Entries tagged with: Die Antwoord
photos by Chris Graham
Pavement @ Sasquatch Fest 2010
The above-pictured Pavement show took place in May 2010 (and wasn't free). In September, Pavement will play Virgin Mobile FreeFest (and it is free)....
"Breaking from traditional festivals, the Virgin Mobile FreeFest presented by Kyocera unveiled its lineup for the award-winning festival, selecting relevant, important, and eclectic headliners to represent this year's free show. This morning, Chairman of the Virgin Group Sir Richard Branson announced the lineup on Virgin Mobile Live, the company's new Internet music stream available on Virgin Mobile websites.Virgin Mobile FreeFest will be held Saturday, September 25 at Merriweather Post Pavilion in Columbia, Md. Tickets to the 2010 Virgin Mobile FreeFest will be available to the public on www.ticketfly.com at 10 am EST on Saturday, July 24th.
The lineup will include:
M.I.A., LCD SOUNDSYSTEM, PAVEMENT, T.I., LUDACRIS, JOAN JETT, THIEVERY CORPORATION, MATT & KIM, JIMMY EAT WORLD, THE TEMPER TRAP, EDWARD SHARPE & THE MAGNETIC ZEROS, AND YEASAYER;
DANCE FOREST: CHROMEO, SLEIGH BELLS, DIE ANTWOORD, MODESELEKTOR, AND NEON INDIAN
Not bad for a free show (and yet another Pavement show!). More details, with the full set of pictures of Pavement playing this year's Sasquatch Fest, below...
words by Andrew Frisicano, photos by Ryan Barkan
Mark Ronson & MNDR @ Milk Studios
The show spaces were predictably cozy and cramped, and USA lost their World Cup match again Ghana, but besides those qualms, not many bad things can be said about the Vice/Intel Creators Project event on Saturday (6/26). Interpol played their first hometown set since unveiling their new lineup earlier in the week, and M.I.A., the night's secret guest, put on a singularly ridiculous, entertaining show, albeit in the crowded, low-ceilinged second floor space. Even the un-affiliated soccer game screened amicably on a huge projector before the music started. If there was one caveat, it was that not that many people, relatively, got in to enjoy the art and music presented. Then again, that's one reason the labyrinthine network of art installations and stages was so surprisingly bearable and easy to navigate.
The same second floor stage that filled up for M.I.A. was also packed to capacity for Sleigh Bells. How much you enjoyed either's set depended a great deal on where you stood (and how early you got there). Cramped in the back, Sleigh Bells sounded pitchy and uneven - but jostled up in the front, the spectacle and body-shaking bass of Die Antwoord were entirely enjoyable. It also depended on your affinity for personal space, which was in short supply anywhere with a decent view of the stage.
And a view was pretty essential to enjoying the antics of the Antwoord crew and M.I.A.'s coterie of stage guests. Mia opened with caustic punk song "Born Free" (video below) a loud if not exactly melodious entrance choice. The stage-show continued the flashy political baiting of the "Born Free" video, which played behind the song. M.I.A. donned pot leaf goggles, rainbow hair and a hooded camo jacket, with a band who alternately wore glow-stick lined clothes and MIA-logoed burkas. Others on stage included a pair of dancers (one ginger-haired), Sleigh Bell's Alexis and Derek, and Ninjasonik. More new songs came, as did "World Town" and crowd-pleasing closer "Paper Planes."
Three of the night's other bands - The Rapture, Gang Gang Dance and Interpol - set up on the first floor studio's back loading dock, which was open to 14th street and the adjacent High Line Park. Gang Gang Dance sounded dependably sturdy in the cavernous garage. Interpol played an 11-song set with four new songs (including the slow-building "Lights") - tight and together, and ready for bigger arenas. The stage was open on three sides, so even without a spot in the front of the stage you didn't get locked out.
I didn't see much on the first floor lounge - Salem took a while to set up and I skipped them to catch Interpol. Neon Indian played the downstairs too, where DJs spun throughout the day. The eighth floor of the building was also part of the show (as was the penthouse/roof VIP-area above it). On eight, there was a screening room where Spike Jonze's I'm Here, a surrealist robot drama, played among other things, as well as installations like Nick Zinner's gothy, minimal photo and ambient-score room.
After M.I.A. I went to downstairs to find Mark Ronson DJing in the first floor gallery. MNDR was on stage with him singing her song "Fade to Black". She also reportedly performed Ronson's new single "Bang Bang Bang" before I got there. NME also says...
"Phantom Planet's Alex Greenwald [sang] the Ronson-tweaked version of Radiohead's 'Just' while executing an impressive crowd-surf.The rest of Ronson's set that I saw, before the end, was mostly soul and early '00s hip-hop (Pharell, Snoop, Stevie, Jay-Z). Upstairs, MIA was still on the stereo, with NASA mixing the verses of "Bombs over Baghdad" over her song "Boyz." Much of the remaining audience was on stage partying with two arthropod-looking creatures. Back downstairs, some diehards were still dancing - the bar was still stocked, and Mark Ronson behind the decks didn't give much reason to leave.
Ex-[Pipettes] singer Rose Elinor Dougall took to the stage for two new 'Record Collection' tracks, 'Hey Boy' and 'You Gave Me Nothing' - the latter a song co-written by Jonathan Pierce of The Drums. Ronson ended the night with the first public airing of 'Somebody To Love Me', which features vocals from Boy George.
Die Antwoord @ the Creators Project on Saturday (more by Ryan Barkan)
The two upcoming NYC shows follow their first NYC show which happened this past Saturday, and are part of a short North American tour in July. Before then they travel around Europe, and after then they head to Asia and then Europe again. All dates below...
photos by Ryan Barkan
Die Antwoord played their first NYC show, and one of their first U.S. shows ever (they played Coachella), as part of the Creators Project event at Milk Studios on Saturday (June 26th). Lots of other stuff happened at the event too (like M.I.A.) and we have a full review and lots more pictures coming, but in the meantime...
photos by Erez Avissar, words by Andrew Frisicano
In May, Vice and Intel announced the Creators Project, an art & music series that would be hosting events in various cities and on its website. The NYC kick off for that will be Saturday, June 26th at Milk Studios and will include performances by Interpol, Mark Ronson, Die Antwoord, The Rapture, Sleigh Bells, Gang Gang Dance, Salem, N.A.S.A., Neon Indian, Lemonade and others, plus a "very special guest." The event is free; RSVP here. How big is the space exactly? They write that "the eight-floor art gallery and performance space will host thousands of people for live concerts, art exhibits, film screenings and panel discussions by leading artists and the next generation of innovators."
It's the first of five events in different cities- the others are slated for London, Sao Paulo, Seoul and a three-day event Beijing.
For Die Antwoord, it will be their first NYC show, making the July gig at Governors Island their second.
For Interpol, it will be the first time we see them with their new lineup (unless they announce something else soon).
Pictures from the Creators Project announcement event, and a flyer and the full lineup of music and visual art (which includes work by Spike Jonze, Nick Zinner, Danny Perez/Animal Collective's ODDSAC and more) are below...
"Damn, I love Die Antwoord. It's like we've taken all the Disney Princesses at Stereotypes R Us, pulled off their wigs, forced their little legs together, and rammed them down the throats of the American purveyors of pop culture dreck, the soulless marketers who make millions every year by selling ersatz imperial myths to the rest of the world.That video, along with the updated lineup of HARD NYC @ Governers Island below....
Okay, perhaps Die Antwoord aren't achieving quite that level of utter cultural domination, but allow me our little victories. The sight of Americans taking Yo-Landi and Ninja seriously is so delicious, I can almost forgive some of the excesses of the music. There's a 20 minute interview with Die Antwoord on Boing Boing, around their debut at the Coachella music festival in California, and it's a marvellous exercise in satire." [CHRIS ROPER | JOHANNESBURG, SOUTH AFRICA]
photos by Rachel Carr
"An aggregate 225,000 people bought tickets to see a [Coachella] roster headlined by Jay-Z, Muse and Gorillaz during the April 16-18 event at the Empire Polo Grounds in Indio.The 2010 edition of Coachella actually began excactly one week ago today, and we already posted full picture sets from: DAY ONE, DAY TWO and DAY THREE. Now here is one last group that contains unposted outtakes from all three...
The previous attendance record was set in 2007, when the headliners included a reunited Rage Against the Machine. Final figures are still being tallied, but AEG Live CEO Randy Phillips said the gross will exceed $20 million.
Phillips said the future looked bleak for AEG Live's nascent All Points West festival, which took place in 2008 and 2009 across the Hudson River from lower Manhattan at Liberty State Park in Jersey City, N.J.
"We're probably going to kill it," said Phillips. "As beautiful as (the site) is, it's very hard to get New Yorkers to cross that river. All Points West is an experiment that just didn't work." [Reuters]
photos by Rachel Carr, words by Daiana Feuer
"Wow. The Sahara is past capacity at Coachella for Die Antwoord. No midget. Waiting for the trainwreck but people dig it." - The Scenestar
"Seeing a shirtless Danny DeVito run across the stage while Faith No More played pretty much made my #coachella weekend." - stovn
Die Antwoord, Faith No More
Flopping phalluses are in this year according to Major Lazer and Die Antwoord. Each presented the intersection of beats, party-hyping, gross humor, and dancing in your underwear. Day 2 of the Coachella Music & Arts Festival had an overall far-out theme. Some with sexually explicit lunacy, others with psychedelic music. South Africa's Die Antwoord introduced zef-rap to the festival, South Africa's version of white trash hip hop-a bold, fearless expression of crazy stick a finger up your bum entertainment.
Before arriving at these culminating moments, the day progressed through a series of psychedelic and/or raunchy expressions. John Waters kicked things off with thoughts on crawling through pig poo, taking poppers, the pleasures of sploshing, and strange things he wants to do before he dies. Gossip's Beth Ditto hoped he was watching her blazing disco soul performance but was afraid to look backstage and see him smiling and waving at her. Gossip put on a set that inspired revelations on reality in the most self-empowering ways.
John Waters & Beth Ditto @ Coachella (this pics via Jermey Scott)
The day's best covers include Faith No More doing "Reunited" (they also covered Michael Jackson's "Ben"), Portugal, The Man's jamming Bowie's "Moonlight Daydream," and Girls' flawless "All I Have To Do Is Dream" by the Everly Brothers. The last was a most appropriate choice for the band with an Ariel Pink sensibility towards '50s ballads. MGMT brought the futuristic 1960s with songs from its new album. Many pointed out that the band didn't play "Kids", but that seems to miss the point that MGMT put on a pretty sophisticated, experimental live performance of the band's signature Indian headdress on Phil Spector Fraggle Rock sound.
The Raveonettes played as a duo and sans drum machine, adorably sharing a mic sometimes. The rest of the band remains trapped under lava in Iceland, figuratively speaking. Camera Obscura also shouted out bands stuck in the UK, dedicating "Let's Get Out Of This Country" to those who could not make it.
It seems almost every DJ this weekend has sampled Major Lazer's "Pon De Floor" except Flying Lotus, who took the stage all on his own (no Thom Yorke cameo included). After warming up the crowd with some first grade experimental hip hop, FlyLo brought out the big guns, sounds combined in layers and pitches that act like quaaludes on the light speed continuum. The Dirty Projectors girls evoked cool electronic birds and the Dezurik Sisters with their harmonizing powers. Beach House cooed the audience romantically as 50% of the band, Alex Scally, rubbed his slide up and down the frets.
Did that sound sexy? It's time to talk about sexy. The xx provided the mellow arousal Blonde Redhead and Portishead have given Coachella the last two years. People like The xx because they want sex that fits this soundtrack. They also want sex as excitingly goofy gross as Die Antwoord and to fall in love with a gal like Sia, all at the same time. Sia's beautiful voice closed the night in the Gobi tent, and though her accent rendered her side comments completely incomprehensible, everyone laughed and agreed with anything she said. On the other hand, as great and sexy as the Dead Weather sounded, I don't know if I want to bed someone who demands I treat her like my mother. Old Crow Medicine Show suggested letting a woman rule your mind leads to troubles during "Minglewood Blues." Instead, let her win your heart with country-fried dinner.
Faith No More's twelve-song set included a cameo by a semi-streaker who happened to be Coachella regular Danny Devito. You can see that happen in one of the videos below. Faith No More's whole setlist is down there too.
Porcupine Tree, Tokyo Police Club, Hot Chip, The Almighty Defenders, Les Claypool, Devo, and Muse were also on the bill Saturday. Our review, pictures and videos from Friday are HERE. Saturday continues below...
Promoter Paul Tollett of the Los Angeles-based Goldenvoice company said no single or three-day passes will be available at the box office for the festival running Friday through Sunday at the Empire Polo Club in Indio.With the set list came the addition of Interscope-signed South African rap group Die Antwoord, who play the fest on Saturday night (as Boing Boing said they probably would when they announced the signing).
In addition, no three-day passes will be pro-rated for people only attending the Saturday or Sunday mix of indie rock, hip-hop and other genres of popular music.
Camping passes were already sold out.
The city of Indio issued a permit for Goldenvoice to admit up to 85,000 people a day for the festival, but Tollett said he's cutting off attendance at 75,000 people a day.
For reunited bands Pavement, Public Image Limited, the Specials (on Kimmel tonight) and Faith No More, the fest will be among the first of their US shows, though all have California dates before Coachella. They're all also scheduled to play NYC (with dates that range from next week to September).
Grace Jones was part of the original Coachella lineup announcement, but has since dropped off. Set times posted below...
They made an appearance on March 10th at Dim Mak Tuesdays at L.A.'s Cinespace, part of "secret mission overseas". Will they show up at SXSW? I haven't heard anything, but there are a few rumors. Videos of the group in L.A. are below...
Shout Out Louds
tonight in NYC
* Whiplash @ UCB
* Chicha Libre @ Barbes
* Rev. Vince Anderson @ Union Pool
* Les Paul Guitar Trio w/ Stanley Jordan @ Iridium
* Mon Khmer, Home Video, Your Nature @ Brooklyn Bowl
* Shout Out Louds, Freelance Whales @ Music Hall of Williamsburg
* Kevin Blechdom & Irene Moon, Fabrizio Villegas, It Is It @ Pianos
* Sun Araw, Pierre Sogol, Blissed Out, Nonhorse, Run DMT @ Silent Barn
* The So So Glos, Beachniks, The Sundelles, Tough Knuckles @ Death By Audio
A new "official" (but short) Die Antwoord video for "$copie" below...
A South African Afrikaans rap group has taken the Internet by storm with explicit in-your-face lyrics, provocative performances and using cyberspace to promote their music.As also see on Vice (an interview) and Videogum (questioning their authenticity), check out the must-see Die Antwoord videos (if you haven't already) below...
A website set up by the group, Die Antwoord (The Answer), received millions of visits in the past four days, crashing the server it was hosted on after the group featured on blogs www.boingboing.net and www.dlisted.com
They performed self-styled "Zef" music -- an Afrikaans term loosely meaning redneck -- with explicit lyrics in Afrikaans and English which has raised some eyebrows in South Africa's mostly conservative Afrikaans community. [Reuters]