by Klaus Kinski

As a young mullet-headed headbanger growing up in the pre-internet late 80's and early 90's Cape Cod, my only resource for expanding my metal horizons was Metal Maniacs. Sure, I enjoyed the titans of that era (Metallica, Slayer, Iron Maiden, etc) but what I craved was the most vile, lightning fast death metal in the world. Thanks to Metal Maniacs, I was exposed to the likes of Deicide, Napalm Death, Carcass, Entombed, Morbid Angel, Repulsion, Gorguts, Cathedral, Morgoth, and many many more. The one album from that era that immediately blew my mind, and has stayed an important part of my life, is Godflesh's Streetcleaner. To this day the bassy-death-rattle-feedback intro for the lead-off track "Like Rats" still gets me amped.

For the past 19 years I've been avidly following the brains behind Godflesh, Justin K. Broadrick, and his incredibly diverse career. Starting in 1982 with band called Final, a project that is still creating music to this day, Broadrick has released dozens of records and EPs under a variety of pseudonyms and monikers. He's remixed boat loads of tunes by other bands and has dabbled in many different genres including industrial, grindcore, and hip hop. With his latest project Greymachine (listen to a stream here) and many more projects on the horizon, it seemed like a great time for BV to catch up with Justin and discuss his past, present, and future.

Continue reading "an interview with Justin K. Broadrick"