The Pop Group.) There are still tickets available for most of it -- it gets a little confusing what with "Three Day Jeff Magnum" passes and other variations but this column will not get into that. We're talking bands/artists who are also playing NYC shows while here. And some other stuff too.
First and foremost, for me, is Anika who is making her North American live debut tonight (9/27) at Le Poisson Rouge and tickets still seem to be available. Her debut album snuck in late last year but made my Best of 2011 with it's mix of post-punk and dub, and I've been waiting to see her live ever since. As I wrote before:
Recorded in 12 days, live with no overdubs, it sounds like the missing link between The Slits and Lilliput. Portishead's Geoff Barrow -- his other band BEAK> is the backing band here -- gets the claustrophobic vibe just right. A lot of people have tried and failed to recreate that Martin Hannett Sound... Barrow nails it. And the material -- a mix of girl group covers and politically-charged originals -- suits Anika's Nico-esque delivery perfectly.You can download two tracks at the top of this post, cover's of Yoko Ono's "Yang Yang" and obscure British girl group singer Twinkle's "Terry." Anika is here on a limited North American tour and all her dates are at the bottom of this post. Anika's live band is a 5-piece that includes two of the three members of BEAK> (Geoff Barrow is the one who doesn't play with her live).
Opening for Anika is local act Slowdance who you may remember made L Magazine's "8 Bands You Need to Hear" list and whose debut EP, Light & Color, was just released last week. It's a "name your price" download at their Bandcamp site. The whole thing is pretty good but I especially dig the opening track "Cake" which is kind of like early B-52's minus Fred Schneider but in French.
I mentioned BEAK> who, in addition to sharing members with Anika, will also be performing their own set at ATP and have also just released a split EP with Toronto's proggy, mathy DD/MM/YYYY who are playing Friday night at Cameo with like-minded noisemakers Yvette and Bambara. DD/MM/YY are on short East Coast tour while here for ATP and all dates are at the bottom of this post.
If you like DD/MM/YY or have been curious about seeing them live, you should go to this show... because they're breaking up at the end of October and the Cameo show is their last NYC show before doing so. I last saw them at M for Montreal two years ago, where I wrote:
Also impressive live are Toronto's DD/MM/YYYY who have clearly gotten much tighter than the last time I saw them (Don Pedro's, like three years ago). It's proggy-mathy, but bordering on chaos too. I'm not that crazy about their records -- a little too much going on at one time for my poppier tastes -- but I'd go see them again, no question.Don't get too sad about them calling it quits, as four of the five are regrouping under the name Absolutely Free and will make their live debut at M for Montreal this year.
More ATPTWII action: London trio Factory Floor play two NYC shows this week: tomorrow (9/28) at Knitting Factory with Apache Beat and FAN-TAN, and then Thursday (9/29) at Mercury Lounge with fellow Londoners Walls.
Factory Floor get a lot of Joy Division comparisons and JD/New Order drummer Stephen Morris is a fan, remixing last year's "Wooden Box" single. But apart from looking sad in their press shots, Factory Floor are more in the minimal wave camp with drone and repetition being their weapons of choice. Their new single "(R E A L L O V E)" is basically a goth/industrial/techno/Krautrock ode to Donna Summer/Giorgio Moroder's "I Feel Love" and is pretty awesome.
The band's next release will be on DFA in November. Judging from live clips on YouTube (like them performing "(R E A L L O V E)" at Rough Trade which you can watch below), Factory Floor are intense live and you might want to rearrange your show schedule to see them.
The Soft Moon
And rounding out the ATP-related shows are San Francisco's The Soft Moon who were supposed to be opening for Mogwai (who had to cancel) but will now play 285 Kent on Saturday (10/1) with White Ring and Beige (video flyer below), and the Wierd Party next Wednesday (10/5). Their new EP, Total Decay, is out on Halloween via Captured Tracks and you can download a track from it (and one from their debut album) at the top of this post. If you like '80s 4AD goth (Clan of Xymox, Xmal Deutchland) you're probably already going.
Speaking of goth, in a totally different way we've got Veronica Falls in town for two shows: tonight (9/27) at Glasslands and tomorrow (9/28) at Pianos. Their debut, out last week on Slumberland, is one of my favorite albums of the year so far. I wrote about it over at Sound Bites which I will quote here:
The band get the C-86 tag a lot but, apart from The Velvet Underground (which has inspired 95% of all indiepop), New Zealand seems to be a bigger influence anyway. "Misery" and current single "Bad Feeling" could both be Bats songs. (The Verlaines are a clear influence too, and I bet someone in the band loves The Chills' "Pink Frost.") But this is not a band you really sit around playing "spot the influence" to, as you're too busy swooning to the gorgeous melodies and Roxanne Clifford's truly lovely voice.When I said "goth" above, I mean more in an old school romance kind of way. Love and death, often intertwined. If you're on Spotify you can listen to the album here. They're great live, do go see them. Tonight's Glasslands show is with German Measles, Tanks Amigo and Darlings; the Pianos show is entirely TWII-endorsed, with McDonalds, Heaven's Gate and The Hairs.
There's not a dud in Veronica Falls' 36 minute running time. New songs ("Misery," "Bad Feeling," the effervescent "The Box") are equals to early singles "Found Love in a Graveyard" and "Beachy Head" which appear here in newly recorded versions that might actually improve on the original versions.
Ty Segall plays Bowery Ballroom on Thursday (9/29) and we've given him a lot of love over the last few years. He's awesome. If you're going, do get there early and see opener Mikal Cronin who plays in Ty's band and used to front Charlie & the Moonhearts. I liked the Moonhearts just fine, but playing with Ty seems to have done wonders. Mikal's self-titled LP on Trouble in Mind (produced by Ty) is far and away the best thing he's ever done, is one of my albums of the year, and I like it more than Segall's Goodbye Bread to be honest.
The album has great song after great song, killer hooks and harmonies -- SoCal garagey surf-pop at it's finest. You can download two tracks from the album at the top of this post.
Friday is the last night of Monster Island Basement and the DIY venue is going out a big show featuring Regal Degal, Total Slacker, La Big Vic, Hume and Royal Baths. It's the record release party for Total Slacker's debut album, Thrashin', which got a 6.7 on Pitchfork today:
Total Slacker's sense of humor is the album's driving force, and it's both overt and weirdly specific. The lyrics, for the most part, are a goofy celebration of the slacker caricature. Between the references to weed and various snack foods, and the record's languid pace, Rountree perpetuates the archetypal slacker character with his nasal whine. The track "Thyme Traveling High School Dropout", for example, is a Teenage Mutant Ninja Turtles-style branding for a guy who goes back to the 18th century because marijuana isn't illegal then. And the title "Stealing From Salvation Army" says it all-- he plans on doing just that after he wakes up in the afternoon. That's pretty much the whole album. Thrashin' largely depends on buying into that character and thinking it's funny, or at least interesting, for 40 minutes.With Total Slacker's propensity for instrument-destroying, this last night at Monster Island could be a doozy.
And finally, Minneapolis band Howler are playing their first NYC shows this week: Thursday (9/29) at Glasslands and Friday opening for Tapes n' Tapes at Bowery Ballroom. The band just signed with Rough Trade who put out their EP, This One's Different, not too long ago. They're getting more UK press than here in the States. NME gave the EP 8/10 saying:
Howler are musical pizza. They're not a band you define yourself by. They're a band you dance to. Which is not to say that Howler are stupid, or people who like Howler are stupid. They just don't feel the need to prove that they're clever.Everybody likes Pizza, right? The review goes on to make a Razorlight comparison, so this pie must have extra cheese. You can download a Howler track at the top of this post.
The title of this first EP by Rough Trade's most recent signings is both misleading and spot on. There's nothing much different about these Minneapolis boys at all, with their sexy bedhead hair, skinny limbs and small-child-romping-at-a-family-wedding goofy energy. Their bratty guitar pop is as familiar as skin, but also as warm and lovable. But then, how many flat, formulaic takes on this same sound are also-running around out there? Howler are different because they make commonplace components fly with a brilliant nonchalance.
And that's the big stuff for this week. Slightly smaller stuff is below, day-by day:
TUESDAY, SEPTEMBER 27
Portland duo Viva Voce are at Mercury Lounge tonight. They don't get enough attention -- apart from just being two of them there's no "angle" per se, besides good songs and great musicianship -- and their new album The Future Will Destroy You is pretty good.
WEDNESDAY, SEPTEMBER 28
Somebody is playing Roseland tonight, can't remember who.
Updated ATP flyer
"Can we assume they'll be added to ATP, which starts a few days after the Bklyn date?," asked a commenter in the comments of our post announcing the Swans show at Music Hall of Williamsburg, and that commenter was dead on.
ATP NJ (aka "Ill Be Your Mirror") has updated its previously announced lineup to include Swans, Peanut Butter Wolf (who will be DJing), Battles, Deerhoof, Jim Thirwell's Manorexia, and Oneida (who will again perform in Ocropolis formation, like in 2009) "ONEIDA PRESENTS THE OCROPOLIS III which will take place at the Asbury Lanes Bowling Alley - the band will perform continuously throughout the day, sometimes with guests from the rich array of musicians also performing in the festival, sometimes alone and mostly improvised."
Though 3-day passes for the Asbury Park Fest, which include your only shot at seeing Jeff Mangum, are sold out (now called the Jeff Mangum Three Day Pass), tickets are still available in multiple incarnations for the three day celebration, including a new "Portishead Three Day Pass" which allows "passholders to see everything else from Friday-Sunday as well as giving priority access with the day pass holders to BOTH Portishead shows on Saturday and Sunday" (the pass doesn't include entry into Jeff Mangum). The "Portishead Three Day Pass" will go on sale at 10AM EST Thursday (4/21) and individual day passes are currently on sale. The versions of the 3-day pass that are sold out only guarantee you one night of Portishead. "Existing Day ticketholders or Jeff Mangum Three Day pass holders who wish to switch to a Portishead Three Day Pass should contact ATP via firstname.lastname@example.org before May 30th."
The current lineup is below.
Shepard Fairey is also DJing the event on Sunday
ATP Asbury Park ("I'll Be Your Mirror") has released the second wave of artist announcements including many of Portishead's choices for the bill! We already knew about Jeff Mangum, Bonnie Prince Billy, Shellac, Chavez and more. New additions include, not surprisingly, Portishead-related acts Anika and Beak> (and this time Anika will be performing live and not just DJing). There's also now a rare reunion of The Pop Group, an Ultramagnetic MC's reunion (WITH Kool Keith), Silver Qluster (Simeon of Silver Apples and Hans-Joachim Roedelius of Cluster/Harmonia), Thee Siliver Mt. Zion Memorial Orchestra, Mogwai, Earth, The Horrors and more. The full list is below.
More details, a bigger Shepard Fairey-designed poster, and the full schedule below...
'I'll Be Your Mirror USA' is not the only 'I'll Be Your Mirror' that Portishead is curating for ATP. As previously mentioned, the English band is also helping pick the bands for the event happening in London in July (tickets still on sale by the way).
So far we don't know any of the bands that will open for Portishead in NJ in October, but it would be crazy if they didn't have at least a few of the same bands on both. This is who they have on the UK one so far: PJ HARVEY (also playing Coachella), DOOM, COMPANY FLOW, THE BOOKS (played ATP NY 2010), FACTORY FLOOR, BEAK> (played ATP NY 2010), DD/MM/YYYY, GRINDERMAN, SWANS, BEACH HOUSE, LIARS, THE PASSION OF JOAN OF ARC, ANIKA, and S.C.U.M. The full UK lineup so far, is listed by day below...
DOWNLOAD: DD/MM/YYYY - "Van Tan" (MP3)
DD/MM/YYY @ Gladstone Hotel Ballroom in June
Women are currently in EU through the middle of September, but will hit the road for a US tour shortly after the release of their new LP Public Strain for Jagjaguwar. The trek includes dates with Liars and DD/MM/YYYY (but not both at the same time) and includes TWO NYC dates: Mercury Lounge on 10/7 (tickets) and Knitting Factory on 10/9 with So Cow (tickets).
Women also have a split on the way with their tourmates DD/MM/YYYY, who have their own album in the works for late 2011. Meanwhile DD/MM/YYYY's current LP, Black Square, will be released in Europe on 10/11 via Invada Records, Geoff Barrow of Portishead and Beak>'s label. The EU version will contain the previous LP tracks (like "Van Tan" above), as well as bonus tracks.
Speaking of Beak>, they'll be around here soon.
Women and DD/MM/YYY both played the NXNE Festival in Toronto this year. A set of DD pics from up there with all upcoming dates dates and some videos below...
the concert site...
==BIG NEWS!==You can add to that list of confirmed bands: No Age, Fucked Up, Das Racist, dd/mm/yyyy, Lemonade, Quiero Club (MX), Los Llamarada (MX), Toro y Moi, Small Black and Liturgy.
It is my pleasure to announce the inaugural MtyMx All-Ages Festival of Art and Music!
The MtyMx festival will happen on March 20th, 21st, and 22nd at Autocinema Las Torres in Monterrey, Mexico
The MtyMx festival is a collaboration between Yo Garage and Todd P and will feature up to 25 bands a day for three days, playing outdoors on two stages in a beautiful drive-in movie theater on the side of a mountain in the Sierra Madre Oriental. Over one third of the bands playing are from Mexico!
Tickets are $30 for a three day pass. 75 bands!
Confirmed bands include: Dan Deacon, Neon Indian, Washed Out, Thee Oh Sees, Pocahaunted, Indian Jewelry, Male Bonding, Best Fwends, Banjo or Freakout and many many more, along with Mexican groups Los Fancy Free, Los Margaritos, and more to be announced in the coming days. -Todd P
The only bad news (for SXSWers) is that Todd will not be bringing his multi-day fest of day shows to Ms. Bea's again this year, though he doesn't seem to be ruling out doing at least something in Austin before Mexico.
Scared of Mexico? In an e-mail, Todd P told us, "Monterrey has a lower violent crime rate than NYC, Dallas, or Houston, even accounting for international drug trade violence. A major goal of the festival is to dispel US misconceptions that Mexico is the 3rd world, uneducated, dangerous and backwards. Mexico is a modern country with a surging middle class and a vibrant, plugged in 1st world art and music community. Another major goal is to correct the disenfranchisement of Mexican artists and bands caused by strict US visa restrictions on Mexicans. In short: these bands and fans can't go to SxSW."
Details and reservations for Austin-to-Monterrey round-trip bus service, hotel options and onsite camping are forthcoming. More info on MtyMx is below...
Dan Deacon's Top 10 albums of 2009 (via)
1. Double Dagger - More
2. Lightning Bolt - Earthy Delights
3. Health - Get Color
4. Ducktails - Landscapes
5. Pictureplane - Dark Rift
6. Javelin - Jamz N Jemz
7. DD/MM/YYYY - Black Square
8. Black Dice - Repo
9. Lucky Dragons - Dream Island Laughing Language
10. Ed Schrader - The Choir Inside
by Bill Pearis
Last year when I went to M for Montreal, I didn't know any of the bands going in, which made it sort of exciting, with no preconceived notions from hype or un-hype. This time, though, I had heard many of the bands at M, as well as having seen a handful of them before. At Friday's sélection officielle at club Just Pour Rire (10/20), I'd seen half of the bands before, and the other half I'd given at least a cursory listen.
The best surprise of the night was electronic trio Le Matos who are kind of Montreal's Simian Mobile Disco, and tore the place up with a blinding set of squelchy techno. I mean blinding literally: surrounded by a ring of versatile "light pillars" (my term) you could barely see the musicians. Most of my pictures were either a giant block of bright color or completely black thanks to the strobes. If you've seen SMD's live set, it was definitely influenced by that but Le Matos took it full circle. While their music feels a little 2007, but in the moment, at maximum volume and with that light show, it was kind of awesome and the crowd was eating it up like so much sugary cereal. They are getting a lot of remix work, so look out for these guys next year.
My favorite non-surprise was probably Parlovr who I caught at CMJ about a month ago and was impressed by then. Even more so now. The band's self-titled, self-released 2008 album does not do them justice, making them sound like a Wolf Parade Jr. Live, Parlovr are way more energetic, fun and melodic -- though it may have also had something to do with a fair amount of new material in their set. Singers Louis Jackson and Alex Cooper semi face each other from opposite sides of the stage rocking back and forth like manic Drinking Birds, flipping their '90s skate rat hair around, while mountain man drummer Jeremy MacCuish holds down the beat. They clearly enjoy playing, and it's a lot of fun to watch too. New album due early next year apparently.
Also impressive live are Toronto's DD/MM/YYYY who have clearly gotten much tighter than the last time I saw them (Don Pedro's, like three years ago). It's proggy-mathy, but bordering on chaos too. I'm not that crazy about their records -- a little too much going on at one time for my poppier tastes -- but I'd go see them again, no question.
The rest of the evening's bands were a little underwhelming. Silly Kissers didn't wear mime makeup this time (like they did at CMJ) which is a definite plus, but I really don't think they are "export ready." Which is not a dis. Their low fi, cutesy (sometimes charming) version of '80s synthpop would be more at home at a house party rather than with the fancy lights at Juste Pour Rire -- though a special appearance from Cadence Weapon (his second of the fest) added cred.
The night ended with a "surprise" performance by BEAST, which wasn't that much of a surprise as one of M's organizers is their manager, but it was a welcome finish to Friday. Like Think About Life, seeing BEAST in front of an adoring Montreal crowd is a completely different experience from seeing them in skeptical New York. This was my fourth time seeing them (previously, most recently at the Brooklyn Vegan day party during CMJ), and though their set has pretty much remained the same since this time last year, they do it so well. singer Betti Bonifassi has such magnetism - it's still fun. And the crowd was going crazy for them. They brought down the house.
The previous night's review and pics are HERE. More pictures from night two, and video of Parlovr's performance are below...
photos by Sara Skolnick
DOWNLOAD: Del the Funky Homosapien - Get it Right Now (MP3)
DOWNLOAD: Del the Funky Homosapien - Straight From The Big Bad West Coast
When the very good DJ Prince Paul came on, crowds gathered in front of the stage. His first number was the usual tribute to Michael Jackson, and then Prince, De La Soul, Brand Nubian, et al. followed. In addition to being a DJ, the Queens native Prince Paul is a crimefighter, an international man of mystery, and a well-known producer of lots of musicians you know well. He got the crowd moving and shaking; clearly, he's so good at this you feel he could do it in his sleep. Prince Paul is pretty funny, too.This past Sunday at the Williamsburg Waterfront (8/16) was not only the 2009 Pool Party with the most hip hop, but also the Pool Party with the most confusing band name spellings (Del tha? Del the? Funkee? Funky? Kenan? Keenan? !? !!? !!!? !!!!? DD/MM/YYYY?????). Sorry.
After Prince Paul left the stage, there were some technical glitches, but finally onstage came Buku One, or Bukue One - spelling of hip-hop performers is about as standard as colonial American English; we've seen Del the Funky Homosapien also as Del tha Funkee Homosapien - who, like Del, is from the Bay Area. He's worth catching up with if you're not familiar with him; his DJing exudes intelligence and wit...
...Del joined Bukue onstage, and he was great throughout his set...."How many of you think the music industry is fucked up and full of shit?" Del asked the crowd. "Are you tired of buying an album that has only three good songs?" Yeah, we are. Who's got the cure? The doctor in the house, Dr. Bombay, of course.
[DUMBO Books of Brooklyn]
Del has two new albums. The first, from which the two MP3's above come from, is called Funk Man (The Stimulus Package) and is totally free. The second is a collaboration with Tame One that was produced by Parallel Thought and is called Parallel Uni-Verses. It drops October 13th, 2009.
Prince Paul and Kenan Bell were both also seen three days earlier at the De La Soul show at Nokia Theatre. Gravy Train!!!! pictured above was the best visual candy of the day. More pictures below...
De La DMC @ Nokia Theatre, NYC - 8/13/09 (by Tim Griffin)
As Del La Soul told the crowd when they took the stage at Nokia Theatre in NYC last night (8/13), their show was not going to be all music from 3 Feet High & Rising. Why would anyone think it would be? Probably because the show was billed as "20 Years High and Rising" (and everyone and their mother is playing full albums these days) (including Buckshot who opened the show, but didn't play a full album at this one either). I was more than okay with them not playing the full thing, though it would have been nice to hear a few more songs from that album. Specifically, I wished they played "The Magic Number" and "Jenifa Taught Me (Derwin's Revenge)".
I loved every second of the packed show, and the 10-piece backing band was an especially nice touch. That said, I was selfishly hoping for a few more special guests, not that there weren't any. I thought for sure that Q-Tip would show up, and the Jungle Brothers and Black Sheep, and maybe even Doom, and who knows who else. Ends up they sort of kept the guests to a minimum. Bumpy Knuckles performed a short unannounced opening set. Prince Paul was brought out for a second to say hello. Dres from Black Sheep and Ali Shaheed Muhammad from A Tribe Called Quest were watching from the side of the stage and were brought forward to dance for a minute during "Buddy". And then, the big, and maybe only real special guest moment came during a cover of Run DMC's "Rock Box" which was completed with DMC himself on stage as part of the group. They covered Rakim too, but he wasn't there, maybe because he was downtown playing his own show at Highline Ballroom the same evening.
This Sunday (8/16) indie rock leaves the Williamsburg Waterfront for one week (Central Park Summerstage stole it for the day), and another big (mostly) hip hop show happens in NYC, courtesy of JellyNYC, and it's free (and/or $50). The Sunday Pool Party lineup includes Gravy Train!!!, DD/MM/YYYY, Kenan Bell (who also opened for De La Soul on Thursday), a DJ set by Prince Paul (Plug Four), and a headlining set by DEL the Funky Homosapien.
We have a full set of pictures coming from De La Soul (more tour dates HERE), and we'll have some from Sunday too. In the meantime, here's a few videos from the show...
"For 4 years now Wham City has been organizing the WHARTSCAPE. What started as a summer warehouse party turned into a much bigger, multi-day outdoor festival with thousands of bands, performers, and folks traveling to Baltimore from all across the US and Europe.More info and full, 140 band lineup below...
Since, we organize this festival out of pocket and in our spare time, it is important for us to keep it comfortable and enjoyable for us to do. One thing we talked about at the end of last year's festival was shrinking it down slightly and having it feel more community based and familiar.
This year isn't focused around headliners, but mainly performers and friends that make up the community we tour, work and live in.
We are also greatly reducing the number of MEGA-PASSES (the 3 day pass ticket that grants you entry to every show and every day).
ONLY 300 Mega-Passes will be sold; this is the only guarantee that you can see all the shows.
Tickets will be sold to the individual shows, but it is strongly suggested that you buy a Mega-Pass, as it saves you money and assures you take in the entire poo-poo.
Whartscape will take place July 10-11-12 at the Baltimore Museum of Art, Maryland Institute College of Art Studio Center Parking Lot, and Load of Fun.
We will begin selling tickets at 12 Noon, Monday, June 29th.