Entries tagged with: David Cossin
photos by Greg Cristman
Terry Riley / Matmos / Gyan Riley @ National Sawdust 10/4/2015
"Well you know, it's hard to accept labels in terms of creative work, in any case," he says. "In any period of life, I haven't felt nailed down to anything. I've always been interested in expanding my musical horizons. 'Minimalism' has been tacked on to my work, I think mainly because of In C and the Keyboard Studies and some of the works from the 60s." Then he allows himself a calm and gentle chuckle, before saying: "Certainly a lot of stuff has happened since then."The Terry Riley Festival is currently underway at new Williamsburg venue National Sawdust. Sunday night (10/4) saw three events, the last of which featured Terry Riley's Abbeyozzud and Beyond series of works with son Gyan Riley, Zach Brock (violin), David Cossin (percussion), Travis Laplante (saxophone), Matmos (electronics), and Evan Ziporyn (saxophone). They performed Thanks Isn't Enough, Poppy Nogood and the Phantom Band, Tread on the Trail, and Hashish Master. Riley, who is celebrating his 80th birthday this year, was in attendance but didn't perform at this event, but has at others. Martin C. Schmidt of Matmos thanked Riley for "loosening the collective asshole of American music." More pictures from last night's late National Sawdust set are below.
As evidence, he points to his new piece for Roomful of Teeth, titled Madrigal. "It's basically melodic, but it also has scat-singing sections ... It's a bit of a journey, this piece. In eight minutes, it goes to quite a few places." Another jazz-world texture - specifically, what Riley describes as the "gently swinging, kind of optimistic" feel of ragtime - also figures in his string quartet works, as well as his latter-day piano improvisations. When that influence is placed alongside lessons gleaned from his longtime study of Indian classical music (and, yes, the occasional trace of drone-based minimalism), the climax of a contemporary Riley concert tends to find him juggling a range of sounds that few other musicians would think to combine. - [The Guardian]
The Terry Riley Festival wraps up tonight (10/5) with two shows: a 7 PM performance featuring two world premieres: Remember This, Oh Mind, and Madrigal, a new work written for Roomful of Teeth, as well as ArchAngels, for cello octet led by National Sawdust curator Jeffrey Zeigler (tickets may still be available at the door); and then a 9 PM performance featuring Terry and Gyan Riley performing with John Zorn (tickets)
photo: Lee Ranaldo in Prospect Park in 2012 (more by Dana (distortion) Yavin)
Joel Harrison's Alternative Guitar Summit returns this year from February 4-8 with four shows at various NYC shows and three master classes. Here's the concert schedule, including Sonic Youth's Lee Ranaldo, Fred Frith collaborator Ava Mendoza playing as a duo with Kim Gordon/Thurston Moore collaborator Chris Corsano, and more:
Wed., February 4: Shapeshifter Lab @ 7:30 PM $15: Three Ground-breaking Duos:Anders Nilsson and Aaron Dugan - Hot and Cold, Marco Capelli and James Ilgenfritz - Unplugged, Ava Mendoza and Chris Corsano.Advance tickets for the three Rockwood shows, including a three-night pass, are on sale now.
Fri.- Feb. 6 @ Rockwood Music Hall, 7-9:30 pm- Gyan Riley and David Cossin (perc.) , Prasanna (solo): South Indian music meets modern jazz, David Fiuczynski Planet MicroJam trio:
February 7: 7-9:30pm @ Rockwood Music Hall, 7-9:30 pm- Lee Ranaldo Solo: (Sonic Youth), Adam Rudolph's Go: Organic 10 Piece Guitar Orchestra
February 8: 7-10pm @ Rockwood Music Hall, 7-10 pm- Doug Wamble and Mino Cinelu (percussion), Joel Harrison w/Glenn Patscha (keyboard), Adam Levy w/Sheryl Bailey (guitar), Michael Gregory Jackson (guitar & voice) and Keith Witty (bass)
Info on the masterclasses, which you can get tickets for here, is below. All classes take place at Spectrum (121 Ludlow St).
photos by Greg Cristman
There were no speeches, or stagy hugs, or arms lifted in reconciliation. Not even a handshake. Still, on Tuesday night at the Brooklyn Academy of Music, two pioneers of Minimalism, the composers Philip Glass and Steve Reich, both 77, put aside a personal and professional feud that lasted more than 40 years and, for the first time since the early '70s, performed together as they had in their early days so often and so momentously."Nonesuch Records at BAM," the 50th anniversary celebration of the label, began last night (9/9) with two events, one being the highly-anticipated collaboration from contemporary composer greats Philip Glass and Steve Reich, their first in four decades. As the above review points out, they were joined by Nico Muhly, Timo Andres and David Cossin, and the performance lived up to its expectations. Pictures and a video in this post.
...The audience that packed the house on Tuesday applauded and cheered with delight when Mr. Glass and Mr. Reich walked onstage to play "Four Organs," scored for four digital keyboards and maracas. The other players were two composer-pianists of the new generation, Nico Muhly and Timo Andres, and the percussionist David Cossin from the Glass Ensemble.
...The ensemble then played Parts 1 and 2 of Mr. Glass's "Music in 12 Parts," completed in 1974, a sort of how-to catalog of Minimalist techniques turned into a haunting, audacious piece. Best of all was the "Funeral of Amenhotep III" from Mr. Glass's 1983 opera "Akhnaten," performed by nine players, including two percussionists, music that in its obsessive figurations seems at once terrifying and exuberant. [NY Times]
Reich and Glass do it two more times, first tonight (9/10) and again on Thursday (9/11). They're in the Howard Gilman Opera House, while jazz composer Brad Mehldau (the other show last night) wraps up his two-night run in the Harvey Theater tonight. Tonight Brad will be joined by Chris Thile of Nickel Creek/Punch Brothers.
More pictures, and that video, below...
James Murphy at Brooklyn Bazaar (more by Dana (distortion) Yavin)
It's benefit season, don't you know? MoMA's annual Party in the Garden is on Tuesday (5/22) with Santigold as the featured performer, and then the next night (Wed. 5/23) it's the Spring Gala Benefit at The Kitchen, one of New York's oldest not-for-profit performance spaces. It happens at Capitale (130 Bowery) and this year's guests of honor are video and performance artist Joan Jonas and minimalist composer Steve Reich. The evening features performances from David Cossin (Bang on a Can), Jason Moran and My Brightest Diamond's Shara Worden. The afterparty features a DJ set from James Murphy.
Tickets are still available, and will set you back anywhere from $500 - $25,000. If you just want to go to the afterparty, tickets start at $75. The proceeds will support artistic and production fees for The Kitchen's annual presenting season, which features experimental work by innovative artists, both emerging and established. Programs range from dance, music, and theatrical performances to video and media arts exhibitions to literary events, film screenings, and artists' talks.
If you can't make the Spring Gala then you can still catch James Murphy behind the decks at GoogaMooga this weekend. He'll headline the Pagoda Stage on 5/19 as part of the ExtraMooga portion of the program. Tickets for ExtraMooga are still available and the full schedule of events (with times) are up. Murphy will also DJ the upcoming Roots Picnic.
Terry and Gyan Riley have been performing together since the late 90's and have appeared in concert throughout the USA and Europe. The music has a connection to the improvising traditions of both Jazz and Indian Classical but more importantly depends on a synchronous intuition that has developed between a father and a son. Sometimes they begin with a structure where melodic, harmonic, modal and rhythmic elements are predetermined along with a flow chart of sequential events but one of their favorite forms is starting from a place where neither performer has an overview and they must find their way together. Terry on piano, keyboard and vocals, has been on the worlds stages for over 50 years. Gyan has generated a lot of excitement with his astounding guitar virtuosity and his brilliant compositions. In 2011 they appeared at All Tomorrow's Parties in Minehead England and at Moogfest in Asheville, North Carolina.Terry Riley & Gyan Riley (with help from percussionist David Cossin and violinist Tracy Silverman) play a seated show at Le Poisson Rouge Sunday (5/13). Tickets are still available.
Gyan Riley can also be found this month at the Stone, where he curated the second half (May 17 - 31) of venue's May programming. (Buke & Gase handled the first two weeks.) Riley's run kicks off Thursday, May 17 with a solo performance by Tracy Silvermann who uses loop pedals to create soundscapes with her six-string violin. The late show that night is BLIXT aka Bill Laswell (bass) Morgen Agren (drums) Raoul Bjorkenheim (guitar).
Other highlights include Ian Williams of Battles on May 19, guitarist Charlie Hunter and drummer Scott Amendola on May 22; pianist Jenny Lin playing works from various Merce Cunningham composers on May 23; Riley and percussionist Dave Cossin performing as Superballs! on May 26; and Bang on a Can/Paul Simon cohort Mark Stewart on May 27.
Full schedule for the Gyan Riley-curated second half of May at The Stone is below.
by Andrew Frisicano
Steve Reich clapping
Tonight (5/22) the Undiscovered Islands/New Amsterdam Records series at Galapagos continues with two sets: Sarah Kirkland Snider's Penelope performed by Signal, guitarist Steven Mackey and singer Rachel Calloway (conducted by Brad Lubman), and an opening performance by So Percussion. Tickets are still on sale.
So Percussion, who played with Dan Deacon at the Brooklyn Masonic Temple in December, was to premiere a new Deacon piece, but that debut has been postponed. Instead, Jason Treuting from So Percussion, writes...
we are playing some new music that we've been working on as meditations on the concept of city. the music has been focusing on the task oriented nature of a city and the parallel task-oriented nature of playing music. loops are made out of tasks and we have taken to transforming mundane objects into musical instruments like we haven't before. turning on lamps, writing on paper, pouring gravel, putting down ordinary objects in rhythm, etc. a few new videos by my sister jenise treuting will be busted out as well.The other ensemble on that bill, Signal, has several other gigs coming up. They're performing Michael Gordon's Trance, for a second time, at the Bang on a Can Marathon on May 31st.
Signal just did the music of Philip Glass at (Le) Poisson Rouge on May 17th. They'll return to the venue on Friday, June 22nd for a concert and party to celebrate Steve Reich's 2009 Pulitzer Prize for Music for Double Sextet. Reich's original Sextet (1984) will be performed at that show, presented by Wordless Music, as well. Tickets are on sale.
That gig is your only way to check out the piece (except for streaming excerpts), as there's currently no way to buy a recording of it. Reich discussed this in a recent interview...
Newsweek: I missed the premiere of "Double Sextet" last year, and when I heard it had won, I found myself upset that there was no way to buy the piece yet.Commenters on Nico Muhly's post about the situation rightly point out that Double Sextet should be released ASAP to capitalize on the Pulitzer publicity. The 2008 Pulitzer Prize for Music, won by Bang on a Can cofounder David Lang for his the little match girl passion (streaming here), is just seeing a CD release, with four other Lang works, on June 9th via Harmonia Mundi.
Reich: Yeah, that's just part of the recording business. When you have a 24-minute piece, the official recording hinges on finishing and recording two other pieces to go with it [on a CD]. I'm working on two other pieces right now, and have to finish writing the second one, actually. I've got a piece for all rock-and-roll people already completed, and it's going to premiere later this year. [Nico Muhly's blog]
Speaking of Reich and Bang on a Can, the composer will perform his own "Clapping Music" at the Bang on a Can Big Benefit Bash taking place Wednesday, June 3rd at (Le) Poisson Rouge. Other special guests include Meredith Monk, David Cossin, Wu Man, Maya Beiser, Talujon and Doug Aitken. Tickets will run you a $400 donation to the non-profit...
...which is why the regular-people-friendly festival is hosting a "Bang on a Can't Afford the Other Benefit" show at LPR later that same night (6/3) with So Percussion, Gutbucket, Newspeak and NOW Ensemble. Tickets for that are a more reasonable $20.
Full info on BoaC's Asphalt Orchestra, and its Lincoln Center Out of Doors Festival plans, below...