Entries tagged with: Deerhunter
Bradford with Deerhunter at Fun Fun Fun Fest (more by Tim Griffin)
"Left with huge amounts of material which [would] never leave his bedroom, Bradford Cox decided to simply release the tracks on his blog. Containing early versions of well known tracks, total rarities and covers the download series was a treasure trove for fans.Atlas Sound plays the NYC area twice SOON: 12/10 at Maxwell's and 12/11 at The Bell House. Bradford can also be found at at The Echo in LA on 12/3, and that's it for now - three shows total, though Deerhunter has some dates coming up in Japan and Australia.
However... Sony weren't pleased. Sending the songwriter a stern 'cease and desist' order the label demanded that Bradford Cox take down almost every track from the download series.
Infuriated, Bradford Cox complied with the order then simply re-loaded them.... "Apparently Sony Music Owns my bedroom," he complained. "I am re-uploading the files now."
A bizarre case, which just took a rather pleasing twist. Bradford Cox recently received an apology from the label, which has admitted that it was in the wrong... "The Bradford Cox tracks were mistakenly removed. We advised Mediafire that the titles were mistakenly taken down. We have communicated all of this to Bradford Cox and his manager." -[ClashMusic]
All dates and a couple of recent videos below...
photos by Tim Griffin
"This solo project from Animal Collective's Deakin (or Deacon, or Josh Dibb) was just as psychedelic, but in more of a dub vein, with spacey, ambient guitar over echoing reverberating distorted drum-pad beats. A pair of smoking-hot yoga-body hipster girls were dancing throughout--no idea how they found a beat to lock into, as loose as the rhythm was, but none of the guys nearby were complaining." [Dallas Observer]From some of our posts, you might think metal and punk dominated at Fun Fun Fun Fest, and honestly it kind of was the metal and punk bands who packed the most punch making it harder to enjoy the lighter fare all in one day, but there are many who probably spent all weekend at Waterloo Park and never even ventured over to the Black Stage once, not even to check out the spectacle that is Gwar who were on that the same time as Dirty Projectors on Saturday.
If indie rock/pop/chillwave was all you were looking for, or even just dancing and hip hop, you had more than your share of best new music to keep you occupied from noon to 10pm on the Orange and Blue stages. Sunday alone featured Deerhunter, Toro Y Moi, Washed Out, Deakin, Magic Kids, Best Coast (Wavves played the day before) and Cults, not to mention Yelle, Polvo, P.O.S. and A-Trak. Those are most of the artists pictured in this post which continues below...
photos by Amanda Hatfield
"I had never seen Deerhunter or even heard one of their records but I really enjoyed their powerful but dreamy and spacious sounds. Half of Williamsburg made the L train trek over to the island for this (I thought I was on Bedford Av) and the sold out show sure pleased everyone. The four Athens-originating Atlanta-based musicians had good stage presence and attitude and to me sounded a lot more interesting and original than a lot of other indie rock bands out there right now."Deerhunter headlined their 2nd NYC in two weeks at Webster Hall on Friday night (10/15). The first was a shorter and more random appearance at the Apple Store on the release date of of their new album. Friday night's show was a much larger event and a stop on their ongoing tour with Real Estate and Casino vs Japan. More pictures from that one, some Big Ass Lens video, Deerhunter's setlist, with Diplo & Lunice's awesome new remix of "Helicopter" (streamable and downloadable), below...
photos by Natasha Ryan
Deerhunter popped in to the Apple store in SoHo Tuesday for a last minute free gig to promote their stellar new album Halycon Digest which was released the same day. It was the band's second free show in less than a week.
Bradford and crew played eight songs to the crowd of fans who snagged wristbands that were distributed starting at 10am that morning. The full setlist is below.
More pictures from the Apple Store, with the setlist, below...
words & photos by Zach Pollack
Despite the cold Chicago weather, Atlanta, GA band Deerhunter held up well at their Saturday afternoon (9/25) pop-up show at the 560 W. Grand Street underpass (a large parking lot across from the Chicago Tribune offices, under the Kennedy Overpass) as part of the ongoing Secret Generator Series presented by Urban Outfitters + Levi's. The band leaned heavily on material from their upcoming 9/28 release Halcyon Digest (4AD), most of which singer Bradford Cox stated was being debuted in a live setting for the first time that night. Deerhunter powered through their brief set with confidence and ease, and Halcyon Digest seems to be a very manageable record for the band to play live; the packed crowd ate it up.
Deerhunter opened up their set with a new track entitled "Desire Lines", which lead to "Hazel St." off of 2007's Cryptograms. From there Deehunter perfromed select tracks from their now five LP and two EP catalog since their formation in 2001. Set highlights included an extra long jammed out version of "Nothing Ever Happened", and between-song looping/sound build-up for the next.
Chicago has reaped the benefits of a free Deerhunter show, but don't fret New York you will get yours too, and on the record's release date. Deerhunter will play at the Apple Store Soho (103 Prince Street) @ 7:00PM TONIGHT (9/28). Wristbands are being distributed right now until capacity is reached (which it very well may be by the time of this posting).
Deerhunter will try on Halcyon Digest for size, on tour throughout October and Novemeber. That tour hits the less-intimate Webster Hall on 10/15 with Real Estate & Casino Versus Japan (tickets are still on sale). Stream Halcyon Digest in its entirety over at NPR.
More pictures, some videos, and the full setlist from the Chicago show, with all tour dates below...
Deerhunter @ Pier 54 over the summer (more by Natasha Ryan)
Deerhunter will release a new album, Halcyon Digest, on September 28th via 4AD (the band's first on the label). You can also stream the whole thing now at NPR. The Bradford-Cox directed video for "Helicopter" is viewable below.
To help promote that album release, Deerhunter will play some last minute free shows in major cities. Chicago gets an Urban Outfitters-sponsored show this Friday, 9/25, "at 4:00 p.m. at the underpass at 560 W. Grand @ the Chicago River under the Kennedy overpass." NYC gets:
Deerhunter Free Show !And actually that's it. If you don't live in Chicago or NYC you'll have to wait until the larger, less-free October and November Deerhunter tour (which also goes back to NYC and Chicago).
Tuesday September 28 (Release Date)
Apple Store, SoHo In-store -- 103 Prince St. (nr. Greene St.)
Guaranteed entry wristbands will be distributed on September 28 when the Apple store opens (9AM).
In-store begins at 7PM
Tickets are still on sale for the October 15th show at Webster Hall with Real Estate. All dates and that video, below...
Though the forecast last night called for possible thunderstorms, luckily there was no lightening in sight to prompt the cancellation of the show (or compromise safety), and a modest crowd gathered on Pier 54 to see the last show of the summer in the Hudson River Park's RiverRocks series. The smell of sea water, rain, and cigarettes permeated the air and helped set the mood for Real Estate's nostalgia-inducing music.
After some introductory words (guitarist Matt Mondanile said 'hi' to his mom), Real Estate began their set with a slower tune. In both their music and their attitudes, the Jersey-based four-piece seem both carefree and sincere. In between songs, they each contribute to the stage banter by playing off what another member said. After the first song, lead singer and guitarist Martin Courtney tried to bridge the divide between the crowd and the stage by inviting people to jump the barrier, but the restrictions remained in place. The crowd, did listen to bassist Alex Bleeker's suggestion to "jump around a little bit," when the band broke into "Beach Comber," however.
They may not have the loftiest lyrics (a new song contained the lines: "Water's not for me. Head downtown. People walking around"), but even when they're singing the same line about Budweiser and Sprite on repeat ("Suburban Beverage"), the music and melodies will get stuck in your head. Real Estate just released their debut album last year, but they played three new songs during their set, two of which are slated to be on an upcoming 7". Like their old material, the new tunes also seem to be inspired by the beach and suburban living.
In between the two sets, the volume of the background music increased noticeably in preparation for Deerhunter's set, and Real Estate's sunnier treble-heavy music was replaced by a heavier mix that prominently featured the bass line (sadly at the cost of the vox).
After a glowing endorsement by one of the event organizers, the members of Deerhunter assembled themselves on stage [to play to those not over on Governors Island or in East River Park checking out White Rabbits]. "How's everyone doing tonight? We're so happy you guys came out tonight, and I'm glad it's not pouring [...] There's a lot of stuff going on tonight, so it means a lot that you spent it with us," said Deerhunter front man Bradford Cox by way of introduction.
Cox may have talked a lot immediately preceding the set (partly to stall while bassist Joshua Fauver got ready), but in an uncharacteristically mum move, he stopped just once (and then only after the fourth song), and said only the obligatory, "Thank you very much." Maybe Cox was hoping to power through the set before the weather worsened or maybe he was simply trying to squeeze in the most songs possible, but often, the band transitioned from one song to the next without even stopping for applause, which made it hard to tell when songs finished and began. Their set list consisted of both material from their upcoming release, Halcyon Digest, and crowd pleasers like "Hazel St." and "Never Stops."
At some point midset, a strange mosh pit of sorts broke out, and people flocked to the front to get in on the action. It started out as a concentrated mass in the middle of the crowd, but soon, people started shuffling back and forth (to the extreme left and then back to the right), as if the movements were choreographed.
Since there was no 'last song' warning, the band's departure was rather abrupt, but the music continued on loop after the stage was empty. Still without uttering a word, Cox launched into a couple of recognizable songs for the encore, as if rewarding those who stuck it out in the rain. Deerhunter may have only played two songs (I think), but those songs unfolded for an impressive 25 minutes thanks to a long detour into drone territory before Cox tied it up a bit at the end when the guitar melody returned more distinctly.
"Thanks so much for getting wet for us. I hope you guys have a great safe rest of the night" Cox said as the music slowly faded out.
Though the crowd may have been smaller due to the weather (and due to the concurrent Grizzly Bear show), people were in good spirits - even after the rain picked up again at the end of Deerhunter's set. There was almost an extra note of camaraderie brought on by the rain - a 'we're in this together' kind of feeling. I can only bet that both sweat and satisfaction were high for those who made it out to Glasslands to see Deerhunter's DJ set and a show by Ducktails (which features Real Estate guitarist Matt Mondanile).
Partial setlists from both bands, and more pictures from the show, below...
DOWNLOAD: Deerhunter - Revival (ZIP)
Deerhunter @ Radio City in March (more by Benjamin Lozovsky)
Deerhunter's new record, Halcyon Digest, is due September 28th on 4AD, and the first single from that (and its b-side, "Primitive 3D") is available above. The group is in NYC for a free show at Pier 54 on August 12th with Real Estate (and a DJ set later that night at Glasslands with The Big Sleep, Ducktails and We Are All Romans). They'll also play a pool party in Jersey on August 15th.
After that, the real tour starts, with shows booked in October and November. Deerhunter plays NYC, again with Real Estate, at Webster Hall on Friday, October 15th (Casino Versus Japan are on the bill too). Tickets go on sale Friday at noon.
The Webster Hall show is part of a tour with Casino Versus Japan and Real Estate - - other future tourmates include Animal Collective's Deakin and Ducktails. (Plus the Black Lips says they have a big tour with Deerhunter in 2011.)
Deerhunter's upcoming tour dates, a flyer for the new record (which you can help put up around your town) and "Revival" live are below...
LCD Soundsystem @ Sasquatch Festival 2010 (more by Chris Graham)
LCD Soundsystem still don't have any NYC dates coming up (maybe they're holding out for a big announcement?), but they will be in the area (if you're willing to drive to take a bus/train/plane). The band is spending the rest of August and part of September in Europe before returning to the US for a September 24th show at Naval Cruise Terminal at the Philadelphia Naval Yard. The lineup also includes Sleigh Bells (who just played Governors Isle) and DJs brought by the Making Time party (who are co-presenting it). Tickets are on sale.
LCD and Sleigh Bells play the Virgin Mobile FreeFest the next night (9/25) at Merriweather Post Pavilion in Maryland, and other dates. They're all listed below.
Shows after that include an October 1st show at Hamilton College in Clinton, NY (not sure if it's open to the public) and more across the country, before a return to the UK in November. The first leg of those US dates is with Sleigh Bells, the second is with Hot Chip, who play Central Park SummerStage tonight (8/4) with Hercules & Love Affair and Holy Ghost.
Speaking of Making Time, they'll be hosting a repeat of their 2009 pool party (at an actual pool) at the Flying W Airport and Resort in Medford, NJ on Sunday, August 15th. Deerhunter will again play with DJs, swimming, etc. Tickets are on sale. Deerhunter play a free NYC show at Pier 54 on August 12th.
LCD videos and all tour dates are below...
photos by Rachel Carr, words by Daiana Feuer
The third and final round of the Coachella Music & Arts Festival was funky, and not just because the port-a-potties reeked. Keeping a loose theme every day (see Friday & Saturday), Sunday focused on relentless rhythm and groovy basslines. The absolute golden moment belonged to Yo La Tengo's blistering final song. Rhythm that revels in repetition + guitar that tries to destroy itself = wee mind blown. Sometimes the moodiest things are the most uplifting.
Thom Yorke brought his dancing shoes, his favorite Flea, and Nigel Godrich. His band Atoms For Peace played almost every song off The Eraser, many of which featured strong world rhythm sections. When Yorke didn't have a guitar in hand, he danced, whirled, and punched the air like he was rehearsing a scene from Fame. We wanted a high kick, but it didn't arrive. King Khan & The Shrines, on the other hand, featured legs flying all over the place, DJ Lance Rock and Yo Gabba Gabba characters, burning money, as well as a visit from the police-who crept on stage to snap pictures. Probably the first time Khan runs into cops and doesn't leave wearing cuffs. Sunny Day Real Estate had the audience offering bids to buy property, and Phoenix had people choking on dinner as they tried to dance and eat at the same time.
King Khan Gabba Gabba
Not every Julian Casablancas song captivated, but his band delightfully binged on rhythms. Each musician had a personal backbeat player supporting each fill. The drummer plus his sidekick especially sounded great. Matt & Kim's ebullient smiles inspired chaos in the audience, as usual. Mayer Hawthorne and the County revived Motown soulful brassiness and covered Biz Markie's "Just a Friend." The Big Pink played some new songs from next year's album, reaching out for Depeche Mode with a drummer in a pink bathing suit. Electro sweet popper Little Boots forgot her pants as well, wearing a sparkly shirt and knickers, and played with the lasers on stage. Charlotte Gainsbourg inaugurated her "first tour, first everything" with a feminine "Candy-O" sensibility, sometimes in French. Florence & the Machine rounds out the great lady performances of the day, and brought on Nathan Willett of Cold War Kids.
All clad in white, France's DJ ego-powers Club 75 demonstrated the ability to cooperate together with just a few elbows thrown. Cassius, Justice, Busy P, and DJ Mehdi still use CD's (so old school), and took turns passing on the headphones between them and finishing each other's remix sentences, trading places at each station. Backstage security bobbed along while staying tough. When it was their turn, Rusko turned the Sahara tent into a mechazoid robot battle and Orbital live-produced virtual reality anthems for Satan wearing Matrix miner lights around their heads. Infected Mushroom instructed on the benefits of "Becoming Insane" flanked by two mushrooms with red eyes.
The Middle East should not be confused with The Soft Pack, formerly The Muslims. The former may be from Australia but it sounds like a back porch band from Woodstock, and the latter offers a "Parasite" infestation that's as pure as sunshine and a neat drum set up that packs a giant tom punch. What appears as regular rock on headphones reveals its brilliance when experienced live. One of the strangest live moments of the festival belongs to Sly Stone, who played four hours late and on the wrong stage. He bitched, he slurred, he cursed, lay down, walked off, stopped songs and good grief, made a total mess of himself. But that's rock and roll.
Sly Stone made history look unable to get past its youthful drug phase, but Jonsi, Pavement, and Spoon come from a music scene that did a little bit less cocaine. Jonsi repped the awesomeness of Sigur Rós and great hats. Steve Patterson of White Rabbits joined Britt Daniels and the rest of Spoon to add percussion on "I Turn My Camera On". Spoon's tour-mate Bradford Cox (who played earlier in the day in Deerhunter) also joined Spoon on stage, like he did on their recent Kimmel appearance. Pavement ran through the hits during one of their first U.S. shows since reuniting. "That's the 90's in a nutshell," said Stephen Malkmus after the angsty "Unfair"...
"...Pavement, the iconic slacker band of the '90s, who took the main stage against what turned out to be one of the fest's chief attractions, the finally wildly popular French dance-rock band Phoenix, who wowed possibly the biggest crowd of the entire fest ... while Pavement played to a field half-full of true believers rather than the massive throngs many expected, and thought the band deserved.Virtual Snoop Dogg introduced the Gorillaz set, but Blur's Damon Albarn appeared in the flesh, with a few special guests including Paul Simonon, Mick Jones, De La Soul-who kicked their own old school jams earlier in the day-and Little Dragon's Yukimi. One unique rhythm transcended the next, showing the mutability of hip hop and dance music. And then that was it, suddenly. The festival ended and tens of thousands of people started wondering where they left their car keys...
No matter, though. Pavement still delivered a set that vindicated the group of prior crimes -- namely a Coachella performance near the end of their career so notoriously bad, many in attendance point to it as the moment the band decided to break up.
This night, however, they were tight, they were loud, and they sounded large on that vast field -- an odd statement, given the fact that in their heyday they were far more known for being introspectively small rather than arena-ready..." [The OC Register]
Radiohead Peppers For Peace
Daiana's Weekend Top 10:
1. Yo La Tengo's last song
2. Little Dragon's Yukimi
3. Gossip leading a revolution
4. Thom Yorke dancing to African rhythms
5. PiL giving a history lesson
6. Sly Stone wigging out
7. Bouncing penises + fat people in undies (Die Antwoord + Major Lazer)
8. Devo putting on the hats that ushered in modern pop culture for "Whip It"
9. John Waters corrupting many young minds
10. The Gorrilaz lyric: "Super fast jellyfish going super fast. You can't even see him but you wanna eat him."
Owen Pallett, Local Natives, Miike Snow, and Yann Tiersen also played the fest Sunday. Gary Numan was among those who couldn't. Reviews & pictures from Day One, HERE and Day Two, HERE. Setlists (Thom Yorke and Pavement), pictures, and videos from Day Three, below...
The free outdoor concert series kicks off Thursday, July 8, with the infectious indie folk/alt country band Phosphorescent on a co-bill with the "authentically vintage" sounding L.A.-based Dawes.Three amazing free shows this year! Hopefully the rain stays away.
The Antlers, the meteoric post-rock artists take the stage Thursday, July 22, with fellow Brooklyn-based Dinosaur Feathers and its tropical surf pop sound opening the show.
RiverRocks concludes the 2010 summer season on Thursday, August 12, with Atlanta's Deerhunter, led by Bradford Cox -- among the most talented and hardest working indie artists in the business. Opening for Deerhunter is Brooklyn's Real Estate.
RiverRocks is Hudson River Park's signature concert series staged on the Pier 54 waterfront adjacent to New York City's Meatpacking District (at 14th Street). With the setting sun and the Hudson River serving as the backdrop, each show is expected to draw capacity audiences.
Gates open at 6 p.m. for all RiverRocks shows, which are scheduled to begin at 7 p.m. More information is available at www.riverrocksnyc.com.
Meanwhile, catch Real Estate 3 times this month including @ Monster Island tonight (4/16).
Phosphorescent also has a few shows coming up sooner.
Deerhunter recently was in town to open for Spoon.
by Benjamin Lozovsky
Spoon has made a long and fruitful career out of simultaneously fulfilling and denying the expectations of fans, critics and record labels. On Friday night (3/26), the band greatly exceeded its own expectations by headlining a sold-out Radio City Music Hall.
It was a big deal for a band that's taken small but inquisitive steps over 16 years and 7 records. This show came in support of their latest effort, Transference, a moody yet powerful record of micro-experimentation that ultimately saw the band reinvigorating their inner scruffiness (they celebrated the release of that record by playing a much smaller NYC venue in January). But unlike some recent tour dates which saw Transference heavy setlists, on this night Spoon played a well curated sampling of many of their past gems; it felt like a therapeutic nod to history for a band eager to revisit the moments that brought them this far.
But it wasn't just looking back for the fuzzy feeling of nostalgia. Britt Daniel and co. breathed new sophisticated life into songs like "I Summon You" and "Someone Something." The latter was sung as a duet with Eleanor Friedberger of the Fiery Furnaces, one of several guests (Dan Boeckner of Wolf Parade and Stephen Patterson of White Rabbits) who appeared during the show. Dan and Eleanor performed one of their own songs with the group as well as assisting on Spoon numbers, as the headliner graciously and generously dolloped the trademark Spoon appliqué onto numbers like "Waiting To Know You" and "Modern World."
Radio City Music Hall is often a tough sell for rock fans, and Friday was no exception. It wasn't until midway through Spoon's first set, when the band was augmented by a seven piece horn section for numbers like "Don't You Evah" from their brass heavy 2007 album Ga Ga Ga Ga Ga, that the crowd finally took notice of the scorching effort brought forth by the band members and joined in on the revelry of this potential poster child for indie rock perseverance affixing its name to such an illustrious marquee.
Attempting to warm up the crowd were lively but somewhat underdeveloped The Strange Boys (sans new member Jenna Thornhill-DeWitt) and Deerhunter. Many attendants preferred to mingle in the gold-plated lobby of Radio City rather than check out the openers, but neither band did everything they could to completely win over the crowd either. Deerhunter didn't outright disappoint, but they didn't sound as impactful as normal. For the majority of their performance, the powerful streams of noise normally associated with the band were muted in the large hall. Instead the bare trappings of their songwriting were exposed, which might have been an interesting contrast for a frequent listener, but to the uninitiated came across as listless and at times sluggish. When Bradford Cox and his bandmates played to their more expansive and propulsive leanings though, things improved. They finally turned up the volume and intensity in the finale which was topped off with a long cacophonously exciting outro. Then they seemed to be having fun as eccentric noise makers in such a staid arena.
Still neither of the younger bands could match the passion of the older Spoon, who now might be considered elder statesmen of the genre they often like to eschew connections with. Daniel has an ageless croon, even if it faltered occasionally Friday. One couldn't help but feel Spoon could go on forever taking small steps at musical progression and growth. As a performance though, this was one giant leap.
More tour dates HERE. The full Radio City setlist with more pictures and some videos, below...
photos by Brian Reilly
It was a happy St. Patrick's Day for Spoon. The Austin, Texas, indie-rock band received a hero's welcome during its hometown show on Wednesday at the South by Southwest music festival.Spoon's tour with Deerhunter has arrived in NYC for a massive show at Radio City Music Hall tonight (3/26). The Strange Boys play first of three. Tickets
The group, this musical city's biggest export in recent years, has been on a roll as of late. Spoon's newest CD, the recently released "Transference," debuted at No. 4 on the Billboard 200, selling more than 50,000 copies in its first week on shelves. In honor of its achievements, the band was rewarded with the highly coveted opening night, headlining slot at Stubb's, SXSW's largest venue.
The group didn't disappoint the hometown crowd, which had filled the venue to capacity well before Spoon actually took the stage. The quartet wasted no time getting to the good stuff, opening the show with the solid new single, "Written in Reverse," and then quickly following with the even stronger "Don't Make Me a Target," from 2007's "Ga Ga Ga Ga Ga." The latter had a punky snarl to it, but also a dramatic piano line, reminding one of a classic Joe Jackson cut.
The one misstep, and it was a big one, came when Spoon covered the Damned's "Love Song." The band put its own spin on the track -- which I applaud -- but the lackluster, loopy result was something that would make punk-rock fans cringe. [Mercury News]
The NPR-presented Austin showcase on March 17th also had Visqueen, The Walkmen, Sharon Jones & The Dap Kings and Broken Bells (who played earlier that day in a parking garage) on the bill. More pictures from that show with Spoon's setlist below...
by Andrew Frisicano
DOWNLOAD: Micachu & The Shapes - Lips (MP3)
Micachu & The Shapes @ Pop Montreal 2009 (more by Ryan Muir)
In addition to being at SXSW and MtyMx, Tanlines is playing a release party for its Settings EP (out March 9th on True Panther Sounds) on March 5th at Monster Island Basement. Also on the bill are Lemonade, Janka Nabay and Blondes. (It's not just a release party for Tanlines, you can get entry and 3 new 12"s from Tanlines, Lemonade and Janka Nabay for $25.)
Raisa Khan of Micachu & The Shapes sat in on keys and vocals with her friends UK band Laurel Collective at Hindenburg Mile High Club in London on Saturday, February 6th. The show was part of the band's monthly residency at the spot. Laurel Collective's debut album (actually a mini-album), Feel Good Hits Of A Nuclear Winter, came out in 2008 on Domino. Their more recent material (including a free cover of Micachu's "Golden Phone") is available online. They live up to the collective part of their name with a youthful group feel similar to Los Campesinos or Nana Grizol. Laurel Collective will be at SXSW this year for shows throughout the festival. Videos of their show with Raisa, tour dates and more are below...
Wow...Public Image Ltd, The Specials, Grizzly Bear, Passion Pit, Echo and the Bunnymen, Grace Jones, Fever Ray, Devo, Hot Chip, Phoenix, Orbital, Spoon, Sly and the Family Stone, Charlotte Gainsbourg, Sunny Day Real Estate, Yo La Tengo, Mew, Camera Obscura, Gil Scott-Heron, The xx, John Waters, Dillinger Escape Plan, Deer Tick, Gary Numan... Full Coachella 2010 lineup below....
Deerhunter @ Outside Lands 2009 (more by Chris Graham)
Radio City is not the only show Deerhunter is playing with Spoon. All dates below...
Spoon @ Prospect Park 2008 (more by Chris La Putt)
- For the third year running, NPR Music will present, broadcast and webcast the opening night showcase of the South by Southwest Music and Media Conference in Austin, TX, when it brings Spoon to headline Stubbs on Wednesday, March 17. The concert will kick off Spoon's U.S. concert tour in support of its forthcoming albumWe're still waiting for the entire tour announcement, but their previously mentioned NYC show will be happening at Radio City Music Hall on Friday, March 26th. The openers will be Deerhunter and the Strange Boys. Tickets go on sale Saturday, January 16th at 11am.
Spoon interviewed their mastering engineer Howie Weinberg about the new album ("It's really different than the last record...it's more rootsy...a little more hip hop...it's got a dirty side to it that I really like," he says). That and a few live videos of the new single, and all dates, are below...
photos by Chris Graham
Happy Holidays! I take on more than I can handle. That results in a lot of unposted content. In the name of catching up, while also taking it easy during this final week of the year, here's some of that lost material.
Sporting a beard that complements the music he's making these days, Conor Oberst and his Mystic Valley Band closed down [Outside Lands' Day Two] Sutro Stage with songs that are more down-home than downtrodden. One highlight of the set was when he brought out Jenny Lewis to perform Rilo Kiley's "Portions for Foxes," though Oberst outdid himself in the end with a beautiful rendition of the sparse and gorgeous "Milk Thistle." [MTV]Outside Lands, at SF's Golden Gate Park, ran for three days in August. The pictures here are from its second day, Saturday, August 19th, which featured Conor Oberst & the Mystic Family Band (with an appearance by Jenny Lewis), TV on the Radio, Deerhunter, Mars Volta, Bat for Lashes and Mastodon. (The reunited Os Mutantes also played but there's no pics of them; we did cover them at Webster Hall though.).
More pictures from Day Two, below...
DOWNLOAD: Deerhunter - Carve Your Initials Into the Walls of the Night (mediafire)
Atlas Sound @ MHOW in October (more by Toby Tenenbaum)
It's one of two dates currently booked for the group. The other is a February 26th show in San Francisco.
Over the weekend (12/12), Bradford posted a 2005 Deerhunter CD-R, Carve Your Initials Into the Walls of the Night, as a free download on his blog. He writes: "It features only me and Moses and is very experimental in nature. This was during our "tape phase" when we would often play shows as a duo (or as a trio with colin) playing only tape machines and vocal loops." The recording is linked above. Its tracklist, more info, Bradford's favorite albums of 2009, and tour dates below...
words by Black Bubblegum, photos by Ryan Muir
Steve Albini in Shellac
"We're taking a bath, but I don't care," Barry Hogan told [Sasha Frere-Jones]. We were standing in the makeshift production office for the All Tomorrow's Parties festival, at Kutsher's, a resort in the Catskills."My name is Sufjan Stevens and I am going to play all of my Seven Swans album. That should be a good early afternoon hangover sort of thing"
Kutsher's, where Muhammad Ali trained and a thousand schticks were born, was once the jewel of the Borscht Belt. The main venue at Kutsher's, the Stardust Ballroom, has a capacity of 2,800. But Hogan seemed largely unbothered that only 1,800 tickets to ATP had sold. It is 2009, after all.
Considering the bad coffee situation and the fun that I had the day before, Sufjan was spot on. Clad in tie-dye that the band had purchased at the general store at Kutsher's, the five piece were delicate, light and lilting. Sufjan's bright banjo strums and songs, like the sunny "Sister", resonated so well in the Stardust Ballroom. The Seven Swans album was an excellent choice for a wake-up set on the second day of the three day upstate NY festival (Saturday, September 12, 2009).
After Sufjan, I wandered over to catch a crew of young Aussies named Bridezilla. Though their name is a touch offputting, guitarist/vocalist Holiday Sidewinder has a sexy and breathy coo that recalled PJ Harvey and their her cocktail-dress-ed crew were a surprise and a delight.
Grouper were next, and as a fan of 2008's Dragging a Dead Deer Up a Hill, I was eager to check out Liz Harris's ambient soundscapes. Playing to a projection of an ocean at night, the stage show wasn't much visually but the tides of noise was otherworldly.
Conversely, Black Dice in the same room was a psychedelic mindfuck. Blasts of tribal noise beats nodded heads and shook them in equal measure.
As a fan of Bradford Cox, it was great to see him pull a doubleheader on Saturday, beginning with Atlas Sound. Rolling solo with guitar, harmonica, and some backing tracks, Cox was engaging both in song and with between song banter. I would regrettably end up missing Deerhunter's set a few hours later. Drowned in Sound was there though:
Bradford Cox is a picture of serenity as he swaps his shirt for a more tasteful number and leads Deerhunter into their Saturday night set. He announces that this will be their last performance for some time, causing the band to roll out the hits in quick-fast fashion. They gallop through 'Cryptograms' and 'Nothing Ever Happened', the positively herculean double guitar sound feeling unstoppable and a sense of jubilation ricocheting between the walls as people succumb to these great big shining pop songs. The closing 'Calvary Scars' is a slab of beautiful kraut-pop, with Lockett Pundt's metallic Tim Gane-esque strum leading the way, face-painted kids jerking their bodies back and forth, and Cox looking genuinely sad that this will be the last time these songs will be wrung from his fingers and throat for a while.Anti-Pop Consortium was my next venture, the first time I had ever seen the crew though I was a long time fan. On the Stardust Ballroom system, APC's distorted and creative beats sounded amazing but save for Beans energetic movement, I was less than impressed with their live show. Live hip hop is hard to pull off, and those who try should heed the great Rakim who said "to me MC means move the crowd". If you want to give them a chance, they're at Santos Party House on September 29th.
Sleepy Sun were line checking when I got back to the second stage, with vocalist Rachael Williams checking her levels in the monitor
"Check. Check. I. Hi. Me. You. All of you. Us. Getting nervous."
If they had nerves, the band channeled them into positive energy. Sleepy Sun's influences fit right in with their hometown, San Francisco, as the band dabble in a psychedelic California sound with some krautrock-y elements. I was most struck by their fantastic drummer Brian Tice as well as vocalist Williams, who ripped out a solo that had the crowd shouting and applauding. Wayne Coyne watched the band from stage left, clearly impressed.
After an elongated line check, El-P came on and with a four-piece band (Chin Chin) and hypeman (Mighty Quinn) to the sound of "Tasmanian Space Coaster". I have a soft spot for El-Producto's Blade Runner beats and post-apocalyptic rhyme styles, and it was great to see a Hip Hop artist who actually puts an emphasis on his live show. As a matter of fact, El-P put a little too much of himself out there, almost falling off the stage after pogo-ing around during "Smithereens". Careful dude... we need a follow-up to I'll Sleep When You're Dead.
I hadn't seen Akron/Family since the then more acoustic-centric band played Tonic many years ago (with Hamid Drake?) and it was refreshing to see their energy were still in place. Against a backdrop of a tie-dyed American flag, the band played a rousing and ripping set. It's good to see that the loss of Ryan Vanderhoof to a Buddhist center hasn't slowed them a bit.
Autolux had the discordant riffs, feedback squalls, and a 90s alt punk sound to hit all of the right influences (Joy Division, Sonic Youth, etc), but unfortunately didn't really distinguish themselves from their influences. Autolux isn't offensive by any means, just not compelling or distinctive, and I find it a touch disappointing that guitarist Greg Edwards was a member of Failure (a band that I dug).
Dead Meadow and their fuzzy freakout psych blues were riffing on Stage Two towards the end of the Autolux set, but by half way in, the crowd had diminished considerably due to Shallac on the main. For shame, as the trio played a ripping set!
Boredoms: BOADRUM 9 shows in 2009
Wed 09/09 @ Terminal 5 in NYC
Fri 09/11 @ Experimental Media & Performing Arts Center in Troy, NY w/ Deerhunter
Sun 09/13 @ Kutshers Country Resort in Monticello, NY (ATP NY)
I have one pair of tickets to giveaway to the Terminal 5 show. Details on entering the contest below...
All Tomorrow's Parties (ATP) is happy to announce its return to Kutsher's Country Club in Monticello, New York for the 2nd annual ATP New York festival. The event will be held Sept 11-13, 2009. Last year's festival, co-curated by My Bloody Valentine, was a critical and cultural success with rave reviews from media and fans. This year's Fest will be co-curated by The Flaming Lips.ATP has announced the final lineup additions to this year's festival. That includes the comedians who will be joining David Cross on Friday night, and official confirmation that it will in fact be Bob Mould who will be playing Husker Du songs (a whole LP to be exact) with No Age (who also just announced some NYC shows). Every act who plays Sunday will be playing some kind of special set...
Recently added were Crystal Castles, Super Furry Animals, Boris performing Feedbacker, Low Lows and "Oneida presents the Ocropolis" - where Oneida will transport the impetus, spirit and community of their multidisciplinary studio/performance space, The Ocropolis, to ATP for a full day of improvisation, collaboration, and recording, combined with the astounding Mighty Robot Visuals light crew. Other announced acts include Boredoms continuing their BOADRUM series, performing with 9 drummers on stage. Deerhoof will perform with special visuals by Martha Colburn. Caribou will perform as Caribou Vibration Ensemble, with a 4 piece horn section, 4 drummers and a choir and guests that include Kieran Hebden (Four Tet/Fridge/Kieran Hebden & Steve Reid), Koushik (Stones Throw Records), John Schmersal (Enon, Brainiac), Kathryn Bint (One Little Plane), Ahmed Gallab (Sinkane), Marshall Allen (Sun Ra Arkestra) and more.Other brand new additions to Sunday are Menomena, Black Moth Super Rainbow, Birds Of Avalon, and Hopewell.
Circulatory System, was added in the last announcement, and have since revealed an entire tour. Dead Meadow play ATP on Saturday and will perform on a boat in NYC that same week. The Feelies have a Brooklyn show scheduled. Super Furry Animals play NYC and NJ in addition to ATP. The list of related shows goes on...
Unfortunately missing from the ATP NY schedule is Nick Cave - not that he was ever supposed to be there, but in addition to being very involved with ATP in general, he was recently confirmed to be only a short car ride away just one day after the festival ends. Full 2009 lineup below...
words by Andrew Frisicano, photos by Bao Nguyen
Some people waited in the rain, some grabbed their wrist band and ran home, one person I saw even constructed a counterfeit entry pass out of tape and markers for fear of getting shut out. Others just walked right in. Whatever your experience, if you made it to the August 2nd Jelly NYC Pool Party show, it was worth the mess. The decision to call off the event's East River State Park/Williamsburg Waterfront location was made by the State Parks Dept. around 3pm, a fact that highlights a point made earlier in week by the Times -- that putting on outdoor concerts in NYC is often a bureaucratic and logistical nightmare.
Nonetheless, the show was moved to the nearby Brooklyn Bowl - a recently opened nearby venue - and doubled into a late and early show (both still all-ages). At 10:45pm I walked up to the Brooklyn Bowl without a wristband and by 11pm I was inside. I hear it wasn't as easy for those who opted for the 6:00pm show, though the late show was still packed.
After an opening set by a DJ/guitarist laying Eastern-sounding scales over looped beats, Ed Schrader, another opening act, took the stage armed with just a floor tom and his voice. Ed pointed his unhinged gaze, vaguely reminiscent of Charles Manson, at the audience and ably pounded the drum while delivering lines about "beautiful transvestites in the rain." The tunes were energetic and immediate -- enough so that some crowdmembers caught on to the repetitive hooks and sang along.
The headliners, a triple bill of Deerhunter, No Age and Dan Deacon (without his ensemble), managed to fit a full two hour, "round robin" set into the late show, which finished just shy of 2am. They traded off single songs at first (one Deerhunter, one No Age, one Deacon, etc..), then after two or so go-arounds, played songs in pairs. The latter set-up eased the jolting shifts in energy, and was more forgiving to Deerhunter, who was by far the most subdued of the three.
More than once, Dan Deacon's mountainous beats gave way in deadening fashion to a florid but not as physically propulsive Deerhunter jam. While his songs were up, Deacon engaged in his usual audience participation games (which hopefully get some kind of update if they come back again). Those included touching your neighbor's head, group miming, and a "London Bridge"-like chain of people that snaked across the Bowl and gave a nice tour of the space's different rooms. He remarked that it'd most likely be his last NYC show this year, and paused one song mid-beat to make an announcement about not running across the stage.
The groups collaborated at the beginning and end (with some touches in between) and celebrated the finale of a long day by throwing their instruments and whatever else (I think I saw a tour manager) into the crowd. They all milled around afterward to chat and give out high fives.
This was a review of the late show. More pictures from the early show below...
2 shows tonight @ Brooklyn Bowl, 1 last night in Medord NJ...
Dan Deacon in Medford, NJ - Aug 1, 2009
Dan Deacon, Deerhunter, and No Age were supposed to play a 'round robin' show in the giant space that is the Williamsburg Waterfront today. Due to rain, that 'Pool Party' got moved to Brooklyn Bowl which only holds around 600 people. That meant a lot of people were going to get shut out, so they awesomely added a 2nd show (also ALL AGES).
The late shows starts at 10pm. Everyone from the 6pm early show will leave, and then they'll start letting people in for the late show. Those who are on line for the early show, but don't make it in, will get wristbands that guarantees them a spot for the late show.
Videos from last night's rain-free pool party in NJ below...
Polvo @ Brooklyn Bowl on Friday (iPhone pic by windupgodzilla)
Like Friday's free Polvo & Obits show, today's free Dan Deacon, Deerhunter & No Age Pool Party show has been moved from the Williamsburg Waterfront to Brooklyn Bowl due to rain. Doors are at 6pm, sets will start at 7pm. Full lineup ("Special round robin set including Ed Schrader, White Rainbow, Infinite Body"). FREE. ALL AGES. First come, first served.