Entries tagged with: Eyvind Kang
by Andrew Sacher
Marissa Nadler at Elliott Smith tribute (more by Amanda Hatfield)
Dream folk singer Marissa Nadler is on a roll lately, having released her self-titled album in 2011, followed by 2012's The Sister, and now she's got another LP, July, coming out on February 4 in the US. After releasing her last two albums on her own Box of Cedar Records, for this one she's signed to Brooklyn goth/punk/etc label Sacred Bones. Earlier this year, she sang on "Villain" (stream below) off the new Case Studies album (out now on Sacred Bones), and in late 2012 she opened for Sacred Bones recording artists Jozef Van Wissem and Jim Jarmusch in NYC. The album comes out a week later (2/10) via Bella Union in the UK.
She recorded the album with producer Randall Dunn, who has worked with multiple (mostly post-metal, drone, psychedelic) artists including Wolves in the Throne Room, Sunn O))), Earth, Jesse Sykes, and more. It also features strings by Eyvind Kang (who has worked with Blonde Redhead, The Decemberists, Sunn O))), Laura Veirs & more), synths by Steve Moore (not Zombi Steve Moore, but another Sunn O))) and Laura Veirs collaborator), and guitar by Phil Wandscher (Whiskeytown, Jesse Sykes & the Sweet Hereafter).
The first single from July is "Dead City Emily," a track as haunting and delicate as any of her best tracks to date. You can stream that one, along with the new album's tracklist, below.
Marissa was recently in NYC for the Elliott Smith tribute at Glasslands, and she'll be returning for a free in-store at the new Williamsburg record store/venue Rough Trade NYC on Saturday, November 30. It's a day show, starting at 1 PM.
Marissa also contributed to likeminded folk singer Emily Jane White's new album, Blood Lines, which comes out November 19 via Important. Marissa sings on the track "Faster Than the Devil," which you can stream, along with another album cut, "Keeley," below.
All song streams and LP tracklist below...
by Fred Pessaro // BBG
Aaron Turner w Old Man Gloom @ Europa, 5/8/12 (more by Fred Pessaro)
As announced some weeks back, Hydra Head has come to a difficult juncture in our existence and the future of the label is precarious... We've arrived at the conclusion that it is no longer possible for us to continue releasing new albums, but rather than shut the label down completely, we're hoping to be able to continue in a capacity that would allow us to preserve and perpetuate our catalog of works by the large cast of truly amazing and groundbreaking artists we've been lucky enough to work with over the years. In order to do this we're asking for help from anyone and everyone that would like to see the label continue and who is willing to support us in this effort. This is not however a request for charity - we would like to offer something in exchange for whatever level of funding our potential benefactors (that is you), are willing to bestow upon us.Hydra Head is currently offering a plaethora of goods ranging from guitar heads to test presses to stickers to original artwork and everything in between as incentive to keep classic records by bands like Botch, Oxbow, Torche, and many many others alive and in print. Head to the Hydra Head fundraiser page and pick up something, or you can just donate.
Meanwhile, Aaron Turner of Hydra Head / SIGE / Mamiffer / Old Man Gloom fame has dropped off his musings on music in 2012 in list form. Check that out below.
As previously mentioned, Lou Reed and Laurie Anderson curated February at the Stone. Along with daily shows by many notables, every Sunday in February, including today (the Superbowl one), is an open house.
EVERY SUNDAY IN FEBRUARY--STONE OPEN HOUSEToday looks like this:
Laurie Anderson and Anna Brenner invite you to Stone Open House.
FEEL FREE TO COME IN ANY TIME BETWEEN 3 AND 10PM
From the practical to the theoretical, SOH will be a place to hang out, drink great coffee, read, listen to unusual presentations and invent alternative ways to live and work. Part think tank, part party, SOH will host a series of presentations that cover a wide range of topics- from the history of boilers to teaching music to dogs. In cooperation with Housing Works Book store, SOH will present a library of must-read books for people interested in expanding in unpredictable ways.
2/6 Sunday (KM)One recent addition to the schedule includes "Hal Willner and Philip Glass perform for Allen Ginsberg on 2/22 - Hal Willner (reading) Philip Glass (piano)." Lou and Laurie play with Buke and Gass on 2/15.
OPEN FROM 3PM TO 10PM
4:00 PM--Eyvind Kang: Mood, Being, Acoustic Image (a workshop for bowed strings to which all are welcome, bowed string players should bring instruments!)
6:00 PM--Erik Ehn: Writing is breaking / Writing about genocide
8:00 PM--Roma Baran: Suddenly Jewish
Admission to the Open House is FREE. A TEN DOLLAR fee will be collected from those attending each lecture.
Observer: You've been with Lou Reed for what seems like forever. Any tips for staying together?Laurie Anderson and Lou Reed are no strangers to their friend and collaborator's non-profit, avant-garde, East Village club The Stone, and in February 2011 they will take their turn at being the curators. They will also play the venue right in the middle of that, on 2/15 with an opening set by Buke & Gass. Laurie also plays on 2/23 with Fred Frith. And the rest of the month isn't so bad either. John Zorn, Bill Laswell, Hal Wilner, Ryuichi Sakamoto, Eyvind Kang, Sean Lennon, Rob Burger, Marc Ribot, Rob Wasserman, and many others adorn the schedule so far (it is all listed below).
Laurie Anderson: Take a break from each other. We've been together for 19 years, married for two years. I think everything is about to blow away, and everyone is about to blow away, and it makes me care for them more.
In related news, the dates that Lou/Laurie are curating The Stone overlap with a MoMA exhibit featuring Lou Reed's former manager in The Velvet Underground, Andy Warhol. The exhibition, entitled Andy Warhol: Motion Pictures, will show silent pictures that are professed to be his "most daring and experimental" film work. The show kicks off on December 19th and lasts until March 21, 2011.
And while we're on the subject of film, "And Everything Is Going Fine" is currently playing at the IFC Center. It's a tribute to Spaulding Gray directed by Steven Soderbergh. Laurie soundtracked the Spalding Gray films Swimming to Cambodia and Monster in a Box, and made a promotional appearance related to the movie this past weekend. .
The Stone schedule is below...
photos by Rahav Segev, words by Andrew Frisicano
Laurie Anderson's Delusion, the first production in this year's BAM Next Wave Festival, is in effect the artist opening up her notebook to the audience. The 90-minute work recounts dreams, stories, parables, musings, jokes and melodies strung together with moody cinematic projections. Some of the stories we've heard before, like "Another Day in America," a song intoned as Laurie's male alter-ego, from her stellar LP Homeland was was released earlier this year. Others - an emotional story about the death of her mother, sharp one-liners and surreal scenarios about the afterlife - were fresh from the workshop.
Above all though, Laurie's sonorous voice, and her ability as a monologuist to travel to different places (the moon, Iceland, dreams), drove Delusion. The metronomic brilliance of the words and cadences would've been enough to propel a one-woman show in any downtown space. Here, they were supported by the projections and stage elements - one main screen in the center, with a smaller projector focused on a covered seat, and two smaller screens on either side.
Her supporting cast loomed beyond those side screens: violinist Eyvind Kang and horn & reed player Colin Stetson. Their silhouettes, namely that of Colin's unmistakeable bass saxophone, rocked steadily behind the backlit screens as they added layers to the evening's instrumental moments. The pair peaked up mainly during Delusion's chaotic interludes, when a red light washed over the stage, evoking the landscape of hell, with Anderson the Mephistophelean figure guiding the madness.
Clearly, Laurie was having a good time on stage, during the goodtime moments, with a permanent grin and a wink. The wink, as we found out, might be genetic; it also speaks to her style of communication: subtle, everyday gestures that unfold in countless ways. "Not a lot of people know this but..." one of her stories goes.
Delusion is at BAM Harvey Theater through October 3rd, every day except Monday. Tickets are on sale.
More pictures from the show are below...
by Andrew Frisicano
Laurie w/ the dogs in Australia (more by Roberta W.B.)
Some in the audience howled with glee, others stood on trembling legs and a few drooled in delight as famed performance artist Laurie Anderson debuted her original "Music for Dogs" composition outside the Sydney Opera House on Saturday [June 5th].Laurie Anderson, queen of this year's Mermaid Parade, performed her piece "Music for Dogs" at Sydney's Opera House on June 5th accompanied by Eyvind Kang, Skúli Sverrisson, and Colin Stetson. The event was part of the two-week Vivid Live Festival, which is being curated by Laurie and Lou Reed (king of this year's Mermaid Parade).
Hundreds of dogs and their owners bounced around as Anderson entertained them with 20 minutes of thumping beats, whale calls, whistles and a few high-pitched electronic sounds imperceptible to human ears.
"Let's hear it from the medium dogs!" Anderson called out from the stage, as a few dogs yipped in return. "You can do better than that -- come on mediums! Whoo! WHOOOOOO!"
The concert was originally billed as a performance for dogs' ears only, and was going to be largely limited to electronic noises played at a frequency too high for human ears. But Anderson changed things up when she decided she wanted people to have some fun, too.
"We didn't want to do something that humans couldn't hear," she said. "We brought the octaves down into our hearing range so we could all have the experience." [AP]
Laurie Anderson will be performing her new work Delusion this fall at BAM as part of the Next Wave Festival. That show will go on tour as well.
Before then, Laurie's new record, Homeland, comes out June 22nd on Nonesuch. It's streaming in full at NPR (up till the release date) - check it out. She'll play songs from that album on a very short tour this July. Stops include on-air sets at World Cafe Live and Late Show with David Letterman, and a Tuesday, July 13th show at (Le) Poisson Rouge. Tickets are on sale.
The album has some alright guests (including Laurie's male alter-ego Fenway Bergamot)...
On Homeland, Anderson is joined by a diversity of collaborators, from the Tuvan throat singers and igil players of Chirgilchin to New York experimental jazz and rock players including Rob Burger (keyboards), Omar Hakim (drums), Kieran Hebden of Four Tet (keyboards), Shahzad Ismaily (percussion) Eyvind Kang (viola), Peter Scherer (keyboards), Skuli Sverrisson (bass), Ben Witman (percussion and drums) and John Zorn (saxophone). Antony Hegarty contributes additional vocals.Beyond those projects, "Anderson is also preparing a major retrospective of her visual work that will open in Sao Paolo in August 2010 and a book of her stories that will be published in 2011."
Videos from the "Music for Dogs" performance and tour dates are below...