Entries tagged with: Gui Boratto
Jamie xx w/ The xx in Austin in 2013 (more by Tim Griffin)
We recently mentioned that new Williamsburg dance club Verboten opened on 54 N 11th St, and they've got some pretty good shows on their upcoming schedule. This Sunday (3/23), Cut Copy DJs, along with Turkish Prison, Alex English + Hiyawatha (tickets). Then, in the midst of The xx's Park Avenue Armory residency, Jamie xx teams up with John Talabot for a show on March 28 (tickets).
In April, the Moon Boots show that was happening, then not happening, is now officially happening again on April 4, and it also includes Cajmere, Lee Curtiss, Maxxi Soundsystem and Russ Yallop. Tickets for that one go on sale Monday (3/24) at 3 PM. Later that month, Josh Wink teams with Totally Enormous Extinct Dinosaurs for a show on April 19. Tickets for that one go on sale Monday at 3 PM too.
Check out Verboten's full current schedule below...
John Stanier w/ Battles at Treasure Island Music Fest 2011 (more by Autumn Andel)
First it was Dirty Projectors, then The Rapture and Prefuse 73, and on March 16, the 2012 One Step Beyond series at American Museum of Natural History's Rose Center will continue with DJ sets by John Stanier/Battles and Black Moth Super Rainbow. Tickets are on sale now.
Speaking of Battles, they'll release a remix album of every track off 2011's Gloss Drop called Dross Glop on April 17 via Warp. The album features remixes by Shabazz Palaces, The Field, Kode9, The Alchemist, Pat Mahoney and Denis McNany, Hudson Mohawke, and more. Listen to remixes by Kode9, Shabazz Palaces, The Field, and Gui Boratto below along with the tracklist.
DOWNLOAD: Tortured Soul - Did You Miss Me (MP3)
Cut Copy @ Terminal 5 - March 21, 2009 (ChrisGoldNY)
This weekend saw the first wave of post-SXSW, pre-WMC deejays and bands come through New York. There were a lot of events lined up that I had seen coming for weeks, but one that somehow got by me until just a few days before, was Disco 3000 with Trus'me and Volcov at APT. Without enough time to sway my more "electro"-minded friends to change their plans, I hit APT solo Friday night and left without an ounce of regret. Upon arriving around 12:30 or so, the basement space was packed with people dancing. While there were some weird and inexplicable ebbs & flows in terms of dancefloor traffic, the music was on point the entire night. Trus'me and Volcov traded off deck duty every hour or so, easily meeting the expectations garnered from the flyer:
Expect to hear all corners of the record shop from the past, present and of course the future. Disco, afro, house, boogie, hip hop, techno, jazz, psyche, reggae, soul, brazilian, dub.Overall it was a great night that had me out dancing until 4, never even toying with the idea of leaving earlier. It also reminded me just how much I love disco, house, etc. After inadvertently laying those genres by the wayside of more electro-oriented sounds for too long, I have not been able to get enough of them since Friday.
Saturday night I ventured out again, to Terminal 5 to see Cut Copy. I managed to catch a bit of Knightlife's opening dj set which was very well-mixed and balanced, including tracks that were on the more melodic, French house side of things with a tasteful amount of more gritty/synthy electro thrown in.
Matt & Kim @ Terminal 5 - March 21, 2009 (meisemily)
Following Knightlife, Matt & Kim went on. I had seen them open for Professor Murder at Bowery a few years ago and really didn't like them. This time around, despite still not really being into their music, I found their set to be much more entertaining in terms of something to watch. The pair really didn't let the crowd that was standing idly for the first couple of songs get to them. If anything it made Matt & Kim try even harder to get everyone excited. It inevitably worked after a few more songs and some witty banter. By the end, the crowd was very into it. People were jumping and dancing along to the upbeat synth & drum combos, which ended with the previously indifferent crowd, now embracing and ushering Matt to the safety of the stage after his attempt to literally walk on top of them failed.
The tension built as the crew readied the stage for Cut Copy's set...unfortunately, so did the crowd. Just minutes prior to the beginning of the show I realized the floor was so packed I could not lift my arms and it began to dawn on me how hellish the next hour or so might possibly be.
For the most part, it was. Dancing had gone from being the fun, point of the evening, to a battle for personal space. Cut Copy were in top form, as they have been every time I've seen them prior, but the crowd made it difficult to enjoy their set.
In terms of what they played, it was mainly favorites from their albums In Ghost Colours and Bright Like Neon Love, plus the addition of the track "Sands of Time" (recorded at the same time as In Ghost Colours, but never making it onto the album) which sounded amazing live. Thankfully there were just enough brief moments where I found myself with sufficient space to get down and enjoy the music, making me able to walk away from the show feeling good about it (despite the hellish crowd).
Hopefully the positivity will continue into this week. By the looks of what's headed our way, I'm optimistic:
by Andrew Frisicano
DOWNLOAD: Modeselektor - The White Flash (Ft. Thom Yorke) (MP3)
Last week Squarepusher made me really happy. He is the king of electronic music for me....And Mr. Squarepusher is so gorgeous! And fat sound! I was thinking about our sick military world, the omnipresent consumption, the insanity of humanity.. But out of this, I started becoming creative. I got ideas for my new project BE, colors and designs for ellen allien fashion where whirling through my head. Music enables my creativity and brings charm into my life. In the last months I spent too much time with pushing my label BPitch Control, instead of doing music. But now the path is ready for doing music on my own, finally. :)Ellen Allien's BPitch Control label is releasing the self-titled debut LP by Moderat, a combo group of Modeselektor and Apparat, on April 21st. Moderat will play a Saturday, May 30th NYC show at Webster Hall, as part of a brief end-of-May US tour. All dates below.
See you on the dance floor. :) -[Ellen Allien on her site]
Ellen Allien toured with Modeselektor in '08 (w/ a Studio B-turned Highline Ballroom date), and collaborated with Apparat on the Orchestra of Bubbles LP in 2006. Modeselektor was last here in January when they played Bowery Ballroom.
The Moderat LP was to feature a guest spot by L.A. rapper Busdriver on the song "BeatsWaySick," but, the press release says, "due to legal issues at the time of manufacturing, [the track] will be released as an exclusive download in the near future." Busdriver is playing SXSW on Thursday, March 19 at The Independent and Friday, March 20 at Back Alley Social, with other Austin dates below.
Ellen Allien's "10 Years of BPitch" tour is set to next visit NYC on Friday, March 27th at Studio B where she'll share a bill with Thomas Muller and Gui Boratto). The night is presented by FIXED, the parties-hosting team of JDH (Josh Houtkin) and Dave P (David Pianka). Tickets are available for the show, with the option to buy a 3-day package that includes March 26th's Ladyhawke with Heartsrevolution show and March 28th's The Twelves & Yuksek (dj set) gig, both also at Studio B.
The three-day ticket and 10-years-of-Bpitch also coincide with FIXED's fourth birthday.
The FIXED party was conceptualized around 2003 after JDH took the amazing 2ManyDJ lads to one of Dave P's Making Time parties in Philadelphia. After JDH and Dave realized that they were spinning the same events together and both had mutual admiration for the music they were DJing out at parties, the idea for FIXED was born.The status of Studio B as a venue has been in question for a while, but not to worry...
"We just seemed to play a lot together as we liked similar music," admits JDH. "We started booking gigs around the US, Canada and Europe, and we would both go, and they would end up saying, 'Well, why don't we just book you two together as DJs?' and that's pretty much how we play now... as one set."
Establishing their first home base at the Tribeca Grand Hotel, FIXED went on to host a number of legendary and groundbreaking performances from a number of critically-acclaimed acts, including 2ManyDJs, Hot Chip, The Rapture, Mylo, and Erol Alkan.
"We always say that our biggest influence for FIXED was the Trash party [UK DJ Erol Alkan's legendary weekly party], which sadly, doesn't go on anymore," says JDH. "We wanted to do a big club night for the average person who likes good music."
The venue has now re-opened under new management, and [JDH and Dave P] will be expanding their vision of exciting music bookings, while also revitalizing New York's nightlife scene with a top-notch and diverse team of live music bookers and promoters. Starting this March, expect a fresh mix of dance music, hip-hop parties, live shows, curated special events, and more.Little Boots played Studio B on February 6. All future FIXED dates, tour dates, the Moderat tracklist, and Ellen Allien videos below...
Fujiya & Miyagi @ @ Mercury Lounge, CMJ (more by Gabi Porter)
Last Wednesday (10/22) night I was initially drawn to the show happening at Mercury Lounge because of Fuijiya & Miyagi. The trio have never failed to flawlessly deliver their whisper-soft vocals, and laidback, funky instrumentals any of the previous times I've seen them. Wednesday's show was no exception. They played a pleasant mix of both old and new tracks (partial setlist below, the dashes are songs I couldn't identify, and I am pretty sure they played "Uh" but forget exactly when), some of which had a nice extra kick thanks to the addition of drummer Lee Adams, joining the performance a few tracks in.
Fujiya & Miyagi at Mercury Lounge - October 22, 2008 Partial Setlist
Sore ThumbPrior to Fujiya & Miyagi I witnessed Tobacco which consisted of 2 people poring over a table of electronics on the left side of the stage while some truly wild retro video footage (that had been edited to sync up pretty well with the music) played against a screen set up on the right side. Overall it was an enjoyable experience, but I liked the visuals much more than I liked the music. While the sometimes trippy, electronic jams were very well suited to the far out visuals, I didn't really find anything about them too remarkable. The visuals captured my interest more from the get-go and nothing Tobacco were doing over on the left reeled me back in.
In One Ear & Out The Other
Electro Karaoke In the Negative Style
The most pleasant surprise of the line-up (and of my whole CMJ experience for that matter) was Whomadewho, who I have affectionately and with the utmost respect been referring to as "these crazy, weird, dudes from Denmark who rock". I knew I was in for something when, for starters they took the stage in those outfits, but also when guitarist/vocalist Jeppe Kjellberg announced "Yes, please come closer. We don't bite...even though we are VIKINGS!" after two girls scurried up to the front of the crowd at the end of their first song.
Whoemadewho played quite a number of songs from their self-titled debut album from '05 (which I can't wait to check out), which were funky, dancey, and rocking but not categorizable. Also be sure to look for their new album, The Plot on its way this coming February. While I really enjoyed their entire performance, as a huge fan of electronic/dance music, I could not help but freak out when they began playing a live version of Mr. Oizo's "Flat Beat". I was ready for Benny Benassi's "Satisfaction", but was totally unaware that they cover "Flat Beat" too. Unfortunately the maybe one quarter full Mercury Lounge was not the ideal setting to get down. Luckily I was able to catch them a couple of more times during CMJ, one of which was at Studio B Saturday night. Check out the video I took of them performing "Flat Beat" at Studio B:
Xavier de Rosnay
"their DJ sets are a million times better than their actual live shows. the stuff they dropped into their set at their afterparty at studio b (post-terminal 5, not msg) was brilliant."Xavier spins an excellent blend of electro, pop, and tons of the unexpected. Take Justice's Xmas mix or their Essential Mix for BBC's Radio 1, make them a bit more electro/dance heavy and that's probably what you can expect for Saturday's set. Tickets here
And two less pricey options for Saturday:
A few months ago you couldn't read an electro blog without see Gui Boratto's 'Chromophobia' on a "favorite albums of '07" list. Unfortunately this is one I still have yet to pick up, but I have heard and read enough to know that Saturday's show should be nothing short of amazing. Not a traditional, crate-digging deejay, expect to hear a range of his own tracks and remixes delivered live with the aid of his laptop and a few controllers adding an upbeat and immediate feel, "Making the Minimum Sound Like More".
We've loved Gui Boratto ever since we heard his sun-rising single "Beautiful Life", and he's turned the new Goldfrapp single into a seven minute dub, dance track with Alison’s vocals layered on top of it beautifully. There's a Hercules and Love Affair remix of the song too. You should be able to find it if you look around. "Seventh Tree" - Goldfrapp's fourth full-length album from which the single is taken, is out on Mute February 26th.
Hercules and Love Affair
Speaking of Hercules and Love Affair, the amazing club mix of their single ‘Blind’ featuring Antony has been going non-stop on our headphones. This is just a slow burner that you want to drop continuously through the night. As David Bruno also pointed out, you can listen to the song at DFA's MySpace. Then click here for another Hercules And Love Affair track - this one a free MP3 (although DFA will make you fill out some info to get it).