Entries tagged with: Hisham Bharoocha
Glasslands will host a headlining set from Zanzo (aka Hisham Baroocha of Soft Circle with Rob Lowe of Lichens) and additional performances from Thank You and Daniel A.I.U. Higgs TONIGHT (1/25). Entry will cost you a paltry $7, and the show starts at 8:30.
The show will double as a record release party for Thank You, as their new LP Golden Worry is out today via Thrill Jockey. Download "1-2-3 Bad" above and check out a video for "Birth Reunion" below. In early Feb, Thank You will hit the road in support of the LP, tagging Death By Audio on February 12th as part of that jaunt. Double Dagger is also part of the show, and will play NYU with Fucked Up the day before. Full Thank You tour sked is below.
Tonight at Glasslands is one of two NYC shows scheduled for Lungfish member Daniel A.I.U. Higgs in the near future He'll also play Issue Project Room on 2/26 with Heresy of the Free Spirit ("Jozef Van Wissem and Brooklyn-based multi-instrumentalists Che Chen (violin, bowed rewap, bass recorder, percussion and tape machine) and Robbie Lee"). Tickets are on sale.
In addition to both of the previously mentioned shows, Daniel Higgs has announced that he has joined on as a member of Skull Defekts. Higgs will appear on the band's forthcoming LP Peer Amid due via Thrill Jockey on 2/15. Check out the first track "Fragrant Nimbus" available for download above/streaming below. The band will follow up the release of the LP with US dates in late March and April with Zomes, including April 3rd at Littlefield in Brooklyn.
That Skull Defekts song stream, the Thank You video, and all tour dates are below.
words by Black Bubblegum, photos by Ryan Muir
some of the stars of ATP NY 2009
What's almost the exact opposite of a soothing set of Seven Swans performed by one of the most delicate singers in indie rock? Try nine drummers (including Hisham Bharoocha, Zach Hill, and Kid Millions among other notables) bashing your fucking skull for so long that the stage manager has to come out to unplug their gear and remove toms from underneath them! That's how I started my ATP Day 3... with the Boredoms blowing my mind.
Starting off with sparse chords on the monstrous multi-neck guitar/percussive device, Eye set a calm and reflective mood... and then the cymbals. And then the toms. And then eight drummers pummeled away led by Yoshimi P-We. And then the synced rimshots that recalled an Animal Collective beat. All of this happened before a ninth drummer was carried into the show like an emperor while doing a call and response with the other eight.
Within about 10 minutes, I knew that Boredoms would take the prize as best show at Kutsher's that weekend. The sheer power of the coordinated drums, along with pregnant pauses and killer synth effects performed via keys, CD-DJ tables, and broomsticks (!) were beyond jaw dropping.
Following Boredoms, I poked my head into Oneida's Ocropolis for the first of many times. For 10+ hours, Oneida basically had the small and very decorated room all to themselves for a long jam session with their friends. Reportedly, the band had tape rolling the whole time (Ocropolis is the name of their Brooklyn recording studio) and had visuals provided by the Mighty Robot AV Squad. With local standbys like BJ Warshaw of Parts & Labor/Shooting Spires fame, Chris Weingarten (ex P&L), Todd P, and many others spotted in the Sportsman's Bar, it seemed like Brooklyn in the Catskills. Unfortunately, I missed every single special guest appearance (word is, and in part according to a sign on the door, Soft Circle, Yoshimi, Aaron from Tall Firs, Zach Hill, Steven Drozd and many others all popped in) but the band was very interesting to watch, alternating between songs, and droney ambient jams.
Caribou was next in the main room and the 16-piece(!) band including Sun Ra Arkestra member Marshall Allen, Koushik, Kieran Hebden (Fourtet) and many others. I had no expectations heading into the set and was pleasantly surprised, although I found the mix to have waaay too much low end.
I ducked out of Caribou early to catch the last twenty minutes of Hopewell who was billed to be playing "The Desperation Suite," "complete with a female choir and avant-garde saxophonist Mark Marinoff". From what little I saw, the three person "choir" did little but coo, ooh, ahh, and coordinate a dance, but the band did close with a rousing cover of Jane's Addiction's classic "Of Course".