Entries tagged with: Depeche Mode
photos by Greg Cristman
2013 has come and gone but we still have a couple year-end posts to go. Greg Cristman shot a whole lot for us last year -- everything from metal to synthpop and all points in between -- and he picked his 25 favorites from '13 which are in this post.
Austin's Feathers have had a busy year. They released their debut album, If All Here Now, have toured the country (they played NYC in May) and opened for Depeche Mode during SXSW. 2014 looks to be exciting for them as well, with a new EP, Only One, and a trip across the Atlantic next month where they'll be opening up for Depeche Mode again, this time on a few European dates. On their way there, they'll stop in NYC for a warm-up show, playing Mercury Lounge on January 7. Tickets for that show are on sale now.
This tour will mark a new line-up for the band, with Christine Aprile (ex-Sleep Over, Silent Diane), Su Swann (Hussle Club), Jon Minor and Destiny Montague (Midnight Masses, Carl Sagan). All tour dates are listed below.
Feathers frontperson Anastasia Dimou was nice enough to give us her Top 10 Records of 2013, including commentary on some of them. Her list doesn't stray to far from the style of music she makes, which means if you like Feathers, you may want to check some of these out. Read her list below....
photos by P Squared Photography
Depeche Mode @ Barclays Center, 9/6/2013
Hearing tracks such as "Policy of Truth," "Walking In My Shoes," "Personal Jesus," and "Enjoy The Silence," pretty much made the crowd go completely ballistic and even though at times, one would rather hear really obscure songs instead of the obvious hits, being in a stadium full of people reaching out to touch faith still gives me chills every time! Another major highlight was the not very often played "Black Celebration," which was a stadium sing-a-long and is such a welcomed fuck you to mainstream radio! - [According2G]As mentioned, Depeche Mode were in the NYC area over the weekend for two shows. We already posted pictures from Sunday's Jones Beach show, but here's a set from Friday night at Barclays Center. Comparing the setlists between the two shows, Jones Beach got more "classics," but Barclays Center was treated to deep cut "Black Celebration," the title track to their 1985 LP and gloomy lifestyle anthem. Full Barclays setlist is below.
Like at Jones Beach and other dates on this leg of the tour, Bat for Lashes opened at Barclays and we also caught her headlining show at Webster Hall the week before. More pics from Friday's Barclays Center show below...
photos by Greg Cristman
Depeche Mode @ Jones Beach 9/8/2013
Depeche Mode released their "classic sounding" new LP, Delta Machine, earlier this year and have been touring the hell out of it ever since. That trek hit the NYC-area over the weekend for two shows: Barclays Center on Friday (9/6) and Nikon at Jones Beach Theater on Sunday (9/8), both of which were with opener Bat for Lashes. The Jones Beach show, which was the last show at the outdoor venue for the 2013 season, was about half-and-half "hits" and new material, giving longtime fans favorites like "Behind the Wheel," "Policy of Truth," "A Question of Time," "Black Celebration," Personal Jesus" and more. How was the new/old ratio for you? Setlist from Jones Beach and pictures from the show are in this post.
Depeche Mode recently played Atlantic City on this tour too. We'll have pictures from Barclays Center coming soon, but you can check out more pics from Jones Beach below.
photos by Dana (distortion) Yavin
Depeche Mode @ Revel - 8/30/2013
"Frontman Dave Gahan played with his mic and shared it with the crowd on a few occasions while busting some moves. Gahan didn't remain the center of attention for the entire show though as Martin Gore, the band's principal songwriter, got up and shared vocal duties on a handful of songs. He even sang a few on his own, including a haunting version of "Higher Love." Fans exploded in applause when the band performed popular numbers like "Enjoy the Silence" and "Personal Jesus." However, the biggest highlight of the night was when they returned to the stage for an encore and played their synth-pop classic "Just Can't Enough." It was a wonderful throwback for older fans and a nice counter to the outfit's gloomier songs. In a way the band's setlist came full circle that night, some of the new with some of the old - something for everyone." [BV Chicago]Not long after hitting Chicago, Depeche Mode brought their North American tour to Ovation Hall at Revel Casino in Atlantic City last night (in 2009 they played the Borgata). Pictures, the setlist and video from the NJ show are in this post.
Depeche Mode continue their tour this weekend in Canada before returning to the NYC-area to play both Barclays Center and Jones Beach with tour-mate Bat For Lashes who didn't play with them in Atlantic City and headlined Webster Hall in NYC the same night instead. All tour dates are listed with the rest of the AC pictures and stuff below...
The Jim Jones Revue released their new album, The Savage Heart, this week (8/27) and it's another blast of their signature punk rock blues. You can stream the whole thing via Spotify and check out "Where Da Money Go?" from it below. They also have a new, non-LP single, "Collision Boogie," coming out in October and you can stream that below too.
Jim Jones also recently remixed Depeche Mode's "Should Be Higher" and it's a pretty radical version of the song. You can stream that below too.
Depeche Mode's tour is inching towards NYC, hitting Atlantic City tonight (8/30) (look out for pictures from that). Then they'll play Brooklyn's Barclays Center next Friday (9/6) and Jones Beach the next day (9/7). Bat for Lashes, who plays NYC tonight, opens both shows and tickets are still availble.
Depeche Mode and Jim Jones Revue tour dates are listed, along with DM remix and JJR streams, below.
Bat for Lashes at Rock Werchter 2012 (more by Tim Griffin)
Depeche Mode's previously announced tour is kicking off later this summer, and as mentioned, art pop musician Bat for Lashes is opening some of the dates, including both NYC area shows: 9/6 at Barclays Center and 9/8 at Jones Beach (tickets). During that tour, Bat for Lashes will stop off in NYC for her own headlining show here, which happens on August 30 at Webster Hall. Tickets for the Webster Hall show go on sale Friday (7/19) at noon with an AmEx presale starting Wednesday (7/17) at noon.
Bat for Lashes also plays Boston Calling on September 7 in between the two NYC-area shows with Depeche Mode. Updated dates are listed, along with a video, below...
Before and after: Nikon at Jones Beach Theater
As you surely remember, last October's Hurricane Sandy put a lot of things underwater. One of them was outdoor concert amphitheater Nikon at Jones Beach Theatre. Live Nation has been busy renovating ever since the water receeded:
Along with much of the coastal regions throughout New York and New Jersey, Superstorm Sandy inflicted catastrophic damage on the venue. Sandy generated a storm surge of 8--10 feet, and the ground floor, sub-structures and pathways under Jones Beach Theatre, which sits right on Zachs Bay, were submerged. Much of the 14,000 seat venue was impacted from the surge, from the stage to the seats, the backstage and concessions and VIP areas were all severely damaged.The renovated Nikon at Jones Beach Theater was finished just in time for the 2013 season that kicks off Friday (5/31) with...Rascal Flatts.
But before construction could even commence, more than 3 million gallons of sea water had to be pumped out of the venue, which then had to be cleaned from top to bottom. Hundreds of tons of debris and damaged structures and equipment had to be removed from the site...
...The stage and boardwalk and their substructures had to be completely rebuilt from scratch. More than 9 miles of special MCM cable had to be replaced in the tunnels and access ways below the venue. All the doors on the main level, more than 200 in total, had to be replaced. Where possible the venue's infrastructure was redesigned to mitigate any future damages (i.e. the main electrical system was relocated to the second floor, above the 100 year floodplain) and replacement appliances and equipment were upgraded to energy efficient models.
Concerts at Nikon at Jones Beach Theater that you might be more interested in include, Fleetwood Mac on June 22, Bob Dylan/Wilco/Beck on July 27, and Depeche Mode/Bat for Lashes on September 8. The outdoor venue's entire summer schedule is below.
Ghost at Webster Hall earlier this month (more by Greg Cristman)
Sweden's favorite Satan-loving rockers Ghost B.C., who recently toured North America in support of their new album, Infestissumam, released one of that album's Japan-only bonus tracks onto the internet this week. The bonus track is a very Ghost-ian cover of Depeche Mode's "Waiting For The Night" from their Violator album. It's not the first time Ghost covered an entirely non-metal song.
Check it out below...
Bat for Lashes, whose album The Haunted Man came out last year, will be touring the West Coast around her appearances at the two weekends of Coachella 2013. For those on the East Coast, Natasha Khan and her band will be opening for Depeche Mode on previously announced dates from August 22 - September 15, which includes both NYC-area shows: Barclays Center on September 6 and Nikon at Jones Beach on September 8. Tickets for those two shows go on Facebook presale today at 10 AM (password is "DELTA"). The general on-sale happens Saturday (4/6) at 10 AM.
All Bat for Lashes tour dates are below.
by Bill Pearis
Depeche Mode's new album, Delta Machine, is out soon (3/26) and if first taste, "Heaven," didn't quite do it for you, the album's second single, "Soothe My Soul" is definitely more what most people were expecting. You can stream it below.
As mentioned, Depeche Mode were in NYC yesterday to appear on The Late Show with David Letterman and you can watch them performing new single "Heaven" (from Delta Machine, out 3/26) below. Additionally, the band stuck around to play the "Live on Letterman" webcast series. The band's nine-song set gave a first listen to a few Delta Machine cuts, plus old favorites "Walking in My Shoes," "Barrel of a Gun," "Personal Jesus" and "Enjoy the Silence." You can watch the whole thing below.
Meanwhile, the synthpop legends will be in Austin for SXSW this week and have announced their North American tour with two stops in the NYC area in September.
Synthpop icons Depeche Mode will release their new album, Delta Machine, in a couple weeks. Tonight (3/11) they'll play The Late Show with David Letterman. We knew they'd be announcing the North American wing of their 2013 tour sometime soon and now we have details. They'll be in the NYC area for two shows, including Barclays Center on September 6 and Nikon at Jones Beach on September 8. Tickets go on sale Saturday, April 6 at 10 AM, with a CiTi presale starting April 1 at 10 AM, an Amazon presale beginning April 3 at 10 AM, a Facebook presale on 4/4, and LiveNation mobile and venue presales hitting 4/5. That's a lot of presales!
Meanwhile, Depeche Mode are in Austin later this week for SXSW where they'll play on Friday night with Feathers (who play our day party the next day) opening. All Depeche Mode North American dates are listed below...
by Bill Pearis
You already (maybe) listened to the song and now you can watch the video to Depeche Mode's somewhat turgid new single "Heaven" from the forthcoming Delta Machine. The clip was directed by Timothy Saccenti (Animal Collective's "Peacebone") and features the band performing in an old church while some weird, possible supernatural phenomena happens around them. Watch it below.
by Bill Pearis
Depeche Mode held a press conference in Paris today (10/23) to discuss more details on their new album and world tour, which will take place in 2013. The tour kicks off May 7 in Tel Aviv and will hit 25 countries before reaching North America sometimes in the late summer or fall. European tour dates are below.
As for the new album, the still-untitled record -- the band's 13th in their 33-year career -- was produced by Ben Hillier and the band. Twenty songs have been recorded, whether they'll all appear on the LP when it's released in April 2013 is unclear. You can, however, hear one of the tracks (no title for it either, but has a "I Feel You" vibe) right now, below.
photos by Debi Del Grande
Depeche Mode frontman Dave Gahan recently did some moonlighting as the singer on the new Soulsavers album The Light The Dead See. And [Saturday] night in L.A. at the famed studios of the Capitol Records building, the collaborators came together on the stage for a stunning seven-song set.More pictures from the intimate LA show, below...
Backed by a six-piece band, Gahan and Soulsavers brought to life the full drama of the haunting new album. Opening with the gorgeous gothic tune "Presence Of God," a track that marries the sounds of Johnny Cash and Nick Cave, the group delivered one standout after another for a crowd of at most 150 people.
After the orchestral swirl of "In The Morning," Gahan said, "I've never been this close to people." This was likely true for a guy who's spent the last three decades in arenas and stadiums. And following the forty-five minute set, Gahan and Soulsavers' Rich Machin were overheard walking through the crowd talking about the sensation of playing at "eye level" for people.
It may have been unusual for them, but the performance was only enhanced by the intimacy. Among the other standouts were the simple ditty "Just Try," a song Gahan introduced as "the fun one," and the album's lead single, "Take Me Back Home," which took on a gospel feel with the back-up vocalists doing a call and response to Gahan's soulful wails of desperation.
Following the closing "Gone Too Far," Gahan said, "Thank you, that's all we've got," which wasn't an exaggeration. As of now, this was the only U.S. show scheduled for the group. After the set, Depeche Mode manager Jonathan Kessler explained that Gahan is now fully immersed in his day job. He is recording the new Depeche album in Santa Barbara, California, where Martin Gore resides, for an April 2013 release with a full world tour to follow, according to Kessler. [Rolling Stone]
After 30 years working on their respective ongoing music projects, Vince Clarke (Erasure / Yazoo / Depeche Mode) and Martin L. Gore (Depeche Mode) come together for the first time since 1981 as VCMG to release a brand new album preceded by a series of EPs.VCMG released an EP called Spock in December and will follow that up with an LP this year (2012). Listen to "Spock" and check out the EP's remix-filled tracklist below.
VCMG is the fruit of initially tentative discussion and subsequent enthused collaboration where Vince and Martin, both influential as pioneers in electronic music, get to exercise their lifelong love of the genre as the techno inspired VCMG.
As Vince explains: "I've been getting into and listening to a lot of minimal dance music and I got really intrigued by all the sounds... I realised I needed a collaborator... so it occurred to me to talk to Martin."
Says Gore: "Out of the blue I got an e-mail from Vince just saying, 'I'm interested in making a techno album. Are you interested in collaborating?' This was maybe a year ago. He said, 'No pressure, no deadlines,' so I said, 'OK'."
Listen to some Depeche Mode, Yazoo, Erasure & VCMG below...
After officially splitting from Depeche Mode in 1995, longtime member Alan Wilder finally went ahead with his side project Recoil. Wilder started Recoil in 1985, but efforts were halfhearted due to his responsibilities with DM... In 1997 Wilder was freshly ready for Recoil, following up with the project's first album, Unsound Methods. This album, a cathartic set of techno-bombastic scores, brought in a wide range of artists such as spoken word sassy girl Maggie Estep, Songs of Faith and Devotion session vocalists Douglas McCarthy (Nitzer Ebb) and Hildia Cambell, and Recoil mainstay Siobhan Lynch. Unsound Methods was critically labeled as "difficult" and "dark," but it didn't distract Wilder. Certainly that was the reaction he was searching for. Three years later, his cunning musical mystery continued on Liquid. After a long hiatus, Wilder revived the Recoil name in 2007 with the album Subhuman. -[allmusic]And now Recoil will take their show on the road for a first ever US tour that will include NYC at Highline Ballroom on November 1st with Architect (not the metal band) and Conjure One (Rhys Fulber from Front Line Assembly) . Tickets are on sale. The band proclaims that the show (in which Recoil will be Alan Wilder + long-time collaborator Paul Kendall) will be a "a unique event - with special guests" as the shows "mark the first time Recoil has ventured out of the studio".
The criss-crossing of the globe is in celebration of Recoil's new LP Selected, a compilation of previous works featuring vocals from Diamanda Galás, Douglas McCarthy (Nitzer Ebb), Maggie Estep and many others. The disc is packaged with a second remix disc as well, and is available now.
Tour dates and some live Recoil video is below....
"[A Grammy] definitely doesn't hold as much credence in the indie world," said Amy Phillips, news editor of online music tastemaker and news site Pitchfork.com.
Though the Grammys occasionally have bestowed their highest reward on albums that pretty much everybody agrees are great - such as OutKast's Speakerboxxx/The Love Below, in 2004, or The Miseducation of Lauryn Hill, in 1998 - the Recording Academy's choices usually don't match those of the music press.The 52nd Annual Grammy Awards air at 8PM ET/PT tonight (1/31).
(And that's as true this year as ever, despite the academy's efforts to get hipper and younger. After wins in the last two years by Herbie Hancock and the duo of Robert Plant and Alison Kruass, there's a notable absence of geezer entries in the top categories this year.)
That's because the critical consensus of what makes for good pop music in 2010 has coalesced around indie bands - all of them at least partly based in Brooklyn - such as Grizzly Bear, Dirty Projectors and, most of all, Animal Collective, which won the Village Voice's annual Pazz & Jop critics' poll, published earlier this month.
You won't find any of those bands up for any Grammy Awards. But you will find all of them on 2009's Top 10 list from Pitchfork, the online music magazine whose 1-to-10 scoring system - down to scientifically precise decimal points - is taken as gospel in the indie universe. (Animal Collective's Merriweather Post Pavilion garnered a world-beating 9.6.)
As Chuck Eddy skeptically pointed out in his essay accompanying the Pazz & Jop poll, eight of the Pitchfork Top 10 also made the P&J Top 10, suggesting that "indie-rock is suddenly better than everything put together." [Philadelphia Inquirer]
The Ting Tings, Silversun Pickups, and MGMT all appear in the Grammy's Best New Artist category. David Byrne & Brian Eno, Death Cab For Cutie, Depeche Mode, Phoenix, and Yeah Yeah Yeahs are all up for Best Alternative Music Album (the latter two also made the top 10 albums list in Pazz & Jop).
UPDATE: Phoenix won it.
"I'm sure Lady Gaga will do something amazing, and I can't wait to see that," said Pitchfork's Phillips. "That's really good, but the awards themselves don't seem to be relevant.As previously also pointed out, Beast, Neko Case (also a Pazz & Jop Top 10er), Imogen Heap, Kings of Leon and Wilco have also been nominated. If Wilco win, it won't be the first time. They talked about their last Grammy win on stage at a show. Video from that, along with other videos and the full list of nominees below...
"I think what people don't really realize is that it's all industry people voting for themselves. The fact is that it's taken so seriously, and it really shouldn't be." [Omaha World-Record]
Beast @ CMJ 2009 (more by Chris La Putt)
Lady Gaga was nominated five times. Considering her rocket to fame over the last year, many were expecting more for her. But at least the contests are going to be really interesting: Beyoncé, [Taylor] Swift and Lady Gaga are going head to head in three of the most important categories: album, record and song of the year. Will one of them sweep, or will the lady vote be split?Neko Case, Imogen Heap, Phoenix, Silversun Pickups, David Byrne, Wilco, Death Cab for Cutie, and Yeah Yeah Yeahs are some of the other familiar names in the list of Grammy nominees this year. As Ben Sisario in the NY Times alludes, the nominations are a complete joke and predictable... but fun to look at anyway. Nobody expects Animal Collective to get picked, despite their soon-to-be status of being one of the highly rated artists of the year (and decade maybe).
One of the usual complaints about the Grammys is that it over-rewards older, established, familiar acts at the expense of newer, fresher ones. MGMT, the Brooklyn synth-rock duo, was nominated for best new artist, a big coup although not unexpected. But some of the shoulda-been names that have been circulated and Tweeted: Grizzly Bear, another acclaimed Brooklyn group; Regina Spektor, a young New York songwriter who started in the underground and has found some mainstream popularity; Diane Birch, a young soul-style singer, just the revivalist type the Grammys usually adore; and the Decemberists, an alt-folk-rock band from Portland, Ore., that released an ambitious concept album this year. [NY Times]
One surprise (for me anyway) came this year in the video category. Montreal's Beast were nominated for "Mr. Hurricane". That video with a list of some of the other nominees, below...
by Bill Pearis
Westword: What was the catalyst for the recent reunion, this tour and the new album?The correct way to pronounce their name is still a mystery, but industrial/EBM act Nitzer Ebb are back with their first new album in 15 years, Industrial Complex, and -- as previously reported -- currently on their first U.S. tour in a decade that will bring them to the Gramercy Theatre in NYC this Friday (12/4) (tickets).
Bon Harris: Douglas got in touch with me, sent me an email, and said that he'd been doing some shows with FixmerMcCarthy. Because Douglas had been doing some live shows in Europe, people were asking about the Ebb and if there was any chance of the Ebb every doing shows again. Douglas said he doubted it because he and I hadn't spoken for seven years at that point. But he called me and it just so happened that I had been doing a lot of studio projects and was looking for a change of pace.
So he caught me at the right time and I said, "Let's meet up and talk about it." Mute had been working on doing a Best Of release as well and we spoke to them and the idea was that that would give Mute the push to finish the Best Of and we would do a handful of shows to promote it and that was going to be it. When we got back together and did the shows, we were having such a good time with it and the response was so good and the demand was there and we decided to see what happens and here we are three years later with a new album. It's been interesting because there have been long-standing fans who have been at the shows but there has also been a whole crop of people, younger kids in their early twenties who have only heard the hand-me-down tales and have got the records and stuff but have never seen us. For a lot of people it's kind of a strange thing and with Depeche Mode a lot of people in Europe are going nuts because that's kind of their dream team show.
In the late '80s, when Front 242, Moev, the Neon Judgement, The Weathermen and other such groups were college radio staples, Nitzer Ebb were near the top of the heap thanks to iconic shout-a-long singles like "Join in the Chant" and "Control, I'm Here." The new album is being sold at shows and via iTunes currently (officially out January 22, 2010), mixes acoustic drums (moreso than I remember them doing in the past) with the band's usual clanking rhythms and throbbing synths, and you might have even heard songs from it if you watch Fringe, C.S.I. or went to see the new Saw movie.
After their U.S. tour, Nitzer Ebb will open for their onetime Mute Records label-mates Depeche Mode on their upcoming 2010 European tour. If you're old like me, you might have even seen these two groups -- the "dream team' -- tour together on DM's Violator tour way back in 1990. For me, it was at the Starlake Amphitheatre outside Pittsburgh, where I interviewed Nitzer Ebb after the show for my college radio station. I thought I was going to solve the "nitt-zer"/"nite-zer" debate once and for all by asking singer Douglas McCarthy which was the official pronunciation. "I say both," he admitted. "It doesn't really matter."
All 2009 Nitzer Ebb North American tour dates, and a couple videos, are below....
photos by Paul Birman
The gray skies grew darker Sunday in Chicago when a man allegedly punched a horse as the Lollapalooza music festival drew to a close.Lollapalooza took place in Chicago last weekend (Aug 7-9).
Pablo Fernandez, a 21-year-old Mexican national, is accused of approaching a Chicago police horse at around 9 p.m as the three-day festival was winding down, and when he was told by the mounted officer that he could not pet the working animal, Fernandez became angered and allegedly punched the equine.
The assault caused the horse to rear back in a panic while in the middle of the concert-goers, police spokeswoman Gabrielle Lesniak told the Chicago Tribune. Fernandez was charged with misdemeanor reckless conduct.
Police News Affairs Officer Kevin Kilmer told the Chicago Sun-Times that he couldn't confirm that the violence was Lolla-related, but it did take place as the festival was wrapping up and police were trying to get crowds to disperse from Grant Park. Approximately 75,000 people a day attended the festival, which was headlined by acts like Jane's Addiction, Depeche Mode and the Yeah Yeah Yeahs.
Kilmer had no word on the status of the horse. [LA Times]
Depeche Mode were one of the headliners on the first day (Friday). Since then they had to cancel a few shows. Crystal Castles also played that day. From there that band went on to just barely played at HARD Fest in LA. Thievery Corporation were also one of the many bands on that day's bill. They have since announced a Halloween show in NYC at Terminal 5. Tickets for that are on sale.
More pictures from the first day of Lollapalooza, below...