Entries tagged with: Hatred Surge
Saint Vitus @ Irving Plaza in 2011 (more by BBG)
Chaos in Tejas (May 31-June 3 in Austin) have announced ANOTHER batch of bands to add to their ridiculous lineup including Saint Vitus, Church of Misery, No Statik, Toys That Kill, Pegasus, Martial Canterel, Anasazi, Bloodwing (mems of The Spits, who are on tour soon), Harm's Way, Hatred Surge, the Hex Dispensers, John Wesley Coleman, Joyce Manor, and many many others. The current full lineup and flyer is below and tickets are FINALLY going on sale TODAY (1/31).
Doom legends Saint Vitus are currently preparing their new LP Lillie: F-65 for Season of Mist. The record, their eighth and first in seventeen years (!), is tentatively set for release at the end of March. More details are forthcoming.
In related news, members of Mind Eraser also serve as personnel in Magic Circle, another Chaos in Tejas band. Look for Magic Circle to team with Pilgrim (who we recently interviewed), Windhand, and Natur at Public Assembly on March 1st.
The updated Chaos in Tejas lineup is below along with the flyer.
Gehenna at Sonar (more by Chris Bavaria)
"Sonar has been reopened! We are working hard at getting our liquor license back in place, this should be resolved very quickly!Though some shows have already been relocated, Maryland Deathfest is back on at Baltimore music venue Sonar which announced it was closing on May 4th. Dillinger Escape Plan/Deftones, Odd Future, and other shows are back on at the venue too. Head to the Sonar Facebook page for more details on what's been moved and what is staying put.
We will have announcements about ALL upcoming shows but most should be going on as planned with all tickets honored!
There were some shows that got canceled and refunds have not been offered, we will be giving refunds for these shows as soon as we can, please bear with us!" -[Sonar]
In related news, two bands I was looking forward to seeing at MDF 2011, Hatred Surge and Death Breath, have sadly both dropped off the fest. The former will also not be on board for a previously discussed tour with Miasmal/Innumerable Forms that hits Acheron on May 24th, but instead will be replaced by The Impalers, which contains members of Hatred Surge/Mammoth Grinder. Stream The Imaplers's demo and a forthcoming 7" below, it rips.
And don't forget that The Dillinger Escape Plan play Music Hall of Williamsburg on May 15th (tickets), a one off solo show for the band whose tour with the Deftones also bring them to Best Buy Theater for sold out shows on 5/13 and 5/14. The Psychic Paramount & Psychic Limb support at MHoW.
Stream those tracks by The Impalers, with updaed Miasmal dates, below...
Converge at Santos Party House (more by Paul Birman)
After a pair of mega-announcements (first and second) which included names like Larm, Kreigshog, Hooded Menace, Youth of Today, Autopsy, and many esteemed others, Chaos in Tejas (June 2 - 5 in Austin) has expanded even more with a third batch of bands recently added to the ever-growing list of awesome. Newest additions include Converge, Guitar Wolf (who play NYC on 5/13), Mind Eraser (side project Innumerable Forms also on board), Cult of Youth, No Statik, Touche Amore, Hatred Surge, and many more.
Full Chaos in Tejas additions, some video and current Chaos in Tejas lineup (more announcements forthcoming) is below.
Innumerable Forms @ Acheron (more)
Yet ANOTHER MDF-related tour to get excited about, as Hatred Surge, Mammoth Grinder, and Innumerable Forms (who all toured together last year) will hit the road with Miasmal (mem Martyrdöd) for a string of US dates that will include shows at Maryland Deathfest and Chaos in Tejas. Those dates kick off in Austin and include a Brooklyn show at Acheron on May 24th.
Meanwhile, Mammoth Grinder and Hatred Surge (who now have Rahi of Insect Warfare on vocals) have a split LP on the way via Cyclopean Records. The split is currently on preorder via the label, and features three songs from Mammoth Grinder and four from Hatred Surge. Download a pair of tracks from that record above and stream the entire thing below. Both Mammoth Grinder & Hatred Surge, as well as Scapegoat & Iron Lung will be featured on the upcoming Brutal Supremacy double 7" compilation due via Painkiller Records.
In related news, Cyclopean will also release the final (?) recordings by Iron Age:
The last Iron Age release will be available on March 1st. It will be a 2 song demo tape, and limited to 300 copies. The "Saga Demos" are essentially excerpts taken from our unfinished album "Fate in the Shadow of Eluvimal". They were recorded in our practice space last October and will finally see the light of day before we play our last couple of shows this Spring/Summer. Stay tuned for more info.No word on if "last couple of shows" means another NYC date. We'll keep you up to date, but until then, the Hatred Surge/Mammoth Grinder split is streaming below, alongside all tour dates...
It's 1PM in Texas and I just tied a bandana around my face before its time to get down to business. I'm not some outlaw out to rob a bank and hop on a speeding stagecoach; With the dry dirt and the hordes of kids in full-on circle-pit/floorpunch mode, a bandana or a surgical mask is a key tool in dealing with the clouds of dust that form around the chaos.
Chaos it was, off-stage that is, as the crowd popped for the likes of Suicidal Tendencies, Snapcase, Dwarves, Municipal Waste, Gwar, Mastodon and others on Fun Fun Fun Fest's Black Stage (where I spent a good bit of my time). Though I wandered to the Orange Stage to catch amazing performances from Cap'n Jazz, The Hold Steady & Descendents (among many others) and the Blue Stage to catch scorching shows from Big Freedia, Pharoahe Monch, Dam-Funk, and A-Trak, but it was the Black Stage where I caught pretty much every single band in action.
And that's a lot! One of the great things about the Black and Orange stages is that they are actually TWO stages each. A band will finish their set, and then on a stage right next to it, another band will line check and play. Times between bands varied (due to set time length and on occasion, technical difficulties), but there were moments when it was as low as 5 minutes between sets. More music and less downtime.
I started out my Saturday (11/6) with Black Congress, whose powerful post-hardcore impressed the early crowd. Hatred Surge followed, and even with a new singer in tow, the brutality has stayed a constant. Power Trip was next, and they do crossover-thrash that is less DRI/ Municipal Waste, and more serious/furious. Bands this good shouldn't play this early.
I'm very picky about sung vocals and punk rock, so it's sort of no surprise that I didn't care for either Bad Religion (who had no guitar in the mix for the first three songs), The Briggs or The Vandals, but I did enjoy what I saw of Strike Anywhere's live set (even though I am not into their recorded output). Dreadlocked singer Thomas Barnett is as energetic a frontman as I would see on the Black Stage all weekend, and really added tremendous power to the band's melodic hardcore.
Muncipal Waste (more here)
Strike Anywhere is from Richmond, and the band got a "Richmond represent" shout out from the great Municipal Waste that day. The band thrashed their way through one of my favorite sets of the afternoon, complete with thrown trash cans, a wall of death, stage diving, and an "execution" courtesy of fellow Richmond band Gwar. Gwar was fun in a kitschy way and delivered a great set later in the day, but the crowd energy and the precision of MW's live show was the most memorable.
Also on the Black stage were Valient Thorr and The Casualties who both delivered energetic sets, with the latter giving a crusty spin on the Ramones classic "Blitzkrieg Bop". The mohawk-ed kids went ape, and a wall of death, which was later faux-mocked by Municipal Waste when they initiated their own wall of death, was called upon by vocalist Jorge Herrera.
On the Orange stage, I managed to catch Woven Bones, The Appleseed Cast, and Jeff The Brotherhood. Jeff The Brotherhood is a staple of the small stage in NYC, so it was a bit odd to hear that guitar tone blaring out of 50 feet of PA speakers. Odd, but no less fun/impressive.
Along with Municipal Waste, Big Freedia was another one of my favorite sets of the day. Her nonsense odes to ass, ass, and ass-clapping were a pure sugar-rush and left 90% of the crowd in hilarious amazement and the other 10% with a big old "WTF" look. The Freedia set was tamer than her usual appearances, but no matter, it was still much fun and much booty-shakin. Dam-Funk would also get the crowd moving on that same stage hours later.
Seeing Big Freedia meant missing a good portion of Cap'n Jazz, who announced on stage that Fun Fun Fun would be their last show. Unbelieveably kinetic and powerful, Cap'n Jazz reminds me that emo is short for "emotional" and not just a psuedonym for pop-crossover. Mesmerizing and awesome.
Sunday (11/7) was a late start for me, so I got to the venue to see the tail end of Junius (who played 2nd, after Eagle Claw on the Black Stage). They're a band I'm very familiar with for their latter-Isis crunch-and-clean vocals steelo. It was surprisingly the next band that really got me going: Peelander-Z. With a large crowd looking on, Peelander-Z delivered an incredible mix of energy, stage presence, audience participation, fun and simple song-craft, and plain old good times. They played from the crowd. They stage dove. They led the audience in a giant game of limbo. They had a footrace. Totally fun.
I have a lot of recent experience seeing OFF!, High on Fire, Kylesa, Floor, Mastodon, and The Bronx, who all played the Black Stage that day. All gave predictably excellent shows though Kylesa in particular seemed a bit more energetic that usual (lots of Laura pogoing). It might have been the fact that FFF marked the end of their US tour with Torche and High on Fire, but they were particularly good on that sweltering Sunday afternoon. Floor was great as usual, though I enjoyed them more at Red 7 later that night... possibly because their music felt like a bookend to a great weekend. Both High on Fire and Mastodon's setlist delved into all of their recorded efforts which, as a long time fan, was comforting.
I'm not particularly scared of anyone, but Human Furnace of Ringworm gives me the shakes. His gravelly voice propels the rest of the Clevo-hardcore band forward and blew my mind that afternoon. They were one of my highlights of the day, and if I had only seen them and Snapcase on Sunday, I would have been content.
If my dad listened to modern music anymore, he would go apeshit for The Hold Steady. The band cranked out a crunchy Springsteen-esque set and sounded better than I have ever heard them before. Though they were killing on the Orange stage, I made the hard decision to bounce to catch the rest of Suicidal Tendencies' set.
Nothing against Mike Muir, but he isn't in the same shape that John Joseph of the Cro-Mags is (Muir and the rest of the known universe). No matter, it doesn't stop him from zigging and zagging back and forth on stage as the rest of Suicidal Tendencies runs through hits like "You Can't Bring Me Down" and "I Saw Your Mommy". High energy stuff; I can't imagine running in circles while trying to recite the words to "Institutionalized". Catch Suicidal and Cro-Mags together at Terminal 5 on November 14th.
If I was to pick two of my favorite sets from Sunday, the winners easily go to Snapcase and Descendents. Snapcase was brutal, technical, confrontational, and totally fun; the crowd gave back every ounce of energy that the band put in. From the opening notes of their third song, "Zombie Transmission" from Progress Through Unlearning, I knew that this was going to be a highlight. We need more shows from Snapcase.
Descendents, who we also need more shows from, are one of the few bands that pass my "no clean vocals in punk rock" test. Their songs are funny without being goofy, melodic without being overtly pop, and driving/hard when they want to be. Classics like "Suburban Home", "Bikeage" and a good portion of Somery, "Everything Sucks" and many of the highlights from that LP, and tons of others all made their way onto the setlist that night. And yes, the band made sure to fit in "All" and "Weinerschnitzel". Too fun, and though I left Mastodon early to catch them, I have no regrets.
As far as pictures go, we already split the fest up into ten other posts, my pictures from Saturday included. This post is number 11 and it includes all my pictures from Sunday (and it is our final set of Fun Fun Fun pics from this year) which continue, below...
Digital Retribution: When I last interviewed you, you said of the Dead Kennedys reunion, "I thought it was fucking pathetic, though, when The Dead Kennedys went out without Jello as their singer." What I meant to say instead of whatever monosyllabic witticism I spouted is: What's the difference between DK and the reformed Misfits, who GWAR toured with?With 46 acts spanning multiple genres, all worth at least checking out, and most worth more than that, playing on four stages in a 10 hour period along with side attractions like a bungee jumping thing and a mechanical bull, and with three of us at Fun Fun Fun Fest, it shouldn't be surprising that it took us ONE, TWO, THREE, and now FOUR posts to cover just the pictures from Saturday. They continue below...
Dave Brockie (aka Oderus): I think there is a big difference, but don't expect the original product in either. I like Jerry and I would rather have him out touring and having fun than have him working in his machine shop. You can't blame him for wanting to cash in on how great The Misfits were, and enjoy himself in the process, plus give all of his pals jobs in his crew, and show his kids the time of their lives! So in that aspect, I think Jerry and what's left of The Misfits is cool, as long as you don't go in there expecting to see Glenn Danzig! I feel Jerry has earned the right to do whatever the fuck he wants through 30+ years of dedication to this music. Jerry never lets up, he is always gigging. Whereas the Dead Kennedys thing was just a one-shot money grab. They knew they could get away with it, do a year or two, cash in, and bail...and also, The Misfits actually got away with replacing their singer, with Mike Graves, and did a couple of great records! That was when we toured with them, and that was great! American Psycho is a great fucking album!
words by BBG, photos by Samantha Marble, BBG
Coffinworm (by BBG)
If there was a single SXSW show that intrigued from top to bottom, it'd have to be the Profound Lore/20 Buck Spin official showcase at minuscule Headhunters on 3/19 (we were proud to be a sponsor). With an estimated capacity of no more than 100 people (and probably considerably less), the show was packed from top to bottom with a wide palette of heavy music that dabbled in doom, noise, powerviolence, and everything in between. All my favorites were present and delivered predictably blistering sets (Salome, Dark Castle, White Mice, Liturgy, others), and there were other bands on the lineup that delivered to the fullest (Yakuza, Coffinworm).
By the time their set rolled around at Headhunters, I had already seen Coffinworm once (one day earlier) at the BV show at Hoeks Death Metal Pizza. Promises offered on their demo were delivered, and the band played a punishing set that realized all of the bite of their recorded output. The theme of focused and taught blackened doom continues on their new album, When All Became None, which is a contender for one of my favorite debuts of the year. Must.
Another band that I hadn't caught in the flesh, Yakuza, is a bit of a peculiar character. This Chicago band's progressive metal is punishing live, with seriously heavy and catchy riffage that, in itself, would be very distinctive.... and in comes the saxophone! Frontman Bruce Lamont's replaces guitar leads/solos with a saxophone that, despite what you are thinking, sounds nothing like a metal Dave Matthews Band. Though it was admittedly off-putting the first time I heard it, I have come to find the sax to be a crucial part of their sound, with all of the parts tailored around it compelling and awesome. Yakuza ripped it at Headhunters.
More pics from the show (except The Atlas Moth and Liturgy ones which are forthcoming) are below, as well as a few videos of Coffinworm, White Mice, Hatred Surge, and Salome...
The Atlas Moth @ Union Pool (more by Samantha Marble)
BrooklynVegan is proud to announce Salome, The Atlas Moth, and Dark Castle as on board for the BrooklynVegan Day Show on 3/17 at Emo's along side Torche, Fucked Up, and Javelina! Stay tuned for more announcements, it's gonna keep getting bigger, I assure you!
In addition, BrooklynVegan is also proud to announce sponsorship of one of the best official metal showcases at SXSW 2010, the 20 Buck Spin/Profound Lore showcase at Headhunters on 3/19! Featuring an absolutely jaw-dropping lineup of Yakuza, Liturgy, Coffinworm, White Mice, Salome, and The Endless Blockade, the show will be punched up by some of our favorite bands that currently don't reside on either label, The Atlas Moth, Dark Castle, and Hatred Surge! Set times and the show flyer is below, so get there and stay there... it's gonna be pretty amazing.
Both The Atlas Moth and Salome will be in NYC in the coming weeks, and both on unmissable shows. The Atlas Moth will open the night at LPR on 3/8 with Coalesce and Harvey Milk (tix), while Salome will play NYU on 3/11 with Shrinebuilder and Wolves In the Throne Room. Tickets for the NYU show are currently on sale for NYU students, while details for non-NYUers are forthcoming.
20 Buck Spin/Profound Lore flyer and some videos below...
Laura of Kylesa (more by Paul Birman)
Earlier I discussed my favorite LPs of the year, but why leave the fun to just one? I asked some of my favorite artists and promoters for their 2009 highlights. The responses were great. You already saw some of them. Justina listed some quotes, Liam Wilson talked about Philly, and Josh Graham listed good things about 2009. They continue below. You'll find lists of favorite songs and albums of the year, not to mention answers to crucial questions like:
- What are Coalesce's favorite pizza toppings?
- Which one of my top 20 artists of the year tried to get in a cab with Kirsten Dunst?
- What is the #1 sauce/condiment of 2009?
words by Black Bubblegum, photos by Justina Villanueva
Hatred Surge played a Brooklyn show at The Charleston on July 17th. And they were bigger, badder, and boiling over with a fury that was only hinted at when I saw them at SXSW in March, possibly due to Brooklyn's more diverse powerviolence/grind/d-beat bill that was together as part of the ongoing Hardcore Gig Volume series.
Mammoth Grinder (more about them here) provided direct support, and although 2/3 of the lineup came from the headliner (Alex Hughes and Chris Ulsch), the band lacked the same punishing power of Hatred Surge. That's not to say that Mammoth Grinder were anything less than great, it's just that Hatred Surge was just that much more massive.
I've heard many things about Disnihil in the past, and all of it is true. The band's frenzied, crusty d-beat was intense and fun, and I'm already looking out for the next chance to catch them.
Defeatist was the first band that I caught, having missed Seasick completely. The thing that struck me immediately about the band was the severely brutal guitar tone of Aaron Nichols, with much more low end than I was used to as compared to their comp LP. I can't wait for their next appearance, at the Show No Mercy show at Public Assembly on Aug 2nd (with Keelhaul, Minsk, Unearthly Trance, STATS)!
More pictures from the show below...
by Black Bubblegum
With a maladjusted hardcore assault that's part galloping Motorhead and Clevo Hardcore's Ringworm but with the strength of High On Fire, Iron Age have announced that their new album will be released by Tee Pee Records. The Sleeping Eye, which was completed late last year, is currently available on 2LP (in limited numbers) via Cyclopean Records, but look for Tee Pee to release the CD and LP on August 4th. In the meantime, check out "Dispossessed" from the album available for download above!
Iron Age's last release, The Way Is Narrow 7" has just been repressed by Painkiller Records. Pick that up here, and dig on the title track (another version appears on The Sleeping Eye) also downloadable above.
Iron Age, along with many others involved in Chaos In Tejas next weekend, will be playing other dates before and after the show. Look for Iron age to join hardcore faves Sex/Vid and Mind Eraser on a short Northeastern tour that includes two NYC shows in one day, June 6th... Cake Shop early and Death By Audio late.
Alex Hughes, guitarist for Iron Age and ex-member of Insect Warfare, will also be busy with his other projects in the coming months. Look for Hatred Surge and fellow Texans Mammoth Grinder (who we profiled here) to tour the east coast as part of a cam-pain through NYC on July 17th at The Charleston with Defeatist (mems Anodyne) and Disnihil.
I caught Iron Age and Hatred Surge in their hometown of Austin during SXSW. All tour dates are below...
words & photos by Black Bubblegum
Ancestors @ Room 710 in Austin - March 19, 2009
My SXSW adventure began Wednesday morning at the airport. Talk about starting things off on the wrong foot! A woman fell into a diabetic coma (she was ok later that morning) on my 6:30AM flight. That led to an unplanned stop in NOLA which was followed by a layover in a fogged up Houston Airport... to say I was a little late to our own day show at Emo's was an understatement. Unfortunately, Trash Talk were wheeling their amps out the door when I got there (which meant I also missed Garotas Suecas and Psychedelic Horseshit), but I managed to catch Trash Talk vocalist Lee cruising around, with a microphone grill imprinted on his forehead. His pain, our pleasure...