Entries tagged with: David Gilmour
The new-old, Nick Mason/David Gilmour (with some Rick Wright, RIP) Pink Floyd album has been officially announced, and that announcement looks like this:
"The Endless River" To Be Released On November 10, 2014Track listing below...
Details about The Endless River, the new Pink Floyd album from David Gilmour, Rick Wright and Nick Mason, were revealed [Monday] as the album artwork appeared on buildings in ten International cities, including New York and Los Angeles. The album will be released on Columbia Records on Monday, November 10, 2014 and is produced by David Gilmour, Phil Manzanera, Youth and Andy Jackson.
David Gilmour said:
"The Endless River has as its starting point the music that came from the 1993 Division Bell sessions. We listened to over 20 hours of the three of us playing together and selected the music we wanted to work on for the new album. Over the last year we've added new parts, re-recorded others and generally harnessed studio technology to make a 21st century Pink Floyd album. With Rick gone, and with him the chance of ever doing it again, it feels right that these revisited and reworked tracks should be made available as part of our repertoire."
Nick Mason said:
"The Endless River is a tribute to Rick. I think this record is a good way of recognizing a lot of what he does and how his playing was at the heart of the Pink Floyd sound. Listening back to the sessions, it really brought home to me what a special player he was."
The Endless River is mainly a four-sided instrumental album with one song, "Louder Than Words", with new lyrics by Polly Samson.The concept for the powerful imagery of a man rowing on a "river" of clouds was created by Ahmed Emad Eldin, an 18-year-old Egyptian digital artist. Ahmed's image was then re-created by Stylorouge, award-winning UK design agency. Pink Floyd's album artwork, mostly created by Storm Thorgerson of Hipgnosis, is as legendary as the band's music. With Storm's passing in 2013, the task of finding an image that carried on Storm's legacy passed to Aubrey 'Po' Powell, Storm's original partner in Hipgnosis. Po said: "When we saw Ahmed's image it had an instant Floydian resonance. It's enigmatic and open to interpretation, and is the cover that works so well for The Endless River."
The Endless River's track listing runs across four sides, to invoke the album listening experience.
This letter, signed by a ton of artists and pictured above, is set to appear in an ad in Billboard:
We are big fans of Pandora. That's why we helped give the company a discount on rates for the past decade.Pink Floyd, Down, Primus, Dead Kennedys (with our without Jello?), Nas, Alabama, Sheryl Crow and many more big major label names signed this (or someone signed it on their behalf). Check out the full list below, and head to fairpayforartists.com for more information on their point of view..
Pandora is now enjoying phenomenal success as a Wall Street company. Skyrocketing growth in revenues and users. We celebrate that. At the same time, the music community is just now beginning to gain its footing in the new digital world.
Pandora's principal asset is the music.
Why is the company asking Congress once again to step in and gut the royalties that thousands of musicians rely upon? That's not fair, and that's not how partners work together.
Congress has many pressing issues to consider, but this is not one of them. Let's work this out as partners and continue to bring fans the great musical experience they rightly expect.
The issue is that Pandora is supporting the Internet Radio Fairness Act which they say will "help end the long-standing discrimination against internet radio". Artists are mad because that possibly means less money for them, but Pandora and other Internet radio providers argue they can't stay in business the way things are now.
photos by Greg Cristman
Roger Waters projected his message stadium-wide, literally, when he brought his new production of "The Wall" to Yankee Stadium on Friday, starting a two-night stand. A white-brick wall, which is both an ideal video screen in concert and the central metaphor of the rock opera he wrote for the 1979 album by Pink Floyd (with additional music by the band's guitarist, David Gilmour), spanned the stadium and towered 40 feet high.Roger Waters brought his unbelievable, high-budget, musical-theater performance of The Wall to NYC this past weekend for shows on Friday (7/6) and Saturday (7/7) at Yankee Stadium. Complete with the long video screen wall (and stage) spanning the outfield, costume changes, the pig flying around the stadium, giant puppets of Wall characters like the teacher and mother, pyrotechnics, video of David Gilmour singing parts (and Robbie Wyckoff handling some of the Gilmour parts live), G.E. Smith of the Saturday Night Live band on guitar, and much more, the Wall Live is an over the top spectacle that leaves even the most die-hard capitalists (the ones in the $250 seats), but maybe not all Pink Floyd purists, satisfied.
The message Mr. Waters hammered home -- with images including animated regiments of goose-stepping hammers on the march -- was distrust of power and authority in many forms: parents, schools, celebrities, corporations, countries, ideologies. Throughout intermission (as elegiac music played), and at points during the concert, the names and faces of people killed by wars, terrorism and government actions were shown on the wall. Quotations from George Orwell, Franz Kafka and Dwight D. Eisenhower also appeared on it. At one point, animated bombers dropped corporate logos and religious symbols; "Run Like Hell" included a WikiLeaks video from an American helicopter firing on Iraqi journalists. Early in the concert, Mr. Waters decried "all the victims of state terror all over the world," and preached that giving governments, police and soldiers too much power was "a very steep and slippery slope to tyranny. [NY Times]
The shows were part of an ongoing tour, which also hits Philly this week.
More pictures, a video, and setlist (aka the Wall, in order, with an intermission between the two records) from night one, below.
So here's what happened. Last year, 'The Hoping Foundation' a charity that supports Palestinian refugee kids, (www.hopingfoundation.org) put on a fund raiser at Ronnie Scott's Club in London, the idea of which was to raise money by auctioning karaoke performances by various celebrities. David was there as a supporter and was moved to perform an impromptu rendition of George Gershwin's 'Summertime?' which he performed aided and abetted by supermodel Kate Moss.That apparently means that one show on the Roger Waters "Wall" tour will get the golden David Gilmour ticket. Six of those shows are in the NYC-area.
In the wake of that evening, someone, I think it was David himself, came up with this 'Wouldn't it be funny', idea. What if he (David that is) were to sing the old Teddy Bears song 'To Know Him Is To Love Him' with me (Roger that is), what with us having been so famously at each other's throats for years and years. Get it!!!! Anyway he E-mailed me with this suggestion and I loved it, so then it was just a question of juggling dates and deciding to do 'Wish You Were Here' and 'Comfortably Numb' to round out our little set. Or so I thought, until he sent me a number of very musical and eloquent demos of how we could do the song in two-part harmony. I listened with a sinking heart, knowing that David, with his superior vocal skills, could sing either part standing on his head, whilst I would have to search for a different key and then struggle through hours and hours of routining a performance that lay way outside my vocal comfort zone. To my eternal shame I bottled out and told Dave I would happily do 'Wish You Were Here' and 'C. Numb', but that 'To Know him is to Love him' was beyond me.
Some weeks passed with David cajoling me from time to time, telling me how easy it would be, but I clung resolutely to my fear of failure until one day he made one final entreaty. I quote "If you do 'To Know Him Is To Love Him' for The Hoping Foundation Gig, I'll come and do 'C. Numb' on one of your Wall shows". Well! You could have knocked me down with a feather. How fucking cool! I was blown away. How could I refuse such an offer. I couldn't, there was no way. Generosity trumped fear. And so explaining that I would probably be shite, but if he didn't mind I didn't, I agreed and the rest is history. We did it, and it was fucking great. End of story. Or possibly beginning.
PS. Just heard from David, he will decide in due course which gig he wants to do, it will be a surprise!
by Klaus Kinski
To say I have an eclectic taste in music would be a gross understatement, and I think that sentiment applies to most people these days. But the one band that has remained at the top of my musical heap has been Pink Floyd. Starting in about 1990, I would buy any Pink Floyd related item I could get my hands on. I would spend entire weekends going to every record store in Boston and Cambridge, buying anything and everything I could find. Then eBay opened up a global Pink Floyd market to me and I spiraled out of control. Financial necessity forced me to liquidate a large portion of my collection a few years back and I don't buy any more stuff, but I've still got many prized Floyd items as well as all kinds of CDs, bootlegs, and other rare recorded material. I also still avidly follow anything pertaining to Pink Floyd, David Gilmour, Syd Barrett, Rick Wright and, more than anything, Roger Waters.
By far, my favorite member of Pink Floyd is Roger Waters. As far as I'm concerned, when Roger Waters left Pink Floyd, Pink Floyd ceased to legitimately exist as Pink Floyd. Of course, I bought Momentary Lapse of Reason and The Division Bell when they were released. And how could any self-respecting pothead Masshole miss The Division Bell tour when it came to Foxboro Stadium? But those albums didn't FEEL like Pink Floyd, and I think Roger was being too polite when he called Momentary Lapse of Reason "a pretty fair forgery." In addition, while David Gilmour and Rick Wright solo records are just plain cheesy and self-indulgent (and don't get me started on Nick Mason's wtf-inducing record Fictitious Sports), Roger was always trying to create a larger musical narrative. As a matter of fact, the political and social commentary of Amused To Death is probably more relevant now than it was in 1992.
I saw Roger in 1999, twice in 2000, and twice in 2007 when he was touring Dark Side of the Moon. What's his next move? On Monday April 12th, 2010 at 2:00pm EST [editor's note: which is less than an hour from the time this is being posted, though Klaus actually wrote this last week], Roger Waters will be formally announcing a 2010 tour (update: NOW ANNOUNCED) of his epic masterpiece The Wall on his newly designed official website roger-waters.com. For years there has been speculation that this tour would happen eventually, and then a few months ago Roger's official website went from having Roger Waters content to simply having a Sony Logo on it. I had a feeling then that a redesign was in the works, and that the redesign would no doubt unveil some pretty awesome news.
In the meantime, if you DO want to see a pretty decent forgery of Pink Floyd, check out The Machine on Saturday June 19th on their Rocks Off Boat Cruise. I mean, they're no Australian Pink Floyd, but they're still good!
UPDATE: Dates announced.
Klaus hopes he doesn't sound like this guy....
an Ahmet Ertegun Tribute....