Entries tagged with: David Byrne
The three-night, three-stage-per-night, Dessners-of-the-National-curated Crossing Brooklyn Ferry festival begins at the Brooklyn Academy of Music in Fort Greene tonight (5/3). The three stages are Howard Gilman Opera House (the big names), BAMCAFE (the smaller names) & BAM Rose Cinemas (a mix of film and other music). Things begin early too. The Walkmen headline the big room at 10:45pm tonight, but the music begins with the JACK Quartet in BAMCAFE at 5pm. The full schedule is at their site.
Before the Walkmen is Sharon Van Etten who spent last night covering the Stooges with Mike Watt and members of Dinosaur Jr. Before Sharon is Twin Shadow who may or may not to continue playing new material like they did recently at Glasslands. And before them is Jherek Bischoff who is rumored to be playing with a very special guest or two which is not surprising at all given who showed up to play with him at the Ecstatic Music Festival, and who appears on his new album Composed (out 6/5 on Brassland). This is the album's tracklist:
Introduction (Defeat)Jherek also plays on the new Amanda Palmer record. You can download and listen to the Zac Pennington & Soko track below...
Eyes (Jherek Bischoff & David Byrne)
The Secret of the Machines (w/ Caetano Veloso & Greg Saunier)
The Nest (with Mirah Zeitlyn & Paris Hurley)
Blossom (Jherek Bischoff with Nels Cline)
Your Ghost (with Craig Wedren)
Counting (with Carla Bozulich)
Young & Lovely (with Zac Pennington & Soko)
Insomnia, Death And The Sea (with Dawn McCarthy)
David Bryne at Ecstatic Music Festival in February (more by David Andrako)
Back in 2010, David Byrne and Fatboy Slim, teamed up in 2010 for Here Lies Love, an album about fomer Filipina First Lady Imelda Marcos with a different singer on each track (including St. Vincent, Shara Worden, Kate Pierson, Sharon Jones, Florence Welch, and more). They've now brought in director Alex Timbers to direct a Here Lies Love musical, which like the album, is about Imelda Marcos. The musical will premiere as part of the Public Theater's 2012-2013 season from April 2 - May 5, 2013.
The video for "Please Don't" (ft. Santigold) off Here Lies Love is below...
Angel Olsen at Glasslands in 2011 (more by Dominick Mastrangelo)
Chicago's Angel Olsen is in Brooklyn for two shows this week including Glasslands TONIGHT (4/4) with Sufjan/Sharon Van Etten collaborator Cat Martino, Doe Paoro , and Knox. Tickets for tonight's show are available.
Angel also plays another Brooklyn show at Littlefield on Sunday (4/8) with Companion, Emily Reo, and Alex Drewchin. Tickets for that show are on sale now.
Angel Olsen is working on a new album which will be out sometime this year on Bathetic, who released Strange Cacti on vinyl last year. You can stream a track from Strange Cacti at the Bathetic website or listen to the whole album on Spotify. Below, check out a solo performance of the song "Barrier of Bodies," which will "most likely be on her record to come." For her NYC shows, Angel will be joined by Emmet Kelly on bass, guitar, and vocals and guitarist Leroy Bach will also join them both at Glasslands tonight.
Speaking of Will Oldham collaborators, the mostly David Byrne-produced soundtrack for This Must Be The Place has finally been given a release date (4/23), which he and David Byrne contributed multiple songs to under the name The Pieces of Shit. Check out the track, "Open Up," by The Pieces of Shit below. Other contributors to the soundtrack include Jonsi & Alex, Iggy Pop, and Julia Kent (who plays Issue Project Room with Julia Holter during Unsound later this month).
Will Oldham also wrote a book called Will Oldham on Bonnie 'Prince' Billy, which according to the NYTimes, "answers nearly every question one might wish to ask about his prolific output." Here's what he has to say about the moniker Bonnie 'Prince' Billy:
"Bonnie Prince Billy is such a ridiculous name. It had no preconceptions to it; nobody could say what the music was going to be like on hearing the name. But it turned the music into an individual, which seemed to be what everyone -- the audience, or at least the people that I was forced to talk to about the music -- was seeking. They were seeking some sort of individual responsible for things, and I was just like, 'O.K. We'll make one up. One who doesn't really exist, and therefore I can continue to feel confident that there is no individual responsible for things, but you can think that there is one!'"Read more excerpts from the book at NYTimes.
All dates for Angel (and Doe Paoro too), video, and song stream below...
Jherek Bischoff & some of his guests
It wasn't the marathon that opened the inaugural Ecstatic Music Fest in 2011, but this year's opening show on Saturday (2/4) had some of that same collaborative energy, focusing on the compositions and arrangements of Jherek Bischoff, a musician known for his work primarily with The Dead Science, Parenthetical Girls and The Degenerate Art Ensemble. For the show, billed as a preview of Bischoff's forthcoming CD from Brassland ("composed"), the composer got help from the Wordless Music Orchestra and nine guest vocalists.
After a too-brief instrumental opening, David Byrne came out to sing a swaying Afro-Cuban-tinged piece. In what would be a recurring theme, Bischoff's composition wasn't entirely different than the type of song Byrne might sing at one of his own shows. Next up, Charlie Looker intoned through "The Secret Life of Machines" (which you can find an instrumental version of at WNYC) in a style that'd be a close fit to his Extra Life material. Mirah's voice sounded as warm and honeyed as always. Parenthetical Girls's Zac Pennington sang a duet with Sam Mickens, both of them playing up their own strengths, Pennington the animated, Wildean dandy and Mickens the snazzily dressed crooner. The other singers, Craig Wedren from Shudder to Think, Carla Bozulich of Evangelista, and Steven Reker and Jen Goma, were idiosyncratic in their own ways, and Bischoff's string-laden avant-pop tunes bent to their strengths. Deerhoof's Greg Saunier stood out with a few good improvisatory fills but mostly hung back in the ensemble. For his part, Bischoff played ukelele, guitar, bass and sang a song. His young cousin came out to hit a gong at the end of one tune.
The second part of the program, only five songs long, consisted of Bischoff's arrangements of the singers' own material. Craig Wedren, Zac Pennington, Mirah and Carla Bozulich all returned. (In particular, Mirah's vibrant Latin number, "The Country of the Future," was great). For the finale, David Byrne premiered a new song, which he sang with Reker. It took a few verses, but eventually I worked out that "The Fat Man's Comin'" was a song about Santa Claus. As a closer, it was a small gesture where I would have preferred a grand finale, but it seemed to fit with Bischoff's humble collaborator-focused ambitions.
While in town, Mirah plays tonight (Monday) at Glasslands, where she'll be accompanied by cellist Lori Goldston and percussionist Geo Wyeth (Mirah's Facebook says they'll be "performing songs seldom heard from [her] repertoire"). The Ecstatic series continues with three more shows this week. The full schedule is here.
More pictures from Saturday's show at Merkin Concert Hall,below...
As mentioned, the Ecstatic Music Festival kicks off on February 4 at Merkin Concert Hall with Jherek Bischoff, who plays with Parenthetical Girls and The Dead Science. He's teaming up with Wordless Music Orchestra and an incredible list of guest vocalists from his upcoming album, which comes out this February, including David Byrne, Craig Wedren (Shudder To Think), Greg Saunier (Deerhoof), Mirah, and Zac Pennington (Parenthetical Girls. Tickets are still on sale now.
Speaking of Parenthetical Girls, their tour began last night (12/1) at Glasslands with Gauntlet Hair, Dinowalrus, and Eraas. If you missed it, they'll also be in NYC this Friday (12/3) at Santos Party House with YACHT and Midnight Magic (tickets).
As previously mentioned, Brassland Records is celebrating its 10th anniversary as a label and debuted a new/old track every day of November via various methods including Soundcloud. None of those tracks can be heard in the player that's embedded below. Those include "Spinney" by This is the Kit (who are opening for the National at Beacon Theater on 12/17) and "Secret of the Machines (instrumental)" by Jherek Bischoff. The latter also features drums by Greg Saunier (Deerhoof), and will have vocals by Caetano Veloso in its album version.
Asphalt Orchestra at Lincoln Center (more by Benjamin Lozovsky)
The Bang on a Can Marathon returns on Sunday (6/19) with a mammoth thirteen hours of FREE live music kicking off at 11AM at NYC's World Financial Center Winter Garden (200 Vesey Street). Featuring over 150 musicians/composers, the fest includes performances from, and compositions by, names like Philip Glass, Glenn Branca Ensemble, Sun Ra Arkestra, David Byrne/Annie Clark, Bryce Dessner, Frank Zappa, Bjork, Yoko Ono, and many more. The full lineup and schedule is below.
photos by Ryan Barkan, words by Andrew Sacher
Being that I'm admittedly too young to have seen Paul Simon in his prime, I wasn't totally sure what to expect from his BV-presented Webster Hall show last night (6/6). After watching him deliver a 26 song set, which failed to show any signs of slowing down, I lost sight of all expectations I had and embraced the fact that Paul Simon was just straight up impressive. The set spanned his entire career from his days in Simon & Garfunkel through his recently released So Beautiful or So What, and also included a few covers. The songs off So Beautiful or So What resonated as strongly as his earlier material and blended right in. During the song "Rewrite" I even found myself debating over which of his albums the song was on, only to later realize it was in fact a new one. The entire set was so consistent that choosing any sort of standout is difficult, though if I had to say, When Paul and his band flowed seamlessly from Jimmy Cliff's "Vietnam" into Paul's own classic, "Mother and Child Reunion," I was pleasantly caught off guard.
The real treats, however, came during the encores. After a massive end to the initial set, Paul and band left the stage only for Paul to return with nothing more than an acoustic guitar. He provided some foreshadowing guitar which eventually built into an extremely intimate version of the Simon & Garfunkel staple "Sounds of Silence." Contrasted with a largely upbeat set, that small dose of melancholy left the audience still, silent, and possibly even more captivated. The impact that song holds almost 50 years later isn't matched by many, and Paul Simon's still-strong deliverance is matched by even less. Paul's band returned to the stage and the encore continued for three more songs including a rendition of the George Harrison-penned "Here Comes the Sun."
When the first encore finished and the stage crew scrambled to set up another mic stand, it was obvious that the band was returning for a second encore. But little did I know, the second mic was being set up for none other than David Byrne. The fellow worldbeat loving New Yorker sounds like the most appropriate guest on paper (except for maybe Art Garfunkel) and it was even more than that in real life. As mentioned, David, Paul, and band performed Talking Heads' "Road to Nowhere" and Graceland favorite "You Can Call Me Al." Byrne left the stage and Paul Simon and band played two more, appropriately including "Still Crazy After All These Years," before taking their final bows and exiting the stage after playing "Crazy Love, Vol. II".
Check out more pictures from the show below...
Paul & David @ Webster Hall -- photo by Ryan Barkan
An already excellent show was made epic when David Byrne surprised everyone by joining Paul Simon on stage at Webster Hall to perform two songs during the encore last night (6/6). First Simon and band backed David as he sang Talking Heads hit "Road to Nowhere". Then, like they did at BAM in 2008, David and Paul traded verses on Simon hit "You Can Call Me Al". A full review and set of pictures (more like the above) from the Monday night club show are coming soon. In the meantime check out some videos people posted to Youtube, below...
St. Vincent being Big Black @ Bowery (more by Amanda Hatfield)
St. Vincent will release 'Strange Mercy' on on 9/13, her new album for 4AD who say: "The record's 11 new tracks showcase Clark's gift for fusing the cerebral and the visceral, her melodically elegant arrangements packing hefty emotional punches. Clark reunited with producer John Congleton and recorded the album in her hometown of Dallas, TX at Elmwood Studios."
"Other musicians on the album include the Grammy Award winning Bobby Sparks on mini Moog, clavinet, Arp and Wurlitzer, Midlake's MacKenzie Smith on drums, and Daniel Hart on violin. Also contributing were Beck keyboardist and musical director Brian LeBarton, Evan Smith on woodwinds and Phil Palazzolo."
Annie Clark is also working with David Byrne on stuff. Asphalt Orchestra will perform some of it at this year's Bang on a Can Orchestra. David Byrne is also working with other people on stuff.
Check out another video of St. Vincent covering Big Black at Bowery Ballroom on 5/22, below...
David Byrne at Prospect Park in 2009 (more by Chris La Putt)
David Byrne is releasing Ride, Rise, Roar on DVD and Blu-Ray this Tuesday (5/31) via Eagle Rock Entertainment. It's a documentary shot during his '08/'09 tour. The film, directed by David Hillman Curtis, consists of rehearsals, interviews, and live footage of the tour which included performances of Talking Heads classics in addition to material penned by Byrne and Brian Eno for their 2008 album Everything That Happens Will Happen. The film originally premiered at SXSW 2010. Watch the trailer below.
Sean Penn as Cheyenne
Byrne recently teamed up with Will Oldham (who just released a single for charity) to record original music for the film This Must Be the Place, named after the Talking Heads song of the same name. The film was directed by Pablo Sorrentino and is Sorrentino's first film to be shot in English. The film stars Sean Penn as a rock musician named Cheyenne. His character fronts the band Cheyenne and the Fellows, named after Siouxsie and the Banshees, and his appearance was inspired by Robert Smith of The Cure (as you can tell in the above picture).
According to a Consequence of Sound interview with Will Oldham, David Byrne was asked to write music for a demo that Cheyenne and the Fellows would record in the movie, and the script said that the music from the demo is reminiscent of Prince Billy...
"He was required to make up music for this band in addition to scoring the movie. So, he remembered that we had met [at a BBQ at Bjork's house] and wrote me, "Listen I was hired to make music that sounded like you which sounds kind of like a silly task." I replied with, "Well they hired you so why don't we make music that sounds like us" so that's what we did and we wrote four or five songs together for this fictional band."David Byrne attended the screening at Cannes last week. Read his account of that "glamorous" trip in his journal. The movie hits theaters later this year. The trailer is below.
Arcade Fire (who covered the song "This Must Be the Place" as a B-side to the "Neighborhood #3 (Power Out)" single) are releasing a deluxe edition of The Suburbs August 2 via Merge. The release will consist of the DVD Scenes From The Suburbs (directed by Spike Jonze), an 80-page booklet featuring stills from the film, behind the scenes photos from the film's production, and lyrics, an extended version of "Wasted Hours," and two new tracks; "Culture War" and "Speaking In Tongues" feat. David Byrne. Listen to the David Byrne collaboration below.
Speaking of Merge Records, Merge artist East River Pipe tweeted, last night... "met David Byrne [at the Anna Calvi] show tonight! Pretty cool, huh!?!?!" Even cooler is that David Byrne was checking out Anna! Maybe Brian Eno suggested he check her out. We have pictures from the Bowery Ballroom show coming soon.
David Byrne is also featured on Red Hot Organization's Red Hot + Rio 2, the sequel to 1996's Red Hot + Rio (which Byrne was also featured on). As we previously mentioned, the compilation brings Brazilian musicians and contemporary indie artists together to record a modern tribute to the late '60s Brazilian Tropicalia movement. Other artists on the compilation include Beirut, Devendra Banhart, of Montreal, Javelin, Beck, and more. The album will be released June 28 in partnership with Entertainment One Music.
Videos and songs and stuff below..
Asphalt Orchestra outside Lincoln Center in 2010 (more by Benjamin Lozovsky)
Sunday June 19For more on what this 12-hour free show is like, check out our pictures from 2010.
Bang on a Can Marathon
Presented by Bang on A Can and Arts World Financial Center
Bang on a Can returns with its incomparable 12-hour super-mix of genre-defying music featuring over 150 astounding musicians and composers from throughout the world. Highlights include Philip Glass performing live with the Bang on a Can All-Stars; music by Bryce Dessner of The National; sonic downtown legend Glenn Branca; the outerplanetary Sun Ra Arkestra; the Asphalt Orchestra playing music by David Byrne/Annie Clark, Yoko Ono, and Frank Zappa; the intrepid Signal in a blistering string orchestra work by Julia Wolfe plus New York premieres by Richard Ayers, Fausto Romitelli, Poul Ruders, Toby Twining and much more! 12pm-12am. World Financial Center Winter Garden, 220 Vesey Street.
Meanwhile catch Bang on a Can performing Steve Reich at Carnegie Hall on April 30th.
In July Bang on a Can head to MASS MoCA for 20 days. Details below...
I sincerely apologize to David Byrne...
"Singer/songwriter David Byrne and Index Music Inc. have resolved their lawsuit against former Florida Governor Charlie Crist, Charlie Crist for United States Senate, The Stevens and Schriefer Group, Ltd., and Red October Productions, Inc. The lawsuit arose from a web campaign video made by Stevens and Schriefer Group Ltd. And Red October Productions, Inc., which Charlie Crist used in his primary campaign for United States Senate, that incorporated portions of the song Road to Nowhere, a song written by Mr. Byrne and recorded by Mr. Byrne and his band Talking Heads. The lawsuit, filed on May 24, 2010 in the United States District Court in Tampa, alleged that this use of Road to Nowhere required licenses which were not obtained. The financial terms of the settlement are confidential....which is pretty funny and you can watch it below...
Former Florida Governor Charlie Christ, Charlie Crist for United States Senate, The Stevens and Schriefer Group Ltd., and Red October Productions, Inc. apologize that a portion of David Byrne's song and the recording of Road to Nowhere was used without permission. Former Florida Governor Charlie Crist, Charlie Crist for United States Senate, The Stevens and Schriefer Group Ltd., and Red October Productions, Inc. do not support or condone any actions taken by anyone involved in the 2010 election campaign for United States Senate that were inconsistent with artists' rights of the various legal protections afforded to intellectual property.
Governor Crist has filmed a video apology..."
Yo La Tengo, David Byrne, Fred Armisen (photo by antonieta molina)
"Yo La Tengo squeezed more than a drop of good will from a sugarcube last night at Maxwell's in Hoboken. The band performed a last-minute Japan Benefit Concert to a packed room of sweaty record store clerks--all the proceeds went to Peace Winds Japan, a Tokyo-based non-profit organization helping those displaced by the recent disaster. But in typical Yo La Tengo fashion, they weren't alone: SNL star Fred Armisen sat in on drums for the entire show, Glenn Mercer of The Feelies joined them for four songs, and legendary bike enthusiast David Byrne dropped by in grandfatherly overalls for a handful of tunes as well during the invigorating, nearly-three hour show" [Gothamist]Speaking of the Feelies, they have a new album and some shows coming up.
A picture of the Maxwell's setlist and a few videos below...
"In the land of free-form radio (aka WFMU), he's known for Kenny G's Hour of Pain. On the Internet he's the mastermind behind the treasured online behemoth, UbuWeb. Join us for a very special evening in which Kenneth Goldsmith curates personal favorites from his website and visually spins them into spontaneous freeform gold. Local bands Growing (Vice Records) and Blues Control (Siltbreeze) will add a touch of controlled chaos to the already unpredictable mix. After the show there will be a mandatory DJ de-brief in the gallery."That WFMU-related Growing/Blues Control event takes place, tonight, August 16th, at the Walter Reade Theater. It will cost you to get in, and is 21+. More info at the link (doors at 8:15). They say there's also an afterparty with a DJ set by Marty Mcsorley and free drinks right after the show.
Kind of in competition with that is another WFMU-related event happening tonight over at Solar One...
Join DJ Trent as he freaks out to his two favorite movies:A video of Blues Control soundchecking earlier today, below...
1) David Byrne's TRUE STORIES, starring John Goodman and Byrne, with music by Talking Heads, exploring the changing world of central Texas in 1986
2) Daft Punk's INTERSTELLA 5555: THE 5TORY OF THE 5ECRET 5TAR 5YSTEM, an insane anime adventure into the year 5555 set to Daft Punk's "Discovery," possibly the best album ever made.
Since both movies are set to music (but avoid the awful cliches associated with, you know, musicals) it will also be a dance party with $2 Brooklyn Beer all night long. If you can't make it in person, join the fun from home with live audio/video broadcasts at 91.1fm and wfmu.org.
photos by Benjamin Lozovsky, words by Andrew Frisicano
Before the headlining Neu! & Hermeto Pascoal shows, Asphalt Orchestra marched across Lincoln Center's network of plazas to perform a half-hour set of music, ending in Damrosch Park. Earlier that week the group debuted a new piece by David Byrne and Annie Clark (St. Vincent) titled "Two Ships," and they included that song in their set Friday night.
More pictures and a video of that tune is below....
"Once you've reached Madison Square Garden, you've reached the peak. You're the success story of the day, so one relaxes. There's no where to go, there's no higher, there's only the abyss waiting. So live free, for one night only." -Terry Gilliam on the Unstaged Pre-show video q
a win Win situation (by Jonathan Bayer)
Arcade Fire looked perfectly at home on the stage of Madison Square Garden Thursday night, the second show in their two-night run. At this one, the audience exceeded the nearly-full stadium, with an at-home crowd watching a live stream directed by Terry Gilliam broadcast over YouTube (the live channel has something like 600,000 views currently, though not sure that number means anything).
That bodes well for the band, who are still waiting on the first-week sales numbers for their possible #1, The Suburbs, which came out on Tuesday (and has been on sale digitally for $3.99 at Amazon). At the show, the new record's songs weren't totally unfamiliar. One, "The Sprawl II," even made the encore, and spurred a roar of recognition from the girls in front of me, who informed our cozy section of the song's title (with a peace sign for the two) and described its arc (slow at first, but then really awesome) as it started up. A faulty drum machine forced the band to restart the tune a minute in, allowing a reflective pause for the victory lap in progress.
The band was clearly reveling in the moments of the show. Win Butler sailed into the crowd multiple times, occasionally with his guitar still attached. In one impressive maneuver, the frontman walked along the seated section's railing like a balance beam, before jumping into the general admission pit, tangles of mic cord trailing behind him (a play from the Matt Berninger handbook). The band frequently rotated instruments, with pianos, keys, two drums kits, violins and an array of percussion all playing a part.
The second night's songs were close but not identical to night one's (and both differed from their Boston show a few nights ago). As before, their debut LP, Funeral, provided ripe stadium-level material for the set, filling a little less than half of it. The order changed, but only one new song was swapped outright: "Empty Room" replacing "Half Light II."
For me, the stadium aspect of MSG was kind of a strange novelty. From the distant seats, the experience of watching a band while reclining, huge soda and personal pizza/popcorn/whatever in hand, is in some ways closer to a YouTube stream than a crowded, sweaty live concert. Still, the in-person event had its rewards for those that weren't up front - the band's backdrop for the evening depicted an abandoned bridge overpass, with an rectangular block of lights similar to a football stadium. In front of that was a video screen, mostly likely meant to be a billboard, which projected forms and images for each song. Antiquated ghosts lit up "No Cars Go" and what I can only hope is the video for "The Suburbs" depicted a gang of kids riding bikes in Reservoir Dogs-style slo-mo through an eerie neighborhood development.
And the people: a view-obstructing beer vendor trolling the aisles, a group of teens trying to find someone to buy them beer, an energetic (chemically-enhanced?) man pirouetting around the stadium's perimeter, and thousands of fists raised in unison for the group rite of "Wake Up" (the latter being inspiring or frightening, depending).
and there was confetti...
Owen Pallett started out the night to a minimally filled stadium. "I'm so happy to be playing here for the 200 of you," he joked. Then responding to a heckler, "No, I'm not taking it off, I just got this. Sorry." The empty hall added a nice element of reverb for the people who were there, amplifying the work of Owen's orchestra-in-a-box loop pedal.
Similarly, Spoon sounded great, with help from a horn section and drums borrowed from Phil Collins (both on only a few songs). The band jammed through a taut set with favorites like "Jonathan Fisk" and "I Summon You" taking their place along the new Transference batch. For "No One Gets Me But You," the Roots' Owen Biddle joined to make a two-piece bass section (as he did on Fallon).
Some videos from the show's "Unstaged" live stream are already online. Fan videos too (including a nice close-up of Win in the crowd). The set list, some more picturs from night two (night one are HERE), and those videos are below...
by Andrew Frisicano
St. Vincent @ Pitchfork Fest in Chicago (more by Kate Gardiner)
David Byrne and Annie Clark are collaborating on music for a future Housing Works benefit. There's no date set for that, but Asphalt Orchestra will be debuting a version of one of the songs they've been working on...
A few months ago we had [Here Lies Love arranger] Tony Finno arrange the horns, and we performed one of the songs -- tentatively titled "Who" -- at the end of Annie's show at the Rose Room at Lincoln Center. Now, having been approached by the Bang On a Can spinoff Asphalt Orchestra, with the help of [Asphalt saxist/producer] Ken Thomson we've adapted another song called either "Two Ships" or "The Movie" for their group. This will be an instrumental version and we'll do a vocal version later. [David Byrne]Asphalt will perform that song on Wednesday, August 4th, at the first of five free shows the avant-marching band is doing around the Lincoln Center as part of LC's Out of Doors Festival. Locations and times for the band are below.
In addition to that piece, they'll be debuting a commission by Yoko Ono; other songs in the group's repertoire include commissions by Tyondai Braxton of Battles and Stew & Heid Rodewald of Passing Strange and BAM Next Wave 2010. The 12-piece will release a seven-track CD of its material on August 3rd through Canatloupe Music. That includes a blisteringly dissonant song by Swedish metal band Meshuggah and an intricately-arranged version of Bjork's "Hyper-Ballad." There are a few more typical "ra-ra" maching band songs on the album too (Zappa in particular is already quite melodic and pompy), but the band focuses on getting unusual sounds out of the limited instrumentation. Live, they move in unique coordinated patterns, so the experience is individualized to the space and where you stand.
As an aside, this Saturday at Lincoln Center Out of Doors Festival is going to be particularly amazing, with the "Detroit Breakdown" lineup of Mitch Ryder, ? and the Mysterians, The Gories, Death and more.
St. Vincent has her own free show this weekend, at the Central Park SummerStage Sunday (8/1) afternoon, with openers Tune-Yards and Basia Bulat.
A video of Asphalt Orchestra doing that Meshuggah song on WNYC, and their schedule, plus a video of Annie doing a nylon-string version of "Actor Out of Work," are below...
photos by Kurt Christensen
"Let's get one thing straight: Crowded House isn't a one-hit wonder. Sure, the Australian band is known by '80s music fans for its 1987 hit "Don't Dream It's Over" (and maybe the subsequent "Something So Strong"), but songwriter Neil Finn has actually guided different incarnations of the band through six full-length albums and earned critical acclaim for his solo albums and side projects." [NPR]You saw the setlist and the video from Wednesday night's show at Bowery Ballroom where David Byrne joined Crowded House and family (Sharon Finn and Liam Finn are both on the tour with Neil). Now here are the pics, along with video from the band's appearance on Jimmy Fallon (they really made the most of their trip here that included three shows at Bowery, and includes one at Wellmont Theatre tonight), below....
photos by Andrew St Clair
Crowded House completed their three-night run at Bowery Ballroom in NYC last night (7/21). It was also at the third show that David Byrne came out for the encore to join the band on two Talking Heads covers. We actually have pictures from that show too, but the pictures in this post are from the 2nd night, July 20th. Stay tuned for the ones from night three.
If you missed the show, there's one more NYC-area chance when Crowded House plays Wellmont Theater in NJ on Friday.
More of the night two pictures, video of the David Byrne part from last night, and all three setlists (including which songs Neil Finn's wife Sharon son Liam played on), below...
interview by Billy Jones, top photo by Michael Lavine
TV on the Radio guitarist, multi-instrumentalist and producer David Andrew Sitek has announced his new project Maximum Balloon. Not surprisingly, the TVOTR / Yeah Yeah Yeahs / Liars / Dragons of Zynth / Holly Miranda / Scarlett Johansson producer worked with a host of guest artists on the project, which will see the light of day in the form of a self-titled album on August 24th via DGC/Interscope Records.
"...Then Aku (Dragons of Zynth) called and said he was in town and asked what I was up to and I said, "Making a song that you have to come and fix!" So he came by the studio and he laid the vocals down. We pretty much started Maximum Balloon on that day."Other guest artists on the album will include Tunde Adebimpe and Kyp Malone from TVOTR, Karen O from Yeah Yeah Yeahs, Yukimi Nagano from Little Dragon, Holly Miranda, Theophilus London and more. David Byrne is rumored. Aku from Dragons of Zynth is featured on "Tiger," the first track to be released off the album. "Tiger" will be available on iTunes and all digital partners on June 15th, but you can also hear it in a video below, or today at www.MaximumBalloon.com. In addition to "Tiger", Maximum Balloon will be regularly releasing a series of digital singles in the weeks leading up to the release of the album.
Billy Jones of new musical project New Moods, who last conducted an interview for this site in 2006, called up Dave on Friday to discuss the making of Maximum Balloon, barbershop quartets, Cyndi Lauper, the future of TVOTR and more. Their chat starts here....
Billy: Hey Dave, Can you hear me?
Billy: I rigged this to be on the speakerphone of my Blackberry to be recording through GarageBand, a slightly complicated setup...
Dave: Awesome, put me through The Crystalizer...
Billy: I actually have you through Long Panning Ping Pong Delay right now...
Dave: I can't wait for Soundtoys to come out with an iPhone app.
photos by Tim Griffin
The Kitchen Spring Gala BenefitWednesday night's $500-a-ticket Gala event (the afterparty was cheaper) at Capitale didn't include any surprises (no on-stage collaborations or surprise guests), but it did include performances by Dirty Projectors, Doveman, Nico Muhly, and St. Vincent as advertised, and raise a lot of money for non-profit venue The Kitchen (whose upcoming events include two talent shows curated by Robert Melee).
Wednesday, May 26, 2010
Capitale 130 Bowery at Grand Street, New York City
6:00 pm COCKTAILS AND HORS D'OEUVRES
7:30 pm DINNER AND PERFORMANCES
by Dirty Projectors, Doveman, Nico Muhly, and St. Vincent
9:30 to Midnight AFTER-PARTY with open bar, desserts, and dancing with DJ Scott Campbell & Leo Fitzpatrick and a live music performance by Chief
Hosted by The Smile and The Journal
The honoree, David Byrne, rode his bike to and from the party. More pictures from the event (though none of Chief who play two more NYC shows in June), below...
by Andrew Frisicano
DOWNLOAD: Chief - Night & Day (MP3)
Dirty Projectors & David Byrne @ Bowery in Nov '09
The MoMA Party in the Garden benefit with Karen O and Nick Zinner is tonight (5/25), and the Anthology Film Archives benefit with Lou Reed, Sonic Youth and Kenneth Anger's band Technicolor Skull was the week before (5/19).
Tomorrow (Wednesday, May 26th), there's the spring benefit for the Kitchen, a nonprofit performance and music space in Chelsea, that will honor David Byrne. The event, which includes dinner, drinks, etc. at Capitale (130 Bowery), will also feature performances by Dirty Projectors, Doveman, Nico Muhly, and St. Vincent. Tickets for that would have run you $500 a piece, if they weren't already sold out. Byrne isn't listed as playing at the event, though he has performed with both Dirty Projectors and St. Vincent in the past.
While in town, Chief, who just signed to Domino Records (and who live back in California now that they've graduated from NYU) are also playing a show at Mercury Lounge on June 2nd with She Keeps Bees and Caveman. Tickets are on sale. They'll also be at Union Pool on June 5th...
"California 4-piece Chief, comprised of early 20-somethings Evan Koga, brothers Danny and Michael Fujikawa and Mike Moonves, will release their stunning debut album Modern Rituals on August 17, 2010. The newest signing to Domino Records, Chief has already garnered a fervent following in NYC and LA as well as early radio support from KEXP, BBC Radio 6 Music and Zane Lowe's influential Radio 1 show. The band will set out on a run of select U.S. tour dates that begins this Friday, May 28th, but first they are proud to offer their lead single "Night & Day" as a free download" [Domino Records]Grab "Night & Day" above. All dates below.
Dirty Projectors' other upcoming shows include a headlining gig at Terminal 5 on September 11th which Owen Pallett is now opening. All dates below.
St. Vincent has a headlining show coming up at Summerstage and she'll sing with Ben Gibbard at the June 8th Simon & Garfunkel-themed Summerstage benefit. You can also catch her playing DJ at Brooklyn Bowl tonight (5/25).
Speaking of David Byrne, he's been busy as usual. He's suing Florida governor Charlie Crist. And his Here Lies Love project came out in April. (Eerily, that record, about Philippine first lady and political figure Imelda Marcos, corresponded with the political success of Imelda and the Marcos family in a May election.)
There's a new book on Byrne & Talking Heads called Song and Circumstance: The Work of David Byrne from Talking Heads to the Present, which sports a cover photo by BV photographer Chris La Putt (taken at Byrne's Radio City show in 2009). Congrats Chris!
David Byrne's own book, Bicycle Diaries, came out last year. Videos of David's lecture on bikes, scenes from his 2009 "Songs of David Byrne and Brian Eno" tour, and all Chief & DP dates are below...
David Byrne is suing the governor of Florida, alleging that he used the Talking Heads' 1985 single "Road to Nowhere" without permission or proper licenses.Check out a recent interview with Byrne, in Guernica Magazine.
Byrne is seeking $1 million in damages from Gov. Charlie Crist, who's also Florida's former Attorney General, and his senatorial campaign for use of the song earlier this year in a website and YouTube ad attacking his then-Republican primary opponent, Marco Rubio. Crist has since changed his campaign and is running as an independent candidate. [Billboard]
Sleigh Bells & M.I.A. (I think) @ Coco66 on 5/7 (actually 5/8) (Seva Granik)
As if the hype wasn't through the roof enough, M.I.A. helped popularize the act her label co-signed (is that the right term?) a little bit more this evening by joining Sleigh Bells on stage at the end of their show at Coco66. The show's promoter Seva Granik writes, "MIA closes Sleigh Bells' set on "Ring Ring." Crowd go nut. Ima get another drank."
In unrelated news, David Byrne was seen checking out Local Natives cover a Talking Heads song at Bowery Ballroom earlier the same night, and Emily Haines joined Broken Social Scene for three songs at Webster Hall. More on those later.
For prettier pictures of Sleigh Bells, check out the set from their show at Webster Hall earlier in the week. Sleigh Bells play another NYC show on May 11th. M.I.A. and Sleigh Bells officially share a bill this summer on Governors Island.
photos by Bao Nguyen
"Sorry I did fall asleep cause I was resting from such an amazing show! I'm wide awake now!" - Bao
"The line in front of Roseland Ballroom stretched around the corner of 52nd Street and up Broadway but moved along quickly. The band's ticketless method to limit scalping seemed to work without too many headaches. Flying Lotus was on the wheels when I walked in spinning chilled-out techno but it's tough to build a groove when the sound system is popping and cracking like a blown speaker, what a shame. Sound improved toward the end of his set and he closed with 'Idioteque'.As promised, here are the pictures from last night's show at Roseland Ballroom (and some from the after-show party in the mezzanine). They continue below...
Atoms for Peace took the stage as a 6-piece with Thom Yorke at piano and a guest horn player center stage (he would depart after 2 songs). They opened with 'The Eraser' and two things became immediately clear: 1) the sound was now perfect and 2) Flea would add some SoCal funk/punk to the set. With blue hair and a white tee (the rest of the band was in black), he was immediately wiggling/dancing across the stage laying it on thick. The set was comprised mostly of songs from The Eraser but included some Radiohead and some new songs as well." [Blackraptor]