Entries tagged with: Hop Along
photos by Amanda Hatfield
Paint It Black / Hop Along
Philly hardcore greats Paint It Black hadn't played NYC in years but that finally changed over the weekend when they returned for a free Brooklyn Night Bazaar show on Saturday (3/8). The crowd was clearly excited and as you'd expect, there was tons of moshing and stage diving going on. There was excellent support on the bill too, including another great Philly band, Hop Along, local skate/surf punks Night Birds, and Bad Canoes, another of Marissa Paternoster's (Screaming Females, Noun) bands, though for this one Marissa puts down the axe and just sings. Pictures of all four bands are in this post. They continue below...
photos by Amanda Hatfield, words by Andrew Sacher
Hop Along / Swearin' @ Saint Vitus - 2/24/14
Hop Along, Swearin' and Great Thunder took over Saint Vitus in NYC last night (2/24) as part of a free show presented by Shiner in conjunction with Transmission in Austin, and us at BrooklynVegan. It was a great show and the second time in three days that I saw the Crutchfield sisters sharing a stage in Brooklyn.
Great Thunder, the side project of Katie Crutchfield (who currently fronts Waxahatchee) and Keith Spencer (of Swearin' and the current drummer of Waxahatchee's live band), kicked off the night with Katie and Keith trading songs, switching between acoustic guitars, electric guitars, and keyboard. Especially since both members have such active bands, Great Thunder can come off like a "just for fun" kind of project, but the songs they played last night were too strong for that. Some rivaled the best moments of the members' main bands.
Great as they were, there's no denying when Keith took the stage again for the Swearin' set that followed, the energy in the packed room drastically increased. Swearin' have put in many solid NYC appearances over the last few years, but this had to be the best I've seen them. With their great new album, Surfing Strange, which is bigger, heavier, and more collaborative than their still-great debut, Swearin' have developed into a serious live force. The interplay between co-lead singers Allison Crutchfield and Kyle Gilbride is spot on, and it increasingly diversifies the set. They've got the passionate slow(er) burners ("Movie Star"), the rockers ("Unwanted Place"), and the in between ("Dust in the Gold Sack").
The show wrapped up with the great as always Hop Along. They're finally getting around to following up 2012's excellent Get Disowned, and they used the show to try out some new material, which was sounding pretty great. The new album is definitely one to look forward to. The crowd seemed into it too, but of course it was the older stuff that really got them going. New-ish single "Sister Cities" didn't feel new-ish anymore, as it's now a live staple and most of the crowd seemed familiar, and on closing song "Tibetan Pop Stars," from just about anywhere in the room you could hear the crowd shouting along over Frances Quinlan's own voice. Really fun night, and you can check out pictures of the whole thing in this post.
Hop Along return to NYC to open for Paint It Black at Brooklyn Night Bazaar on March 8 with Night Birds and Bad Canoes (fronted by Screaming Females' Marissa Paternoster). Free. Hop Along are also planning to tour with Title Fight and Waxahatchee on the west coast surrounding those two bands' appearances at Coachella. Tour flyer (with all dates) below.
More pictures and videos from Saint Vitus below...
RSVPs quickly filled up after we first announced tonight's free Hop Along, Swearin', and Great Thunder (aka Waxahatchee's Katie Crutchfield and Keith Spencer of Swearin'/Waxahatchee's live band), but we've OPENED RSVP BACK UP - HERE. Hurry up before those slots are filled up, and see you tonight! UPDATE: RSVP is now closed again.
Note: RSVP admission is on a first come first served basis, subject to capacity of the venue.
by Andrew Sacher
Philly duo The Weaks (aka Evan Bernard and Chris Baglivo, both ex-Dangerous Ponies) aren't shy about calling themselves products of the '90s, which is certainly the vibe you get from their upcoming EP, The World Is A Terrible Place And I Hate Myself And I Want To Die (nice), due out next week (2/11) via Lame-O Records (the label that gave us Modern Baseball before they signed to Run For Cover). They sound like they've absorbed much of the decade's punk and power pop, ending up with a mix that should appeal to fans of Weezer, Built to Spill, Jawbreaker and anything in between. And like Weezer, they don't shy away from some classic rock influences, ripping a few guitar hero solos during those power chord bashers.
Evan and Chris were joined by some of their Philly pals in the making of the EP, including members of Hop Along and Algernon Cadwallader. Though it won't be out for a week, you can pre-order it now (including a bundle with the band's homemade hot sauce) and a full stream of the EP makes its premiere in this post. Their only upcoming date at the moment is a release show in their hometown this Friday (2/7).
Listen to the EP below...
Hop Along at BV-CMJ 2013 (more by Amanda Hatfield)
We at BrooklynVegan are thrilled to announce that we've teamed up with Shiner and Transmission Events to put on a free show in Brooklyn on February 24 at Saint Vitus. Some pretty exciting bands currently from (or at one point tied to) the Philly indie rock scene are coming over for the show, including Hop Along, Swearin', and Great Thunder (aka Waxahatchee's Katie Crutchfield and Keith Spencer of Swearin'/Waxahatchee's live band). The show is totally FREE, though you do need RSVP, but "RSVP admission is on a first come first served basis, subject to capacity of the venue." Flyer below.
Streams from all three bands and the show flyer below...
Paint It Black in Philly in 2013 (more by Alyssa Tanchajja)
It's been years since Philly hardcore greats Paint It Black (fronted by Dan Yemin, also of Lifetime and Kid Dynamite) have played NYC (Songkick says not since 2011) but fortunately that will finally change this year. They'll come back for a Noisey-presented show on March 8 at Brooklyn Night Bazaar. Like all Night Bazaar shows, it's totally FREE, and making it even better there's a great support lineup of fellow Philly faves Hop Along, NJ/Brooklyn surf/skate punks Night Birds, and Bad Canoes, who are fronted by Marissa Paternoster of Screaming Females/Noun. Like we said, it's free, and like all nights at Night Bazaar there's shopping, food, and more.
Hop Along play NYC sooner as an opener on the first of two final Bomb the Music Industry! shows, which is now sold out.
Night Birds also play sooner at the Don Giovanni showcase on February 6 at Death by Audio with Tenement, Vacation, Nuclear Santa Calust and The Groucho Marxists (tickets); and Marissa Paternoster plays the DG showcase with Screaming Females at MHOW on 2/8 with California X, Brick Mower, Priests and Black Wine (tickets).
Flyer for the Night Bazaar show and streams from all four bands below...
Lemuria at Chaos in Tejas 2012 (more by Tim Griffin)
Bomb the Music Industry are calling it quits and playing a previously discussed final show at Warsaw on 1/19 with Cheap Girls. Since we last spoke, more details have been announced, including that Andrew Jackson Jihad was added to that show, and that BtMI! will do another show on 1/17 at the same venue with The Slackers, Lemuria and Hop Along. Both are sold out.
Meanwhile, while Michigan power poppers Cheap Girls, Buffalo indie punks Lemuria, and Phoenix folk punks Andrew Jackson Jihad are in NYC, they'll all be teaming up for their own show happening in between the BtMI! shows on January 18 at Europa. AJJ are headlining and Cheap Girls will be playing acoustic. Tickets for that show are on sale now.
Cheap Girls and Lemuria both have other upcoming dates, all of which are listed, along with a couple videos, below...
by Andrew Sacher
Title Fight at Europa in 2012 (more by Rebecca Reed)
"Emo is a style of rock music characterized by melodic musicianship and expressive, often confessional lyrics. It originated in the mid-1980s hardcore punk movement of Washington, D.C., where it was known as "emotional hardcore" or "emocore" and pioneered by bands such as Rites of Spring and Embrace." [Wikipedia]If you've been closely following along with the blogosphere lately, you've probably noticed talk, especially amongst the indie rock community, about an "emo revival." Some sites, like Stereogum and Buzzfeed, have directly written about the "revival," whereas others like Pitchfork -- a site which has previously derided even the most classic albums of the genre -- didn't explicitly call it a revival, but offered a valuable spotlight on the modern emo scene. NPR weighed in, asking, "Is Emo Back?," but still some, like Noisey, claim, "There's no emo revival, you just stopped paying attention." A writer at NYU Local agrees. Meanwhile, bloggers and local papers, like OC Weekly and Baltimore Sun, are running with this.
All of this attention is only doing the genre a service. As Chad Jewett points out on Half Cloth, "How did you find out about Diary, person born in 1988? Because you would have to have been preternaturally cool to have picked up on it in 1994 when it came out." In other words, maybe in 19 years someone will hear Is Survived By, and they'll thank their lucky stars for all these listicles and thinkpieces that pointed out that record and so many other great records. But does the increased attention for these bands (many of which have been around for years) in indie rock circles warrant calling it a revival? Maybe it's that people are realizing these "emo revival" bands have a lot more in common with indie rock bands than a lot of people thought.
For one reason or another (perhaps because kids who grew up on Drive-Thru Records comps are forming bands now), emo has been sneaking its way more and more into accepted indie rock. Nobody was screaming "emo revival" when Japandroids went from a well-liked indie rock band to one of the genre's most beloved with 2012's Celebration Rock, a record full of heart-wrenching lyrics, youthful spirit, and fast, catchy power chords -- all common descriptors of emo. (Not to mention it was released by Polyvinyl Records, home to such emo classics as Frame and Canvas, American Football, Look Now Look Again, and more.) Likewise, no one said it when Cloud Nothings' 2012 LP Attack On Memory got tons of love from indie rock critics upon its release and went on to appear in multiple year-end lists, including Pitchfork, Stereogum, Spin, and more. It's an indie record, but one with a heavy resemblance to early Sunny Day Real Estate and similarly emo lyrical themes ("I miss you 'cause I like damage / I need something I can hurt").
Japandroids at Bonnaroo 2013 (more by Dana (distortion) Yavin)
These records had all too much common with the great emo releases of that year, including Title Fight's Floral Green and Joyce Manor's Of All Things I Will Soon Grow Tired. Both of those albums embraced raw production, honest, innovative music, and were not geared towards a radio-pop fanbase, but yet were largely ignored in indie rock circles. It's essentially what indie rock is, and a far cry from what pop bands tagged as emo like Panic at the Disco, Hawthorne Heights, and Senses Fail were doing. Those pop-emo bands, and countless others, dominated rock radio, MTV, and a major part of the conversation on emo during the mid-2000s, scaring away many indie rock fans and critics from the genre all together. The two weren't always enemies. Emo kids and indie rock kids both hold equal claim to bands like Sunny Day Real Estate, Cursive, Bright Eyes, Death Cab for Cutie, Rilo Kiley, and others. Perhaps part of the split was because it was somehow cooler to look like this than like this.
Title Fight, who didn't appear on Pitchfork until the-year-of-the-revival despite notable album releases in 2011 & 2012, cited many of the same influences as modern indie rock bands for Floral Green, including Sebadoh, Hum, Nirvana, and Sonic Youth. And Joyce Manor did the same, namedropping Guided by Voices and Weezer's Pinkerton in interviews. It makes sense that fans who latched on to Japandroids/Cloud Nothings would gravitate towards Title Fight/Joyce Manor. So what makes them so different? Ian Cohen says in his 2013 Pitchfork review of the new Title Fight EP, "You're more likely to hear electro-pop or major-label bands such as Chvrches or Haim called "indie" more often than Title Fight. How is that? Is it because most of time, genre tags are used to described the perceived fanbase than the music itself?"
The question Ian poses in that review seems to be a huge factor in the need some have to cite an "emo revival." If Japandroids and Cloud Nothings are your kind of indie rock, or punkier indie-approved bands like Titus Andronicus and Fucked Up, or classic bands like Dinosaur Jr, Built To Spill, Superchunk, and Archers of Loaf, chances are you're going to (or already do) find a lot to like in Title Fight, Joyce Manor, Pity Sex (essentially a shoegaze band), Cloakroom (sludgy slowcore), Placeholder (fuzz rock/'90s-style indie/etc), and many more. And as certain people, like Jaded Punk Dan Ozzi in his Noisey article pointed out, these bands didn't come out of nowhere. This comparatively underground scene of emo has been co-existing with the mall-emo scene for years, and perhaps it's getting called a "revival" because of the sudden interest for it from a fanbase who, for the most part, previously ignored anything associated with that three-letter word.
I do think, to some extent, that at one point the "emo revival" tag meant something. Now-defunct bands like Algernon Cadwallader (who have a new band, Dogs On Acid, in the works and whose guitarist Joe Reinhart is now a sometimes-member of Hop Along) and Snowing/Street Smart Cyclist (whose singer John Galm now fronts the excellent garage punk band Slow Warm Death) revived a very specific type of emo in the late 2000s -- the math rock-influenced kind done (perhaps most notably) in the mid-'90s by Cap'n Jazz. That sound, which some people bafflingly call "twinklecore," can be heard in late-2000s bands Castevet, Empire! Empire! (I Was A Lonely Estate), 1994!, and bands who rose more recently, including The World Is A Beautiful Place & I Am No Longer Afraid To Die, Dads, and Prawn. But that's only a small sect of the genre as a whole. I recently said that Brand New's 2006 LP The Devil and God Are Raging Inside Me is my favorite emo album since Diary, and Devil and God only came out two years before Algernon's first, 1994!'s first, and La Dispute's first. Thursday's final record, No Devolucion, came out in 2011 and in my opinion it's one of their best. The genre had a rough period as it entered the mainstream (but so did so many other genres) but it never vanished.
Touche Amore at Riot Fest 2013 (more by Kirstie Shanley)
Why is it all happening now though? Perhaps with "indie rock's tuneful death rattle" and "the decline of guitar rock" in effect, with artists like Haim, Chvrches, Icona Pop, The 1975, and Lorde currently dominating the indie rock discussion, there are still people yearning for raw, scrappy guitar rock with DIY ethics and an alternative mindset. And a lot of us are finding that those cravings are satisfied by this large, thriving group of "emo" bands. In his "indie rock death rattle" piece on Grantland, Steven Hyden welcomed indie turning pop as a natural progression, but did point out some may be seeking something less pleasant, which he finds in Touche Amore's latest LP, Is Survived By.
Touche's record, another getting extra attention now thanks to the "revival," is one of the finest releases of this year, and embodies so many of the key factors of "underground rock." Its aggression is raw and unpolished, but it's melodically and dynamically exploring new ground for rock music. Lyrically, the themes won't be unfamiliar to indie rockers, exploring existential uncertainties ("To swallow mortality is enough of a task / And leaving your mark is just too much to ask") that aren't too different from a band like Titus Andronicus ("Okay, I think by now we've established everything is inherently worthless / And there's nothing in the universe with any kind of objective purpose"). They also happen to be musically and communally connected to post-hardcore bands like Converge and Thursday who have influenced forward-thinking underground rock bands, just as Pavement and the Pixies have.
At The Drive-In at Coachella 2012 (more by Dana (distortion) Yavin)
It's not only newer bands though. Many now broken-up bands have been reuniting, and getting welcomed back very warmly. It's no surprise that the much-loved At the Drive-In caused excitement when they reunited, but in case there was any doubt how large that excitement would be in indie circles: They got huge spots on major indie rock festivals like Lollapalooza and Coachella, and the reunion also got notable coverage on many indie sites, including Pitchfork, who weren't too kind to their classic Relationship of Command LP upon its release but scored it significantly higher upon its April 2013 reissue.
The fact that the idea of "indie rock" is so vague and encompasses so many things, many of which are not "indie" or "rock," is a great thing, but there are still kids who can't settle for Chvrches when a past generation got Fugazi. And luckily those kids won't have to worry. In addition to many of the bands mentioned above, there's Speedy Ortiz, Waxahatchee, Swearin', A Great Big Pile of Leaves, Courtesy Drop, Little Big League, Frameworks, Calculator, Iron Chic, Big Eyes, Single Mothers, Sundials, Aye Nako, Worriers, Caravels, Pianos Become the Teeth and so many more that all satisfy a similar craving, whether or not you call them "emo," "indie," or a "revival."
by Andrew Sacher
You may be familiar with Shaking Through, the online music series produced by Weathervane Music, through its installments with Hop Along, The So So Glos, Sharon Van Etten, and others. The series gives the artists two days to record a brand new song, after which the song is released along with a short documentary video on the process.
The newest installment comes from Brooklyn's Celestial Shore, and features singer Sam Owens duetting with Empress Of (aka Lorely Rodriguez). It's tamer than the band's usual mathy stuff (save for the minor freakout at the end), instead opting for airy, lazy-Sunday psychedelia. You can check out the song and the video below, and download the track for free at Shaking Through.
As usual, Celestial Shore have local shows coming up, including one on November 22 at Shea Stadium with Zula, and Sam Owens plays a solo show on December 10 at Union Pool as part of Luke Temple's residency at the venue.
Meanwhile, Empress Of is opening both NYC shows on SOHN's tour.
Shaking Through recently launched a PledgeMusic campaign to keep it going for a fifth year in 2014, and there's some pretty cool rewards. For pledging $10 you get "The Complete Shaking Through Recordings 2009-2013," featuring all 44 songs they've done so far. For $30, you can see Hop Along's Frances Quinlan at a private studio concert. And there's a reverse auction for "The Signed Patti Smith Collection," which features signed copies of her book Just Kids, her lyric book, her double-CD with My Bloody Valentine's Kevin Shields, and two of her recent albums, Trampin' (2004) and Banga (2012). The "reverse auction" is currently at $2,500 and it drops $50 a day until someone purchases it. More details on that here, and more reward options here.
Song stream and video below...
photos by Amanda Hatfield
Torres / Pallbearer / Joanna Gruesome
After a hot set by Yuck (who played after Courtney Barnett, Pity Sex and more), things cooled down during King Dude's set, literally, as the venue succesfully tested out their air conditioning for the first time. Nothing were then followed by the heaviest band of the day: doom traditionalists Pallbearer, we announced as our special guest just hours earlier. They played with Saint Vitus at Europa the night before.
Then things eased their way back in a lighter direction, with alt-folk singer Torres -- playing as a duo rather than a four-piece -- who continues to get grungier and more intense each time. We were worried that the transition from the metal of Pallbearer to Torres would be a disaster, but it was just the opposite and both bands played to a full room, even if the faces were not all the same.
Then came one of the most fun sets of the day (if we do say so ourselves) from Hop Along, who had fans packing in towards the front of the venue and singing along for much of their set. Hop Along gave the love right back and didn't hide their excitement that they were getting to open for Superchunk frontman Mac McCaughan and Mary Timony's new band Ex Hex. More about both of those special sets HERE.
After Ex Hex, the late-night portion of the show (we were only initially going until 10 PM) began with a set from Amsterdam's Jacco Gardner, who like Spires ten hours earlier, sound a lot like late '60s psych/baroque pop. Then came NYC's good lookin' rockers Drowners, followed by another big winner of this year's CMJ, Joanna Gruesome. The UK band only recently formed, banged out a debut LP mixing twee pop and punk called Weird Sister, and seriously honed their live show, which was one not to miss. A lot of folks who had clearly been at Arcade Fire earlier in the night (a lot of tuxes, a lot of animal masks) made it over for JG's set. The band didn't let amp issues or it being their last of a zillion CMJ shows slow them down, and their set ended with three of the five members in the crowd.
Finally, our epic-length party ended on a highly eccentric note, with a post-1AM set from UK duo Public Service Broadcasting who mix krauty dancerock with samples from '70s and '80s educational films. While they were lacking the projections they normally play with, they were still quite entertaining -- they addressed the crowd purely with dialogue samples -- and their tight set featured the only banjo of the night. After it all, somewhow we we were still standing.
Thanks again to Sailor Jerry and to Raw Revolution for supplying the free organic live food bars that scattered around the venue. Thanks to Vinny's Music, who provided backline equipment for the artists, to Baby's All Right for being so accomodating and for getting the doors open on time, to all the bands who played and to everyone that stopped by.
photos by Amanda Hatfield
Courtney Barnett / Pity Sex / Yuck
Thursday morning we still didn't even know if new Williamsburg venue Baby's All Right would be allowed to open. One day later, we hosted what ended up being the venue's first show ever for six hours straight on Friday afternoon. We then returned the next morning for an all-day Saturday CMJ party that went from noon til just after 2 AM. Pictures, videos and a recap of that 14 hour 10/19 BrooklynVegan show are in this post.
We kicked things Saturday off with local band Spires, who may be a newish band from Brooklyn but sound more like one from the UK in the late '60s, followed by the shoegazey emo of Pity Sex, who balanced whispered vocals and atmospheric guitars on either side of the stage with their driving rhythm section in the middle. Before their set, at least one member of Pity Sex got some new art on his body in our pop up Three Kings Tattoo shop courtesy of Sailor Jerry who also supplied the free rum we started serving right at noon.
Next up was Australian singer/songwriter Courtney Barnett, one of the big winners of this year's CMJ, who just released The Double EP: A Sea Of Split Peas, a collection of witty lyrics and Summer of Love psych pop. The songs are excellent, and she's got a nice stage presence with a funny attitude and some killer guitar freakouts. She offered a free CD to anyone who got a tattoo of her name.
After Courtney was Yuck, who were playing their first U.S. shows since singer Daniel Blumberg left the band. He wasn't really missed, as the rest of the band traded off vocals on the first album's songs and their new material seemed to go over equally well. (They also gave us their cover of New Order's "Age of Consent.) It was a packed -- and sweaty -- house with a very enthusiastic crowd. Great set.
Then we changed gears for goth/country singer King Dude (playing as a trio), who were a bit more rockin' than they are on record, which made for a good transition into Nothing, who have been tagged as shoegaze, are signed to a metal label but really just came off as a heavy rock band not tied to any specific subgenre (catch them, complete with a new tattoo they also got at the show, at 285 Kent on 10/29).
More about this show with pictures of the second half of the day are HERE. Everything described above, is pictured below...
set times are at the bottom of this post...
Okay, so we might be a little late with this announcement (and someone cancelled while I was writing this post), but we are now very excited (and relieved) to finally announce most of the lineups for our 2013 BrooklynVegan CMJ parties.
UNFORTUNATELY THOUGH, we still can't say the venue yet. Stay tuned for that announcement coming Thursday, but we promise it will be fairly convenient.
THE VENUE IS ANNOUNCED: It's Baby's All Right! (146 Broadway in Williamsburg)
Omar Souleyman (photo by David Andrako)
here we go...
On FRIDAY (10/18) we're going from noon to 6 PM and kicking things off huge with an acoustic set from The Head and the Heart at noon (the same Sub Pop-signed band whose upcoming shows at Terminal 5, Webster Hall and MHOW are all sold out).
Kirin J Callinan under Yamantaka // Sonic Titan (by Tim Griffin)
From there we change the energy drastically with a set by Kirin J Callinan (who is with a full band this year, unlike last year), Leeds band Eagulls who are followed by Leeds rockers Hookworms, who are followed by theatrical indie-metal-pop-prog band Yamantaka // Sonic Titan, Syrian pop singer Omar Souleyman (!), and finally indie rockers Speedy Ortiz!
Mac Superchunk (photo by Chris La Putt)
Then, on SATURDAY (10/19), we're going 10 straight hours, from noon to 10 PM, with local psych band Spires, followed by the emo-shoegaze of Pity Sex, Australian singer/songwriter Courtney Barnett, the new incarnation of Yuck, goth/noir country balladeer King Dude, Relapse-signed shoegazers Nothing, a SPECIAL heavy GUEST that will be announced Friday night, alt-folk singer Torres, folk-y emo-y rockers Hop Along, a solo set from Superchunk's Mac McCaughn, and the NYC debut of Ex Hex -- the new band of Mary Timony (Wild Flag, Helium, Autoclave)!
UPDATE: Joanna Gruesome, Public Service Broadcasting, Drowners & more added! Party now goes till 2am.
Both of these shows are 100% FREE, no RSVP necessary. No Arcade Fire. No Banksy. There is free food and drink and ink though.
Come by and pick up a free Raw Revolution bar to snack on and a complimentary Sailor Jerry rum drink, AND A FREE TATTOO. Sailor Jerry is bringing in Three Kings Tattoo artists who will be giving out complimentary tattoos right there in our venue (again)! Tattoos are first come, first served, as is admission to the shows.
1) One late announcement
2) Two free shows
3) 18 artists
4) Free drinks
5) Free tattoos till 6pm each day (designs pictured above)
A venue to be announced Thursday Baby's All right
A special guest playing Friday to be announced Thursday night Omar Souleyman
A special guest playing Saturday to be announced Friday night Pallbearer
9) JUST ADDED: four more bands Saturday!
And thanks to Vinny's Music for the gear!
See you there?
Also, don't forget, our metal blog Invisible Oranges is also hosting three shows. There's the 2-night official showcase at Saint Vitus with Pelican headlining both nights, and a number of openers each day (Ringworm included). And the late night show happening afterwards.
Full schedule for both of our parties below...
by Andrew Sacher and Bill Pearis
Hop Along at Saint Vitus in September (more by Vladislav Grach)
Sure, NYC has a lot of great shows almost every night of the week. But CMJ definitely stacks the deck (and the stages) a little more, with some overachieving bands playing upwards of 10 times over the next five days (10/15 - 10/19). With that in mind, here are 30 bands we think are worth catching during CMJ 2013. Clicking on the artist name takes you to their corresponding page on our NYC Show Calendar with a list of all of their upcoming NYC shows. We also made a Spotify playlist featuring songs from all the bands (who are on the streaming service).
Check out our full list and a stream of that Spotify playlist below...
photos by Vladislav Grach, words by Andrew Sacher
Hop Along @ Saint Vitus, 9/5/2013
Hop Along made their way to NYC a couple times earlier this year as openers for Title Fight and Fucked Up and for The Thermals, but Thursday night (9/5) they returned as the headliners for a show at Saint Vitus. They've always been a strong live band, but seeing them headline was way more wild. The place was packed as Hop Along played, with members of both the band and the audience stage diving, and a big portion of the crowd screaming along the whole time.
Their tourmates The Sidekicks went on right before them, playing an excellent set of punky power pop (mostly from 2012's Awkward Breeds), and also getting sing-alongs going, especially during set closer "Daisy."
It was the last night on their tour together and while Hop Along has already headed home (singer Frances Quinlan had to work on Friday), The Sidekicks are staying on the road supporting The Gaslight Anthem. Those dates include a Long Island show on Sunday at The Paramount (tickets). All are listed below.
Meanwhile, Gaslight Anthem frontman Brian Fallon will be in NYC again for our BrooklynVegan-curated Red Bull Sound Select show with The Bouncing Souls, Aye Nako (who play Glasslands tonight [9/7]) and one more TBA on September 30 at Music Hall of Williamsburg. Admission is $3 at the door (first come, first served), and Chris Gethard is hosting.
Chris Gethard also hosts today's free Don Giovanni show in New Brunswick, NJ's Boyd Park (9/7) with Screaming Females, California X, Black Wine, and Brick Mower (1 PM start). And Screaming Females will be back in NYC when their tour with Waxahatchee and Tenement hits MHOW on 9/14 and Bowery Ballroom on 9/16, the latter of which Aye Nako opens (tickets).
All upcoming Gaslight Anthem/Sidekicks dates are listed, along with more pictures from the Saint Vitus show, below...
Woe at Acheron, May 2013 (more by Fred Pessaro)
Names like Big Freedia, Cold Cave, Thou, Hop Along, Pity Sex, Dads, Inter Arma, Sundials, Woe and more will participate in Fall Line Fest, a two day festival in Richmond, VA on 9/6 and 9/7. The multi-venue festival has shows of all genres strewn across the city, with tickets set at a very affordable $20 for the weekend. Head below for the Fall Line Fest flyer.
The show is part of a large string of dates for the great Woe, who will hit the road with Inter Arma shortly after the fest. After IA breaks away, Woe will head home, and sew up the string of dates with a stop at Saint Vitus on 9/22 featuring Belus and Crypt Sermon. Tickets are on sale.
Fall Line details and Woe tour dates are below.
Hop Along at House of Vans in June (more by Maclyn Bean)
Earlier this year, Philly indie rockers Hop Along toured Europe with Ohio pop punks The Sidekicks, and now they're set to team up again for a North American tour. In the Chelsea Light Moving-style words of Hop Along, "This time we will be destroying the Northeast US and Canada. Watch yer backs."
The tour brings the two bands to NYC for a show at Saint Vitus on September 5. Tickets for that show are not on sale yet, but you can check Ticketfly for updates. All dates, including The Fest, are listed, along with the tour flyer and streams of both bands' 2012 LPs, below.
by Andrew Sacher
Circle Takes the Square (photo by Danin Drahos)
As discussed, Gainesville's The Fest is returning this year from October 31 to November 3, and they've just expanded their lineup to include more artists. Additions includes post-hardcore/screamo giants Circle Takes The Square, who have been reunited for a bit but still only rarely play US shows; Geoff Rickly's United Nations, who are also back, but have not been as active as Geoff's solo project; punk vets ALL; Titus Andronicus (who have multiple NYC-area appearances coming up); Fake Problems and more.
Those recent additions join previously announced names like Torche, White Lung, Bouncing Souls, Ceremony, Braid, Paint It Black, Samiam, Knapsack (reunion), The Draft (reunion), The Menzingers, The Lawrence Arms, Hop Along, Code Orange Kids, Creative Adult, Pity Sex, Mean Jeans, Retox, Lemuria, Greys, Tenement, Tim Barry, Toys That Kill, The Night Marchers and more. Tickets for The Fest are on sale now.
Circle Takes The Square returned in December, 2012 with Decompositions Volume Number One, their first album of new material since reuniting and second overall. It's not the instant masterpiece that their 2004 debut, As the Roots Undo, is, but it's still damn good. Download it in its entirety at bandcamp (name your price) or stream it in its entirety, along with the updated The Fest lineup, below.
photos by Maclyn Bean, words by Andrew Sacher
Fucked Up / Title Fight
This summer's free House of Vans concert series kicked off last night with a stacked triple billing of Fucked Up, Title Fight, and Hop Along. Despite a bit of rain over the outdoor drink/food area (which was actually kinda nice considering how hot it was inside), it was a great start to this year's HoV season. The line was pretty long even an hour before doors, but getting inside went pretty smoothly and the lines for the free beer weren't much trouble either. All the bands were great too.
Hop Along kicked things off around 7:45, and though they were the calmest band on the bill, they were no less intense to watch. Frances Quinlan is seriously such a powerhouse singer, wailing away with no interest in taming her voice, which she wouldn't need to do anyway. Frances opened the show with one song solo, and then was joined by her band for the rest of the set, which was pretty similar to their recent Bowery Ballroom show. It included a bunch of Get Disowned standouts and their recently released single, "Sister Cities."
Next up was Title Fight, who had the biggest and wildest crowd of the night, and they wasted no time making that happen. With little to no introduction the band tore right into their first song with Ned Russin swinging his bass and jumping around on stage while screaming into his mic. The crowd was packed with devoted fans yelling every word and starting all kinds of raucous pits throughout the show. The set was heavy on last year's excellent Floral Green album, but included a couple early cuts for the longtime fans (who, as you may have guessed, went totally apeshit for them).
Finally, Fucked Up closed out the night, and though the place had cleared out a bit after Title Fight, Fucked Up were excellent as always and had themselves a fairly wild crowd too. Damien was characteristically funny on stage (he debuted his 4 year old son's new song, whose lyrics consisted only of "I love the word 'penis'" repeatedly), and of course, he spent about 80% of the show in the crowd. They played a couple new ones, in addition to their usual trek through the David Comes to Life material and some other live staples like "I Hate Summer" and "Son The Father."
Fucked Up at Governors Ball on Saturday (more by Dana (distortion) Yavin)
As mentioned, the free, all ages House of Vans (25 Franklin St in Brooklyn) shows are returning this summer with some pretty great lineups. RSVP for the first show in the series, which happens on June 27 and includes Fucked Up, Title Fight, and Hop Along, opens today (6/11) at 11 AM. All shows are free but RSVP is required for entry.
Meanwhile, Title FIght have other upcoming shows including another previously discussed NYC date happening even sooner. It's a Rocks Off Cruise on June 16, which is a Shirts For A Cure presented show, and includes "a very special guest." Tickets for that show are still available. They also just announced a bunch of other dates, all of which are listed below.
And, in case you missed it, Hop Along recently released a new song.
All Title Fight dates are listed, along with some videos, below...
by Andrew Sacher
At Hop Along's recent Bowery Ballroom show opening for The Thermals and Screaming Females, they played a new song during their set and mentioned that it would debut on June 5. Well here we are on June 5, and that song, titled "Sister Cities," is out now. It's got a country-punk inspired rhythm rolling through it, and singer Frances Quinlan is at her most expressive, switching back and forth between her folky whisper and her unpolished roar. You can stream the song for below and download it for free at the Weathervane Music Bandcamp.
Weathervane Music is also the organization who just featured "Sister Cities" in their "Shaking Through" documentary series about the "Birth of a Song." In the series, bands record a new song in two days and the process is captured on film. You can watch two videos of that session, which splice together recording and interviews, below. Read more about the session at the Shaking Through website.
Hop Along will be returning to NYC for a free House of Vans show on June 27 with an incredible lineup that also includes Fucked Up and Title Fight (who play NYC even sooner). Though the show is free, RSVP is required, and it opens on Tuesday (6/11).
Videos and song stream below...
Kid Dynamite at FFF Fest 2011 (more by Fred Pessaro)
As discussed, House of Vans (25 Franklin St in Brooklyn) is returning for another free summer concert series this year, and like we said we would, we're now excited to announce the very awesome lineups for this year's series. We already knew Baroness and The Melvins would be playing on July 31 and the rest of the schedule is as follows:
6/27 - Fucked Up, Title Fight & Hop AlongAll shows are all ages and free with RSVP. Doors for each show are at 7. RSVP for the Fucked Up/Title Fight/Hop Along show opens Tuesday, June 11.
7/11 - Toro y Moi, Shlohmo & Jonwayne
7/18 - !!!, Jacques Renault Plus Special Guests Announced in Mid June
7/31 - The Melvins, Baroness & Honky
8/15 - Kid Dynamite, Joyce Manor, Red Hare, Swearin'
8/29 - Les Savy Fav, Delorean plus Special Guest
Flyer for the 2013 series and a Spotify playlist of the artists playing below...
by Andrew Sacher
The Thermals at Bowery Ballroom - 5/28/13 (via Paul Petrowsky)
The Thermals have been on the road in support of their new album, Desperate Ground, which dropped this past April via their new label home of Saddle Creek, and they swung through NYC last night (not for the first time this year) for the first night of their two-night run at Bowery Ballroom (5/28-29).
It was a great show start to finish with a triple billing of bands that blur the lines between indie rock and punk, kicking off with a set from Philly's Hop Along. Playing as a four-piece rather than their usual setup as a trio, Hop Along kicked off their set with a new song (which they said debuts on June 5), and then went into a number of cuts from their killer (and underrated) 2012 album, Get Disowned like "Laments," "Young and Happy!," "Tibetan Pop Stars" and plenty of others. The crowd was already at a pretty decent size during their set and from looking around a good deal of people towards the front knew every word.
Following them was Screaming Females, who open both Bowery Ballroom shows, and for a band who never seem to disappoint, they were especially on last night. Maybe it's because they're fresh off a tour with Garbage that mainly hit big venues, but they just sounded way too huge for Bowery Ballroom. And I might have been imagining it, but it seemed to me like they picked the songs with the most guitar solos for last night, because Marissa was wailing away almost that whole set, making it even more tremendous.
Finally, the headliners of the night, The Thermals, took the stage and kept the show on a total high. Their usual antics were intact with singer Hutch Harris only waiting about 4 songs to run off stage and play guitar in the audience, and a few songs later drummer Westin Glass was crowd surfing and high fiving everyone. As usual, their set was all high-octane pop punk with no slowing down, and included a number of classic cuts like "No Culture Icons," "Returning to the Fold," "Now We Can See," "It's Trivia" and tons more, in addition to many of the highlights from Desperate Ground. The crowd was loving it too, pushing each other around, stage diving, yelling every word, and both the crowd and band were all smiles the entire show.
The Thermals and Screaming Females do it again tonight, this time with support from Screaming Females' Don Giovanni labelmates Black Wine. Tickets for tonight's show are still available and we're also giving away a couple pairs. No pictures from last night's show unfortunately, but a couple more instagrams from the show and contest details from tonight's show are below.
by Andrew Sacher
As mentioned, The Thermals are releasing a new album, Desperate Ground, on April 16 via Saddle Creek, and they'll be going on a tour to support it which hits NYC on May 28 and 29 at Bowery Ballroom. When those dates were first announced, no openers had been revealed yet, but we now know that support on the 5/28 show will come from Hop Along. Their 2012 album, Get Disowned, was one of the great and often overlooked albums of that year, and they'll be a solid fit on a bill with The Thermals. Tickets for both Bowery Ballroom shows are still available.
UPDATE: You can now stream Desperate Ground in its entirety at Pitchfork
The Thermals are also putting out a Record Store Day release, Desperate Ground Demos, which includes demos of four tracks -- "The Sword By My Side," "Born to Kill," "You Will Find Me," and "The Sunset" -- from the new album that were recorded at home by the band on a 4-track. The album art for that 7" is below.
Hop Along also open The Thermals' Philly date, but both of those shows happen after they tour Europe with The Sidekicks. All dates are listed, along with a stream of Get Disowned and the Thermals album art, below...
by Andrew Sacher
Hop Along (via)
We're reaching the point of the year where all of the exciting music has pretty much finished coming out and you've got some time before next year to check out all of the stuff that might have flown under your radar over the course of the past twelve months. If you've been doing that and haven't already checked out Hop Along's unfairly overlooked (and great) Get Disowned, you should do yourself a favor and give it a listen. I caught the band back in September and they bring it live too. If you like your indie rock of the Don Giovanni variety (Lemuria, Waxahatchee) with a dash of Neutral Milk Hotel, you'll dig Hop Along. You can stream the whole record below ("Tibetan Pop Stars" is a standout).
Before the year ends, Hop Along will make their way over to NYC for one more show here on Wednesday, December 19 at Public Assembly for Bomb the Music Industry!'s fifth annual holiday toy drive. Franz Nicolay (Hold Steady, Against Me!, and more) is also on the bill. Tickets for that show are on sale now. The only other show Hop Along have scheduled at the moment is in their hometown of Philly as an opener at Up Up Down Down Left Right Left Right B A Start's reunion show in January.
A list of all dates and the album stream are below...
by Andrew Sacher
Swearin' at SUNY Purchase - 9/9/12
After taking about a month-long break since their last show, Brooklyn's Swearin' kicked off a short September run of the NYC area and Philly at SUNY Purchase last night (9/9). The NYC shows on that run include one TONIGHT (9/10) at Mercury Lounge as a support act for the previously discussed Jaill and Fergus & Geronimo show with Home Blitz. Tickets for tonight's show are still available. They'll also play a TBA Brooklyn show on Wednesday (9/12) with Tenement, and will open for Chomp at their record release show at Cameo on September 21. Tickets for that show are on sale now. In November, Swearin' will head out as an opening act for Japandroids on their previously discussed tour, but their last scheduled date at the moment is the Asheville, NC show (12/2) which happens right before Japandroids play Webster Hall in NYC (12/4). No other opener for the Webster Hall show has been announced yet either. All Swearin' dates are listed below.
I caught Swearin' at SUNY Purchase last night and they put on a super fun show. Sometimes calmer sounding on record, the band never ceased to be punchy and in your face live. They play crunchy pop punk the way it's meant to be played and the crowd was into it the whole time. Their set relied primarily on their recently released self titled debut LP, but also reached back to 2011's What a Dump EP for some old faves like "Irrational." Allison Crutchfield had already cut her teeth for years in P.S. Eliot so she's got the experience and is fully able to be a totally confident frontwoman and charming performer.
Hop Along at SUNY Purchase - 9/9/12
At the Purchase show, Swearin' were opening for Philly's Hop Along, who are touring in support of their excellent new album, Get Disowned, which I recently wrote about on BV Austin. Both bands (and Laura Stevenson and the Cans, Shellshag, etc) have a notable amount of sonic compatibility, but while Swearin' are reliving the glory days of pop punk, Hop Along often recall the fuzz folk of Neutral Milk Hotel and The Microphones. Frontwoman Frances Quinlan is a powerhouse live, howling away at her intimate lyrics and also proving to be a pretty killer guitarist. She's backed by an equally impressive band -- Mark Quinlan (drums) and Tyler Long (bass) -- who play as a three-piece that sound as large and diverse as a six-piece. Highlights of the show came during "Get Disowned" and album standout "Tibetan Pop Stars," during which a mosh pit immediately broke out, knocking over Frances' mic stand within seconds and causing the band to restart the song. Luckily they were in good spirits about it and once the song did continue, the entire room could be heard shouting along to the song's chorus and explosive bridge. Hop Along's tour continues this week, hitting Bard College on Friday (9/14), and wrapping up in November. All of their dates are listed below.